Arizona - More Prints

Mixografia on Paper “Sol (The Sun)” by well-known Mexico artist Rufino Tamayo (1891-1991). Signed “R. Tamayo” lower right. Numbered lower left 96/140. Created 1976. In excellent cond...

Evolution of the Cowboy, 1933 Original Lithograph Excellent condition, came directly from Jo Mora Jr. Unframed!! Original version was called Evolution of the Cowboy, 1933 or referred today as "Sweetheart of the Rodeo", Images from the poster were used for "Sweetheart of the Rodeo", the sixth album by American rock band the Byrds and was released on August 30, 1968. It was hated when released, today it is considered one of the great classics. This is an original lithograph from the Jo Mora Estate from Jo Mora Jr. Joseph Jacinto Mora (October 22, 1876 – October 10, 1947) was a Uruguayan-born American cowboy, photographer, artist, cartoonist, illustrator, painter, muralist, sculptor, and historian who wrote about his experiences in California. He has been called the "Renaissance Man of the West". Early life Mora was born on October 22, 1876, in Montevideo, Uruguay. His father was the Catalan sculptor, Domingo Mora, and his mother was Laura Gaillard Mora, an intellectual born in the Bordeaux region of France. His elder brother was F. Luis Mora, who would become an artist and the first Hispanic member of the National Academy of Design. The family entered the United States in 1880 and first settled in New York City, and then Perth Amboy, New Jersey. Jo Mora 1931 Yosemite map Jo Mora studied art at the Art Students League of New York and the Cowles Art School in Boston. He also studied with William Merritt Chase. He worked as a cartoonist for the Boston Evening Traveller, and later, the Boston Herald. In the spring of 1903, Mora arrived in Solvang, California. He stayed at the Donohue Ranch. He made plans to travel to the Southwest to paint and photograph the Hopi. He spent time at the Mission Santa Inés; those photographs are now maintained by the Smithsonian Institution. Mora visited many Spanish missions in California that summer by horseback. He followed the "Mission Trail", also called the "Kings Highway". In 1904, Mora visited Yosemite. Later, in 1904, to 1906, visited Arizona where he took photographs, painted and otherwise recorded the daily life of these Native Americans. Because the Hopi and other tribes have voiced their concerns more recently about photographs depicting religious ceremonies, the tribal nation should be contacted before they are used. He learned the Native languages and made detailed drawings of what he observed. Career In 1907, Mora wrote and illustrated the comic strip Animaldom. In 1907, Mora returned to California and married Grace Needham. Their son, Joseph Needham Mora, was born on March 8, 1908. The Moras moved to San Jose, California, where Mora continued his work. On 22 February 1911, the Native Sons of the Golden West Building, in San Francisco, with six terra cotta panels, by Domingo Mora and his son, Jo Mora, was dedicated. In 1915, he served on the International Jury of Awards at the Panama–Pacific International Exposition and displayed six sculptures.[9] In 1915-16 two of his sculptural commissions were revealed: the bronze memorial tablet with the profile of the late Archbishop Patrick W. Riordan for the Knights of Columbus and the Cervantes Monument in San Francisco's Golden Gate Park.[10][11] By 1919, he was sculpting for the Bohemian Club, including the Bret Harte Memorial plaque, completed in August 1919 and mounted on the outside of the private men's club building in San Francisco. Carmel-by-the-Sea In 1921, the Mora family relocated to Carmel-by-the-Sea, California, the largest art colony on the West Coast, making it their primary residence. He constructed a Craftsman-style home, which is located on the west side of San Carlos Street, the third house south of 1st Avenue. Mora received a commission for the bronze and travertine Cenotaph, for Father Junípero Serra in the Memorial Chapel at the west end of Mission Carmel. Mora was a director of the Carmel Art Association as early as 1934. His sculptures were exhibited between 1927 and 1934 in various galleries in Carmel. Jo Mora is a serious sculptor, a responsible amateur actor; when mixed up with pen and ink, a humorist! Comic strips was once his trade. He was famous at it. That was years ago but his art of cartooning bloomed again when in recent years he produced the well known Mora Map of the Monterey Peninsula. Most successful with bronze statue creations which decorate many gardens in East and West. If he has a specialty in figures it is cowboys. He knows his West. Jo Mora will ever be famed for his portrayal of Pancho Lopez, The Bad Man, at Carmel Playhouse. He does everything well and is handsome while doing it. He is happily married-alas! — Carmel Pine Cone During the Great Depression, Mora created the "Carmel Dollar" as part of Carmel's program, offering unemployed residents scrip for public service, exchangeable for groceries and essentials; a three-cent stamp on the certificate's back acknowledged their efforts. When full, merchants accepted the certified scrip for goods or a dollar. Architect Robert Stanton...

Indians of North America 1936 Jo Mora Lithograph Paper size: 31 7/8 x 24 1/4 inches Image size; 30 1/4 x 22 7/8 inches These are the original lithographs from the Jo Mora Estate from Jo Mora Jr. THESE ARE NOT REPRODUCTIONS! FREE SHIPPING LOWER 48 Joseph Jacinto Mora 1876 – 1947 Mora was born in Montevideo, Uruguay, and was the son of Domingo Mora, a well-known painter and sculptor who brought his family to the United States in the mid 1890s and then became a teacher in New York at the Art Students League. Joseph and his artist brother Luis Mora (1874-1940) grew up being much influenced by the creative atmosphere of their father’s studio. In 1904, he returned to Arizona and New Mexico and lived with Hopi and Navajo tribes, learning their languages and painting depictions of their ceremonies, especially the Kachina ceremonial dances. One of the results of his Western travels was a series of humorous maps that were spoofs of the national parks and that were made into posters. In the 1930s, the maps sold for 25 cents each and were distributed through souvenir shops at the parks. He also painted a watercolor series, “Horsemen of the West” and wrote two books, “Trail Dust and Saddle Leather” and “Californios.” Joseph Mora died in Pebble Beach on October 10, 1947. Devoting his life to exploration of subjects as diverse as vaqueros, Hopi Kachina figures, the Arizona landscape, and California missions, Joseph Mora also excelled as a writer, photographer, designer, children’s book illustrator, and map maker. “Apart from the bread and butter commissions that he referred to as “pot-boilers,” Mora has left a vast legacy of fine artwork. His contributions to public sculpture and architectural decorations, which are numerous and diverse, gaze calmly at the world from buildings in Los Angeles, San Francisco, Salinas, San Jose and Portland. Mora’s dioramas and large-scale figures are permanently in Monterey and Sacramento, California and Claremore and Bartlesville, Oklahoma. His drawings, paintings and photographs are cherished in private collections and private institutions across the country and first editions of his books are highly valued. But in the final analysis, Mora’s most important works may be his cartes. In these entertaining maps, Mora combined his encyclopedic knowledge of history, his writing, drawing, and cartooning skills, his fine sense of design, and his sense of playfulness to create an art form uniquely his own. Mora’s cartes are still captivating more than fifty years after their completion, and they exemplify the popular, entertaining, direct, and informative art at which Mora excelled.” Betty Hoag McGlynn • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo...

Original Woodcut print from the Baja California Series by the artist Edgar Dorsey Taylor. Title is seen at lower center: “Waves Off the Shore. Bahia de Los Angeles.” Pencil signed l...

Benton Spruance, Pennsylvania artist, original lithograph, 1933. Titled “Shells for the Living.” The edition size is 28. The image measures 15 7/16"h x 7 7/16"w. Printed by Cuno. Th...

Friedensreich Hundertwasswer (Austrian 1928-2000) Serigraph on Metal on Layered Plexiglas, 1979 “Fall in Cloud, Fall in Fog, Fall Out” Measures: 11 3/8"h x 13 3/4"w x 1 1/2"d. Prese...

Jo Mora's 1928 "Carte" of San Diego, Very Rare Pictorial Map Size: 28 x 22.5 in (71.12 x 57.15 cm) Every good condition for it's age Originally came folded in envelope for mailing....

Drypoint and engraving by Wisconsin born printmaker Armin Landeck (1905-1984). Titled “Stairhall.” Pencil signed lower right. Full margins. The image measures 11 7/8"h x 14 1/2"w and...

Stencil Print by Sadao Watanabe, hand colored on hand-made washi paper. This image depicts Adam & Eve with the snake in the garden of Eden from Genesis. Artist’s chop mark and penci...

Charming etching by Italian/Pennsylvania artist Salvatore Pinto (1905-1966). The work is titled in pencil lower left “Beach Houses.” Created 1935. Signed in pencil lower right “Salv...

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures 11 1/4 x 14 1/4 inches. Pencil Signed and Dated: Proof (15) R-364. Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 Worlds Fair building...

Joichi Hoshi (1913-1979) Original Color Woodblock, 1974. Title: “Early Spring.” Image: 9 5/8"h x 7.” Frame: 17 1/4"h x13 5/8"w. Signed in pencil lower right and dated ‘74. Chop mark...

Okiie Hashimoto Color woodblock, 1952. "Girl with Irises" A beautiful composition by Japanese print artist Okiie Hashimoto (1899-1993). This original color woodblock is in excellent condition and measures 15"h x 21 1/4"w. The work is framed nicely and measures 25 3/4"h x 30 3/4"w framed. Pencil signed and dated ‘52 lower right. Titled “Girl with Irises” (Awame To Shojo). Okiie Hashimoto (1899–1993) was a Japanese artist and educator. Best known as part of the postwar revival of the sosaku-hanga (Creative Prints) movement. In 1936, he began creating woodblock prints after he attended a workshop organized by prominent sosaku-hanga artist Un’ichi Hiratsuka and began creating woodblock prints. In his prolific career in printmaking, he was known for an innovative use of simplified and decorative forms that exude a modern feel. In his lifetime, his achievements were rewarded with his appointment to the president of the Japan Print Association (1974–79) and his invitations to the prestigious international prints biennales in Tokyo (1957, 1970, 1972) and Lugano (1972). In 1921, he began a three-year teacher's training course at the Tokyo School of Fine Arts (the present Tokyo University of the Arts), graduating in 1924. In Tokyo, aside from the art teacher education courses, he received training in a wide variety of practices, including yoga (Western-style painting), nihonga (Japanese-style painting), sculpture, design, etching and lithography, crafts, and calligraphy. In 1955, he began to pursue a career as an artist full-time. As for influences, Hashimoto cited Hiratsuka, Henri Matisse, André Derain, Maurice de Vlaminck, Kanji Maeda, and Masao Maeda...

Original pencil signed etching by Ukraine/Pennsylvania artist Louis Lozowick (1892-1973). The print, created 1929, measures 8 3/4 x 15 inches and is unframed. It is in excellent cond...

Beautiful etching by John Marin (1870-1953) created 1921. Title: Downtown, The El (From the New Republic Set) Medium: Etching Size: 6 7/8 x 8 5/8. Sheet: 10 3/4 x 14. Mat: 16 x 17 3...

Otto Kuhler (1894-1976), original etching, 1928. Title: “Monsters and Midgets.” From the “Iron Horse in the Making” portfolio. Signed lower right. Image measures 9.38"h x 12.94"w. T...

Original lithograph by Mexican artist Emilio Amero (1901 -1976) created 1950. Titled: “Harmonica Blues.” Edition size is 3 of 25. Signed in pencil lower right. In excellent condition. Presents in a 4-ply museum mat. Image size: 9 5/8"h x 12 1/4"w. Born in the village of Ixtlahuaca, in the state of Mexico, Emilio Amero counts Spaniards and Otomi Indians among his ancestors. Shortly after his birth, the family moved to Mexico City. In 1911 he began his studies in art at the Academy of San Carlos. He also studied drawing privately with Antonio Gomez, a family friend and well-known newspaper artist. At the academy in 1917, he became acquainted with Diaz de Leon, Rufino Tamayo, Ramon Alva de la Canal, Enrique Ugarte, and Leopoldo Mendez-all students there at the time. Later he joined the open air school in Coyoacan, founded and directed by Alfredo Ramos Martinez...

Original etching with drypoint in mint condition by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil lower right. The title is: “Sha...

Fermin Rocker (1907-2004) original pencil signed lithograph. The subject is a very atmospheric rendering of the Brooklyn Heights area of New York. The image measures 11 x 14 and rest...

Wonderful woodblock by Taos artist Howard Cook (1901-1980). Titled: “Giant’s Thumb” (alternate title: Monument Rock).” Edition: 50. Image size: 14"h x 8 1/8"w. Sheet size: 14 1/2"h ...

Original lithograph by Charles Keller depicting the subway being built in New York on 6th Avenue in 1937. This print is inscribed lower left: “To W.B.” The print is in excellent con...

Original Woodcut print from the Baja California Series by the artist Edgar Dorsey Taylor. Title is seen at lower center: “Ocean Waves. Bahia de Rosaldita.” Pencil signed lower right....

Original Linocut by San Francisco artist Byron Randall (1918-1999) titled "Diabolical Machine." Image measures: 12 1/2"H x 8 1/4"W. Frame measures: 21 1/2"H x 17"W. This print was c...

silkscreen, unframed, edition 229 of 250 In 1968 Andy Warhol exhibited at the Philadelphia Museum of Fine Arts. Since Warhol's show was seminal in the development of Pop Art, there was a lingering presence that could not be denied, even after the work was no longer in the space. Anastasi went to a sign maker and had a plaque made that read, "A Painting of a Soup Can Used to Hang Here". The reference to the soup can and the fact the sign was not made by the artist was the development of Warhol’s subject matter as well as a Duchamp reference. It was pure genius. An edition of this work was produced years later. William Anastasi is one of the founders of both Conceptual and Minimal Art. A “classmate” of Andy Warhol, Sol LeWitt, and Hans Haacke...