Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Saint Cecelia Chatelaine Pendant by Froment-Meurice, French, circa 1850

About the Item

Saint Cecelia chatelaine pendant by Froment-Meurice. A gold and silver pendant in the Renaissance Revival style, the main element composed of an ornately carved openwork architectural structure in the form of an altarpiece, the central niche surmounted by a cupola set with pearls, with scroll and scalloped details to the interior and suspending a fleur-de-lis, containing a figure of Saint Cecelia playing a viola da gamba with two dancing putti to either side, flanked by two smaller raised pedestals issuing fleur-de-lis, each set with a putto (one playing a harp, the other playing a triangle), suspending a double swagged gold chain set with pearls, with two further chains suspending on one side a circular lapis lazuli seal in a trumpet form mount and on the other a watch winder, the whole accented with blue enamel and set to the reverse with a hinged band loop, approximately 9.5cm in total length. Tested yellow gold and silver, French, circa 1850. François Désiré Froment-Meurice (1802-1855) was one of the most important French jewellery and silversmiths of the nineteenth century, described by Victor Hugo as the Cellini of his age. He exhibited in a number of International Exhibitions, where Queen Victoria and Prince Albert were among his clients. The Renaissance Revival, as seen here, and the Gothic Revival were his two major decorative styles. This piece is also typical of his penchant for placing a silver figure, usually female, within a yellow gold architectural mount. The central figure and flanking putti are identical to those found on two brooches by Froment-Meurice, one in the Birmingham Museum and one in the Schmuckmuseum Pforzheim. Another brooch by Froment-Meurice, in the collection of the Victoria and Albert Museum, features a similar central figure, but this time as an angel with wings, in a silver oval blue enamelled frame. These examples also bear a similar gold and blue enamel architectural mount, and differ only in the surrounding and pendulant embellishments. Saint Cecelia is the patroness of music, whose feast day is celebrated each November. A Roman maiden, she was amongst the earliest and most famous of the Roman martyrs, reputedly beheaded in 230 AD under the Emperor Alexander Severus. Throughout history, Saint Cecelia has inspired musicians and poets alike, appearing in John Dryden’s 'A Song for St Cecilia’s Day', 1687, and Handel’s 'An Ode for St Cecilia’s Day', 1739. In Christian iconography and religious art, she is most often portrayed playing a viola or harpsichord. A drawing of this design is included in Henri Vever’s ‘French Jewellery of the Nineteenth Century’, London, 2001, page 234. Please note shipping to the United States of America requires the purchaser to fill out a CBP 5106 customs form before the item is shipped. This form is a legal requirement for any item over $2,000 which is being imported into the United States. One of the details the form requests is the purchaser’s social security number or importer’s number.
More From This SellerView All
  • Victorian Diamond Riviere Necklace, circa 1850
    Located in London, GB
    Victorian diamond riviere necklace. Set with a graduated row of fourtey nine cushion shape old mine diamonds in open back rubover si...
    Category

    Antique 1850s Unknown Victorian More Necklaces

    Materials

    Diamond

  • Diamond floral spray brooch, circa 1850.
    Located in London, GB
    Diamond floral spray brooch. Set with one drop shape old mine diamond in an open back cutdown setting with a weight of 1.80 carats, and fif...
    Category

    Antique 1850s British Victorian Brooches

    Materials

    Diamond, Silver, Yellow Gold

  • Child & Child Diamond Platinum Pendant Brooch, circa 1900
    Located in London, GB
    Pendant brooch by Child & Child. A pendant/brooch in three detachable sections, the uppermost composed of an elongated octagon with inward bowed sides set with one central diamond in a collet setting with a weight of 2.50 carats, flanked by trefoil forms set with six diamonds in bead settings with a combined weight of 1.20 carats, on a ground of pierced millegrain vertical bars, and encircled by a single scalloped border of twenty six diamonds in bead settings with a combined weight of 13.00 carats; the middle section composed of one central diamond in a collet setting with a weight of 1.20 carats, on a ground of pierced millegrain horizontal bars, and encircled by a stylized laurel wreath set with eighteen diamonds in bead settings with a combined weight of 2.16 carats, surmounted with two diamonds in collet settings with a combined weight of 0.15 carats, and encircled by a further five diamonds in collet settings with a combined weight of 1.50 carats; the bottom section in the same format and settings as the middle with one central diamond at a weight of 0.45 carats, eighteen diamonds weighing 0.90 total carats, two diamonds at 0.10 total carats, and five diamonds at 0.50 total carats, and also with a lower pendant composed of one diamond in a collet setting with a weight of 0.40 carats, above a bell form set with two diamonds in bead settings with a combined weight of 0.60 carats and with three diamonds in bead settings with a combined weight of 0.15 carats, above two more articulated links one composed of a diamond in a collet setting with a weight of 0.25 carats, above one mounted in the same fashion with a weight of 0.15 carats, all above an inverted tear shape link set with two rose cut diamonds in bead settings with a combined weight of 0.03 carats; all set with cushion shape old cut diamonds unless specified, millegrained throughout, and with a grand total of ninety three cushion shape old cut diamonds with an approximate total weight of 25.20 carats, and two round rose cut diamonds with an approximate total weight of 0.03 carats. The upper section is set to reverse with an entirely removable brooch bar with secure C spring clasp, and further set with two loops for a necklace to be attached. Each of the three sections are set with thread bars to attach or remove accordingly, with two threads set to the upper to form a choice of brooch or pendant as desired. Tested platinum, with makers mark for Child and...
    Category

    Antique Early 1900s English Edwardian Brooches

    Materials

    Diamond, Platinum

  • Antique Cameo Brooch, circa 1850.
    Located in London, GB
    Hardstone cameo brooch. Set with a carved hardstone cameo to centre of a bust of a lady in profile within a yellow gold ornate horizontal form, with gold wirework, floral beading and...
    Category

    Antique 1850s Victorian Brooches

    Materials

    18k Gold

  • 'The Doves of Pliny' micro-mosaic velvet choker, circa 1850.
    Located in London, GB
    'The Doves of Pliny' micro-mosaic velvet choker. Victorian choker, set with a oval gold plaque containing a raised micro-mosaic plaque depicting two doves and a flower ring against a...
    Category

    Antique 1850s Choker Necklaces

    Materials

    Yellow Gold

  • Victorian diamond pendant/brooch, circa 1880.
    Located in London, GB
    Victorian diamond pendant/brooch. Centrally set with a cushion shape old mine diamond in an open back cut-down setting with an approximate we...
    Category

    Antique 1880s Pendant Necklaces

    Materials

    Diamond, Yellow Gold, Silver

You May Also Like
  • Micromosaic Pendant 'circa 1850' Depicting the Temple of Vesta, Rome
    Located in Roma, IT
    Oval micromosaic pendant, representing a view of the so-called Temple of Vesta in Rome, set on black marble. Rome 1850's Vatican Mosaic Workshop The "...
    Category

    Antique 1850s Italian Pendant Necklaces

    Materials

    10k Gold

  • French, Rose Gold, Diamond & Pearl Brooch Pendant, Circa 1850
    Located in Brisbane, QLD
    This intricate French piece of jewellery dates to the mid 19th Century and is versatile in the way it can be used. The brooch pendant is crafted from 18 karat yellow gold and has bee...
    Category

    Antique 19th Century French Brooches

    Materials

    Diamond, Pearl, Gold, 18k Gold, Rose Gold, Silver

  • French 1960s 18 Karat Yellow Gold Saint Christopher Medal Pendant
    Located in Poitiers, FR
    Medal in 18 karat yellow gold, eagle head hallmark. A round medal depicting Saint Christopher carrying the Infant Jesus on his shoulder, with a border decorated with faceted triangul...
    Category

    Vintage 1960s French Retro Pendant Necklaces

    Materials

    Gold, 18k Gold, Yellow Gold

  • Ruby, Pearl, Diamond Victorian Pendant, circa 1850
    Located in London, GB
    Victorian Pendant/Brooch in 15 carat yellow gold with rubies, pearls and diamonds in a starburst floral design, circa 1850 15 carat gold Ceylon rubies, half pearls and diamond set. Rubies, Ceylon, natural untreated, 0.6ct total (approx) Half Pearls, natural “Gulf” Pearls...
    Category

    Antique 1850s British Victorian Pendant Necklaces

    Materials

    Diamond, White Diamond, Pearl, Natural Pearl, Ruby, Gold, 15k Gold, Yell...

  • Antique French silver gilt lorgnettes, spectacles, P-J Meurice
    Located in NEWARK, GB
    A stunning pair of antique French silver gilt lorgnettes. Art Nouveau era, they are hallmarked for the renowned French silversmith Pierre - Jacques Meuric...
    Category

    Early 20th Century French Art Nouveau Pendant Necklaces

    Materials

    Silver

  • French 20th Century 18 Karat Yellow Gold Saint Christopher Medal Pendant
    Located in Poitiers, FR
    Medal in 18 karat yellow gold, eagle head hallmark. Round medal with 10 cut sides, depicting Saint Christopher and the Infant Jesus on matt gold, the border in smooth gold. The back ...
    Category

    20th Century French Retro Pendant Necklaces

    Materials

    Gold, 18k Gold, Yellow Gold

Recently Viewed

View All