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Enamel Art Nouveau Maiden Woman Brooch 14 Karat Gold, circa 1900
About the Item
A spectacular Art Nouveau brooch with images of three maidens in 14 Karat Gold with fine Enamel decoration. The extraordinary Art Nouveau brooch features the faces of three women. The women's faces are decorated with enamel. The women's hair flows across the brooch as if blown by the wind intertwining the three maidens in a spectacular Art Nouveau motif. This is one of the finest Art Nouveau brooches we have seen with exquisite design. The faces of the maidens and the flowing entwined hair are absolutely gorgeous. The brooch is 14 Karat Gold. It dates to the Art Nouveau period, circa 1880 - 1920.
The brooch is hallmarked 14K.
The brooch is 2 inches (52mm) long and is 8mm tall.
The brooch weighs 3.7 grams.
- Metal:
- Weight:3.7 g
- Dimensions:Height: 0.3 in (7.62 mm)Width: 2 in (50.8 mm)
- Style:
- Place of Origin:
- Period:
- Date of Manufacture:1880 - 1920
- Condition:Wear consistent with age and use.
- Seller Location:New York, NY
- Reference Number:1stDibs: LU1476211180632
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Setting diamonds in gold with a thin layer of silver, “silver set”, was a technique used in the Georgian/Victorian/Art Nouveau period as white coloured gold and platinum were not yet available. A very thin layer of silver was applied to the gold, on which the diamonds were set, to show them off to their best advantage (as the yellow would reflect and distort the white colour of the diamonds).
The Art Nouveau period was a short lived but worldwide movement which reached its peak at the end of the 19th Century and the first decade of the 20th Century. It had its roots in the Pre Raphaelite and Arts and Crafts movements in Britain in the 1860’s. Artists, such as William Morris, took their inspiration from the flora and fauna of nature and rejected the mass industrialisation and mechanisation of the Victorian age.
Art Nouveau continued with this theme and has a distinctive appearance with soft, curved shapes and lines and often depicted natural designs such as flowers, birds and the female form. Before the Art Nouveau period, the emphasis had been to design pieces with an emphasis on gem stones, diamonds, rubies emeralds etc. However, during the Art Nouveau period, jewellers adopted the idea of using other semi–precious stones “from nature” such as agate, garnet opal, moonstone, aquamarine and experimented with a wide variety of new techniques e.g. enamelling.
The “New Art” style became a worldwide movement encompassing all disciplines of the arts, and world class artists as far afield as Gaudi with his “modernisme” architecture in Spain, Louis Comfort Tiffany in New York with objects, Galle Glass in France and the Liberty & Co Archibald Knox designs in Britain, Jugendstil in Northern Europe and Faberge in Russia.
The movement flared brightly but briefly and by 1910 it was already going out of style to be replaced by Art Deco.
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