HenrySchreiner EarlySet ProngSetCrystal Silver Spray Tiered Earrings & Brooch

This surrealistic handcrafted faux-sapphire-topped-pearl cluster brooch and clip-earrings set dates to around WWII, when fashion designer Elsa Sch...

This couture pair of gold-gilt earrings are both stamped "France" on their convex gold-gilt metal ear-pads, which is characteristic of one-of-a-kind designs commissioned by Parisian ...

Featuring five sparkly black opaque spinels with diamond-shaped facets and splintery vitreous surfaces, along with bezel-set champagne diamonds with yellow or peach reflections in su...

Beginning in 1939, American Miriam Haskell asked her first designer since 1926 Frank Hess to sparingly use metal in their costume-jewelry collections during WWII while war materials were needed. So not unlike the Spring/Summer 2024 floral appliques designed by Balmain artistic director Olivier Rousteing, hand-crafted rose-motif plastic never looked more beautiful in the 20th Century than such eye-catching glossy creations as these ballet-pink clip earrings by Hess. In this reflective and sparkling pair of lightweight slightly asymmetrical climbers, shiny film-like rhodoid is hand-cut, layered in three dimensions for irregular shadows, and riveted with clear roses-montees to a thin silver metal frame, which replaced Hess' characteristic wired Russian-gilt brass frame while still resembling his earlier construction (see our other Haskell listing for an early double fur-clip chain lariat). The earring clips, with tiny holes that were used for unsigned Haskell...

Stamped "Made In France" on their antique brass back-plates like the initial unbranded couture costume-jewelry commissioned by French Gabrielle "Coco" Chanel beginning in 1924, these floral-motif wired earrings with early handcrafted brass clips are decorated with button-like cultured mother-of-pearls mixed with Parisian organically-coated lampwork glass, which we photographed in indoor sunlight for the most accurate colors. The pair were designed by Chanel to accessorize a one-of-a-kind clothing ensemble (likely including cultured-pearl buttons and a brooch) for a client of this pearl-associated couturier whose earliest one-of-a-kind jewelry--unlike other 1920s fashion designers--sometimes mixed real and faux gems. The intricate glass artistry, wired clustered arrangement and earring findings are characteristic of one of Chanel's first Parisian paruriers, Louis Rousselet, who was a lampwork master with a workshop since 1920 specializing in faux-pearl glass beads and wire-work construction. As the three-piece flat-brass lever clips without hinge-holes on both sides predate Rousselet's wire-horseshoe clips, they can be dated like the patinated well-worn brass hardware to the mid-1920s. The beads of various sizes and ecru colors that are wired to each earring include five round graduating iridescent mother-of-pearl disks, along with lampwork glass replicating nine baroque pearls, five round pearls and two seed pearls. There are natural imperfections on the green-and-rose-reflecting cultured pearls, while there is some nacre-enamel loss on the glass beads that is not eye visible. On closer view, one of the central round glass beads has a lighter blister, which appears like the texture of some uncultured pearls. Of note, Chanel did not include a brand signature on any of her couture costume jewelry prior to the mid-1950s. As many of her clients who came to Paris for their couture-clothing fittings were foreign, the coordinated unique jewelry that was expected to leave the country was merely stamped "Made In France" or "France". We acquired these earrings in The States along with a similar set with less but larger "petals, berries and leaves", which we priced the same in a different listing despite the slightly greater size and weight of this pair. So we know that they both were created for a single commission of multiple unique earrings with like lampwork-glass shapes and findings to be paired with the ecru mother-of-pearls provided by Chanel. While we have acquired over a dozen pre-signature pieces commissioned by the founder, these are the earliest earrings that we have discovered by Chanel. We have never found a single match to contradict our recognition of her early couture creations nor to attribute them to another designer. Further, Art Deco couture...

In the 1950s while he operated an eponymous Parisian couture costume-jewelry boutique, Francoise Montague designed these unique handmade ornate pair of sparkly clip earrings featurin...

Rare Tiffany & Co. Retro 14k Rose Gold and Diamond with Platinum Detailing Brooch/ Pin or Pendant & Ear Clips Earrings Feather Set. Signed and stamped “14k” and “Tiffany & Co” (make...

From the collection of Phyllis M. Goddard, widely respected collector, researcher and author of books on William Spratling's works. She featured the pin in her book "Spratling Silver: A Field Guide", 2003, pg. 40, figure 2-56. A beautiful set of matching earrings and brooch. Crafted of 980 silver using the repousse method into the design of stylized conch shell cross...

This incredible 1950's Miriam Haskell brooch and earring demi-parure set, made up of statement hand worked milk glass and a leaf filigree design are rare pieces to behold. The pende...

An early and rare KJL demi parure comprising a Maltese Cross brooch and matching earrings in exceptional colors. The brooch with alternating blue and purple prong-set glass cabochons...

A mirror finish 18 karat white gold and textured 18 karat yellow gold brooch and ear clips set, by Chaumet, 1970s. The earrings measure 1.3" x 1.25" and the brooch 2.25" x 2.25". B...

Coral cabochons, circular-cut amethysts, and diamonds signed Van Cleef & Arpels. Brooch approx. 7.0 cm and ear clips approx. 3.4 cm circa 1970s French marks