Colorado - Prints

"Delphinium" by Eyvind Earle. Limited edition serigraph on paper, 1975. Signed and numbered (61/250). Single estate, purchased from Circle Gallery, Ltd., Chicago. Brushed and polish...

Presented is a color photogravure by James Michael Brown entitled “In the Sand”. The print depicts two golfers with their young caddies on the historic St. Andrews golf course. One p...

Presented is an original, hanging wall chart from the 1955 “History of Life on Earth” series by Austrian paleontologist Erich Thenius and illustrator Fritz Zerritsch. The series cons...

Presented is a photogravure by James Michael Brown entitled "Hoylake-Punch Bowl Hole." The print depicts a 1910 foursomes match on the course, annotated in the bottom border "Mr. John Graham, Jnr., Mr. C.E. Dick, Mr. John Ball Amateur Champion, 1910, Mr. H.H. Hilton." The photogravure was published in the Life Association of Scotland calendar for that year. James Michael Brown (1853-1947) was an accomplished Scottish water-colorist, famous for his golfing scenes of British and Scottish courses, competitions, and players. Brown often had famous golfers of the time sit for him during competitions and he used these studies to help him later reproduce accurate likenesses of the players in his paintings. A keen golfer himself, Brown was a founder member of Mortonhall Golf Club in Edinburgh, where he was introduced to fellow member Dr. J. Turnbull Smith, the manager of the Life Association of Scotland. The Life Association of Scotland was established in Edinburgh, in 1838. It later formed the Insurance and Banking Golf Club, which then became the Duddingston Golf Club. In 1898, to mark the opening of the extended Club House, Smith commissioned Brown to paint a scene from an exhibition golf match at the Club. Brown's painting was then printed as the centerpiece of the 1899 Life Association of Scotland calendar. Although expensive to commission and publish, The Life Association of Scotland board justified the expense of the calendar by stating, “it must surely be the aim and desire of a Life Assurance Association to prolong the lives of those who take out policies with them and what sport is there that can compare with golf as a cure for all the ills that flesh is heir to…” The calendar was a great marketing and advertising success. As a result, Brown was then commissioned to paint an annual golfing picture for the club. Prints were made of the originals and issued in the calendar for each year. Brown painted 26 paintings for the Life Association and these all adorned the walls of the Edinburgh head office for many years. The paintings portray not only Lloyd George, the former Prime Minister at Walton Heath, but also a host of famous golfing personalities like Old Tom Morris, Harry Vardon, James Braid...

This color print of On The March to the Sea by Felix O.C. Darley, and engraved by A.H. Ritchie, is a stunning portrayal of William T. Sherman’s notorious Georgia Campaign. Originally...

Presented is a handsome photogravure of "A Difficult Bunker" by sporting artist Douglas Adams. "A Difficult Bunker" is one in a famous trio of three paintings depicting the links at ...

This is a stunning 1818 engraving of the Declaration of Independence, the first engraved broadside of our nation’s founding document. The year 1815 saw the conclusion of the United S...

This is a chromolithograph of "The Emigrants" by Frederic Remington. The print includes Remington's printed signature in the bottom right. The compositio...

This dramatic Revolutionary War engraving of the Battle of Bunker Hill is after the famous 1785 oil-on-canvas by John Trumbull. Capturing the intensity of the battle, the engraving centers on Major John Small restraining a “lobster-back” from bayoneting Major General Joseph Warren. Warren lies mortally wounded in the midst of chaos around him. In the background, British forces are seen cresting the last defenses of the brave, yet green army of Colonial soldiers. The Battle of Bunker Hill was fought on June 17, 1775, in the early stages of the American Revolutionary War. The battle is named after Bunker Hill in Charlestown, Massachusetts. Although it was the original objective of both the Colonial and British troops, the area was only peripherally involved in the battle. Rather, the majority of the combat took place on the adjacent Breed’s Hill. The battle pitted a more organized British force against a young and inexperienced American militia. Although considered a tactical victory for the British, it came at the cost of considerable casualties, including a large number of officers. The battle demonstrated that the inexperienced American militia was able to stand up to the British army troops in battle. The battle results discouraged the British from any further frontal attacks against well-defended front lines. American casualties were comparatively fewer, although their losses included Gen. Joseph Warren. During the battle, the patriot-turned-painter John Trumbull (1756-1843) was stationed in Roxbury on the far side of Boston, where he could hear the sounds of fighting. In late 1785, Trumbull decided to devote himself to the depiction of Revolutionary War scenes, a series of eight epic pictures. From the beginning, Trumbull intended for the paintings to be later engraved for sale. Trumbull began the oil-on-canvas of The Death of General Warren at the Battle of Bunker’s Hill and The Death of General Montgomery in the Attack of Quebec, in the studio of Benjamin West in London. Bunker’s Hill was completed in March 1786; Trumbull started Attack of Quebec in February 1785 and finished it before he brought it to Paris in 1786. He then started The Declaration of Independence at Thomas Jefferson's house in Paris. As soon as Bunker’s Hill was completed, Trumbull searched for a suitable engraver in London. He was unsuccessful, as many British engravers were nervous about engraving an American battle...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Presented is a much sought-after, limited edition lithograph entitled Moonwalkers by Ron Lewis. This piece of space history contains the original signatures of eleven of the twelve A...

Presented is an original George Washington signature, presented framed with an oval chromolithographed portrait of George Washington printed by E. C....

This original wood engraving is titled “The Lobby of the House of Representatives at Washington During the Passage of the Civil Rights Bill.” ...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Evans, C.S. (editor). Rackham, Arthur (illustrator). The Sleeping Beauty. London and Philadelphia: William Heinemann & J.B. Lippincott Co., 1920. F...

This is a pictorial lettersheet view of the city and harbor of San Francisco. This lithograph was printed on grey wove paper, across a double sheet, by famed lithographers Britton & ...

This is the 1892 artist proof edition of 200 signed by the artist, Douglas Adams. Douglas Adams (1853-1920) was a London based landscape painter exhibiting at various galleries betwe...

This iconic Mercury Seven color lithograph, by artist George Bishop, is a signed limited edition collector's piece celebrating America's seven first space pioneers; the seven chosen astronauts for Project Mercury and the race to space with the Soviet Union. This poster was issued in two limited editions; one edition of only 125 prints and one edition of 1500 prints were created. This lithograph is numbered "513/1500", making this the 513th print in the larger edition. This large lithograph was conceived to raise seed money for the Mercury Foundation. The poster vividly depicts an historic Redstone rocket at the moment of lift off. In the plumes of the rocket's exhaust are the portraits of these seven courageous men, with the Moon in the upper background. The Mercury Seven were made up of Alan Shepard, Gus Grissom, John Glenn, Deke Slayton, Scott Carpenter, Wally Schirra, and Gordon Cooper. This poster has been hand signed in pencil by six of these seven astronauts for Project Mercury. Gus Grissom did not have the opportunity to participate in the signing, having died tragically in 1967 in the fire that consumed the Apollo 1 team during a pre-flight simulation. Instead, his wife, Betty Grissom, has signed the lithograph over his mission patch in his memory and for the benefit of Mercury Foundation. The astronauts signed largely and clearly next to each of their mission patches. Before Project Mercury, no person had even attempted to reach space. There was no guarantee that the project would work, yet these men volunteered to put their lives on the line for their country and science. The Mercury Seven were devoted, fearless, diligent, and bold — all the heroic attributes that Tom Wolfe waxes poetically about in “The Right Stuff.” Condition: The condition of this lithograph is excellent. Paper is healthy with no tears. The original color is still intact with no fading. The signatures at bottom have been verified as original signatures, not copies or autopen reproductions. Signatures are in pencil. Numbered #513/1500 in bottom margin. The poster is artfully presented framed with two additional photographs of the original Mercury 7...

This is a signed Douglas Adams lithograph "Trout Fishing", published in 1893. Produced in a numbered edition of 200, this lithograph is pencil signed at bottom by the artist. The pri...

Vintage Hand colored lithograph by artist Swankar Hanumann of a kachina (Katsina) Doll standing on a pedestal holding a rattle and bow. Presen...

Presented is a Proclamation of Emancipation wood engraving by W. Roberts. The engraving was published in 1864, just one year after President Abraham Lincoln signed the original Proclamation. W. Roberts was the artist and engraver and Corydon Alexis Alvord was the printer. The engraving was published by R. A Dimmick, in New York, 1864. The text of the Proclamation is set in a variety of typefaces, which is encased in a pictorial border. The border is decorated with a portrait of Abraham Lincoln and seven other vignettes, including the horrors of slavery at left, the bombardment of Fort Sumter at bottom, and scenes from a prosperous and united nation at right. On September 22, 1862, five days after the Union victory at the Battle of Antietam, Lincoln issued a preliminary decree stating that, unless the rebellious states returned to the Union by January 1, freedom would be granted to slaves within those states. No Confederate states took the offer, and on January 1, 1863 Lincoln presented the Emancipation Proclamation...

This 1865, hand-colored engraving by A. H. Ritchie is entitled Lady Washington's Reception and is based on Daniel F. Huntington's original painting "Th...

This is a stunning color lithograph of the “Florida Cormorant”, Plate 252 from the 1971-1972 “Amsterdam Audubon” edition of James John Audubon’s epic...

This is an 1844 engraving of President George Washington. The print was issued by G. Stuart in Albion, New York and engraved by H. S. Sadd. This standing portrait shows President George Washington in front of neoclassical columns. In his right hand, he holds a dress sword...

Presented is an elaborate engraved broadside presentation of both the preliminary and final Emancipation Proclamations, dated September 22, 1...

This is the artist proof edition of an untitled hunting scene by Douglas Adams. The print was issued in a limited, numbered edition of 300 and is signed by the artist in the margin. ...

Presented is an original lithograph of George Washington, shown in three-quarter pose with formal dress. Printed in oval form, the black and white lithograph was printed by Peter S. Duval Co. of Philadelphia in 1856. The portrait is modeled after a bust portrait by the noted American artist, Rembrandt...

Presented is a lithographic broadside of the text of the Emancipation Proclamation issued on January 1, 1863. This broadside was published in...

This engraved print shows a view of the United States Capitol Building, in Washington, D.C. The print depicts the neoclassical building from the northeast orientation, with a bustling street scene in front. The steel engraving is a proof printing, drawn and engraved by Henry Sartain and published in 1858. Plans began in May 1854 to build a new cast-iron dome for the United States Capitol. The then-architect of the Capitol Thomas Walter and his team were sold on the aesthetics of a new dome, as well as the utility of a fire-proof one. A year later, on March 3, 1855, President Franklin Pierce...

This 1865 engraving features the Emancipation Proclamation in elaborate calligraphic text, with five patriotic vignettes and a small portrait...

This beautiful hand-colored road map of Paris was published in 1841. The map shows Paris and the surrounding area in a folding pocket map. Organized and detailed for travelers, this ...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. Repulse of Longstreet’s Assault together with two ornately decorated Union Officer swords...

This wonderfully expressive photogravure was published in 1891 in London. The etching was made after W.H. Overend’s original work, still showcasing his signature at the bottom left o...

This is a first edition print of Rough Shooting, signed by the artist, Douglas Adams. The print was published by Thomas McLean and depicts a highlands s...

This nineteenth-century engraving shows a liberty pole being raised in a town square in 1776, while a sign bearing the face of King George III is removed in the background. The rioto...

1908 "1902-1907 Officers of the Staff Corps & Departments, General Staff and Chaplain in Full Dress" Chromolithograph by C. Ogden This colorful lithograph by H. A. Ogden was publish...

This colorful lithograph by H. A. Ogden was published in 1908 by Brigadier General J. B. Allshire. Originally published as a comprehensive series of U. S. military uniforms, this pri...

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...

Fully-entitled: Army of the Potomac. The Wagon Trains of the Army of the Potomac en Route from Chickahominy to James River VA. During the Seven...

Presented is an original fox hunting print signed by the artist, Frank Algernon Stewart (1877-1945). This print depicts one of England’s most famous fox hunting events, the Bicester and Warden Hill Hunt. The scene depicts six men on horseback galloping across a field in mid-hunt. All coloring is still intact, with lush green fields and bright riders’ jackets. As evidenced here, Stewart’s renderings of horseback hunts are some of the most celebrated and collected in the world. The beginnings of the Bicester Hunt started around the 1790s when John Warde Esq. bought a set of hounds and hunted in the Bicester area, with the main kennels located at Bainton. He hunted for 18 seasons. The first master of the Bicester Hunt was Sir Thomas Mostyn...

"After a two-day ride from one camp to another, the free trapper emerged from the woods and thick pine forests into the solitude of a mountain meadow with its waving sea of golden gr...

Panorama of the seat of war. Bird's-eye View of Virginia, Maryland, Delaware and the District of Columbia. This third state of this fascinating bird's eye view of the northernmost p...

In what is considered one of Paul Calle's signature works, "In Search of Beaver" offers a photo realistic view of a group of trappers, framed by an old growth pine forest as they cro...

Presented is an 1894 signed first edition goupil-gravure print by Heywood Hardy (1842-1933). The engraving was printed in Paris and published by Boussod Valadon & Co. Publishers, the successors to Goupil & Co. Designed as a companion to After the Drive, Hardy’s On the Moors (Dogging) depicts three hunters and their two dogs hunting ducks. The youngest of the three men is shooting his gun as the dogs excitedly wait to chase after the bird. This print is one of only 75 artist’s proofs and has been signed by the artist in pencil at the lower left corner of the print’s margin. Hunting has a long history in England and is considered a very traditional activity even today. One of the most popular forms of hunting is called “wildfowling” and targets wild geese and ducks. Often conducted on coastal marshes, wildfowling is typically a solitary or small group sport unlike the grand group fox and pheasant hunts...

This is a hand-colored, remarked and signed Charles Johnson Payne lithographic print, entitle: The Stone Faceder. The border area of the art is sign by the artist using his known pse...