Continental US - More Prints

The Rough Collie 1887 Etching

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Artist: Pablo Picasso Title: Square Head of a Woman Half Smiling (Plate XII) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" ...

Damien Hirst’s ‘Suiko’ is laminated giclée print on aluminum composite panel with glitter, and is one in a series of five mesmerizing prints in ‘The Empresses’ series. ‘Suiko’ is tit...

Artist: Joan Miro Title: Plate II Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x...

Lithograph on Suzuki paper. Signed, dated and numbered 38/47 in pencil by de Kooning. Printed by Hollanders Workshop, New York. Published by Knoedler, New York.

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Foke-Luste-Hajo, A Seminole Chief, No. 84", published by Rice, Rutter & Co. ...

KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...

Vintage Western Movie Posters Image Size: 36 x 14 Frame Size: 41 x 19 Medium: Lithograph 1940s "Wild Horse Stampede"

Todd Slater creates an epic tapestry style portrait of Jerry for the latest installment of our Jerry Garcia Artist Series! Todd is a gig poster legend, and teaming up for a Jerry Ga...

Materials: Fine Art Cream Speckletone Paper with Gold Metallic Inks Size: 24 × 18 in 61 × 45.7 cm Medium: Fine Art Screenprint Signature: Hand-signed by artist, Hand signed and numb...

This original, vintage poster on poster stock features one of Jim Dine's most iconic motifs: the bathrobe. In 1964, Dine saw an ad in the New York Times: “The ad shows a robe with the man airbrushed out of it. There was nobody in the bathrobe, but when I saw it, it looked like me.” Standing in for the artist's own body and rife with personal meaning, it provides a framework for limitless formal and stylistic experimentation. Here, the garment is colored bright green and defined by variegated black lines. Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press...

"Killers from Space", Original vintage theater linen backed with original fold marks restored vintage movie poster. Very good to excellent condition and ready to frame. RKO Pictures. NSS 54/76 Killers From Space, the 1954 W. Lee Wilder giant-insect-alien science fiction (sci-fi) thriller ("Earth Attacked!"; "Astounding drama as bulb-eyed men invade Earth from flying saucers! ... The Last Word In Science-Fiction Sensation!"; "The last word in science-fiction thrills!"; "See the space killers plan to wipe out the human race! See strange monsters, flying saucers, giant creatures... SENSATIONAL!"; "Attack by monsters from another planet!"; "INVASION from another planet!"; "Staggering scenes, astounding sensations... As bulb-eyed monsters in flying saucers attack earth! An astounding science-fiction thrill!"; "From a story by Myles Wilder") starring Peter Graves...

Celebrating the one and only Marilyn Monroe by Mauro Oliveira. Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 wee...

Original World War One: Go Over With U.S. Marines. E-E-E-YAH-YIP. This charging leather neck holds his Springfield high. The cropped design was influenced by candid photography, ...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bat." Smith has used one of her animal/insect iconic figures fo...

Original vintage travel poster Holy Week in Spain. Original color lithograph in English HOLY WEEK IN SPAIN. Linen backed and in excellent condition, ready to frame. Spanish Nat...

A View of London as it was in the Year 1647 is a hand colored copper engraving published by the well known British publisher and engraver John Boydell (1720-1804) and engraved by R.Benning sold at Cheapside London 1756. Panoramic view on two sheets conjoined as issued linen mounted. Lettered with title in French and English along the base of the image including a numbered key to the structures. In very good condition except for one 1/8 inch tear in the sky to the left of the middle seam that is barely noticeable. This is a large very detailed panorama of London...

Artist: Joan Miro Title: Plate V Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x ...

Color lithograph, Edition 30. Hung Liu grew up in China and came of age during the Chinese Cultural Revolution. She spent four years in the countryside as a laborer, studied paint...

Original Pierre Dieuzey et ses Capetiens, Jazz New Orleans vintage poster. Artist: Pierre Merlin. Lithograph, archival linen-backed vin...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Damien Hirst Cannizaro H4-4 Diasec-mounted Giclée print on aluminium panel 920 x 1260 MM Edition size: 75 + 5 AP signed and numbered from an edition of 75 verso, published by HENI Editions; sheet: 92 x 126cm Damien Hirst first came to public attention in London in 1988 when he conceived and curated "Freeze," an exhibition in a disused warehouse that showed his work and that of his friends and fellow students at Goldsmiths College. In the nearly quarter of a century since that pivotal show (which would come to define the Young British Artists), Hirst has become one of the most influential artists of his generation. His groundbreaking works include The Physical Impossibility of Death in the Mind of Someone Living (1991), a shark in formaldehyde; Mother and Child Divided (1993) a four-part sculpture of a bisected cow and calf; and For the Love of God (2007), a human skull studded with 8,601 diamonds. In addition to his installations and sculptures, Hirst’s Spot paintings...

The Ninth Hour Clarence Holbrook Carter American (1904–2000) Date: 1978 Screenprint, signed and numbered in pencil Edition of 200, AP 30 Size: 40 in. x 26 in. (101.6 cm x 66.04 cm)

This large hand-colored map entitled "Le Royaume de Naples Divisé en Douze Provinces. sur les Memoires les plus Nouveaux. Par le Sr. Sanson Presenté" was originally created by Nicholas Sanson d'Abbeville and published by Hubert Jaillot in "Atlas Nouveau" in Paris in 1692. It depicts central and southern Italy, as well as Corfu, Albania, Mediterranean Sea and the Adriatic Sea. Naples, Sorrento, the Isle of Capri, Rome in the upper left corner of the map, as well as many other landmarks. This striking original hand-colored map of Italy is printed on antique hand-made laid, chain-linked paper with wide margins. The sheet measures 20" high and 24.88" wide. There is one spot on the left, it is otherwise in very good to excellent condition. Nicholas Sanson d'Abbeville (1600-1667) was one of the greatest French cartographather of French cartography. Sanson opened his first printing business in Paris in 1638. The king recognized his skill and knowledge and made him the official geographer to the court. He eventually served two kings in this capacity. Sanson was succeeded by his sons and son...

Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...

Original Radio Radiola vintage French antique poster. Archival linen-backed and in very good condition. Bright and vibrant. Artist: Rene Ravo....

Visit Belgium original travel poster. Linen backed. Grade A condition. Ready to frame. Very good condition. Excellent. Printed in Belg...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Original vintage poster: The Three Musketeers. A British theater antique original poster. Museum linen backed. Grade A Condition: fine. ...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Exhibition Poster: The Kutztown Connection 1984 Keith Haring (After), American (1958–1990) Date: 1984 Poster on wove paper, signed and dated in the plate, signed in pencil Size: 33 x...

BOOK CIRCLE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arc...

By removing parts of the image, he explores the tension between what is present and what is omitted, focusing on the reasons behind these choices and their implications. The cutouts ...

Printed on high gloss paper, mounted to acid free foamcore Edition of 2 of 10 Three sizes 12x12 16x16 20x20 Made to Order Comes with Certificate of Authenticity Elusive New York ...

Artist: Pablo Picasso Title: La Pique (I) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet Size: 9 1...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Original Germany poster: Bayerische Zeppelin-Eckener Spende. 1925. (Bavarian Zeppelin-Eckener donation). Printer: M. Grunst, München. Condition: Grade A. The Zeppelin Eckene...

This large hand-colored map entitled "Le Royaume De Hongrie et les Estats qui en ont este sujets et qui font presentement La Partie Septentrionale de la Turquie en Europe" was origin...

Kynance Cove which is part of the ’Coast Paintings’ series. Created in 2019, ’Coast Paintings’ are colourful action paintings which convey the energy, excitement and change experienc...

Silhouetted by the night sky, a brimmed hat perches on its stand, hovering above red-speckled ground like an aircraft. The moon shines bright white, and subtle clouds gather at the h...

Naghi Nagashian (Iran b. 1948), "Black & White Woodcut Composition" Edition 55/100, Abstract Woodcut signed and numbered in Pencil, 20.50 x 17, Late 20th Century, 1965 Colors: Blac...

Original prerelease Indiana Jones and the Last Crusade 1 sheet movie poster that was rolled and not folded. Artist: Drew St4uzan. Size: 27" x 40". Linen backed. Excellent co...

Linen backed original post-World War II military poster "First Class Soldier and Citizen, U.S.A." Original fold marks have been restored during linen backing. The poster features a smiling Army soldier in his khaki uniform. A rare original military poster to find today. (The poster was documented as being printed in a larger size.). R-224-RPB-2-1-47 A military recruitment poster for young men to join the military post World War 2. The poster features a clean-cut, handsome man in his military uniform with crossed arms smiling at you. Artist: Glass. No known biography of this artist. This is an original 1947 vintage American poster...

Signed, dated and numbered 59/92 in pencil, lower margin. Printed by Kyron, Mexico City. Co-published by Kyron, and Tasende, Mexico City. Catalogue raisonne: Vlady 244.

This is an 18th century etching of the Patriarchal Church or Basilica of S. Pietro di Castello in Venice entitled "Chiesa Patriarcale di S. Pietro di Castello" by Domenico Lovisa, fi...

The Law vs. Billy the Kid, is an original 1954 vintage movie poster. Dead for six dollars! Archival linen backed and ready for framing. This The Law...

Jean-Antoine Watteau Winter – Spring 1841 Hand colored lithograph 14 x 19.5 inches Framed: 25 x 31 inches

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Colette (aka Colette Justine), Tunisian/American (1952 - ) - In Memory of Ophelia, Year: 1976, Medium: Lithograph, signed and numbered in pencil, Edi...

LUXIOR. Original antique French turn of the century rare antique automobile poster. Printer / atelier:: Henri Privat Livemont. Size: 15.75" ...

Presenting an authentic edition work by the esteemed artist Victor Vasarely, renowned for his distinct artistic style and captivating visual language. This limited edition piece offe...

The Curly Coated Retriever 1887 Etching

ARTIST: Salvador Dali TITLE: Moses & Monotheism The Tear of Blood MEDIUM: Etching on soft glove sheepskin SIGNED: Hand Signed PUBLISHER: Art et Valeur, Paris EDITION NUMBER: E...

Stephan Küthe Untitled III Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 15 Size: 13.0 × 19.5 on 18.3 × 23.8 inches ...

Original “The Joe Louis Story” vintage movie poster (United Artists, 1953). One Sheet (27" X 41"). Sports. Archival linen backed. Starring: Coley Wallace, Hilda Simms, Paul Stewart, James Edwards, John Marley, Dots Johnson, Evelyn Ellis, Carl 'Rocky' Latimer, John Marriott, Ike Jones, P. Jay Sidney, Royal Beal, Ruby Goldstein, Max Baer...

This is a 16th century original hand-colored copperplate engraved map of Tournai, Belgium, entitled "Tornacum" by Georg Braun & Franz Hogenberg, in volume IV of their famous city atlas "Civitates Orbis Terrarum", published in Cologne or Augsberg, Germany in 1575. The map provides a bird's-eye view of the walled city of Tournai, the second oldest city in Belgium. It lies approximately one hour by car southwest of Brussels or from Ghent. The names of thirty of its streets, prominent buildings, churches and squares are listed in a key within a strap-work cartouche in the lower left. These locations are numbered in the key corresponding to their locations on the map. This colorful map of Tournai (Tornacum or Tournay as it was called in the 16th century) includes the title in Latin in a cartouche in the upper center. Three crests are present across the upper map. A man and two woman are standing on a hill in the foreground in the lower right dressed in the style of 16th century upper class residents of the town. This is an English translation of an excerpt of Braun's description of Tornai: “Tornacum or Turnacum is a city in Gallia Belgica, situated on the Schelde in the territory of the Nervii, called Tournai by its French inhabitants, but Dorneck by the Germans. Tournai has always been a large and powerful city, with an abundance of goods and commercial activities and wonderfully resourceful craftsmen, who invent new articles every day, and although some of these go out of use they constantly conceive of other new things, both useful and delightful, so that they have at all times something that provides work and a means of livelihood for the poor." ReferencesVan der Krogt 4, 4435, State 1; Taschen, Braun and Hogenberg...

Silk Stockings and Candlelit Cafes, is an original hand drawn lithograph by Sharon E. Sutton printed using hand lithography techniques on archival paper 100% acid free. An architectu...

Original "The Great St. Louis Bank Robbery"; U. S. 1 sheet original theater release movie poster; size 27" x 41"; 1959. Featuring Steve McQueen. Archi...

A print from an Original drawing by Denis Meyers - Artists proof from an edition of 30. The print on paper features some of Denis Meyers "Word" patterns. ...