Europe

Mare Atlanticum is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). Good conditions. From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, volume V: c...

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Heading : Bellarmine jug Date : Second half seventeenth century Origin : Germany Colour : Mottled brown Body : Moulded bearded man "Bartmann" above a medallion. Applied applied handle. The string rim is to secure a cork Size : 44cm tall and approximately 26cm in diameter at widest Condition : Some chips as expected. Restoration : None Weight : 5534 grams References : The Decanter, An Illustrated History of Glass By Andy McConell - Page 27 Plate 23. Antique Sealed Bottles 1640-1900 By David Burton - Page 9. A Bartmann "bearded man" jug also known as a Bellarmine in English . These were made in Germany and imported to Britain by Dutch merchants...

This very nice and futuristic-looking desk lamp was designed by Göran Pehrson in 1978 for Ateljé Lyktan in Sweden. The lamp shows a tube shaped pipe with one fluorescent bulb. The me...

This enchanting late 17th-century French oil painting depicts an elegant gentleman in a silk robe with his right index finger on an open book. Stylistically, it’s comparable to the oeuvre of Jacques d'Agar (1640-1715). Dressed in a rather ostentatious embroidered silk robe...

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This is a very rare floor lamp, model NX38, designed by Louis Kalff and manufactured by Philips in the Netherlands around 1950. This stunning piece is a very ra...

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- In wonderful original condition from a West Country farmhouse where it has reputedly been all its life - The top is rare because it reversible with a patinated surface on one side...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Trinity College, Oxford (1705) Engraving 32 x 41 cm Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...

A STRIKING, MUSEUM QUALITY, BAROQUE, PORTUGUESE BRAZILIAN, ROSEWOOD & VINHÁTICO CONTADOR OR CABINET ON STAND WITH BRASS MOUNTS - Masterpiece of carved ornament, with tremidos or flut...

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This superb trompe l'oeil painting is in the circle and quality of the Antwerp Jesuit master Daniel Seghers. Painted circa 1650, the central cartouche,...

Mountain Top 1951 A group of skiers decide which run to take, Klosters, Switzerland, 1951. by Toni Frissell 30 x 30" inches / 76 x 76 cm paper size Archival pigment print unfr...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Wadham College, Oxford (1675) Engraving 32 x 41 cm Loggan's view of Wadham from the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman...

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Arabescato marble side table designed by Angelo Mangiarotti. The table belong to the "Eros" series that he designed for Skipper in Italy in the 1970s. Original label. Angelo Mangiarotti was born in Milan on 26th of February 1921. He graduated in Architecture in 1948 at Politecnico di Milano. In 1953-1954 he works in the United States, participating also to the competition for Chicago "LOOP". While leaving abroad he knew Frank Lloyd Wright, Walter Gropius, Mies van der Rohe and Konrad Wachsmann...

Dance of Death Broadside Todtentanz Einblattdruck Meyer, Conrad 1618-1689 Stirb, eh du sterbst, dass nicht verderbst [Der Todesengel zwischen Laste...

Antique Flemish panel from the first half of the 17th century. Oil painting depicting a splendid Madonna with child inside a niche surrounded by a garland of masterfully painted flow...

Calvary XVIIth century, religious 17th Century Calvary, religious Ancient Calvary from the 17th century carved in boxwood Boxwood is characterized by its hardness and difficult pruning. It has traces of polychromy and gold. Measure: 65x45...

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Fine folio including early and finely executed portraits of Renaissance artists by Joachim von Sandrart. Included are portraits of: Mino da Fiesole; Giuliano da Sangallo; Domenico Puligo; Andrea da Fiesole, and Properzia de' Rossi. The latter is of particular historical significance in that Properzia de' Rossi (c. 1490 Bologna – 1530 Bologna) was a ground-breaking female Italian Renaissance sculptor, the only woman to receive a biography in Vasari's Lives of the Artists. According to Vasari, she taught herself to carve by working with peach-stones. At the end of her life, she was sought out by the Pope Clement VII, who unfortunately found her dead. Sometimes referred to as the “German Vasari,” Joachim von Sandrart, born in Frankfurt, trained first as a printmaker, notably in Nuremberg, and in Prague with Aegidius Sadeler. He then studied painting from 1625 on, originally in the studio of Gerrit van Honthorst...

Fine folio including early and finely executed portraits of Renaissance artists by Joachim von Sandrart. Included are portraits of: Antonio da Correggio; Rosso Fiorentino; Gianfrancesco Penni; Polidoro da Caravaggio...

This sculptural table lamp, a 1970s Italian design, features a bold U-shaped form crafted in rich, high-gloss cobalt blue ceramic. A glowing opal glass globe casts a warm, diffused l...

LIMOGES amphora-shaped vase, vintage Hand-painted and gold borders. Excellent condition, with no cracks or crazing. Original and fully branded Limoges label on the base. DESIGN ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) St Catharine's College, Cambridge (1690) Engraving 35 x 46 cm Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Pembroke College, Oxford (1705) Engraving 31 x 44 cm Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Magdalene College, Cambridge (1690) Engraving 38 x 43 cm Loggan's view of Magdalene from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) University College, Oxford (1675) Engraving 29 x 40 cm Loggan's view of Univ from the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...

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To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Wadham College Oxford Engraving 1675 34x42cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...

Antique print titled 'Dodelycke Uytgang van Syn Hoogheyt Fred. Hendrik Prince van Oranje etc.'. Old print of Frederick Henry on his death-bed, surrounded by family and officials. With legend containing the names of the family and officials. Artists and Engravers: Engraved by Cornelis van Dalen...

French Art Deco engraved bronze on wood six ice glass shades chandelier, circa 1950. 6-light bulbs E-14, good working condition Assembly required. Bul...

Antique print, titled: 'Dominii Frisiae Tabula, inter Flevum et Lavicum (…)' This large copper engraved map details the coastline of Friesland and Terschelling. At east is a part...

Antique print, titled: 'Tabula Comitatus Frisiae …' Map of Friesland with the island Terschelling, Vlieland, Ameland en Schiermonnikoog. With a cartouche and a compass rose. Publ...

Antique map titled 'Ancien Royaume de Northumberland, aujourdhuy Provinces de Nort (..)'. Engraved map of northern England, focusing on Northumber...

Antique map of Switzerland titled 'Helvetiae Rhetiae & Valesiae'. Decorative and detailed map of Switzerland. This map originates from 'Atlas Novus, Sive Theatrum Orbis Orbis Ter...

Antique map titled 'Nieuwe Caerte waerinne vertoont wordt de gantsche Vaert van Amsterdam over de Watten tot de stadt Hamborch toe'. Two maps with the Dutch and German North Sea ...

Antique print, titled: 'Suratte' - View of the Indian city of Suratte (Surat) showing a panoramic view of the city with figures, animals and a river ...

Antique bird print of two eagles and an eagle claw. This print originates from 'Historiae Naturalis De Avibus Libri VI' by John Johnston, published by Matthias Merian in 1657. Artis...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) The Church of St Mary the Virgin, Cambridge (1690) Engraving 38 x 47 cm Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...

Description: Antique print, titled: 'Lussa dei sumpto violantur ab arbore pomo, Efficit hoc tacitis vipera saeua dolis.' - This original antique print shows a scene from Genesis in t...

Nicolaes Berchem (Haarlem 1620 - Amsterdam 1683) "The river passage of shepherds with herds," c.1655 Oil on canvas, 80 x 104 cm Work accompanied by attribution sheet by Professor A...

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David Loggan (1634-1692) Hart Hall - now Hertford College - Oxford - Aula Cervina Engraving 28x39cm Loggan was born to English and Scottish parents, a...

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David Loggan (1634-1692) Winchester College Engraving 1675 40x46cm Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studyin...

Antique Italian painting from the 17th century. Oil painting on canvas depicting a lively popular genre scene of great charm, typical of the Bamboccianti school. Many Flemish and Ita...

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Stunning Mid-Century chandelier by RAAK Amsterdam also know as Sterrenbeeld (Zodiac) is a large chandelier with 41 glass spheres hanging from 26 metal chains set on a chrome base.

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Clare College Cambridge...

- Particularly fine example with deep cushion and geometric mouldings. - Atmospheric piece with character - Secret drawers add intrigue A rare mid-17th century oak and cedar spi...

Table lamps designed by Carlo Nason for Mazzega Murano, circa 1970. Biography The Italian designer Carlo Nason was born in 1935 in Murano, into a family of expert glassmakers. His f...

A rare English 17th-century oak refectory table. Charles II-period, ca 1675. The three-plank cleated detachable top is of superb color, figuring and patination. Raised on six baluster supports united by stretchers. The frieze is guilloche-carved on all four sides: this demonstrates that this table can be free-standing. Many of these were only carved on three sides. This versatile refectory table can be used as a hall table, dining table, serving table, or a wonderful kitchen table. A number of early oak pieces which we have sold have harmonized very well with modern interiors. A similar-sized refectory table (in generally poor condition) sold for £17,000.00 plus buyer's premium, in Duke's auctioneers ATHELHAMPTON HOUSE sale, Puddletown, Dorset, UK, 9th Oct, 2019. Nb. The turning of the supports on this antique table indicates a development away from an earlier, heavy, carved bulbous leg, to a simpler baluster leg of the late-seventeenth century. However the guilloche-carved frieze is a hint of an earlier period. Some historic restoration commensurate with 350 years of use. Overall in superb condition. Dimensions: 8’5’' L. (256.5 cm) 2’8’' W. (81 cm) 2'7'’ H. (79 cm). Literature: R. W. Symonds 'The Present State of Old English Furniture...

Wall or ceiling lamp made in 1959 by Arredoluce Monza based on a design by Giò Ponti. Some 24 lamps were commissioned, including 6 5-pointed Stars, Six Small Suns, Six Large Suns and...

Royal House Antiques Royal House Antiques is delighted to offer for sale this really quite lovely hand made in Belgium circa 1670 Charles II oak single drawer side table Please not...

Wir bieten einen wunderschönen Vitra EA 219 Bürostuhl von Vitra in blauem Leder zum Verkauf an. Das Design stammt von Charles und Ray Eames und vereint Funktionalität mit zeitloser E...