Colorado

This mid-century vintage ring is designed around an oval-shaped carved jadeite plaque embellished on each side with green enamel accents in a floral motif. Set in 14K yellow gold.

Designed by the Mantuan architect Renzo Zavenella. Zavanella's work is greatly influenced by his ergonomic studies for train seating. While the armchairs...

A beautiful set of four vintage 1960s or 1970s painted McGuire bamboo and rawhide armchairs. These were painted many years ago making the surface somewhat irregular yet charming, in ...

1970’s Solid oak, oak veneer, and burl veneer. Patrons-style table Manufactured by Lane In the manner of Milo Baughman Inset book-matched burl veneer top. Sourced i...

A striking 1970s Replogle globe on a sleek, minimalist bronze stand, reminiscent of Paul McCobb's timeless design. The bronze base exhibits a beautiful, rich patina that adds under...

Sangre de Christos is a hand-pulled, limited edition serigraph, no. 39 / 260 and is signed in pencil by the artist. Published by Aspen Mountain Graphic...

18K large yellow gold complex weave design vintage ring which nonetheless gives it its own inimitable idiosyncratic character and thereby designating it as distinctive and memorable....

1940's Rene Gabriel French Oak Gridback Lounge Chair

A charming pair of antique Indian teak "dog gates" with iron bars from the early 20th century that were skillfully repainted at some point with elephant and l...

An oval shaped synthetic purple sapphire measuring 10 x 15mm radiates from within a hand carved band fashioned from 14kt yellow gold. The Eur...

Silver and turquoise on copper plates attributed to Graziella Laffi with images of a warrior god and llama. Unsigned. Wonderful patina.

This large and charming vintage brass, perhaps bronze, patinated elephant stands with it's trunk raised and tusks outstretched. It is signed "La Puce" which translates to the flea in...

A very fine portrait of this elegant horse head by French artist J.Rivet. This original etching is signed in pencil by the artist and is printed on B.F.K. Rives paper in France. In v...

Roosevelt, Eleanor. This I Remember. New York: Harper & Brothers , 1949. Stated First Edition. Inscribed by Eleanor Roosevelt on the first free endpaper, in black ink. In the origin...

Portrait De Femme En Rouge is a portrait of a beautiful young women in a red dress and scarf with pearls in her hair and around her throat in a green and white background. Portrait De Femme En Rouge by Marie Laurencin (aft. ) is one of 12 wood engravings from the portfolio Estampes by Robert Rey...

An industrial milk glass shade featuring raised ribs leading from the brass fitter to a 3/4 rounded lip. This type of glass shade would have been found in a number of industrial sett...

Fancy cut white diamonds are border with fine natural sapphires and rubies. A spectacular long brooch with fine well matched and well cut stones. The 34 diamonds weigh an estimated 3...

18K yellow gold large and bold ring centering a deep red/orange (oxblood) natural coral bead measuring 15.5 in diameter. The coral is even in color. Underneath the stone, there is a...

This timeless gold Tiffany & Co. powder case is gorgeous. Comprised of 14k yellow gold, 2.85 carats of blue sapphires and .15 carats of white diamonds, thi...

Presented is an original Frank Lloyd Wright Foundation bank check, signed by renowned architect Frank Lloyd Wright. The check is dated March 1, 1954, payable to Iovanna lloyd Wright ...

This original 1960s oil on canvas by American artist Florence V. Mercolino Graziano exemplifies the dynamic energy of the Abstract Expressionist movement. The composition showcases b...

A sleek late Mid-Century tubular chrome and glass console table for a variety of uses - sofa table, entry hall, etc. Top and bo...

Vintage diamond eternity bands with milgrained edges, they are marked 18K, 750%, white and back in yellow 18K gold in the back in the back of the rings. The rings have been acid tes...

This vintage oil on canvas by Alfred Wands (1904-1998) depicts a classic Western scene of horses pulling a stagecoach through Colorado’s stunning Front Range. Featuring vibrant autumn foliage, golden grasses, a flowing river, and snow-capped mountains, the painting captures the rugged beauty of the Colorado wilderness. Wands’ detailed brushwork and rich color palette bring this iconic moment to life, making it a compelling addition to any Western or landscape art collection. The artwork is framed in a vintage frame measuring 29 ½ x 35 ½ x 1 inches (outer), with an image size of 24 x 30 inches. It remains in very good condition—please contact us for a detailed report. About the artist: Alfred Wands, known as the "Dean of Colorado Landscape Painters," studied in Cleveland and Paris, led Colorado Women’s College art program, and deeply influenced the regional art scene. © David Cook Galleries...

Large Victorian style cobalt blue flashed glass epergne with ruffled bowl, four ruffled side horns and large ruffled center horn, brass connections. Abs...

Hollywood Regency Louis XV style beautifully carved chair pair. The upholstery is a stunning cream embroider filagree on shimmering peach-gold fabric that looks to be silk but may be...

On offer is this beautifully minimalist Zen Hinoki Kotatsu latticed coffee table. Crafted from hinoki wood, this style of table was a staple in Japanese households and living rooms i...

In this Art Deco gem, a circular brilliant cut diamond measuring 1.08 carats, J color, VS1 clarity sparkles in the center, flanked by six natural blue calibre baguette-shaped sapphir...

Offered is an original 20th century wooden decoy, which is hand-carved and hand-painted. The decoy has a swooped white head with glass eyes. Its back, breast, and belly are painted s...

Edwardian pin with diamonds and a natural pearl, c 1907. With a frame of platinum and yellow gold (in the back), this is probably an American piece executed circa 1905 to 1910. It ...

A beautiful pair of vintage cast iron monumental classical planters with a rusted patina from decades of sitting outside. A strong pair with no breaks. Each planter weighs around 100...

18K yellow gold, fine diamond, sapphire, ruby and emerald ring made in the early 1960's. This heavy and substantial ring in 18K, and marked on the interior of the shank weighs 20.7 g...

A exceptionally beautiful and functional antique Eastern European or German fir pine dresser with period brass pulls. The casework is expertly crafted to create a sturdy piece while ...

Presented is a vintage WWII U.S. Army Air Force poster of a P-40 Warhawk fighter plane. The poster was illustrated by Melbourne Brindle and published by the Recruiting Publicity Bure...

Presented is an original 1943 War Bonds poster by Rockwell Kent, illustrating “Freedom of Worship.” The poster is one of the four iconic War Bonds posters by Norman Rockwell known as...

Angela Cummings, a major designer for Tiffany & Co., has designed these very wearable earrings in 18K yellow gold. These earrings are 1.25 inches long and .75 inches wide. Each earri...

An elegant early 1900s Austrian (in the French style) walnut buffet or washstand with an antique black marble top. Beautifully crafted of pine and oak in the interior with thick waln...

Presented is a handsome etched portrait of President Theodore Roosevelt by 20th century artist Jacques Reich. The etching, printed in 1919, is signed by the artist in pencil and noted as a remarque proof. Reich etched a remarque of a blue star flag...

A charming, one of a kind, vintage metal French grape hod (harvesting bucket) with hand painted floral tole paint decoration in gorgeous shades of blue, green, ochre and red. Buckles...

San Francisco, Girl with Mission Dolores is an original lithograph by Margaret Keane c. 1980. A young girl in a head scarf is seen in front of the Mission Dolores in San Fr...

A late Mid-Century tall round étagère with lightly smoked glass shelves. Unknown maker. The 2nd shelf rests at 44.5" high. The 3rd shelf rests at 25" high. The 4th shelf rests at 5....

Antique yellow gold small purse set with diamonds and fine Australian opals. The diamonds are white old cut diamonds amounting to approximately .20 cts., and graded to be approximate...

Presented is a vintage Air Force Academy felt pennant, circa 1950s. The pennant has a dark blue field with a white headband and no ties. Printed in r...

On offer is a large oak wall unit from Danzig Germany. Two large side doors open to reveal four adjustable shelves each. More storage in the upper cabinet surround, with three glass ...

Griffon With Woodcock is an original etching by Leon Danchin showing a Griffon in a field pointing at a Woodcock trying to hide in the brush. This color etching is in good conditi...

This is an original American eagle, hand-carved from pine during the early to mid 20th century. The eagle features a touch of original gilt over yellow sizing with hand-painted highlights, emphasizing the eyes and beak. The eagle is displayed with both wings fully outstretched. The feathers are expertly detailed, especially considering that this eagle is a single-piece carving. The eagle is both the national bird and the national animal of the United States. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery, usually the golden eagle, was prominent. On June 20, 1782, the Continental Congress adopted the design for the Great Seal of the United States depicting a bald eagle grasping 13 arrows in its sinister (left) talon and an olive branch with its dexter (right) talons. Those arrows are tightly aligned, a symbol of "strength in unity" that's found in the traditional cultures everywhere, from the Romans to the Iroquois. In this case, the bundle of arrows were a nod to the unity of the original 13 colonies. The olive branches emphasize the power of peace. The eagle motif has since appeared in allegorical engravings...

This is an original World War II Marines recruitment poster, issued in 1942. The poster depicts a uniformed Marine, standing strong and proud at attention. The persuasive text reads ...

"Don't Fence Me In" is an original oil painting by Lynn Rowan Myers (1933 - 2008). A colorful southwestern landscape is depicted with Myers signature red showing through. Lynn Rowa...

Manufactured by the renowned Thorens Company of Switzerland in the mid-20th century, this delightful music box is comprised of a quality fruitwood case with a glass door that allows ...

Cartier Paris 18K yellow gold large link bracelet, circa 1950. 8 1/2 inches in length and weighing 76.4 grams, this seven link large bracelet is signed in engraved script Cartier Pa...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...

This breathtaking original oil on canvas painting by James Emery Greer (1903-1990), titled Battered by Wind and Storms, Sangre de Cristos, offers a striking depiction of Southern Col...

Crafted in the 1920s from platinum, this exquisite Art Deco brooch features a blister white pearl measuring 9 mm which sits in the middle of a line of eight Old European cut diamonds...

Paul McCobb’s Model 1507-S Planner Group 8-drawer dresser and companion mirror for Winchendon. USA, 1958. Extremely rare edition of the 1507-S dresser with special "shaped" handles...

Midcentury, Italian chair Bent Rattan and woven Manilla grassa frame Minor flaking of the clear coat on the back of the chair (see images) No structural damage or large cracks of...

An absolutely beautiful vintage oil painting on mahogany panel of three black and white dogs, perhaps Border Collies. The painting is skillfully painted and signed by H. Ed. Capel. T...

A stunning and monumental example of Kayserzinn pewter, an exceptional piece for the collector. This antique art nouveau Jugendstil pewter tankard is stamped "Kayserzinn 4009" and wa...

This WWI poster features a US sailor after disembarking from a ship and ready for battle. In the background are powerful warships setting the scene. Below th...

Sam Maloof was an American furniture designer, known for his trademark sculptural style and utilization of the utmost quality in materials. He was a prolific designer, with works still showcased in galleries and museum across the country, but perhaps his most iconic design is his rocking chair. Jimmy Carter once referred to him as his "woodworking hero." Characterized by its dramatic lines and highly sculptural form, Maloof’s rocking chairs...

Milne, A. A. Now We Are Six. London: Methuen & Co., 1927. First Edition. Illustrated by Ernest Shepard. Octavo. In the publisher's original red leatherette boards, stamped in gilt, with new joints and linings, and presented with a new archival ¼ cloth slipcase. Presented is the first edition of A. A. Milne’s iconic children’s poems, Now We Are Six. This collection of verses was published by Methuen & Co, in London in 1927. It is presented here in the publisher’s original gilt-stamped red leatherette boards, with new joints and linings, and filled with E. H. Shepard’s charming illustrations. The book is now protected in a custom, archival red cloth slipcase with gilt stamped inlays...