Continental US - Ceramics

This is an exceptionally large English mid-19th century Victorian Ironstone Platter decorated in a beautifully detailed Japanese Imari pattern. The enameling is sharp with deep coloration and the overlaid gold is in very good original condition. The platter is marked "Stone China" on the reverse. The platter is in very good overall condition with normal patination and very minimal losses to the painted decoration. There is a bit of wear to the underside of the rim which does not detract from the value of the platter. Platers of this size are very uncommon and desirable. This piece could be installed as a work of art or even fitted with a custom table base...

Made by Japanese ceramic artist Makoto Yabe (1947-2005), this stoneware vase features a globular body supported by a round pedestal foot. A similarly shaped neck extends to a rimmed mouth opening. Robust in form with thick wall, the vase is noted for its irregular cloved form. The surface is covered in a beige-yellow glaze, on top of which, dark brown strokes and thick white feldspar slip were artistically applied in a splashed and washed pattern. Together with some random shallow incision lines, they form an abstract painting with textured surface where some slip forms small droplets at the end of the stroke. The work was created in traditional Japanese manner and reflects the beauty of Wabi Sabi, a Zen aesthetic for the imperfect perfection. The base was incised with the artist's cipher. "Makoto Yabe's work beautifully exemplifies the transmission of Japanese ceramics to the West. Born in Fukushima, Japan, Yabe began studying ceramics in Kyoto at the age of nine. He completed his training at the age of 24, with a four-year apprenticeship under Jinmatsu Uno and Sango Uno. Yabe then came to Boston, where he was an integral member of the local ceramic community, yet he maintained his Japanese roots. As an instructor of ceramics, Yabe worked in the Boston area at numerous schools and universities, touching the lives of all his students and expanding their knowledge and appreciation of studio ceramics." Biography sited from Pucker Gallery...

1957 / 2024 based on Untitled Blue Plate (IKB 54) from 1957 earthenware plate with acrylic display box plate diameter: 23 cm or approx. 9" display box: 32 x 30 cm or approx. 12 1/2" ...

Beautiful Staffordshire Style Spaniels by Chelsea House. Made in Italy. Each Dog measures 14”h x 10.5”w × 7.5” d

A large and impressive bowl by M.Anderson from the "transmutation" series.

Chinese Export platter, circa 1820. Mille fleur pattern.

Large sculptural vase #4 by Dena Zemsky. Hand-built, glazed stoneware vase form. Signed and dated on underside.

A Japanese Imari porcelain charger plate from the 19th century, with hand-painted blue and white décor depicting a man rowing a boat. Created in J...

Bruno Gambone large glazed ceramic horse sculpture with flattened hollow body, Italy, 1970s. This regal stoneware horse has an off-white matte gla...

Set of 6 salad/occasional plates in Alpha 3 pattern was designed by Kaneaki Fujimori for Kato Kogei Japan in 1980s. Alpha 3 series consists of mugs, salad/casual plates, and decorat...

French ceramist Eric Astoul (b. 1954, Morocco) infuses his sculptures with the essence of ancient and modern earthenware he has encountered along his travels in France, England, Japa...

Majolica plate two parakeets with oranges Salins, circa 1890.  

Unique bottle-form case by Bruno Gambone. Large-scale, stoneware bottle-form sculpture/vase with incised line decoration to front and back. Off-white m...

Beautiful ceramic bowl by Jerome Heck crafted in the Raku firing technique. This one of a kind piece stands on four legs and develops and opens upwards. The glaze has variations of greens that ondulate in shape around the bowl. Inside the bowl, different designs come forward (turtle figure...

A large vintage serving platter featuring the wild Turkey, Barnyard King brown and white transfer-ware pattern by the celebrated English pottery firm, Jo...

The engraved and brush painted ceramic plate, Visage Gris (Grey Face) is one the most iconic pieces created by Pablo Picasso (1881 - 1973) at the Madoura workshop in Vallauris, France. It is said "all portraits are self portraits". In this work, we see Picasso's wistfulness, vulnerability and humor set within a beautiful image representing both the sun and the moon, the masculine and the feminine. Picasso mastery of form, image, composition and subtle color is evident in a work that resonates transcendence. Created in 1953, Pablo Picasso ceramic Visage Gris (Grey Face), 1953 A.R. 206 is a Madoura white earthenware clay, knife engraved under partial brushed glaze with decoration in engobes (green, black, white) from the edition of 500. This work is stamped with the 'Madoura PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO’ pottery stamps on the reverse. Dimensions: 12 3/8 x 15 1/8 x 1 5/8in (31.4 x 38.3 x 4.1cm). Madoura was an artisan workshop created by Georges and Suzanne Ramie which collaborated with Picasso in the fabrication and hand painting of the works. Pablo Picasso designed 633 different ceramic editions between 1947 and 1971 at the Madoura workshop, with a number of variants and unique pieces resulting from these initial works. He began by creating simple, utilitarian objects such as plates and bowls, but later produced more complex forms, including pitchers and vases — their handles occasionally shaped to form facial features, or anatomical parts of his animal subjects. Picasso remains one of the highest-grossing artists at auction today, and the range of his ceramics means it's possible to find both a good investment and a beautiful object. Visage Gris is among the most important. A Short Biography follows: Pablo Picasso revolutionized the art world and to many is THE artist of the 20th century. He is famous for his role in pioneering Cubism with Georges Braque and for his melancholy Blue Period pieces. Original signed Picasso lithographs and prints are a sure investment. Madoura Picasso ceramics are highly collectible in their own right. As one of the most influential Modern artists of the 20th century, Pablo Picasso is renowned as a legendary artistic master to this day. Born on October 25, 1881 in Malaga, Spain, Pablo Picasso was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture. Picasso was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Edouard Manet, Gustave Courbet, and Henri de Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain – all in the years 1899 to 1904. Before he struck upon Cubism, Picasso went through a prodigious number of styles – realism, caricature, the Blue Period, and the Rose Period. These distinguished styles are apparent in the unique original works as well as Picasso ceramics, lithographs, linocuts, and etchings that he created later in his life. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and focuses on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style, La Vie (1903), currently located in Cleveland’s Museum of Art, was created in memory of his childhood friend, the Spanish poet Carlos Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso’s features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. The Rose Period began around 1904 when Picasso’s palette brightened and is dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is Family of Saltimbanques (1905), currently in Washington, D.C. at the National Gallery, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space. In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and female figures seen frontally or in distinct profile, as in early Greek art. One of the best examples of this style is in the Albright-Knox Gallery in Buffalo, NY, La Toilette (1906). Several pieces in this new, classical style were purchased by Gertrude Stein (the art patron and writer) and her brother, Leo Stein. With his groundbreaking 1907 painting Les Demoiselles d’Avignon...

French Faience oyster signed plate Saint Clement, circa 1890. Rustic, Country style.

19th century sponge ware butter crock in very good condition.

Vintage hand-thrown bowl features complex Crater glaze in mocha and latte brown colors. Minimal color palette and streamlined shape of the piece allow the textured glaze with variations from semi-matte to high gloss to take the spotlight; slightly asymmetrical rim adds hand-crafted, Organic Modern mood to the bowl's design. The bowl is personally signed by Douglas Ferguson on the bottom with his name and "Pigeon Forge Pottery". The Crater glaze has become one of the most recognizable glazes made by the Pigeon Forge Pottery. Often commonly referred to as "Volcanic" or "Lava" glaze, the Crater glaze was developed and made in several colors. We are offering a vase and 4 more bowls in different shapes by Douglas Ferguson, done in variations of Crater glazes, in separate listings. Douglas Ferguson (1912-1999) was an established Tennessee pottery artist; he received a degree in Art Design Studies from Mars Hill College and worked in the Ceramic Research Laboratory for the Tennessee Valley Authority in Norris, TN, from 1935 to 1947, where he experimented with local clays. In 1946 he started Pigeon Forge Pottery in an old tobacco barn with his wife Ruth and Ernest Wilson, his colleague at the Ceramic Research Laboratory. He formulated many of his own glazes, including crystalline and Crater glaze. In 1957 he created the Clingman Dome tea set, named by Ferguson for the highest peak in the Great Smoky Mountains, which the state of Tennessee presented to Queen Elizabeth. Ferguson became a member of the Southern Highland Craft Guild in 1948 and remained active until 1998, receiving Life Membership in 1991. He earned two awards from the Tennessee Arts and Crafts Festival in Nashville, received the Rotary Certificate of Distinguished Service, and was featured in books on Appalachian...

Pair of art deco ceramic figures by Geza de Vegh (1905-1989) the Hungarian-American sculptor who created a range of pieces for the Lenox and Lamberton Scammell porcelain works, both ...

Fantastic ceramic urn with amazing glaze and patina. We see this piece filled with either fresh flowers or faux magnolia on a console, coffee or center hall table. Also a wonderful s...

Jean Baptist Stahl Pate-sur-Pate/ Phanolith neoclassical court scene charger Germany, circa 1899 An exceptional large pâte-sur-pâte/ phanol...

Brown Majolica goose tureen signed on underside Caugant, circa 1950.

20th Chinese Export platter.

A footed spherical vase with an aquamarine hares fur glaze by Eva Stæhr Nielsen for Saxbo. Stamped with the Saxbo crown symbol, model number 85, and “SAXBO COPENHAGEN”.

Rare majolica jar with lid is decorated with bright, multicolored abstract birds and flowers motifs in sgraffito technique, that were hand-painted over the lines. The handles, the r...

Georges Jouve French ceramic artist small leaf dish.Black glaze with multi color hand carved glazed motif of leaf in the interior. Signed with Jouve cyph...

One of a kind ceramic lamp, hand built and assembled by hand. The lamp base is made with red clay manufactured regionally to the East Coast with custom made copper green glaze. This piece was inspired by seashells and smooth stones...

Late 19th century Imari large plate with a lovely scalloped edge. The central medallion is on an ivory colored background with a vase of hand painte...

Rose and Erni Cabat glazed porcelain Feelie vase citron chartreuse yellow green, USA, 1970-1985 Incised signature to underside 'Cabat' and numbered. This li...

A Japanese transferware china serving platter by Noritake in the Olympia pattern. At the center is colorful floral spray, with a vine leaf border...

Vintage hand-thrown bowl features complex Crater glaze in off-white and mocha brown colors. Minimal color palette and streamlined shape of the piece allow the textured glaze with variations from semi-matte to high gloss to take the spotlight; slightly asymmetrical rim adds hand-crafted, Organic Modern mood to the bowl's design. The bowl is personally signed by Douglas Ferguson on the bottom with his name and "Pigeon Forge Pottery". The Crater glaze has become one of the most recognizable glazes made by the Pigeon Forge Pottery. Often commonly referred to as "Volcanic" or "Lava" glaze, the Crater glaze was developed and made in several colors. We are offering a vase and 4 more bowls in different shapes by Douglas Ferguson, done in variations of Crater glazes, in separate listings. Douglas Ferguson (1912-1999) was an established Tennessee pottery artist; he received a degree in Art Design Studies from Mars Hill College and worked in the Ceramic Research Laboratory for the Tennessee Valley Authority in Norris, TN, from 1935 to 1947, where he experimented with local clays. In 1946 he started Pigeon Forge Pottery in an old tobacco barn with his wife Ruth and Ernest Wilson, his colleague at the Ceramic Research Laboratory. He formulated many of his own glazes, including crystalline and Crater glaze. In 1957 he created the Clingman Dome tea set, named by Ferguson for the highest peak in the Great Smoky Mountains, which the state of Tennessee presented to Queen Elizabeth. Ferguson became a member of the Southern Highland Craft Guild in 1948 and remained active until 1998, receiving Life Membership in 1991. He earned two awards from the Tennessee Arts and Crafts Festival in Nashville, received the Rotary Certificate of Distinguished Service, and was featured in books on Appalachian...

An iconic bottle form by the French ceramic artists Jacques and Dani Ruelland. A pale lavendar mauve glaze. Signed. Literature: Pierre Staudenmeyer, La Ce´ramique Francaise des Anne...

A large pretty bright green ceramic serving bowl with tall braided handles. This wavy green dish will be a fantastic addition to any supper table. Use it to...

This is an Italian neo-classical Grand Tour ram’s head form stirrup cup. The composition is pottery with an almost bisque-like finish.

Large Obvara vase by Doa Ceramics Dimensions: 8" (in) Materials: Ceramic. Technique: Hand-crafted. Freeform. Glazed. Also available in size 6".

Hugo Lonitz Majolica figural table Jardinière stand, naturalistically molded as an oak tree, with a pair of partridges nesting among bulrushes and grasses, on a rustic mound-form, lo...

A large Chinese Export Famille Rose charger with pink lotus and other flowers. Painted in bright vivid colors of blues, reds and yellow accents.

Blue & White Dish “Siam” Pattern Ironstone Transferware

French pottery cider bottle from Normandy, end of 19th century. 13 bottles available, sold separately. Different sizes.

Large late 19th century stoneware jardiniere, a Royal Doulton Isaac Walton Series Ware piece by Charles Noke (English, 1858-1683). This large jardiniere has three handles and is decorated with several detailed figures; characters based on the 17th century English author Isaac Walton's book The Complete...

Set of 12 green Majolica knife rests. Vallauris, circa 1950.  

Green Majolica Fish Saucer Sarreguemines, circa 1930.

Small Palissy platter with fish, shells, butterfly and plants, circa 1880 signed Thomas Sergent.

Blue & White Dish Staffordshire Whampoa Pattern Transferware

A traditional and timeless Chinese Export "Canton" pattern blue and white porcelain tureen and cover with associated large platter, late 19th ce...

Majolica oyster plate with different flowers on each shells, circa 1900 signed Longchamp. Hairline.  

A bright green cabbage motif tureen with lid and serving saucer. This iconic pattern will be a great accent for your next dinner party. Slightly larger than a soup bowl, this piece w...

Late 19th century Imari plate. This is a lovely deep plate with scalloped edges. The central medallion has hand painted florals in a jardinier...

Majolica plate two parakeets on a blue background with oranges signed Salins, circa 1890.  

This rare and charming pair of 18th-century French creamware lions was made circa 1790. Each lion reclines atop a tall rectangular base decorated with rich cobalt-blue swags, bright yellow tassels, and vivid green trim. The forms are bold and expressive. The lions' open mouths are painted in soft pink, and their manes are rendered in vibrant yellow and lined with dark brown, lending them an animated, almost theatrical presence. The lions rest on what appear to be stylized, draped cushions, adding a sense of comfort and reality. Their wide-eyed expressions and exaggerated features give the pair a whimsical character that blends elegance with humor—a hallmark of late 18th-century French design. Unmarked but unmistakably French in style, these figures make a striking decorative statement. Whether placed on a mantel or console, they command attention and offer a playful counterpoint to more serious classical forms. Dimensions: 6.5 inches tall x 6.75 inches long x 4.5 inches wide Condition: Excellent Price: $2,300 Decoration: Painted in yellow, cobalt, green, pink, and brown with molded drapery and tassel detail Material: Creamware pottery Style: French Neoclassical with Folk Art elements Origin: France Date: Circa 1790 Key Features - Rare pair of large 18th-century creamware lion figures - Expressive hand-painted decoration with bold color contrasts - Tall bases decorated with molded and painted swags and tassels - French origin, circa 1790 - Whimsical and animated expressions add charm and visual interest Background of creamware Creamware is the name given to a type of earthenware pottery initially made from white clays from Dorset and Devonshire combined with an amount of calcined flint. Creamware was first produced in England sometime before 1740. Foremost among the pioneers of creamware in the Staffordshire Potteries was Thomas Whieldon. The young Josiah Wedgwood partnered with Thomas Whieldon from 1754 to 1759. When Wedgwood left to set up his own business, he immediately directed his efforts to developing creamware. Around the same time, in the mid-18th century, French potters developed their creamware known in France as "Faience Fine...

A set of four ceramic shell motif place card holders. A wonderful way to accent any place setting, each of these crisp white place card holders will be a fabulous way to assign seats...

French Terracotta Majolica Duck Bavent Normandy circa 1960.

A gorgeous Arts & Crafts period turquoise glazed ceramic art pottery bowl with oak leaf and acorn motif By Van Briggle (signed to the underside) USA, Early 20th Century Measures: ...

This exquisite 19th-century majolica jardiniere and underplate by Minton was handpainted in Stoke-upon-Trent, Staffordshire, England, around 1880. This jardiniere measures an impressive 17" across the handles it is adorned with a delightful design of green oak leaves and light brown acorns that stand out beautifully against the beautiful turquoise background. The handles, in the shape of twisting oak branches...

Majolica Chrysanthemum oyster plate signed Wedgwood, circa 1875.

French Majolica Asparagus Platter circa 1890.

A pair of vintage Mid-Century Modern gazelle or antelope motif ceramic salt and pepper shakers. This pair is created from ceramic and g...