Continental US - More Prints

Color lithograph/diptych, Edition 25. The artist describes this project: Two years ago, I had the very good fortune to be invited to paint in the South of France. My studio was an abandoned stone barn - no doors...

Artist: Pablo Picasso Title: Square Head of a Man with Clenched Mouth (Plate IX) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...

Edition of 100. Published by the Chinati Foundation, Marfa, 2003. Works come framed with UV Filtered Acrylic Glazing. Each work is framed separately, each print is 25 3/8 x 37 3/8 i...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

After JOSEPH MARIA OLBRICHT (1867-1908) DARMSTADT POSTER, 1901, (In Mascha, no. 9) One of the founding members of the Vienna Secession and a highly esteemed architect, Olbricht was c...

TITLE: Jing Zhiyong "A Beacon" Contemporary Art Astronauts Series YEAR 2021 CLASSIFICATION: Limited edition to 50 prints. MEDIUM TYPE: Print MEDIUM/MATERIALS: Screen Print on Fine Ar...

“THE SHADOW OF THE BROOKLYN BRIDGE” Emilio Sanchez (1921-1999) created this color lithograph entitled “Shadow of the Brooklyn Bridge” in 1988. The image size is 21.38 x 30.50 inche...

Artist: Erhard Ratdolt (German, 1442-1528) Title: "Preface Page" and "Page CVI - 106" Portfolio: Missale Frisingense Year: 1492 (First edition) Medium: Set of Two Original Incunabula Leaves on watermarked laid paper Limited edition: Unknown Printer: Erhard Ratdolt, Ausburg, Germany Publisher: Sixtus of Tannberg, Freising, Germany Reference: Hain No. 11303; Weale/Bohatta No. 396; Schreiber No. 4699; Pell No. 7944 Sheet size (each): approx. 11.94" x 8.13" Condition: "Preface Page" has the occasional wormhole. Remnants of tape, a tape and a paper clip stain along its edge. Minor foxing and soiling mainly in margins. "Page CVI - 106" has remnants of tape and a small stain along its left edge. Light foxing and soiling about its sheet with some general edge wear. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition with strong colors Very rare Notes: Comes from Ratdolt's one volume "Missale Frisingense", (1492) (First edition), which consists of 576 pages of Gothic texts in Latin with red rubricated initials, music, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on March 17, 1492. "Preface Page" has a bull's head and cross watermark in the upper center of its sheet. Some information and old prices inscribed in pencil to their sheets. A missal is a book that contains the prayers, chants, biblical readings, and rubrics for celebrating Mass. The first missals were found in monasteries in the 12th and 13th centuries. The term missale is Latin for "Mass book". Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...

Original Porsche factory poster. Porsche 25 Years Driving in its Purest Form. Rare, Archival linen-backed original vintage Porsche poster. ...

"War Canoe of New Zealand, with a View of the Gable End Foreland" is an engraving created by Thomas Prattent, from a drawing by Sydney Parkinson, who was the artist on Captain James ...

Artist: Joan Miro Title: Miro as Sculptor Medium: Lithograph in colors Date: 1976 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in ...

Limited edition of 30 museum quality giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 week. A "Certificate of Authenticity" issued by the artist is incl...

Spring Thaw has vibrant fall colors with melting snow creating a strong contrast as the season is changing and a small section of a stream in the foreground.. Ray Vinella immig...

This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Titled and numbered from the edition of 200 on the front in pencil, additionally dated and numbered on the reverse and signed by Julia Gruen, the executor of the Keith Haring Foundation and Anthony Shriver Best Buddies...

Shepard Fairey limited edition silkscreen box set created in collaboration with Amplifier! This set includes ten 12"x12" signed and numbered screen prints featuring the Revolutionary Love series made from many of Shepard’s most famous symbols, in a foil embossed box and a certificate of authentication. Numbered 84/250 on the outside of the box. Each of the ten prints are also all matching numbered 84/250. Signed and Numbered by the artist in pencil, Shepard Fairey. Medium: Print Condition: Prints are in great condition and have been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist, Shepard Fairey in pencil. Dated 2021 Certificate of authenticity: Included (issued by authorized authenticating body) Frame: Not included Series: Revolution Publisher: Obey Giant Studio's Los Angeles California. Each print is individually signed and numbered by the Artist, Shepard Fairey in pencil. Each print also features the same number 84 as it's a complete set. Please and thank...

BOOK CIRCLE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arc...

P o th A a Vfb (Portrait of the Artist as Vogelfutterbüste) 1970 Plate 12.4 x 8.6 in. / 31.5 x 22 cm / Paper 30.7 x 21 in. / 78 x 53.5 cm Intaglio printing (halftone block) in black ...

Signed, dated and numbered 59/92 in pencil, lower margin. Printed by Kyron, Mexico City. Co-published by Kyron, and Tasende, Mexico City. Catalogue raisonne: Vlady 244.

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Ro-Hon, An Ioway Warrior", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Tah-Ro-Hon is wearing a feathered multicolored headdress, long ornamental earrings, a chain necklace, a presidential piece medal on a ribbon necklace and he holds a multicolored staff with feathers. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10" high and 7" wide. There is a tiny spot of red paint adjacent to a red feather hanging...

This piece was created in 1969 by Salvador Dali, it is a photolithograph of a original gouache painted on printed illustrations with original engraving was created in 1969 by Salvado...

Celebrating the one and only Marilyn Monroe by Mauro Oliveira. Limited edition of 30 museum quality Giclee prints on PAPER, signed and numbered by the artist. Print lead time 1 wee...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

Seymour Lipton Oracle: Study for Clairvoyant, 1969 Lithograph on wove paper 24 1/2 × 18 inches Pencil signed "Lipton" lower right recto Pencil numbered 44/100, lower left recto pencil titled and dated, verso Unframed Uncommon mid century modern pencil signed and numbered lithograph by renowned abstract expressionist sculptor Seymour Lipton. "Study for Clairvoyant", also known as "Oracle", is a study for a famous monumental modernist masterpiece by Lipton. Other editions of this lithograph are in major collections such as that of the Brooklyn Museum. Rarely to market. Provenance: Swann Galleries

Fine art giclée print on Hahnemühle Photo Rag with Hand Deckle Edge's 19 × 13 in 48.3 × 33 cm Edition of 560 Part of a limited edition set Includes a Certificate of Authenticity From New Union Gallery...

HARBINGER OF SPRING is an original limited edition, hand drawn lithograph(not a photo reproduction or digital print) by the American artist/illustrator Mel Hunter, printed using hand...

Untitled - Earthworm Abstract I Tighe O’Donoghue, American (1942–2023) Date: circa 1980 Etching with Aquatint, signed in pencil Image Size: 14 x 11 inches Size: 27 in. x 22 in. (68.5...

A very good impression of this color screenprint on Somerset Satin White paper. Initialed and dated in pencil, and titled and numbered 80/100 in pencil. Printed by Watanabe Studio, N...

Vintage exhibition poster commemorating James Rosenquist's 1974 exhibition at Dundee City Art Gallery, Scotland. A flashy red border complements an abstract black and white image reproducing Rosenquist's 1972 lithograph Zone, which is based on the artist's 1961 painting with the same title. "Text reads: Rosenquist Prints. Dundee City Art Gallery Albert Square Dundee DD1 IDA April 13th - May 11th 1974 Open Weekdays 10am-5pm Closed Sundays Admission Free. A Scottish Arts Council exhibition organised in association with the Petersburg Press...

Edition Details: Year: 2014 Class: Art Print Status: Official Released: 10/16/14 Run: 376/400 Technique: Letterpress Paper: 100% Cotton Lettre Fine Art Paper Size: 10 X 13 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey. Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater...

Celebrating the Beatles by Mauro Oliveira. The colorful pinstripes represent the music and the happiness they brought to the world. Limited edition of 30 museum quality Giclee print...

Silhouetted by the night sky, a brimmed hat perches on its stand, hovering above red-speckled ground like an aircraft. The moon shines bright white, and subtle clouds gather at the h...

This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley's passing. The series represents the amazing breadth of Marley's...

"A Representation of the Attack on Captain Wallis in the Dolphin by the Natives of Otaheite (Tahiti)" is an engraving created by the artist Sparrow based on an engraving in John Hawk...

Artist: Salvador Dali Title: The sacred cow Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 102/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20" Image S...

Jose Parla "The Founders" Time Limited Edition of 1368 Dimensions: 20.5in x 32.7in Medium: Archival pigment print on 305 gsm Hahnemühle Photo Rag Ultra Smoo...

Artist: Gene Davis Title: Royal Curtain Medium: Screenprint on Arches paper Date: 1980 Edition: 185/250 Frame Size: 35" x 26 1/2" Sheet Size: 29 3/4" x 21 3/4" Signature: Hand signed...

This beautiful Art Deco poster was realized by the esteemed American Artist George Petty for the A.C. Schultz Company in 1926. The work is an advertisement for DeVilbiss Perfume, which depicts a "Petty Girl" (as they came to be known) in the center of the composition floating in a pentagonal black color block. With short cropped silvery white hair and red lipstick, the female figure in center (suggestive of a stylized flapper) squeezes the atomizer of her perfume bottle misting herself in fragrance. Skyscraper style geometric forms suggesting elaborately faceted gemstones- in hues of rose, lavender, orange sapphire and yellow diamond- explode around her, suggesting the stage design for the set of the iconic film "Metropolis". The top of the composition features a bronze color block reading "DeVilbiss Perfume sprays" and in scrolling Deco lettering text reads “A drop of perfume bursting into myriad atoms of fragrance makes the use of perfume an added delight” near the bottom of the piece. Additionally, there is a solid black color block with crystalline black forms emanating outwards at the base of the composition, as well as a geometric abstract form on the right side of the piece imbuing it with a distinctly modernist inflection. With its quintessentially Art Deco sensibility, this piece is sure to delight discerning collectors of the period as well as those with a distinct appreciation for unusual (and stunning) fine art pieces. its vibrant palate and clean modernist lines make this piece a winning addition to any style of interior from classic Deco to contemporary. The piece comes presented in a custom gallery frame and is in excellent vintage condition. George Petty was an American illustrator known for his series of pin-ups known as "Petty Girls" which he created for Esquire magazine. The Petty Girl were coquettish women whose legs were elongated to create idealized female forms. They were featured on magazine centerfolds, billboards, and calendars for companies such as Ridgid Tools. Born George Brown Petty IV on April 27, 1894 in Abbeville, LA, Petty received his formal training at the School of the Art Institute of Chicago under Ruth Van Sickle Ford...

Screen print on cream Speckle Tone paper. Signed by Shepard Fairey and Craig Stecyk III. Edition 142 of 300. 18 x 24 inches Published by Obey Giant Reference Photo by: C.R.Stec...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Stepping Out" first released on "Milk & Honey," the final album released after his death in 1980. ...

Pair of Early 19th Century "Conchology" Color Etchings c.1802 Fantastic pair of hand colored etchings titled "Conchology". Published in London on December 24th, 1802. Each plate s...

Copyright New York Graphic Society, Fine Art Publishers. Printed in Holland. Measures 18 x 22 inches and is unframed. The piece is in Good Condition-discoloration/wrinkling consisten...

Color lithograph, Edition 30 Kushner has collaborated with Master printer Bud Shark since 1982 on various monotypes and lithographs. These exuberant, sensuous prints often include...

YO Year: 2020 Medium: Color silkscreen and flocking on Rising 2-ply Museum Board Size: 32 x 30 inches (81 x 76 cm) Edition: 40 Price: Single: $3,600 Suite: $7,000 Deborah Kass emp...

Original poster produced on the occasion of Jim Dine's 1971 exhibition at the Boymans Museum, Rotterdam. This vintage poster reproduces the artist’s lithograph Two Ties: neckties ske...

Event: New Deal 1990 PUBLIC RECEPTION September 28, 2019 EXHIBITION D CATEGORIES: Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary DIMENSIONS: 24 × 18 in 61 × 45.7 cm EDITIONS Edition 79 of 250 “I was already a big fan of Andy Howell’s art and skateboarding in the late ’80s, so I watched eagerly as he and his partners launched new Deal Skateboards in 1990. New Deal was groundbreaking not only because skaters creatively led it, but because Andy Howell’s art and design almost instantly shifted the aesthetics and style of skateboarding from skulls and dragons to graffiti and hip-hop. New Deal was the first company primarily focused on street skating and street culture, and their smart, funny, ads celebrated their role as the “power to the people...

Emilio Sanchez (1921-1999) created this color lithograph entitled “LA BANDERA DE CUBA” in 1980. This impression is signed, titled, and inscribed “Seis” [six] in pencil. The printed ...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 381 Year: circa 1972 Medium: Serigraph Sight size: 19.25 x 25.5 inches. Sheet size: 22.75 x 28.75 inches. Signat...

"I made this custom art for Blake Mycoskie and TOMS' End Gun Violence Together campaign which benefits organizations that I believe in like Everytown for Gun Safety, March For Our Li...

Artist: Marc Chagall Title: Blue Still Life Portfolio: Derriere le Miroir 99-100 Medium: Lithograph Date: 1957 Edition: 2500 Frame Size: 19 1/2" x 17 3/4" Sheet Size: 15" x 11" Signa...

Robert Rauschenberg, Overdrive, 2017 Screenprints in color on three individual maple wood skate decks With artist's printed signature 31 x 8 in. (78.7 x 20.3 cm), each, unframed Edit...

Fine Art Cream Speckletone Paper with Gold Metallic Inks 24 × 18 in 61 × 45.7 cm Edition 98/275 Red Edition: "These 'Bee Geometric' prints remind us how much our planet depends o...

"Vegetable Forms No. 1" is a bright fresh woodcut print of a mirrored halved cabbage. Nature's intricate design is fully appreciated and apparent in the captured tight crinkled and folded leaves. #7/7 Signed and Dated Joyce Tilley Nagel...

Original Porsche 928 German factory poster. Archival linen-backed and presents in Grade A condition. The white area was cleaned up during linen backing. This should be the lowes...

Artist: Julian Opie Title: Ruth Smoking 1 Portfolio: 26 Portraits Medium: Screenprint Date: 2006 Edition: 250 Frame Size: 21 1/4" x 16 1/2" Sheet Size: 15" x 9 3/4" Signature: Unsigned

Moon Shell Jill O’Connell Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 500, AP Image Size: 24.5 x 19 inches Size: 29.5 in. x 23 in....

This Peace and Freedom print is a new take on symbols and themes that have been consistent in my art for several years. The text and imagery speak for themselves, but basically, the ...

This is a large original hand-colored aquatint etching entitled "The Mountains of Samayut" (Ethiopia) drawn by Henry Salt and engraved by D. Havell. It was ...

Sister Mary Corita Kent (American, 1918-1986) He Repeated the Letters of the Alphabet... Color Screenprint 22.5 x 38.75 inches Signed Lower Right Sister Mary Corita Kent, once the n...

Copyright by Stehli Freres S. A., Efiteurs, Zurich. Printed in Switzerland. Measures 17.5 x 21.25 inches and is unframed. The piece is in Fair Condition-discoloration/wrinkling/marki...