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Item Ships From: Dallas
Lunch in the Studio
By Gail Norfleet
Located in Dallas, TX
Dallas artist Gail Norfleet is best known for her color monotypes, paintings, collages, and paintings on glass. Norfleet earned her BFA at The University of Texas, Austin, and her MFA at Southern Methodist University. Among others, she has had solo exhibitions in Dallas at The McKinney Avenue Contemporary and the former Delahunty and DW Galleries. Gail’s studio and the studios where she teaches serve as the settings for her recent body of work titled "The Studio." The studio is a rich visual environment that has inspired artists for centuries. Gail’s studio is strung with brightly colored Mexican papel picado...
Category

21st Century and Contemporary Contemporary Dallas - Interior Prints

Materials

Paper, Monotype

Homage to Galileo
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category

1960s Outsider Art Dallas - Interior Prints

Materials

Etching, Aquatint, Rag Paper

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"Water Glasses" - Still Life Etching in Ink on Paper (#9/20)
Located in Soquel, CA
Clean, modern depiction of glasses of water on books by Ellen Ezorsky (American, b. 1956). Three glasses of water are sitting atop a few stacked books. While this piece is executed in black and white, Ezorsky has achieved a wide tonal range between the shadows and highlights, bringing the scene to life. Of particular note is the way she has captured the reflections in the water and the light that the glasses cast on the surfaces below them. Numbered, titled, signed, and dated along the bottom edge: 9/20 Water Glasses Ellen Ezorsky 11/81 Presented in a new white mat with foamcore backing. Mat size: 20"H x 16"W Paper size: 15"H x 10.75"W Ellen Ezorsky (b. 1956) was born in New York City. After graduating from highschool in New Jersey, she attended State University of New York at Purchase before moving to California. In California, she attended Cabrillo College in 1977 and ’78 before spending two years at Massachusetts College of Art in Boston. Ezorsky then returned to the west coast to attend and graduate from UC Santa Cruz with a BA in Studio Art. She then earned her MFA in Painting from the San Francisco Art Institute. Since graduating, Ezorsky has exhibited extensively and her paintings have been acquired for many private collections across the country. EXHIBITIONS 2005: MYTH, DREAM AND FANTASY; Juried show, Gallery 1581, Boston Graduate School for Psychoanalysis, MA 2002: ACTION/REACTION; Juried show, The Art Gallery at U.N.H.; Durham, NH 2001: THE ABSTRACTED IMAGE; Juried show, The Firehouse Art Center Gallery, Newburyport, MA 2001: UNFRAMED AND OUT OF THE BOX; Brickbottom Gallery; Somerville, MA 2000: HALLOWED GROUNDS; Juried show presented by the International Society, Tremont Street Gallery; Boston, MA 2000: SANCTUARY; 10th Annual International Women's Day Exhibit, Rothschild Gallery; Cambridge, MA 1999: SANCTUARY; 9th Annual International Women's Day Exhibit, Bunting Institute; Cambridge, MA 1998: SANCTUARY; 8th Annual International Women's Day Exhibit, Bunting Institute; Cambridge, MA 1997: Massachusetts Coalition for the Homeless Exhibition; Boston, MA 1996: PET PAINTINGS; Bernard Toale Gallery; Boston, MA 1996: FIRST ARTS/COLORS; Dudley House Arts Foundation, Harvard University; Cambridge, MA 1995: FIRST ARTS/COLORS; Dudley House Arts Foundation, Harvard University; Cambridge, MA 1994: ORDINARY THINGS, EXTRAORDINARY PERSPECTIVES; Cambridge Arts Council; MA 1993: The Jewish Community Center on the Palisades; Tenafly, NJ. (Solo Show) 1992-93: Jon Taner Gallery; Westwood, NJ 1991: JURY EXPOSITION; Synchronicity Space; New York, NY 1991: Bergen Museum of Arts & Science Juried Exhibition; Paramus, NJ 1990: The Stable Arts Center; Ridgewood. NJ 1989: San Francisco Art Institute MFA Exhibition; San Francisco, CA 1989: Prager & Co. Corporate Offices; San Francisco, CA 1988: Diego Rivera Gallery; San Francisco, CA 1998: Walter/McBean Gallery; San Francisco, CA 1987: Artists' Liaison Competition; Santa Monica, CA (Honorable Mention) 1986: Studio One; Oakland, CA 1985: The Point Gallery; San Francisco, CA 1985: 13th ANNUAL JURIED ART EXHIBITION, Hill County Arts Foundation; Ingram, TX 1985: 7th ANNUAL DESERT WEST JURIED ART SHOW, Antelope...
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Intérieur à Pressy, by Erik Desmazieres
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Located in Palm Springs, CA
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1990s Contemporary Dallas - Interior Prints

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"Night Moves" - Abstract Etching in Ink on Paper (Artist's Proof)
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Located in Soquel, CA
"Night Moves" - Abstract Etching in Ink on Paper (Artist's Proof) Textural abstract print by Doris Ann Warner (American, 1925-2010). This piece is composed of overlapping fabric patt...
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"Press" - Artist's Proof Etching in Ink on Paper
By Doris Warner
Located in Soquel, CA
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Chris Keegan, Cube, Limited Edition Geometric Art, Contemporary Minimalist Art
By Chris Keegan
Located in Deddington, GB
Chris Keegan Cube Limited Edition Silkscreen Print Edition of 50 Size: H 40cm x W 40cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indication of how a piec...
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By Peter Milton
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Previously Available Items
Koshka-Rev
By Victor Vasarely
Located in Dallas, TX
Victor Vasarely (Hungarian 1908 - 1997) Editions du Griffon, Neuchâtel, Switzerland 15 ⅝" x 15 ⅝ sight size "Koska-Rev", 1974. Heliogravure, no sig...
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1970s Op Art Dallas - Interior Prints

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Koshka-Rev
Koshka-Rev
H 15.625 in W 15.625 in
Quarry Local One
By Robert Rauschenberg
Located in Dallas, TX
This work is from the unnumbered edition of 500 printed and published by Quarry, Local One/Amalgamated Lithographers of America, and Color Lithographers Service, Inc, New York.
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Late 20th Century Contemporary Dallas - Interior Prints

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Intimate Lighting: Blue
By Robert Natkin
Located in Dallas, TX
In 1974, a Natkin exhibit at the Holburne of Menstrie Museum in Bath, England was to be accompanied by a catalogue consisting entirely of black and white plates. The decision to reproduce only in black and white, although initially the result of financial constraints, had an enormous effect on Natkin’s aesthetic growth. The artist, determined not to compromise on the quality of his catalogue reproductions, resolved to paint black and white canvases for his show. The rich but hushed palette of the Bath paintings was not simply a result of the artist’s attempt to financial compromise. The muted, grainy surfaces of theses canvases evoke visions of the worn stone walls, archways, and facades of the buildings of Bath, whose beauty had struck the painter during several trips to the city prior to that of the museum exhibition. Natkin, despite a lifelong love affair with color, has always been a strong proponent of the notion “black and white as color” even referring reverentially to the painter Franz Kline, known for his bold monochromatic canvases, as a “colorist.” As Natkin points out, Kline’s black and white works, despite their lack of obviously defined chroma, resonate with a full spectrum of tones and sensuous undertones of color. The seemingly limited palette of Natkin’s Bath paintings liberated the artist, allowing him to concentrate more than ever on the skin of the canvas. His Bath paintings, like Natkin’s earlier Intimate Lighting...
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