Early 1900s Drop Necklaces

The beauty of tradition and the richness of detail converge in this splendid cross pendant from the 1900s. Crafted in 9-karat yellow gold and 800-millesimal silver, this cross is a t...

An Edwardian pearl and yellow gold necklace, comprising seven round seed pearls, and one-hundred-and-fifty round half seed pearls, set in 15 karat yellow gold, to a 15 karat yellow g...

--Stone(s):-- (1) Natural Genuine Diamond - Old European/Mine Cut - Bezel Set - H/I Color - I1-I2 Clarity - 0.40ct (approx.) (14) Natural Genuine Diamonds - Old European & Old Mine C...

Year: 1900s Item Details: Metal Type: 14K Yellow Gold and Platinum Top [Hallmarked, and Tested] Weight: 4.1 grams Diamond Details: Center Diamond: Antique Pear, 2.00ct, L/M Color, VS...

Opal and diamond negligée necklace. Centrally set with an oval cabochon natural opal in a open back rubover setting with an approximate weight of 3.90 carats, further set with two ov...

Designed as a cable link chain featuring a swagged station centering a cushion cut peridot Weighing approximately 1.94 carats - transparent medium yellowish-green in color Prong set...

Belle Epoque pin designed by Cartier. Colorful and very rare stick pin made during the Edwardian-Belle Epoque period. This beautiful piece was created in Paris France by the jewelry house of Cartier, back in the 1900. Carefully crafted in two parts made up of solid platinum, yellow and white gold of 18 karats. Embellished with a central panel decorated with engine turned guilloche topped with purple glossy enamel. Accented with thirty-five natural earth mined rose cut diamonds and the settings are finished with millegrain. Diamonds: Mounted in millegrain settings, with 35 old rose cut diamonds, 0.30 carats, G/H color, SI-1 clarity. Weight: 2.35 Grams, (1.51 Dwt). Measurements: 70 mm by 12 mm (2.76 x 0.47 Inches). Hallmarks Stamped with French marks, the maker's maitre mark CA inside a lozange cartouche, the head of the eagle for the assay and warranty of the gold, the four digits serial numbers and signed, "CARTIER PARIS 3840". Cartier The move to the rue de la Paix coincided with a period of extraordinary economic growth and affluence in France and the world. Cartier was also growing and expanding and had started to shift their emphasis from retailing to design and manufacture. Although they produced a small number of pieces in the Art Nouveau style, Cartier paid scant attention to the movement. They made their distinguishing mark in pioneering the use of platinum in creating the delicate and graceful Garland style that came to be associated with the Belle Époque. The discovery of the great diamond deposits in South Africa in the late 1860’s engendered the popularity of extravagant diamond jewelry. The technical advances in the manufacturing of platinum enabled designs of great intricacy, strength and flexibility such as found in the spectacular résille designs of Cartier. (See Edwardian Jewelry: 1901-1915). Cartier marked the beginning of the twentieth century by opening branches in London and New York, where their wealthiest and most dedicated clientele resided. The 1902 coronation of Edward VII occasioned a large number of commissions from England’s leading families. Records indicate that Cartier produced twenty-seven tiaras alone for the coronation and the event was instrumental in convincing the firm to seek a permanent presence in London. Indeed, by 1904 they had achieved their first of fifteen royal warrants being appointed official purveyor to the court of King Edward VII. The London branch came to thrive under the tutelage of Alfred’s youngest son, Jacques Cartier, establishing London based design and manufacturing workshops. Opening a Cartier store in New York was a natural progression as many of America’s wealthiest families and business magnates had been traveling to Paris for some time to purchase their jewels from Cartier. By 1906 Alfred had largely retired and Louis and his brother Pierre operated the Cartier business jointly. One of their first major decisions was to establish a New York presence and workshop in 1909 under the skilled direction of Pierre. Indicative of his business skills, Pierre famously secured Cartier’s present location, an elegant Beaux-Arts mansion at 653 Fifth Avenue, from industrialist Morton F. Plant in 1917. The building changed hands in exchange for $100 and a double strand of natural pearls, admired by Plant’s wife and valued at one million dollars, the asking price for the mansion. While the Fifth Avenue location remains priceless to the firm, when the pearls came up for auction in 1957, they fetched a mere $170,000. (From Lang's with thanks). Edwardian Jewelry This Period was during the King Edward VII, after whom this period of jewelry history is named, reigned over England for only nine years, yet the style of jewelry known as “Edwardian” was created roughly between 1890 and 1920. Edwardian-era rings tend to be larger, opulent pieces, and stacked ring designs were popular. The metal surfaces of the rings were often diamond-encrusted for additional shimmer. Each of these rings is a work of art, showcasing a bygone era of grace, elegance and the royalty the Edwardian era is named for. Guilloché This term is used in fine jewelry or objects de Vertu to enhance the appearance of boxes, frames, brooches, rings or pendants. Guilloché enamel refers to metal pieces that have been given the Guilloché treatment and then covered with a translucent layer of enamel, giving the geometric patterns underneath the enamel a colorful hue. Millegrain This is a jewelry technique which refers to the textural effect of a close-set line of metal beads that are typically used as a border on the edges or bezels of jewelry. Literature: Sotheby's fine jewels, London September 17 1021, Lot 146 for an identical piece illustrated with the original box Collateral: It is accompanied by the original Cartier presentation green jewelry box...

Designed as a cable link chain centering a lavalier-style surmount and drop pendant Featuring round and oval cut peridot bezel set throughout Transparent light green and weighing a...

--Stone(s):-- (9) Natural Genuine Diamonds - Old European Cut - Prong Set - G-I Color - VS2-SI2 Clarity - 1.30ctw (approx.) Material: Solid Platinum Weight: 3.97 Grams Overall Widt...

Massive Edwardian cut steel hanging basket Giardonetto pendant. Composed of minute marquise and round cut steels with multi prong set round Bohemian garnet faceted stones, forming th...

Edwardian gem set convertible necklace with peridot. Beautiful piece of jewelry, created during the late Edwardian period in the art-nouveau style, circa 1908. This beautiful neckla...

Circa 1910, Platinum. This romantic necklace features a quintessential Edwardian swag and bow motif in platinum with four articulated elements suspending 2.0 carats of rich blue sapp...

Conch pearl and diamond necklace. Set with an oval natural conch pearl, approximately 7.3 x 9.0 mm, suspended from five round old cut diamonds ...

Antique La Belle Époque natural pearl and diamond pendant necklace in platinum and gold, Portuguese, circa 1900. This garland jewel of geometric, floral and...

An antique enamel and gold navette station necklace, with a navette shaped pendant locket, painted with cherubs, amongst a classic scene, of a pedestal, urn, flowers and foliage, on ...

Stunning with beautiful details is this European Art Nouveau Necklace and bracelet with green cabochon stones and most likely a chromium finish on the bracelet and silver plate on th...

Lovely Edwardian Basket Pendant with Pearls. Wonderful quality flower basket "charm" of 14k gold wire completely woven by hand and set with lo...

Edwardian Diamond Pendant necklace circa 1900. Openwork settings are made of platinum topped 14k gold set with 13 fine quality, antique cut d...

Magnificent antique necklace set with a round shaped emerald weighing approximately 3.00+ carats accompanied by 54 old mine cut diamonds in rub ov...

Antique Chinese Enamel and Lapis Glass Necklace of silver circa 1900's. Central motif enameled in green and blue with lapis pate de verre drop....

Lovely Edwardian Marcasite and Garnet Pendant of openwork sterling silver with Art Nouveau influences. Marcasites are set throughout with a central closed backed oval garnet and 2 fl...

Circa 1910 14K Yellow Gold Russian pendant set with Old Mine Cut Diamonds, Green Demantoid Garnets and further decorated with Enamel Flowers. Measuring 2 3/4 inch in length and 1 5/8...

Composed of freshwater pearls with silver and rose tones, highlighted by rose-cut diamonds, this Art Nouveau gold pendant necklace da...

Silver and Amythest Edwardian Necklace of European origin. Lovely Neoclassical motifs are used throughout with navette and oval genuine amythests. Heavy quality construction with lov...

A yellow gold and platinum necklace composed of a horizontal openwork oval pendant with a central urn decorated in stripes of green plique-a-jour enamel and bordered with single rows...