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18kt Yellow Gold Cufflinks Dome Hammered, 1989 Tiffany & Co. Paloma Picasso

About the Item

1989 Tiffany & Co, Collection Paloma Picasso, 18 Kt yellow Gold Cufflinks 1989 18 kt solid yellow gold Paloma Picasso Tiffany & Co collection Large dome hand hammered cufflinks. Material: 18 kt solid hammered yellow gold Hallmarks: Tiffany & Co. Paloma Picasso, 750, Italy. Measurements: diameter 13.7 x Width: 21.3 mm Total weight: 12.2 gram About Tiffany & Co. (Designer) Tiffany & Co. is one of the most prominent purveyors of luxury goods in the United States, and has long been an important arbiter of style in the design of diamond engagement rings. A young Franklin Delano Roosevelt proposed to his future wife, Eleanor, with a Tiffany ring in 1904. Vanderbilts, Whitneys, Astors and members of the Russian imperial family all wore Tiffany & Co. jewels. And Jacqueline Kennedy Onassis preferred Tiffany china for state dinners at the White House. Although synonymous with luxury today, the firm started out rather modestly. Charles Lewis Tiffany and John B. Young founded it in Connecticut as a “stationery and fancy goods emporium” in 1837, at a time when European imports still dominated the nascent American luxury market. In 1853, Charles Tiffany — who in 1845 had launched the company’s famed catalog, the Blue Book, and with it, the firm’s signature robin’s-egg blue, which he chose for the cover — shifted the focus to fine jewelry. In 1868, Tiffany & Co. gained international recognition when it became the first U.S. firm to win an award for excellence in silverware at the Exposition Universelle in Paris. From then on, it belonged to the pantheon of American luxury brands. At the start of the Gilded Age, in 1870, Tiffany & Co. opened its flagship store, described as a "palace of jewels" by the New York Times, at 15 Union Square West in Manhattan. Throughout this period, its designs for silver tableware, ceremonial silver, flatware and jewelry were highly sought-after indicators of status and taste. They also won the firm numerous accolades, including the grand prize for silverware at the Paris Exposition of 1878. Among the firm’s glittering creations from this time are masterworks of Art Nouveau jewelry, such as this delicate aquamarine necklace and this lavish plique-à-jour peridot and gold necklace, both circa 1900. When Charles Lewis Tiffany died, in 1902, his son Louis Comfort Tiffany became the firm’s design director. Under his leadership, the Tiffany silver studio was a de facto design school for apprentice silversmiths, who worked alongside head artisan Edward C. Moore. The firm produced distinctive objects inspired by Japanese art and design, North American plants and flowers, and Native American patterns and crafts, adding aesthetic diversity to Tiffany & Co.’s distinguished repertoire. Tiffany is also closely associated with diamonds, even lending its name to one particularly rare and exceptional yellow stone. The firm bought the Tiffany diamond in its raw state from the Kimberley mines of South Africa in 1878. Cut to create a 128.54-carat gem with an unprecedented 82 facets, it is one of the most spectacular examples of a yellow diamond in the world. In a broader sense, Tiffany & Co. helped put diamonds on the map in 1886 by introducing the American marketplace to the solitaire diamond design, which is still among the most popular engagement-ring styles. The trademark Tiffany® Setting raises the stone above the band on six prongs, allowing its facets to catch the light. A lovely recent example is this circa-2000 platinum engagement ring. Displaying a different design and aesthetic (but equally chic) is this exquisite diamond and ruby ring from the 1930s.

Creator:
Paloma Picasso for Tiffany & Co.
Design:
Paloma Picasso Collection Bar Cuff LinksPaloma Picasso Collection
Metal:
Yellow Gold
Weight:
12.2 g
Dimensions:
Width: 0.84 in (21.3 mm)Diameter: 0.54 in (13.7 mm)
Style:
Artist
Period:
20th Century
Date of Manufacture:
1989
Condition:
Seller Location:
Antwerp, BE
Reference Number:
Seller: #56461stDibs: LU175229917062
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Paloma Picasso for Tiffany & Co.

When thinking about the colorful gemstones and flashy forms that so frequently characterized 1980s jewelry, it is impossible not to conjure images of the expressive confections that Paloma Picasso created for legendary American luxury house Tiffany & Co. For iconic work such as the Loving Heart ring and the Love & Kisses brooch, Picasso mined what she admired about urban street art in New York City’s grungy subways and brought it to fine jewelry-making on a global stage.

The daughter of artists Pablo Picasso and Françoise Gilot, Paloma was destined for creative success. She was determined to succeed on her own, however, and didn’t rely on her parents' renown. Picasso graduated from the Université de Paris in Nanterre, where she studied jewelry design and costuming. She spent a short period in the late 1960s as a fashion designer and a jewelry stylist for a Parisian theater company, an experience that essentially ignited Picasso’s career. Critics took notice, and her friend and French fashion designer Yves Saint-Laurent commissioned her to make costume jewelry for his runway collections.

Picasso designed a collection of necklaces and bracelets for the Greek jewelry firm Zolotas in the early 1970s, and her success with Saint-Laurent led to an important connection between Picasso and Tiffany & Co. design director John Loring. Picasso jumped at Loring’s request to present a table setting at a 1979 Tiffany & Co. exhibition, and within a single year, Loring commissioned her to design jewelry for the brand. Her first proper collection, Paloma's Graffiti, is her best-known work for the company.

Paloma had joined the illustrious ranks of Elsa Peretti and Angela Cummings — both revered jewelry designers who’d signed contracts with Tiffany just before her. Her Graffiti collection, which initially comprised a range of both slender and bubble-letter-like scribbles, X’s, O’s and other figures in 18-karat gold and palladium, was an extraordinary debut for her. Finding inspiration in Keith Haring’s Pop art as well as the street art that covered Manhattan subway cars of the era, Picasso introduced a graphic quality to her inaugural Tiffany line.

“In the ‘70s, people were starting to tag subways and walls, which had everyone outraged,” Picasso explained of the concepts behind her vibrant rings, earrings and necklaces. “I wanted to look at graffiti differently and try to make something positive out of it.”

Picasso would later draw on nature for her sterling silver-and-pearl Olive Leaf accessories at Tiffany and frequently created gold necklaces and bracelets that were set with a striking mix of colorful semi-precious stones.

Throughout her career, Picasso has garnered acclaim from many institutions such as the Fashion Group International and was presented with an award in 1988 by the Hispanic Designers Council. She has been recognized the National Museum of Women in the Arts, and her work is held in the collections of the Smithsonian National Museum of Natural History and the Field Museum in Chicago.

Find vintage Paloma Picasso Tiffany & Co. brooches, bracelets and other jewelry on 1stDibs.