Tracy Stuckey

American Progress

2018

Jennifer Nehrbass is a painter living and working in Albuquerque, New Mexico. She was born in West Bend, Wisconsin in 1970. She received her B.S. in Art and Textile Design from the U...

Jennifer Nehrbass is a painter living and working in Albuquerque, New Mexico. She was born in West Bend, Wisconsin in 1970. She received her B.S. in Art and Textile Design from the U...

Jennifer Nehrbass is a painter living and working in Albuquerque, New Mexico. She was born in West Bend, Wisconsin in 1970. She received her B.S. in Art and Textile Design from the U...

Tracy Stuckey received his BFA in painting from Florida State University and his MFA from the University of New Mexico. He has exhibited his work extensively throughout the United States, with numerous solo and group exhibitions, including shows curated by gallery owner Linda Durham and artist Joel Peter Witkin. He has been the recipient of numerous grants and awards, most recently the Professional Development Grant from the West Virginia Division of Culture and History. In 2009 he was an artist-in-residence at the Center for Land Use Interpretation in Wendover, Utah. Also a professor, Stuckey has taught at West Virginia University, and most recently, Colorado State University. Tracy and his wife, artist Erika Osborne, live in Fort Collins, Colorado. ARTIST STATEMENT My paintings operate in a fictitious world that utilizes the mythologies and realities of the modern American West. Because of its unique history, the Western United States is more than just a location; it is a label, a persona and most importantly a cultural identity. The word "Western" is a category; it is used to describe films, literature, music, art, and fashion. In my work I use the cowboy and cowgirl and other stereotypical Western themes coupled with pop cultural depictions of the region to reflect my own interpretations of the contemporary West. I am interested in historian Michael Johnson...

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

Like the Westerns I grew up with, my own work is camouflaged in a veil of nostalgia. The figures in my work are often portrayed against a stark background. This forces the viewer to recognize the myth before the critique exposes itself. I work from observation and my imagination using watercolor and traditional printmaking methods. The figurative images I create are heavily researched. By using the West, a subject that I am both familiar with and continue to question, I aim to engage with our inherent perceptions of the past and the myths embedded within. - Jed Webster Smith

Artist: Liang Li Born in 1985 Henan China, and currently living in Beijing In 2003, he joined the Basic Department of CAFA Modeling In 2004, he joined the Second Studio of Oil Painti...

Artist: Liang Li Born in 1985 Henan China, and currently living in Beijing In 2003, he joined the Basic Department of CAFA Modeling In 2004, he joined the Second Studio of Oil Painti...

Artist: Liang Li Born in 1985 Henan China, and currently living in Beijing In 2003, he joined the Basic Department of CAFA Modeling In 2004, he joined the Second Studio of Oil Painti...

Artist: Liang Li Born in 1985 Henan China, and currently living in Beijing In 2003, he joined the Basic Department of CAFA Modeling In 2004, he joined the Second Studio of Oil Painti...

Artist: Liang Li Born in 1985 Henan China, and currently living in Beijing In 2003, he joined the Basic Department of CAFA Modeling In 2004, he joined the Second Studio of Oil Painti...

The theme of "La Stanza" ("the Room"), from which the exhibition takes the title, wants to resume intimacy and introspection that only a domestic environment manages to give. The wal...