Eugène Feuillâtre French Art Nouveau Gold and Enamel Floral Pendant Necklace

Designed in the late 1920s-1930s by Cartier Paris, this mechanical pencil pendant necklace is composed of 18K gold, enamel and rose-cut diamonds. The reeded telescoping cylinder with...

Created around 1910, this Edwardian pendant necklace is composed of diamonds, plique-à-jour enamel and platinum. The scrolling floral and foliate motif pendant is composed of old Eur...

This antique Victorian 15K gold demi-parure comprising pendant earrings and pendant brooch with chain is set with over 10.00 carats of cabochon almandine garnets. The elongated pendant earrings are designed as scrolling leaf motif tops, each with an oval cabochon garnet, flexibly suspending a reverse-tapering drop of floral and foliate form set with pear-shape and oval cabochon garnets, en suite with a conforming pendant brooch and delicate rectangular trace link chain. Still stylish today, the lightly voluminous, repoussé forms have an easy, gentle sway, while their soft bloomed gold and saturated red garnets enliven the eyes and face. Product Details: Item #: STE-20655 Artist: James W. Lyon, Edinburgh Country: Scotland Circa: 1860's Dimensions: Earpendants: 3" length; Pendant Brooch: 2.5" length; Chain: 13.5" length Materials: Cabochon almandine garnet (with approximate total weight 6.10 carats); Cabochon almandine garnet (with approximate total weight 4.05 carats); 15K Gold; fitted original box from James W. Lyon, Edinburgh. Literature: A substantially similar demi-parure in the collection of the Victoria and Albert Museum, London, is pictured in Jewellery in the Age of Queen Victoria, by Charlotte Gere and Judy Rudoe, p.17. The image of the demi-parure is accompanied by an image of a lithograph of a young Queen Victoria wearing a substantially similar demi-parure. Macklowe Gallery Curator's Notes: Queen Victoria, whom the artistic record shows owned a substantially similar demi-paure, was deeply interested in couture and jewelry. Often, she chose to wear jewelry by British makers, in many cases work that was historically inspired and/or sentimental, knowing that her choices were closely observed by the public. These jewels were often relatively modest in value, and accessible to aspiring women of the British middle class. Blood-red cabochon-cut gems have been known throughout history as "carbuncles", and their use in gold jewelry was highly popular in the sentimental, symbolism-loving Victorian period in England. In the 19th century, the new study of of archaeology had revealed that the garnet was a favorite precious stone of the Hellenistic Greeks, who centered carbuncles in wedding jewelry such as gold bracelets and garment appliqués fashioned...

Created by René Lalique around 1901-1903, this plique-à-jour and basse-taille enamel, opal and freshwater pearl thistle of Lorraine bracelet is set in chased 18K gold. The bracelet i...

THIS IS A GORGEOUS AND RARE VICTORIAN - ART NOUVEAU PENDANT IN THE FORM OF A BEAUTIFUL PINK AND GREEN ENAMEL IRIS FLOWER IN 14 KARAT GOLD. THE IRIS FLOWER IS SET IN AN ELEGANT IRIS ...

This Pendant is made of 9K Yellow Gold. This Pendant has a 0.10 Carats Emerald. This Pendant has Enamel. This Pendant has also its matching Earrings. This Pendant is available also ...

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This is a rare Art Nouveau Limoges Enamel Pendant in 18 Karat Gold. The magnificent portrait of a woman is signed by the artist Jacques Bonnadier. Bonnadier was a French Enamel Pai...