Drop Necklaces

This 14k gold fringe necklace encapsulates the essence of romantic jewelry from the Victorian era. Graduated elongated drops topped with round spheres dangle from the 15” necklace. T...

-- Stone(s) -- (4) Natural Genuine Amethysts - Oval Cut - Bezel Set - Medium to Dark Purple Color - (2) 10.5x7.5mm, (1) 10x6.7mm, (1) 13x9.5mm (approx.) Numerous Genuine Seed Pearls ...

The beauty of tradition and the richness of detail converge in this splendid cross pendant from the 1900s. Crafted in 9-karat yellow gold and 800-millesimal silver, this cross is a t...

This 14-karat yellow gold pendant is a stunning display of classical elegance and contemporary finesse. It features a beautifully carved coral woman's face, a traditional cameo that ...

An Edwardian pearl and yellow gold necklace, comprising seven round seed pearls, and one-hundred-and-fifty round half seed pearls, set in 15 karat yellow gold, to a 15 karat yellow g...

In very good condition. Total weight is 4.2 grams. Totally weight is diamond about 1 ct. Totally lenght is chain 40 cm. Pendant is original chain is new and we can extend it. Pleas...

Necklace in 18 karat yellow gold, eagle head hallmark. A delightful antique pendant featuring a cameo on a shell set with pearls, which supports a round motif also set with a cameo o...

--Stone(s):-- (1) Natural Genuine Diamond - Old European/Mine Cut - Bezel Set - H/I Color - I1-I2 Clarity - 0.40ct (approx.) (14) Natural Genuine Diamonds - Old European & Old Mine C...

Magnificent and rare Etruscan Revival Necklace. This necklace features Cannetille wire and beading work throughout. It has a swivel bail on the center front link giving the ability t...

Year: 1900s Item Details: Metal Type: 14K Yellow Gold and Platinum Top [Hallmarked, and Tested] Weight: 4.1 grams Diamond Details: Center Diamond: Antique Pear, 2.00ct, L/M Color, VS...

A stunning, fine and impressive 2.36 carat aquamarine, 3.71 carat citrine, 2.10 carat amethyst, 0.80 carat peridot and seed pearl, 12 karat yellow gold necklace; part of our diverse antique jewelry and estate jewelry collections. This stunning, fine and impressive antique necklace has been crafted in 12k yellow gold with a 15k yellow gold chain. The medial point of the necklace is embellished with a feature claw set 2.10Ct heart cut amethyst. Either side of this central stone is ornamented with a claw set round faceted cut citrine, totalling 3.72Cts and a claw set emerald cut peridot, totalling 0.80Ct. Each feature gemstone is conjoined with two oval links connected with a bezel set seed pearl. The centre of the gemstone setting is further embellished with a claw set 2.36ct cushion cut aquamarine, articulated and suspended from a plain linear bar drop. The gemstone setting of this necklace connects to a 15k yellow gold chain, securing via a barrel clasp ornamented with floral hot enamel decoration. This antique gemstone necklace...

Opal and diamond negligée necklace. Centrally set with an oval cabochon natural opal in a open back rubover setting with an approximate weight of 3.90 carats, further set with two ov...

Designed as a cable link chain featuring a swagged station centering a cushion cut peridot Weighing approximately 1.94 carats - transparent medium yellowish-green in color Prong set...

Belle Epoque pin designed by Cartier. Colorful and very rare stick pin made during the Edwardian-Belle Epoque period. This beautiful piece was created in Paris France by the jewelry house of Cartier, back in the 1900. Carefully crafted in two parts made up of solid platinum, yellow and white gold of 18 karats. Embellished with a central panel decorated with engine turned guilloche topped with purple glossy enamel. Accented with thirty-five natural earth mined rose cut diamonds and the settings are finished with millegrain. Diamonds: Mounted in millegrain settings, with 35 old rose cut diamonds, 0.30 carats, G/H color, SI-1 clarity. Weight: 2.35 Grams, (1.51 Dwt). Measurements: 70 mm by 12 mm (2.76 x 0.47 Inches). Hallmarks Stamped with French marks, the maker's maitre mark CA inside a lozange cartouche, the head of the eagle for the assay and warranty of the gold, the four digits serial numbers and signed, "CARTIER PARIS 3840". Cartier The move to the rue de la Paix coincided with a period of extraordinary economic growth and affluence in France and the world. Cartier was also growing and expanding and had started to shift their emphasis from retailing to design and manufacture. Although they produced a small number of pieces in the Art Nouveau style, Cartier paid scant attention to the movement. They made their distinguishing mark in pioneering the use of platinum in creating the delicate and graceful Garland style that came to be associated with the Belle Époque. The discovery of the great diamond deposits in South Africa in the late 1860’s engendered the popularity of extravagant diamond jewelry. The technical advances in the manufacturing of platinum enabled designs of great intricacy, strength and flexibility such as found in the spectacular résille designs of Cartier. (See Edwardian Jewelry: 1901-1915). Cartier marked the beginning of the twentieth century by opening branches in London and New York, where their wealthiest and most dedicated clientele resided. The 1902 coronation of Edward VII occasioned a large number of commissions from England’s leading families. Records indicate that Cartier produced twenty-seven tiaras alone for the coronation and the event was instrumental in convincing the firm to seek a permanent presence in London. Indeed, by 1904 they had achieved their first of fifteen royal warrants being appointed official purveyor to the court of King Edward VII. The London branch came to thrive under the tutelage of Alfred’s youngest son, Jacques Cartier, establishing London based design and manufacturing workshops. Opening a Cartier store in New York was a natural progression as many of America’s wealthiest families and business magnates had been traveling to Paris for some time to purchase their jewels from Cartier. By 1906 Alfred had largely retired and Louis and his brother Pierre operated the Cartier business jointly. One of their first major decisions was to establish a New York presence and workshop in 1909 under the skilled direction of Pierre. Indicative of his business skills, Pierre famously secured Cartier’s present location, an elegant Beaux-Arts mansion at 653 Fifth Avenue, from industrialist Morton F. Plant in 1917. The building changed hands in exchange for $100 and a double strand of natural pearls, admired by Plant’s wife and valued at one million dollars, the asking price for the mansion. While the Fifth Avenue location remains priceless to the firm, when the pearls came up for auction in 1957, they fetched a mere $170,000. (From Lang's with thanks). Edwardian Jewelry This Period was during the King Edward VII, after whom this period of jewelry history is named, reigned over England for only nine years, yet the style of jewelry known as “Edwardian” was created roughly between 1890 and 1920. Edwardian-era rings tend to be larger, opulent pieces, and stacked ring designs were popular. The metal surfaces of the rings were often diamond-encrusted for additional shimmer. Each of these rings is a work of art, showcasing a bygone era of grace, elegance and the royalty the Edwardian era is named for. Guilloché This term is used in fine jewelry or objects de Vertu to enhance the appearance of boxes, frames, brooches, rings or pendants. Guilloché enamel refers to metal pieces that have been given the Guilloché treatment and then covered with a translucent layer of enamel, giving the geometric patterns underneath the enamel a colorful hue. Millegrain This is a jewelry technique which refers to the textural effect of a close-set line of metal beads that are typically used as a border on the edges or bezels of jewelry. Literature: Sotheby's fine jewels, London September 17 1021, Lot 146 for an identical piece illustrated with the original box Collateral: It is accompanied by the original Cartier presentation green jewelry box...

Designed as a cable link chain centering a lavalier-style surmount and drop pendant Featuring round and oval cut peridot bezel set throughout Transparent light green and weighing a...

In very good condition. Total weight is 4 grams. Totally is diamond 0.35 carat. The diamond is has M color and s2 cleartiy. Total lenght is chain 45 cm. Please contact for any questi...

This beautiful oval citrine is set in a halo of floral motifs that are repeated in the decorative chain. The chain is long enough so you can layer it with other favorite pieces or st...

Antique double Albert watch chain with T.bar in 18 carat rose gold, British Hallmarked, for that era each link has been hallmarked by the Assay office. Albert watch chain was named a...

A late Victorian opal and diamond tiara/necklace, consisting of seven knife-edge gold bars graduating from the centre, each set with two round cabochon-cut opals and an old-cut diamond in-between, the bars connected with six diamond-set arches each arch with a diamond-trefoil and a round cabochon-cut opal within, terminating on each side with a small diamond and opal trefoil motif, the diamonds estimated to weigh 2.9 carats in total, all mounted in gold and silver, attached to silver-gilt tiara frame and accompanied by gold chain back section to convert to a necklace, circa 1890, measuring 4 x 14.5cm, gross weight 36.4 grams. A unusual and lively late Victorian tiara...

A beautiful documented Art Nouveau Peacock pendant by Charles Boutet de Monvel. The mirrored image of the bird creating a heat shaped pendant. Gilded ...

--Stone(s):-- (9) Natural Genuine Diamonds - Old European Cut - Prong Set - G-I Color - VS2-SI2 Clarity - 1.30ctw (approx.) Material: Solid Platinum Weight: 3.97 Grams Overall Widt...

From the Romanov era, period of Tsar Nicholas II, a rare Russian 14k gold pendant designed as a horseshoe for good luck, of two-toned gold, the body matte yellow gold, the details polished rose gold, with openwork sides typical of the time. With Russian stamps...

In very good condition. Total weight is 4 grams. Totally is diamond 0.08 ct . The diamond is has G color and vs clarity. Totally is sapphire about 0.45 ct. Totally lenght is chain 45...

In very good condition.. Total weight 5 grams.. Diamond totally about 0.50 carat.. Clarity is diamond H-I-J-K-L-M color and s1-s2-s3... Total chain lenght is 45 cm. Please contact f...

Massive Edwardian cut steel hanging basket Giardonetto pendant. Composed of minute marquise and round cut steels with multi prong set round Bohemian garnet faceted stones, forming th...

An 18 carat rosé gold necklace set with 40 round rose cut garnets set on red gold foil, graduating in size, with 15 navette cut garnets set on foil as drops. South of France, circa ...

Platinum and gold Edwardian lavalier with Old Mine cut diamonds and a semi Baroque pearl. No karat stamp is present and test indicates diamonds are...

An extremely elegant late Victorian sapphire and diamond convertible tiara and earring set, in silver and gold, circa 1900’s. This beautifully hand...

A stunning antique Victorian 0.55 carat diamond, pearl and enamel, 12 karat yellow gold and silver set necklace; part of our diverse antique jewelry and estate jewelry collections. This stunning, fine and impressive antique antique pendant has been crafted in 12k yellow gold and silver. The pierced decorated pendant has a central floriated design, embellished with hand painted enamel decoration; a single pearl ornaments...

Circa 1890s, 18k. This delightful Victorian necklace features a festooned, filigreed design that charmingly, effortlessly dresses up or down. Delicately hand-fabricated in 18k yello...

An enchanting antique Victorian necklace adorned with ten mesmerising cabochon moonstones with a ghostly blue schiller. They range from 1 to 8ct and are bezel set along five graduating droppers at the bottom. The mystifying moonstone derives its name from the stone’s ethereal, luminescent light that was once believed to be moonlight in solid form. In Greek mythology they were associated with Selene, the feminine moon Goddess and said to be a path to love, wisdom and new beginnings. The piece is all 18ct gold and has been fitted with a fine gold chain and a new 9ct ring...

A royalty piece from the late 1800s. This antique Edwardian Diamond GIA Natural Pearl Sapphire Platinum Floral Pendant Chain Necklace will romance e...

This delicate flexible link dangling necklace was executed in the secessionist style around 1905. It is most likely of European origin, however, an attribution to a specific country ...

Victorian turquoise and diamond negligée necklace. Centrally set with an oval cabochon natural turquoise in an open back claw setting, with a...

A stylised Art Nouveau pendant, depicting a lady in profile with floral decorations and an old-cut diamond set on the forehead, all with blue, red ...

A gems set necklace from the Victorian era. Beautiful drop necklace, created in England during the Victorian era, back in the 1890. This piece was designed with very colorful taste ...

Edwardian gem set convertible necklace with peridot. Beautiful piece of jewelry, created during the late Edwardian period in the art-nouveau style, circa 1908. This beautiful neckla...

Circa 1910, Platinum. This romantic necklace features a quintessential Edwardian swag and bow motif in platinum with four articulated elements suspending 2.0 carats of rich blue sapp...

Conch pearl and diamond necklace. Set with an oval natural conch pearl, approximately 7.3 x 9.0 mm, suspended from five round old cut diamonds ...

Antique La Belle Époque natural pearl and diamond pendant necklace in platinum and gold, Portuguese, circa 1900. This garland jewel of geometric, floral and...

This delicate necklace is has been handcrafted out of silver in the 1890's and features a variety of articulated turquoise set silver pendants .

Fine Art Nouveau Edwardian period Winged Heart motif peridot, pearl, 14K yellow gold necklace. Circa 1900 The central pearl encrusted heart topped by a pair of pearl encrusted wings...

Set in an 18k gold filigree fob, this Golden Sandstone orb has a mesmerizing sparkle. The orb rotates, giving the piece movement that enhances the stone's unique glittering effect. T...

Charming 19th century polished 18k gold disc from Paris, hallmarked with the French eagle head for 18k gold and the Parisian maker’s mark, mounted as an 18k gold pendant with oval suspension ring...

An antique enamel and gold navette station necklace, with a navette shaped pendant locket, painted with cherubs, amongst a classic scene, of a pedestal, urn, flowers and foliage, on ...

This gorgeous festoon necklace has a soft and delicate arrangement of moonstone and garnet cabochons, favorites of the Edwardian era. Feminine and romantic, the necklace drapes to cr...

Elegant and feminine 18 karat yellow gold, platinum and diamond Belle Epoque/Edwardian necklace, circa 1900. Consisting in a finely handcrafted Y-shaped pendant in platinum over 18 ...

At the focal point of this elegant Victorian-era drop necklace are three antique diamonds suspended from a bow and navette shaped bar. The diamonds are Dutch rose cut, with layers of facets cut by hand, making each diamond one-of-a-kind with its own unique way of reflecting light. The largest, bottom diamond appears round, and the diamonds descend in size, with the middle and top diamond taking a more oval shape. The necklace has a 14k gold back and a silver front—a traditional way of mounting jewelry in the Victorian era. The beautiful diamonds rest in a silver backing, so the stones catch the light and reflect it brilliantly. The diamonds are topped by a bow, which contains seven smaller rose-cut diamonds, surrounded by millegrain details that add subtle texture. A transitional bar connects the bow to the teardrop section, and features an eighth diamond set in a navette shaped mount. The bow, navette, and diamond trio are articulated, so there is lots of movement while worn, adding to piece’s elegance. The necklace is circa 1890’s. Kirsten’s Corner has added an antique platinum chain...

Carlo and Arthur Giuliano Renaissance Style Chrysolite Enameled Necklace with original box England (London), c. 1895 Gold, enamel, chrysolite Weight 21.4 gr.; Chain 39.8 cm. Gold necklace with red translucent enamel. The centerpiece is formed of three elaborate scrollwork elements, each framing three, fanned out chrysolites in open settings. These are connected by double chains of stylized floral links in red enamel, and the same links create the three pendants in tapering lengths with pear-drop chrysolites, suspended from the central element, as also the chain around the neck with s-shaped hook fastening. On the hook clasp is the maker’s mark “C&AG.” Original fitted brown leather case, gilt triple frame, inset with cream colored velvet and on the matching silk lining of the lid is in gold imprint: A crown, C & A Giuliano/ 115, Piccadilly/London. Self-described as an “art jeweler,” Giuliano began his career on Frith Street in London in 1860. Without a retail shop of his own, he initially supplied jewels to other London firms – Robert Phillip, C. F. Hancock, and Hunt and Roskell...

A very fine Belle Époque opal, diamond and ruby lavalier pendant. Set with old circular-cut diamonds throughout and in the centre with a rectangular opal plaque surmounted with a circular-cut ruby. The mount, designed as a series of interconnected scrolls, terminates in two pear-shaped diamond drops suspended on a silver-on-gold chain. The pendant measures 5cm alone, the chain 38cm. The ornate decorative motifs of Louis XIV reign were embraced by Belle Époque designers. Swag or garland necklaces strung with pear-shaped pearls and diamond bows were typical. Dog collar necklaces of black velvet were also popular fixed with large diamond clasps. Like 17th century France, the early 20th century was an era of opulence with new found industrial wealth from America marrying British aristocracy...

Comprised of a stylized twisted wire cable chain suspending a peacock feather motif plique-a-jour station. Transparent matte green and peachy orange in color with light saturation. ...

Necklace features a swagged central station with twisted wire terminating as two rams' heads. With textured horns and fur - suspending a lapis lazuli teardrop shaped bead from a flor...

Metal Type: [Hallmarked, and Tested] Hallmarks: (Russian Hallmarks) Weight: 7.1 grams Center Aquamarine Details: Weight: 7.00ct Cut: Antique Cushion...

Necklace is comprised of a green gold link chain with stylized floral bar stations. Suspending a substantial whiplashed enhancer pendant via two 14 karat gold spring ring clasps. Pen...

An Important Carlo and Arthur Giuliano enamel, diamond and sapphire necklace signed C & AG, the necklace comprising pierced feathered scrollwork sections finely enamelled with black...

A stunning, fine and impressive 1.74 carat garnet and 0.17 carat diamond, seed pearl, 12 karat yellow gold, platinum and silver set pendant; part of our diverse antique jewelry collections This stunning, fine and impressive antique pendant has been crafted in 12 karat yellow gold with silver and platinum settings. The main pierced decorated, circular frame supports a secondary offset circular design to the upper portion, accented to the centre with a bezel set 1.74ct cabochon cut garnet. The openwork frame of the offset circular frame is further embellished with a seed pearl to the cardinal points of the feature garnet. The lower crescent shaped portion of the frame is ornamented with a floral design comprised of five seed pearls, with emanating paired leaf designs incorporating eighteen pavé set mine cut diamonds. The antique garnet pendant...

A late Victorian aquamarine and diamond-set brooch/pendant, centrally-set with an oval-shaped faceted aquamarine, surrounded by delicate openwork diamond-set frame of laurel garlands, ribbon ties and foliate motifs, suspending a pear-shaped aquamarine drop, the yellow gold-set aquamarines estimated to weigh a total of 6.8 carats, the diamonds estimated to weigh a total of 1.3 carats, all set in silver to a yellow gold mount, with detachable necklace and brooch fitting, circa 1890, measuring approximately 4.9x4.6cm, gross weight 19 grams. Victorian pendant/brooch in Very Good condition. Unmarked, metal tested as 18ct Gold and Silver. A beautiful aquamarine brooch...

Grand statement lay-over diamonds high jewelry necklace. Approximately 18.80 carats of round brilliant and baguette cut diamonds, approximately G...