Antwerp - Paintings

Wonderful naive oil painting of a girl. Fabulous muted colors. The austerity of the image is matched by the simplicity of the antique bleached oak frame. I have chosen not to resto...

Painting “Venice by Moonlight” by K. Nufer, Munich Late 19th Century Magnificent antique painting in oil on canvas. Painted by K. Nufer Munich in the late 19th century. The painting...

20th Century bark cloth painting, Mbuti (Efe) people, Ituri Forest, D. R. Congo A painted barkcloth from the Efe people in the Ituri forest of no...

A striking abstract painting by Australian Aboriginal painter Walangkura Napanangka (1940-2014), one of the matching pair painted in 2007 in Alice Spring. Entitled "Kutungka", acrylic on Belgium linen, inscribed on reverse with gallery catalog no. "Kutungka" depicts the landscape of a country where an old woman named "Kutungka" travelled from Malparingya to Kaltarra in Western Desert during the Dreamtime creation. The highly abstract forms are the dreamtime memory of the land features, such as rock piles and waterholes. Provenance: Grasstree Gallery, Australia. It comes with a COA from the gallery as well as progressive photos taken during the creation of this painting by the artist in 2007. Brief biography From Australian Art Gallery...

Rare vintage African Kuba Textile, suitable for a modern wall panel, on a long table ; perfect as headboard. Handwoven and hand dyed raffia fabric. An IDEA: use this item as backrest...

Signed Batik'ed textile painting of elephants. Un-identified African artist. Framed in brass behind glass.

Danish early 19th Century oil painting of a farm house in a period gilded frame.

Wonderful naive oil painting of a girl. Fabulous muted colors. The austerity of the image is matched by the simplicity of the antique bleached oak frame. I have chosen not to resto...

Interesting 19th century Folk Art painting of a young girl holding a bible. Oil on canvas with a treed landscape and blue sky. Set in a deep carved giltwood frame with repeating bord...

This fantastic view of a great battle waged by a phalanx of nude male soldiers -- probably a scene from Sweden or France -- was painted by Nils Wedel, an important Swedish painter st...

A 19th century American folk art oil painting on canvas depicting a river scene at dawn with a horse and rider on a bridge over a waterf...

A contemporary painting by Australian Aboriginal artist Ronnie Tjampitjinpa (1943-). Entitled "Rain Dreaming", the artwork was acrylic on canvas and painted in 1999 Fully documented: originally purchased in 1999 from Kimberley Australian Aboriginal Art, Melbourne, cat. no. KA 708/99; The in the collection of The Kelton Foundation, Santa Monica; It was exhibited in: "G'Day LA" Australia Week, in partnership with the Australian Consulate Los Angeles, Pacific Design Center, West Hollywood, CA, 15-25 January 2004. It is housed in a black thin wood frame. Ronnie Tjampitjinpa was born in Pintupi land at Muyinnga, about 100 kilometres west of the Kintore Range, just across the Western Australian border. He is the son of Uta Uta Tjangala’s older brother, Minpuru Tjangala (c.1899–1976). Artist's Biography (Courtesy of Art Gallery NSW) After his initiation into Pintupi law at the site of Yumari, Tjampitjinpa and his younger brother Smithy Zimran Tjampitjinpa walked into the Aboriginal community of Yuendumu. They later joined their parents and other siblings – who had come in to Ikuntji (Haasts Bluff) in 1956 from the Dover Hills/Yumari area – at the new settlement of Papunya. Tjampitjinpa worked as a labourer, assisting with the fencing of the aerodromes at Papunya and Ikuntji. He was one of the youngest of the group of men who began painting at the start of the Western Desert art movement in 1971, and was a founder of Paunya Tula Artists. During the 1970s, Tjampitjinpa was preoccupied with returning to his traditional lands and became a strong advocate for the outstation movement, travelling between meetings in Papunya, Yuendumu, Wirrimanu (Balgo) and Mount Doreen Station. His goal was finally achieved with the establishment of the Walungurru (Kintore) settlement in 1981. Tjampitjinpa moved there with his young family in 1983, establishing an outstation at Ininti (Redbank) and serving as chairman of the Kintore Outstation Council. During this period, he emerged as one of Papunya Tula Artists’ major painters, pioneering the bold, scaled-up, linear style that came to dominate many of the Walungurru painters’ work during the 1990s. His distinctive aesthetic preoccupa-tion is exemplified in the untitled works of 1994 and 2001. Now one of the last founding members of Papunya Tula Artists, Tjampitjinpa’s career spans more than 40 years. He has had six solo exhibitions since 1989 in Australia, most recently at Utopia Art, Sydney. Throughout the 1980s Tjampitjinpa worked devotedly on a land claim for Ininti, holding meetings in Darwin, Warmun (Turkey Creek...