Silver More Objets d'Art and Vertu

Exceptionally rare 18th century diamond set calcedony intaglio pendant depicting the famed Roman marble Bocca della Verita, the Mouth of Truth. The eni...

A very fine Tiffany and Co. key holder in sterling silver. With an unengraved pendant tag. A great Tiffany everyday piece! Date: 20th Century Overall Condition: It is in overall ...

Boucheron Paris 1940s Art Deco sterling, gold & ruby jeweled compact - necklace The exquisite Boucheron compact is designed with a beautiful gold pie...

Alex Jona, hand crafted in Italy, sterling silver money clip. Alex Jona jewels stand out, not only for their special design, but also for the careful attention given to details duri...

Dragonets are baby dragons, and this white nephrite pi disk features a pair of them. Flawlessly carved by a skilled lapidary artist more than 100 years ago, this white nephrite pi disk is a superior example of a late Ming...

Alex Jona hand crafted in Italy, rhodium plated Sterling Silver money clip. Dimensions: 2.57 in. L x 1.37 in. W x 0.24 mm. D - 65 mm. L x 35 mm. W x 7 mm. D Alex Jona gifts stand ou...

This exquisite and rare black jade tablet dates to the Qing period. The Qing Dynasty period spanned the years 1636 -1912. Precisely dating jade artifacts...

Elegant, rare, and dating to the late Qing period (circa 1890s), this hand-carved nearly colorless white nephrite plaque has been etched on both sides. One one, the Chinese mythological figure known as Zhang Guo Lao is depicted riding a mule. On the opposite side, a magpie sits on a branch of cherry blossoms. The magpie is associated with intelligence. The carving is breathlessly simple and excellent; the work executed -of course- without the aid of electricity or modern tools. Measuring 42.54mm x 29.92mm, the plaque has a hole drilled through the center, which is original to the piece. A silver bail is threaded through the hole and a pair of beads -black jade and coral- reside at the bottom. The jade plaque hands from a 1920s silver chain that is 32" in length. Prior to the discovery of and appreciation for the very fine green jadeite from Burma, colorless, opaque, pure white nephrite jade from the Northern mountains of China was the most revered jade; the original "imperial jade, as only members of the royal court could wear or even touch it. Most of what is commercially sold today as "mutton fat...

The "Leather Whip Necklace" was designed in 1997 by Betony Vernon. The "body" of the whip is made of handwoven leather. The empowering unisex necklace is ...

A fine antique Edwardian purse or evening bag. In sterling silver. By William B. Kerr & Co. The purse has a small chain and opens with a button. The interior has two pockets on ei...

Alex Jona hand crafted in Italy, rhodium plated Sterling Silver money clip. Alex Jona gifts stand out, not only for their special design and for the excellent quality, but also for ...

Alex Jona hand crafted in Italy, rhodium plated Sterling Silver money clip. Alex Jona gifts stand out, not only for their special design and for the excellent quality, but also for ...

The “Boar” pendant is part of our jewelry collection. All our sterling silver pieces of jewelry are handmade: it means that none is like the other. As a m...

A fine antique French silver beaker. Illegibly hallmarked to the base and side and inscribed with an owner's mark 'VB' to the foot. Simply a won...

The plaque shows a butterfly, a grasshopper and a spider in its net. The plaque is a fine example of Shakudo work dating from the 2nd half of the 19th century. Diameter plaque: 3.7

Navajo needlepoint concho belt. Signed LMB, marked sterling. 11 conchos total. Exceptional design on each concho, featuring floral style center with complementary scalloped silverwork and final layer of turquoise framing concho. Old Pawn. Acquired from a Navajo trader. PERIOD: After 1950 ORIGIN: Navajo, Southwest SIZE: Total Belt Length 62 1/2" Leather; conchos 2 1/4"D The word “concho” sometimes spelled “concha”, comes from the Spanish word meaning shell. Some of the first “conchos” were made of melted silver dollars and resembled a shell. Concho belts reportedly began appearing in Navajo country in the late 1860s. Other Native Americans including Zuni and Hopi also made traditional concho belts before long. Concho belts can cost into the thousands of dollars depending upon the craftsmanship, amount of silver, rarity of turquoise and stones used. Belts in the upper end of the price scales are usually made before the turn of the century. Buyers should deal with reputable dealers as many fakes and look-a-likes exist. A well-made belt with age to it will fetch a bigger premium and hold its value better. The earliest concho belts are now referred to as “First Phase” belts. This style of belt was made before Native silversmith had learned much about soldering. The conchos were hammered out from melted coins, cut, and filed into shape, engraved and a diamond shape slot was cut out of the middle of the concho, with a bar left across the center of the diamond shaped slot for the leather loop. Conchos that required no soldering are generally thought to be made from 1860-1880. Second phase conchos were done 1890-1900s in which silversmith began to solder. Third phase conchos is when you start to see the “butterfly” or “bow” appear between conchos and the use of turquoise as an adornment. A butterfly (bow) is a smaller concho in between bigger conchos. A belt with butterflies and sometimes turquoise would be from the early 1900s – 1930s. The timelines may slightly differentiate depending upon who you ask. Natives first had concho belts for personal use only, but around the turn of the last century, tourist demand had kicked in and a new outlet emerged. belts & buckles jewelry silver belts conchos navajo needlepoint southwest turquoise...

Exceptional quality antique Russian vermeil silver and shaded enamel Pan-Slavic Style tea strainer by Nikolai Alekseyev. The handle decorated in dove grey...

Contemporary oxidized silver hand woven mesh scarf by Stevie Wren. The scarf is in excellent condition, measures 37 inches long x 1 1/4 inches wide. Stampe...

Piel Frères Art Nouveau double prong buckle circa 1900. Of rich matte gilt bronze foliage and japanned silver plated blooming poppies with matte gilt detai...

A very fine cylindrical sterling silver box by Jocelyn Burton. The box's lid is richly encrusted with miniature silver sea shells and bezel set with 2 ...

Navajo Kingman turquoise and bear claw buckle with small nugget of red coral. Stones and claw set in sterling silver surrounded by leaves, scrolls and beads....

This large 1860's Austro-Hungarian antique cross pendant is set with many turquoise and garnet gemstones. The four cabochon cut garnet stones on front of the cross are all set in rai...

Unique. One of a Kind Tom Castor Collection Piece from his Moth Cuff Series. Fewer than 5 Tom Castor Moth Cuffs have been made. Each is an entirely differen...

A fine Georg Jensen sterling silver bowl. Model no. 259 Designed by Gundorph Albertus (1887 - 1970). With a hand-hammered triangular bowl that tapers to a fluted and graduated ped...

The "Ostrich Feather Tickler Attachment" was designed by Betony Vernon in 1996 and continues to seduce BV collectors today. Fabricated using multiple l...

Tiffany & Co. Sterling Golf Ball Tee Ballpoint Pen. The simple & sleek design is functional and stylish. This piece has a twist retractable closure and a...

A fine Art Deco mixed metals vase. From the La Pierre Manufacturing Company's 'Babylonian' line. In sterling silver and copper. Consisting of a copper body with a wide sterling silver neck and rim and a sterling silver ferrule. With a lovely burnt red-orange patina to the copper. Founded in 1885 in New York City by Frank H. LaPierre, the LaPierre Manufacturing Company were makers of high quality sterling silver wares...

A fine pair of Whist game counters or markers. Made by Whiting and retailed by Bailey, Banks, and Biddle. In sterling silver. Each with sealed wheel co...

Fine sterling silver pill box in the likeness of an Hermes Bolide bag, by Hermes. The box can be used in a multitude of ways: as a standard pillbox, a pendant, or as a charm. Almost 2 inches wide and approx. 30 grams in weight. This Hermes pill box is a unique and luxurious accessory that pays homage to the iconic Hermes Bolide bag. Shaped like a miniature version of the famous Hermes Bolide bag, which is celebrated for its structured silhouette and distinctive closure. Hermes itself is a renowned French luxury brand known for its exquisite craftsmanship and timeless designs. This particular piece, designed primarily as a pill box, can be used as a charm or pendant as well. It is crafted from sterling silver, which is highly prized for its durability and lustrous appearance. The sterling silver material provides a sleek and elegant backdrop for the intricate details of the Bolide bag pill box charm...

Alex Jona design collection, hand crafted in Italy, sterling silver money clip. Alex Jona jewels stand out, not only for their special design and for the excellent quality of the ge...

Sculptural twisted pen designed by Angela Cummings. Sculptural pen, created back in the 1981 in New York city at the Tiffany Studios. This fabulous sculpt...

Zuni Sleeping Beauty turquoise and dark red coral buckle. Nuggets surrounded by twisted rop border with stylized thunderbird with wings and tail feathers....

Art Deco pair of sterling and enamel hat pins. Of opal white engine turned enamel with incised flower head motifs. Hallmarked, sterling silver. Excellen...

Very rare silver chatelaine with a needle case in the shape of a cross. The hook of the chatelaine is decorated with a flower bouquet ia vase.

English Silver Cigarette Case Birmingham 1911, Joseph Gloster Ltd. Slightly concave rectangular shape case; front, reverse and outside border with eng...

Tiffany & Co. Sterling Golf Ball Tee Ballpoint Pen. The simple & sleek design is functional and stylish. This piece has a twist retractable closure and a...

Apparently unmarked but Russia, circa 1820 Elongated compressed oval, decorated with floral garlands within similar borders on gilt stippled ground, the screw top with ball finial ...

A fine silver, enamel, & agate bowl. With a carved agate bowl mounted on a silver & enamel base. We're unsure about the bowl's origin, although we have a strong inclination to think that it's Austrian. The base has intricate embossed flowers in silver...

For any inquiries,please contact the seller through the message center. A touch of greek mythology for this table silver fountain. the top of the fountain there is a male character ...

Elevate game night with this exquisite vintage Buccellati sterling silver dominoes set. Crafted with the renowned Italian jeweler's signatur...

A patented design, this stunning Art Deco brooch comes apart so its pieces may also be used as dress clips. Brains AND beauty? A double threat. Art Deco brooch featuring a radiating...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A rare Early Victorian sterling silver inkstand or standish by Henry Wilkinson. Retaining its original bottles, lids, taper stick, snuffer and a quill or wafer compartment. The body...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Carved ivory bighorns with Blue Kingman Mine turquoise. Wonderful patina. Original leather; nine conchos total. Signed A.J.M. PERIOD: After 1950 ORIGIN: Navajo, Southwest SIZE: Total belt length 56"; buckle 3 1/2" x 5"; conchos 3" x 4" The word “concho” sometimes spelled “concha”, comes from the Spanish word meaning shell. Some of the first “conchos” were made of melted silver dollars and resembled a shell. Concho belts reportedly began appearing in Navajo country in the late 1860s. Other Native Americans including Zuni and Hopi also made traditional concho belts before long. Concho belts can cost into the thousands of dollars depending upon the craftsmanship, amount of silver, rarity of turquoise and stones used. Belts in the upper end of the price scales are usually made before the turn of the century. Buyers should deal with reputable dealers as many fakes and look-a-likes exist. A well-made belt with age to it will fetch a bigger premium and hold its value better. The earliest concho belts are now referred to as “First Phase” belts. This style of belt was made before Native silversmith had learned much about soldering. The conchos were hammered out from melted coins, cut, and filed into shape, engraved and a diamond shape slot was cut out of the middle of the concho, with a bar left across the center of the diamond shaped slot for the leather loop. Conchos that required no soldering are generally thought to be made from 1860-1880. Second phase conchos were done 1890-1900s in which silversmith began to solder. Third phase conchos is when you start to see the “butterfly” or “bow” appear between conchos and the use of turquoise as an adornment. A butterfly (bow) is a smaller concho in between bigger conchos. A belt with butterflies...

For any problems related to some materials contained in the items that do not allow shipping and require specific documents that require a particular period, please contact the selle...

Mario Buccellati Silver Squirrel, silver texted fur with glass eyes, enamel nose and gilt acorns. Signed on one leaf Mario Buccellati, 925, and 15-MI M...

Vintage Sterling Hair Barrette, Beautifully Hand Engraved Western Design, 25.2 Grams, 3 in X 2.25 in, Stamped: Sterling SSS, Very Good Condition. This barrette makes a nice addition...

Fabulous emerald lizard form brooch set with emerald green pastes on silver. The Roman symbol of wedded bliss and popular in jewelry during fin de siecle (...

Vintage Sterling silver nurses buckle. Beautiful open work buckle made popular by nurses who used them for the capes of their uniforms. Measures approx...

Montegrappa - Sterling silver gold tone finish fountain pen with 18k yellow gold nib. Made in Italy Circa 1993. Fully hallmarked. Dimensions - Pen Length x Width : 13 x 1.4 cm Wei...

A vintage Mikimoto Pearl on a beutiful unique paper weight by Mikimoto Its in shell shape Weight 57 gm i inch wide and 1 and Half inch tall ...

A necessity during the Victorian Era, hat pins not only balanced precarious hats atop piles of hair but also moonlighted as weapons against overzealous gentlemen. Though teetering ha...

Micro Mosaic artists tiny handwoven Venetian enamel rods obtained from the high temperature melting of nine base colors with diamond dust, realizing endless combinations of tones and...

The “Dalí” pendant is part of our jewelry line “Homage to the ancestors”, inspired by famous oeuvres of great artists. Specifically, this pendant represents the well- known painting “The persistence of Memory...

A necessity during the Victorian Era, hat pins not only balanced precarious hats atop piles of hair but also moonlighted as weapons against overzealous gentlemen. Though teetering ha...

A minimalistic paperclip style money clip made of solid British sterling silver. The clip measures 6.4 x 2 centimetres and there is a gross weight of 13.2 grams.

The “David” pendant is part of our jewelry line “Homage to the ancestors”, inspired by famous oeuvres of great artists. Specifically, this pendant represents the well- known David of...

This champagne cover belongs to our collection “K-over Art”. The oeuvre was manufactured by a Japanese artist who wanted to celebrate her homeland. Indeed, she chiselled on a pure si...

This elephant is one of 12 exclusive Serra's sterling silver "stirrup glasses", (weight 360 gr ) models date back to around the mid-1900s, and represent 12 animals that can be placed on the table to serve wine. Our 12 glasses are now used to be added to other crystal glasses, maybe to serve a special wine! In this difficult historical period for our health, drinking from silver glasses is really a great help: silver is rich in antibacterial and antimicrobial properties that eradicate the bacteria and antibiotic-resistant pathogens. It can be used as a natural disinfectant of any liquid. Silver is a natural immunity booster . Its nanoparticles create an immunomodulatory activity that gives you a healthy immune system. Popular since the late 18th and 19th century, antique silver stirrup cups...