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Black Spinel Drop Necklaces

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Gemstone: Black Spinel
Laura Gibson 18ky Gold, Orange Citrine, Light Blue SapphireAnd Black Spinel
Located in Boulder, CO
One of a kind multi gemstone necklace by Laura Gibson. The details and craftsmanship on this necklace are exception. The artist passed away in 2015. A bio into her career and work...
Category

2010s American Artisan Black Spinel Drop Necklaces

Materials

Citrine, Blue Sapphire, Black Spinel, Spinel, Gold, 22k Gold

Marina J. Black Spinel and Silver Rhodium Sautoir with Removable Tassel
Located in Los Angeles, CA
Striking One of A Kind Art Deco Inspired Black Sautoir by Marina J. This elegant piece features thousands of faceted Black Spinels all intricately woven together in a fine Lace like design. The faceted Spinel carry a thunderous shine and glisten with every step - and are perfectly complimented by faceted Rhodium plated Silver. Measuring 34.5 inches long sans Tassel, this amazing piece meets at a solid Rhodium...
Category

21st Century and Contemporary American Artisan Black Spinel Drop Necklaces

Materials

Spinel, Black Spinel, Rhodium, Silver

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Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive gems were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel necklace, 37 unusual fuchsia faux-pearls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia beads. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabrielle "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art-Deco period. The design of this highly-textural tricolor sautoir featuring fuchsia spheres could suit the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tricolor sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia del' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...
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