Connecticut - Still-life Prints
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Item Ships From: Connecticut
Thank You (gumballs), print, unframed
By Christopher Stott
Located in Fairfield, CT
The prints are all sold UNFRAMED.
Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ventures beyond time honored subject matte...
Category
21st Century and Contemporary American Realist Connecticut - Still-life Prints
Materials
Archival Paper, Archival Pigment
Fourteen Cameras - unframed print
By Christopher Stott
Located in Fairfield, CT
This print is sold UNFRAMED.
Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ventures beyond time honored subject matter. ...
Category
2010s Realist Connecticut - Still-life Prints
Materials
Archival Paper, Giclée
George Brookshaw (1751-1823), Apple Cluster, PL LX
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate LX
George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds.
Pomona Britannicaa London
1804-1812
Engravings with original hand-coloring
George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category
Early 1800s Connecticut - Still-life Prints
Materials
Engraving
Yellow flags on white
By Alex Katz
Located in Fairfield, CT
Edition of 150.
Category
2010s Contemporary Connecticut - Still-life Prints
Materials
Rag Paper, Etching, Archival Pigment
Thank You (gumballs), print, unframed
By Christopher Stott
Located in Fairfield, CT
Christopher Stott's prints are all sold UNFRAMED.
Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ventures beyond time honor...
Category
21st Century and Contemporary American Realist Connecticut - Still-life Prints
Materials
Archival Paper, Archival Pigment
All The Time In The World, print, unframed
By Christopher Stott
Located in Fairfield, CT
Christopher Stott's prints are all sold UNFRAMED.
Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ventures beyond time honor...
Category
21st Century and Contemporary American Realist Connecticut - Still-life Prints
Materials
Archival Paper, Archival Pigment
Remington Standard No. 7, print, unframed
By Christopher Stott
Located in Fairfield, CT
Christopher Stott's prints are all sold UNFRAMED.
Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ventures beyond time hono...
Category
21st Century and Contemporary American Realist Connecticut - Still-life Prints
Materials
Canvas, Oil
Remington Standard No. 7, print, unframed
By Christopher Stott
Located in Fairfield, CT
Christopher Stott's prints are all sold UNFRAMED.
Stott’s work is almost object portraiture, applying traditional still life compositions and lighting but ventures beyond time honor...
Category
21st Century and Contemporary American Realist Connecticut - Still-life Prints
Materials
Archival Paper, Archival Pigment
George Brookshaw (1751-1823), Cherry Cluster, PL V
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate V
George Brookshaw, also known as G. Brown, was a notable English painter and illustrator from London. His early career was spent as a London cabinet-maker specializing in painted furniture, often with floral decorations. Brookshaw also published supplementary drawing manuals on fruit, flowers, and birds.
Pomona Britannicaa London
1804-1812
Engravings with original hand-coloring
George Brookshaw's splendid "Pomona Brittanica" is a masterpiece among 19th-century British flower books. The publication of the "Pomona" marked the re-emergence of the acclaimed artist into the public eye after a total disappearance of nearly a decade. Initially a cabinet-make specializing in painted furniture decorated with borders of flowers, Brookshaw appears to have abandoned this career at about the same time as he parted company with his wife and began living with Elizabeth Stanton, and under the assumed name of G. Brown (c.1794-1804). During this time he earned a living as a teacher of flower-painting and on the proceeds of his first painting manual "A New Treatise on Flower Painting", 1797. Characterized by the highest standards of production and artistic quality, the superb illustrations that Brookshaw drew and engraved for the "Pomona" remain perhaps the most sumptuous and distinctive of the early 19th century. This magnificent and stylistically unique work took Brookshaw nearly ten years to produce. Rivaled only by Dr. Robert Thornton...
Category
Early 1800s Connecticut - Still-life Prints
Materials
Engraving
Fantaisies Oceanographiques No.20
Located in Bristol, CT
Colourful pochoir No.20.
by E.H Raskin
Published 1926
by F Dumas Editeur, Paris
Image Sz: 13 3/4"H x 9 1/4"W
Frame Sz: 18"H x 14"W
Category
1920s Connecticut - Still-life Prints
Materials
Lithograph
Purple irises on red
By Alex Katz
Located in Fairfield, CT
Edition of 100
Category
2010s Contemporary Connecticut - Still-life Prints
Materials
Rag Paper, Etching, Archival Pigment
George Brookshaw (1751-1823), Black Apricot; Breda Apricot; Brussels Moor Park A
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XX
George Brookshaw, also known as G. Brown, was a notable English ...
Category
Early 1800s Connecticut - Still-life Prints
Materials
Engraving
George Brookshaw (1751-1823), Pear Cluster, PL XLIX
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XLIX
George Brookshaw, also known as G. Brown, was a notable Englis...
Category
Early 1800s Connecticut - Still-life Prints
Materials
Engraving
George Brookshaw (1751-1823), Fruit Cluster, PL XII
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XII
George Brookshaw, also known as G. Brown, was a notable English...
Category
Early 1800s Connecticut - Still-life Prints
Materials
Engraving
George Brookshaw (1751-1823), Blue Muscadine Grape, PL XXXVIII
Located in Bristol, CT
Print Sz: 11 1/2"H x 9 1/2"W
Frame Sz: 19 1/4"H x 16 3/4"W
Publisher: Longman, Hurst, Rees, Orme & Brown
Plate XXXVIII
George Brookshaw, also known as G. Brown, was a notable Eng...
Category
Early 1800s Connecticut - Still-life Prints
Materials
Engraving
Fantaisies Oceanographiques 6
Located in Bristol, CT
Colour pochoir
by E.H. Raskin
From the folio Fantaisies Oceanographiques
Published in Paris 1926
Art Sz: 14"H x 10"W
Frame Sz: 18"H...
Category
1920s Connecticut - Still-life Prints
Materials
Lithograph