Europe

These magnificent gilt bronze (ormolu) mounted malachite urns were created in c.1830 to a design by Ivan Ivanovich Galberg (Russian, 1782-1863). Galberg was an important figure, who ...

Great print of Boston Steel engraving after W.H Bartlett Published by Virtue 1838 Unframed. The measurement is the paper size. Free shipping  

Great image of camels Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown and Marechal with original hand colo...

An early 19th century musical automaton necessaire box. This rare box of good size, when opened, the music plays automatically, or by activating a sw...

19th Century French Empire period armoire. With stunning book matched walnut veneer to the two long doors flanked by two columns. Original restra...

William IV 18ct yellow gold and black enamel memorial mourning ring, inscribed with 'IN MEMORY OF' within a gold foliate border and 'Wilson Agnew, died Feby 7th 1865, aged 83 ys' ins...

A superb quality freestanding early 19th century Chinese marble top side / centre table, the rectangular top inset with a rouge marble panel, the hardwood border of the top profusely...

A view of Sebastopol in the Crimea. Oil on canvas. In a 19th century gild wood and plaster frame. This painting can be dated around 1830/1840 given the dresses worn by the women i...

Title : City of Quebec, Taken from the Harbour Description: This hand-colored lithograph, created by R.S.M. Bouchette and lithographed by Day & Haghe, depicts a bustling harbor vi...

This charming little brooch in the shape of a butterfly has been made around 1830 out of polished steel nails rivetted onto a metal base.

This early 19th-century half-length portrait attributed to British artist George Clint ARA (1770-1854) depicts a young lady wearing a beautiful brown dress, bonnet decorated with small flowers, gold earrings and coral necklace. Clint was a distinguished painter and mezzotint engraver predominantly known for portraiture and dramatic scenes. Set before an evocative classically-inspired backdrop, she looks out from across the centuries with a composed demeanour. Adorned in the latest fashions, oversized ‘gigot’ sleeves, a delicately-poised bonnet, and a coral necklace for good luck. It’s a charming portrayal by a masterful hand. Born at Drury Lane, in the heart of London’s West End, George Clint was destined to lead an exuberant life amid the spectacle of theatreland. His father, Michael Clint, was a hairdresser during a time of “hair pomatum, whalebone, wire, lace gauze, and feathers” - so young George would have encountered a variety of ‘characters’ during his childhood. But despite these elevated surroundings, he soon discovered the darker side of London when thrust into the world of employment. Apprenticed initially as a fishmonger, he trained under a ferocious master who was known to beat him. The hours were unsocial, the conditions rank, and the work was brutal. He soon quit but subsequently found himself toiling for a corrupt attorney who demanded he undertake unscrupulous acts on his behalf. Seeking a less volatile role, he turned next to house painting, at which he excelled. Commissioned, among other projects, to paint the stones of the arches in the nave of Westminster Abbey. Aside from an incident whereby he almost fell from the second story of a building, all was going well. Following his marriage in 1792 to Sarah Coxhead, a farmer’s daughter, he began work in earnest as a painter of miniatures, determined to forge a career. Robert William Buss’ memoir celebrates Clint’s success as a miniaturist, stating that “great manual excellence was united with that chaste, delicate feeling for female beauty which characterised all Mr. Clint's portraits of ladies.” Until this point, it appears he was predominantly self-taught, presumably constrained by a lack of finances. But from hereon in, his industrious nature coupled with several fortunate encounters, led to him developing an enviable talent for both painting and engraving. During the early 19th-century, the acquaintances one kept could make or break your fortunes and perhaps acutely aware of this, Clint’s ‘society’ was an ever-evolving circle of influential personalities. He was “initiated into the mysteries of engraving” by Edward Bell (act.1794-1819) and produced numerous works after the foremost artists, such as George Stubbs, John Hoppner, and Thomas Lawrence. Following a commission from Lawrence, he struck up a long-term friendship. Admired for his skill as a mezzotint engraver, he sought next to hone his technique in oils and, as with many aspiring portraitists, his first work in this respect was a depiction of his beloved wife. The pair were both delighted with it, yet over time Clint began to doubt himself and sought the validation of a superior hand - that of Sir William Beechey (1753-1839). However, paralysed with insecurity, he couldn’t face the potential criticism, so his wife took it instead - “with a child under one arm and the portrait in the other”. The result was immeasurably more positive than he’d envisaged and he became closely associated with Beechey until his death in 1839. Numerous commissions followed from the landed gentry including Lord Egremont, Lord Spencer, and Lord Essex. But also from the theatrical community who would fill his studio at 83 Gower Street, Bloomsbury. His connections within the world of acting led to notable works such as ‘Malvolio and Sir Toby’ (from William Shakespeare's 'Twelfth Night', Act II, Scene iii)’ and ‘Harriet Smithson as Miss Dorillon, in Wives as They Were, and Maids as They Are’. While his efforts in mezzotint included several contributions to JMW Turner’s Liber Studiorum. As a measure of his success, Clint was elected an Associate of the Royal Academy in 1821 - a position he later relinquished for personal reasons. Today, he’s represented in numerous public collections including at The British Museum, Harvard Art Museums, The Met, V&A, Yale Center for British Art, and the National Portrait Gallery. “The respect in which he was held, not only by his brother artists, but by an immense number of eminent men in various professions, and others of the highest rank, was the result of a rare combination of talent, candour, suavity of manner, and integrity of purpose”. [Obituary, 1854]. Housed in a period gilt frame, which is probably original. Learn more about George Clint ARA in our directory. Labels & Inscriptions: Supplier’s stencil from Rowney & Forster. The National Portrait Gallery holds a database of supplier’s stencils over the decades. The one here is also presented on two other works by George Clint. ‘Falstaff’s Assignation with Mrs Ford...

Swiss alp painted box

Title: Boundary Marker at St. Croix River Source, 1817 – A Historic Diplomatic Monument Description: This detailed hand-colored lithograph depicts the new monument erected on July...

Antique William IV quality figured mahogany sideboard having a quality raised superstructure with a shelf supported by attractive turned columns above a figured mahogany sideboard wi...

This unusual cast Iron signet ring features a finely designed bouquet of fruits and flowers in a high footed vase. The ring shoulders are decorated with flowers and leaves.

This beautiful jewel in the shape of a heart with a cross is made out of richly embossed and engraved two colour 14 karat gold. The heart is set with an oval turquoise cabochon. The ...

THE IMITATOR OF GIORGIONE (France or Italy, early 17th century) Study of a Man in Armour Oil on canvas in two pieces with a seam towards the bottom (re-lined in the 20th century) H. ...

Margaret Sarah Carpenter 1793-1872, was an English portrait painter. She was one of the foremost portrait painters in the 19th Century, she exhibited at the Royal Academy, British In...

19th century Gustavian Cabinet from Ranea Norrbotten, Northern Sweden. Av stunning Gustavian cabinet with untouched original paint date...

Small chest of drawers in walnut veneer with three drawers and a hinged lid with mirror and removable tray insert. The chest of drawers has been restored and polished by hand. Each d...

Portrait of Princess de Joinville riding a Bay Horse Henri d’Aincy, Le Comte Monpezat (French 1817-1859) Painted circa 1837-9 oil on canvas 113 x 92 inches (including frame) 92 x 70 inches (unframed) Provenance – from a private royal collection This magnificent portrait depicts Princess de Joinville, the daughter of Pedro I, Emperor of Brazil and the King of Portugal. Through her illustrious family she was directly related Alexander III and Nicholas II of Russia and the Russian royal family, as well as to many of the great ruling families of Europe. The work clearly confirms Monpezat as one of the most accomplished equestrian portrait painters in France in the early nineteenth century. In terms of scale, quality and dramatic power, it must surely be considered amongst his finest works. The stance of the powerful thoroughbred - in half rear - emphasises the calm nature and courage of the Princess. Francisca of Brazil (1824-98) married a son of Louis Philippe I, the King of the French, and had three children. Born at the Imperial Palace of Saint Christopher, her youngest brother was the future Pedro II...

Title: 17th Century Map of Hispaniola and Puerto Rico by Mallet (1683) This exquisite 17th-century map by Mallet, titled "I. d'Hispaniola et P.to Rico," showcases the islands of Hispaniola and Puerto Rico with remarkable detail. Published in Paris in 1683 as part of Mallet's monumental "Description de l'Univers," this map is a prime example of historical cartography from the era. Map Features: - Detailed depiction of Hispaniola and Puerto Rico - Nearby islands: Inagua islands, Mayaguana, Île-à-Vache, Saona, and Mona - Three illustrated naval battles surrounding the islands - Hand-colored illustrations typical of the period - Published in Paris, 1683, as part of the "Description de l'Univers" - Engraved with artistic and geographic precision Collectors and enthusiasts of antique maps will appreciate the historical significance and artistic detail of this rare print. Although small, the map is perfect for framing and this map serves as a captivating piece of history, reflecting the maritime exploration and territorial knowledge of the late 17th century. The maker of the map is Allain Manesson Mallet, a notable 17th-century cartographer, military engineer, and author. Born in Paris in 1630, Mallet served in the French army and worked as a military engineer under Louis XIV. He later became a professor of mathematics and military architecture. Mallet is best known for his monumental work, "Description de l'Univers," published in Paris in 1683. This extensive publication is considered one of the greatest works of its kind in the 17th century, providing detailed descriptions and maps of various parts of the world. Mallet's maps are renowned for their artistic quality, intricate details, and the inclusion of illustrative elements such as ships, sea creatures, and topographical features. Mallet's contributions to cartography and his work in "Description de l'Univers" have left a lasting impact on the field, making his maps highly valued by collectors and historians. Keywords: - 17th-century map - Mallet map 1683 - Hispaniola map - Puerto Rico map - Antique Caribbean map...

This lithograph by Karl Joseph Brodtmann depicts two individuals from the Sandwich Islands, now known as Hawaii. The artwork reflects Brodtmann’s ethnographic interest in documenting...

Circa 1830 France Romantic-period dandy's drape in wool-cotton twill woven in the colour of Ramoneur, a fabric known as Casimir in the fashion plates of the period. It is a slim-fit...

An outstanding antique William IV writing table / desk. This was made in England, it dates from around the 1830-1840 period. It is of the utmost quality, this stands on bold legs wi...

This endlessly charming mid-19th-century English oil painting depicts a rural scene with a family, cattle, pond, and cottage. A mother and child pause to observe a drover, perhaps f...

Title: Indigenous Rituals and Ceremonies of New Holland Description: This lithograph, circa 1836, offers a glimpse into the cultural practices of Indigenous Australians in New Hol...

This illustration features three different hummingbirds, each labeled with its respective name. Description of the Print: - The illustration showcases three hummingbirds: 1. **...

Title: Maori Artifacts: Carvings, Flutes, and Adornments from New Zealand Description: This detailed lithograph, circa 1836, showcases a remarkable collection of Maori artifacts, ...

Striking round early 19th century Biedermeier dining- or center table coming from the famous period in Vienna/ Austria. Elaborately handcrafted around around 1830, this gorgeous round antique...

Title: Detailed Portraits of Maori Life and Tattoo Art in New Zealand Description: This compiled lithographic image provides a fascinating glimpse into the lives and cultural arti...

Mill Near The Hague, Engraved by R. Brandard after C. Stanfield, 1833 This steel engraving, titled "Mill Near The Hague," was engraved by R. Brandard after a painting by the renowne...

Great print of New York City Steel engraving after W.H Bartlett Published by Virtue 1837 Unframed. The measurement is the paper size. Free shipping  

Title: Serene Forest View in the Moa Basin, New Zealand Description: This exquisite lithograph, circa 1836, captures a tranquil scene of lush forested terrain in the Moa Basin of ...

Portrait of Berthe Thorwaldsen with Bust of Horace Vernet is an original modern artwork realized by the Circle of Horace Vernet (30 June 1789 – 17 Januar...

Magnificent and rare tripod occasional table. Striking English design from the 19th century. Solid walnut and burl veneer. Measurements top: 31 cm or 12.2 in. In very good refini...

This lithograph titled *Barracks and Market House, Fredericton, New Brunswick* presents a picturesque view of Fredericton as it appeared in the early 19th century. The image highligh...

A fine and impressive antique William IV English sterling silver presentation cup by Jason Hobbs. This presentation cup has a Campania form onto a knopped pedestal to a circular spr...

Round Perfume flask set in a finely chiseled gold mesh and enhanced with half turquoise pearls mounted in a cabochon. The Hinged cover decorated with the...

These two lithographs depict individuals of African descent, specifically focusing on the physical characteristics of people of the *Negro* race and the *Bosjesmannen* (Bushmen), as ...

The History of Amelia is an original modern rare book engraved by George Cruikshank (London, 1792 – London, 1878) and written by Henry Fielding in 1832. Published by James Cochrane ...

We are delighted to offer for sale this exquisite antique circa 1830 William IV Rosewood centre table A very good looking and well made antique centre table. This piece is as good and honest as they come, it has the original finish hence some light marks to the top, I can have it restored by my French polisher for the cost price, I have left it as it is because some like to see antiques in their original state first The feet are ornately carved Lion...

We are delighted to offer this suite of eight period George III circa 1830 hand made in England Mahogany dining chairs after Thomas Chippendale with William Morris removeable seat co...

Precious Watercolor attributed to James WARD (1769-1859) - England, 1830-1840. The Fisherman' S Family. Measurements : View : 20"x14.6" (51x37 cm), With frame : 26.6"x21.5" (67.5x54....

An exceptional, fine and impressive pair of antique Baltic silver candlesticks; an addition to our ornamental silverware collection These exceptional a...

- Rare 17th century interpretation of a Gothic cupboard - Probably made for family living space due to unusual, small proportions with narrow size and height or made to store expensive, luxury, items - Lovely color and patina Top in two sections with a solid moulded edge. The front with an upper cupboard with door with linenfold panel...

This elegant Louis-Philippe period commode, dating from the mid-19th century, beautifully reflects the excellence of traditional French craftsmanship. Crafted from carefully selected...

Victorian Sampler, 1837, by Marianne Butland Gill. The sampler is worked in silk threads on a linen ground, mainly in cross stitch. A wonderfully worked meandering floral border. Col...

Made in Paris circa 1830 by Odiot, this spectacular 1st quality, French Antique, silver centrepiece jardinière and plateau, has an oval bowl beautifully detailed with fluting, floral...

Elegant 19th-Century Lithograph by Achille Devéria – Ballroom Scene This exquisite lithograph by Achille Devéria (1800–1857) captures the elegance and charm of 19th-century Frenc...

This lithograph by Karl Joseph Brodtmann depicts two important leaders from the Pacific and Southeast Asia regions: Tammeamea I, King of the Sandwich Islands (now known as Hawaii), a...

An early 19th century maple framed reverse glass silhouette painting of Nelson's flagship Victory. Silhouette reverse glass paintings were popular...

Beautiful Biedermeier Jewelry or Make-up box from South Germany circa 1830. Inside with hinged mirror. A long drawer at the bottom front. Restored and hand-polished with shellac.

Pair C19th Mahogany & Leather Elbow chairs Bar Back, Pair Scroll open elbows Recently deep buttoned upholstered seats, leather coloured to chestnut Pair Splayed back legs Pair Turne...

Description of the Print This print, titled "Eene Wachtkamer uit de XVIIde Eeuw" (A Guardroom from the 17th Century), depicts a humorous and somewhat lively scene set in a 17th-cent...

Large, original Biedermeier Secretaire from South Germany around 1840. Cherry veneered on softwood and solid cherry. Solid cherry solid columns with carved Corinthian capitals. Pro...

Woodcut print realized by Hokusai in 1834. From the Series "One Hundred Views of Mount Fuji". Good condition and little signs of aging.

Great image of whales and dolphins Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. Brown, Gilpin and Edwards wit...

Great image of an Indian and a lesser two horn rhino Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with ...

This exquisite 19th-century Italian sculpture is a finely carved representation of the iconic Uffizi Wrestlers, a classical subject celebrated for its dynamic portrayal of two wrestl...