Georg Jensen 1918 Kristian Mohl-Hansen Rare Art Nouveau Bracelet In 925 Sterling

Bangle cuff designed by Nanna and Jørgen Ditzel for Georg Jensen. This bracelet is categorized as one of the most iconic modern designs from the 20th century. Created in Denmark by Nanna and Jørgen Ditzel for the Georg Jensen company back in the 1954. Is a beautiful sleek piece with plain curved surfaces crafted in solid .925/.999 sterling silver with high polished finish. It is broad hollow cuff expanding towards the centre, fitted with invisible hinge at the back and with a discrete push-button opening at the front as a lock. When is viewed in profile, from the side, the shape echoes a Viking axe head. Weight: 100.6 Grams, (64.48 Dwt). Size: Fit a wrist up to 6.5 Inches (16.5 Cm). Measurements: The widest measure is 52 mm (2.04 Inches). Hallmarks: Stamped with Danish post 1945 hallmarks, the maker's mark, the silver assay mark and signed, "GEORG JENSEN 925S 107 S/M NJD [monogram]". *NJD = Nanna and Jørgen Ditzel. Nanna Ditzel, born in 1923. Was a Danish designer graduated from the furniture department of the School of Arts and Crafts in Copenhagen. Has been studying under prof. Kaare Klint at the Royal Academy of Copenhagen. Nanna Ditzel is working with experimental and industrial design furniture, textiles, silver, faience and glass. Has experimented with the use of split-level living for indoors and outdoors. The ideas have been carried through in playgrounds, children libraries and showrooms. Freelance designer, she has a design office and showrooms in London. Nanna Ditzel started independent design office in 1946 together with Jorgen Ditzel. The co-operation lasted until the death of Jorge Ditzel in 1961. Nanna Ditzel created many designs for Georg Jensen, mostly jewelry although she also created some hollowware. The relationship between the couple and the Silversmith began when Nanna decided to start designing jewelry as something she could do at home while her children slept. Soon after, a jewelry competition sponsored by A. Michelsen arose, and her designs had won first prize. Later on, in 1954, Finn Juhl, who was developing the 50th anniversary exhibition, passed the design work off for the exhibition to the Ditzels. Five pieces of jewelry were created for this exhibit, which were very well received. Further jewelry designs were created, and many of these pieces would go on to win various awards and prizes. In 1968, Nanna Ditzel remarried to Kurt Heide and relocated to London where they continued to work in the realm of design, establishing their own company Nanna Ditzel Productions Ltd. In 1986, her second husband passed away, and she moved back to Denmark, continuing her work. In recent years, Ditzel has focused mainly on furniture design, such as the Trinidad chair in 1993, however this design has also led to the further refinement for her jewelry pieces such as the bracelet #389 in 1994. Ditzel has won many major awards during her long career and has had her work exhibited all over the world. She received the silver and gold medals at the Milan Tirennale (1954 and 1960), the Lunning Prize (with Jorgen Ditzel in 1954) and a gold medal at the International Furniture Design Competition in 1990, and the Thorvald Bindesboll Medal in 1999. She has also taken on the title of Knight of the Order of the Dannebrog, Honorable Royal Designer ( 1996). From Georg Jensen Hollowware...

A rare art-nouveau aesthetic bracelet made in Barcelona. This is a very rare highly decorated bracelet, created in Barcelona Spain during the art-nouveau period, back in the 1900. This Catalonian bracelet was designed with fantastic Noucentisme organic and floral patterns with a reminiscence to the architect Antoni Gaudi. It was masterfully crafted in solid .925/.999 sterling silver and parts in 18 karats gold, with texture, hammered, and chiseled finishes. The fantasy floriated elements are embellished with applications of blue, green, and peach glass enamels. Fitted with a concealed push boxed lock. This Bracelet The Spanish modernist designers are of the highest quality. The silver work is solid and very substantial. The Barcelona silversmiths were well known for combining sterling silver with gold in their jewelry pieces. This bracelet is a wonderful example with beautiful links adorned with 18 Karat Yellow Gold and enamels. The bracelet has a wonderful nature- inspired motif resembling the architect Antoni Gaudi. This is one of the finest modernist bracelets we have handle. When is worn, it is a superb statement of design, modernist ideals, and the finest craftsmanship. The bracelet is magnificent with no trace of wear. Noucentisme From within the furnace of Barcelona, the capital of Catalonia, grew an art movement in the early 20th century that influenced painters, writers, architects, garden designers — and jewelers. The movement, called Noucentisme, arose as a reaction to an earlier artistic period known as Modernisme, which was associated with modernist movements throughout Europe. Noucentisme reflected the Catalan aesthetic -which is, of course, in opposition to Spanish and European influences- and turned to the region’s spiritual roots. Noucentisme has been poetically described as “a term without outlines, almost indefinable,” that pretends to gather “the palpitations of time.” The painter Joaquín Sunyer described the characteristics of Noucentisme in a broad way: Imaginative art, Intellectualism, Art for art’s sake Order, perfection, and beauty. One of the movement’s founders, a lawyer and artist named Eugeni D’Ors, believed that humankind wished to enter a new period of “morality” and that the ideal motto for a new society would be “the work well done.” Noucentisme jewelry is muscular yet sensual, which might also describe Catalan nationalism. Artistically, the form espouses clear geometrical structures, harmony of all the parts and work that demonstrates careful design as opposed to impulsiveness. The materials often used in Noucentisme jewelry are rose cut diamonds, synthetic spinel, marcasite, synthetic sapphires, aquamarine and turquoise; and silver, gold, and combinations of the two, with details of platinum. Enamels are used as highlights. The pieces feature hammered surfaces with spirals and stepped figures. Rectangular forms are preferred to ovals. Famous Noucentisme artists were writers -especially of poetry- architects, sculptors, and painters, such; Ramón Sunyer I Clará, (1869-1963), Jaume Mercadé i Queralt, (1887-1967), Manolo Hugué, (1872-1945) and the jewelers Fuset y Grau...

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