Europe

Beautiful antique blanket chest in solid walnut wood, 1650s. The antique blanket chest also completely original and has great charm. Internally equipp...

14k pink gold necklace and pendant set with garnet - 14.8 grams - 50 cm long Detailed description the length of the necklace is 50 cm long by 2.0 mm wide the size of the pendant ...

This sweet heart ring holds an old mine cut diamond at the centre measuring 10pts. Surrounding the diamond are lovely seed pearls. The split shoulders then join to create a detailed ...

Nice 19th century shirwan rug with a beautiful pattern and pretty natural colors, entirely hand-knotted with wool pile on a wool base.

Large 19th Century Carved and Parquetry Oak Draw Leaf Table The table base is all made in solid Oak, the table stands on large bulbous legs with a >-< stretcher. This make sit very...

This gorgeous victorian brooch holds a rose cut diamond at the centre and is modelled in 18carat gold. The back of the locket has a pane of glass which created a locket. There is a p...

Coupe en verre Murrino – Ulderico Moretti pour Moretti Ulderico & C. (Murano, 1880) Cette magnifique coupe en verre mosaïque est une création de Ulderico Moretti, maître verrier rec...

Wonderful Gothic architectural print. Balcony in the Campo St. Benedetto, Venice Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published, circa 1880 On w...

Dog in glazed terracotta, 19th century (or before). Labrador, presumably English.

This fine size locket heart pendant was created in the last two decades of the 19th century. The heart is a locket pendant with a glass back. The front of the heart locket is made ou...

Wonderful print of St Margaret Illuminated Chromolithograph Published circa 1880 Unframed. Foxing to the margin Free shipping The measurement is the paper size

One of a kind and very refined Japanese screen or byôbu 屏風 with six folding panels depicting chrysanthemums on a gold background. Fine lacquered wooden frame with metal fittings that protects and supports the work. Dating from the 19th century, between the late Edo period (1603-1868) and the early Meiji period (1868-1912), The main motif of this beautiful byôbu is a serene Rinpa School painting on a gold background depicting a peaceful flower garden filled with white chrysanthemums. The painting reflects the gentle elegance characteristic of the Rinpa school, known for its refined depiction of nature. In Japanese culture, chrysanthemums symbolize happiness, love, longevity and joy. Rinpa or Rimpa is the name of one of the most important schools of Japanese painting. It emerged in the 17th century with the artists Honami Kōetsu...

Title: "Intricate Greek Artistry: Architectural and Decorative Elegance" The prints showcase a variety of Greek artistic expressions focused on architectur...

This superb quality Sevres style porcelain and ormolu clock garniture consists of three vases, one of which has been mounted with an exquisite jewelled clock dial. This set comprises...

MELLERIO BORGNIS 18-carat polychrome gold chatelaine, 750‰ decorated with a pierced and foliated number, topped with a marquis' crown, set with red and green stones and cultured pear...

Gorgeous glossy silver longuard necklace. Very versatile and classic! Length: 141cm Chain Width: 4mm Weight: 26.7g

A mantel clock made of bronze and marble "Roaring of the Lioness", France, circa 1880. Signed Par Omerth. Very good condition. bronze + marble Dimensions: height 48 cm, w...

An Empire Revival mahogany and parcel gilt cylinder bureau, Circa 1880 in date. The panelled roll top enclosing a green inset leather writing surface and an arrangement of drawers a...

A very beautiful signed and dated 1886 Danish oil on canvas depicting a coastal sunrise, by Laurits Bernhard Holst. The work is exceptionally atmospheric, with cliffs bathed in hazy...

This is a beautiful antique French Louis XV revival carved giltwood tub shaped Bergère, dating from circa 1880. The wingback armchair with hand-sculpted giltwood frame that envelo...

Dating back to the Victorian period, this rounded curb link bracelet has been crafted in 15 carat gold. Measuring 18cm in length, the bracelet fits comfortably, secured by a discreet...

Introducing a rare and exquisite pair of old mine cut diamond earrings, each boasting a stunning 5.60 and 5.10 carats respectively. The ...

Wonderful print of St Susanna of Eleutheropolis Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Procession banner from the German pilgrimage site Kevelaar (near the Dutch boarder). The banner, in blue, red and beige silk with brocade, hangs from a wood carved and gilded pendant...

A nice set of 3 Ceramic majolica plates. The plates have beautiful decorations with artichoke and asparagus. The plates are marked, but the mark is not know. It might be Kueller and ...

Morris & Co. Attributed to Philip Webb An Aesthetic Movement rush seat Sussex side chair with newly laid rush seat. This chair has been totally restored and had new rush professional...

Composed of a luminous central rod formed by a rope arm adorned with a loop on the upper part and serving to support the lantern on the lower part. The body of the lantern consists o...

Antique Lusterweibchen of a Medieval Noble Lady ca. 1880s A great antique chandelier featuring a medieval noble lady holding a blazon. The sculpture is made of handcarved and painte...

This elegant and festive hairpin in the shape of a star was created in 1880 ca. Star ornaments for hair and clothes were all the rage in the 1880's. The star is made out of two silve...

Presented at the Universal Exhibition of Paris in 1889 Important sculpted and engraved natural wood, patinated bronze and Griotte de Campan red marble inlaid Neo-Renaissance style cabinet. The upper part is composed of a frieze of bronze medallions separated by triglyphs and supported by ribbed columns with Corinthian capitals. There are eight of these columns paired at the front and two simple columns at the rear. The facade presents an alternation of bronzes in niches and cartouches, of marble slates in cartouches sometimes flanked by palmettes, and of engraved motives of laurel and foliage scrolls. The upper part opens with three leaves and three mobile compartments. The belt carved with acanthus leaves opens with two drawers. This cabinet is supported by four richly sculpted tapered feet ending with claws. Four fluted pilasters are inscribed in the moulded back as counterparts. The whole ensemble stands on a moulded plinth and eight rounded feet. Neo Renaissance Cabinet...

A masterpiece of Victorian craftsmanship, this enchanting double heart ring is a rare truly rare piece. Sitting side by side, the vivid 1.03 carat Burmese ruby sits with fiery intens...

Maternal Delight III, or Mothers Joy III, (In Swedish Modersglädje III) by Anders Zorn depicting a young woman lovingly playing with her child. A small amusing detail is the small child face visible on the lower left side, just outside the oval. This is an extremely rare etching and is one of two or possibly three known in existence of a so called cancellation proof. A cancellation proof etching of the Maternal Delight III is in the Boston Public Library Collection, USA. Signed Zorn in the plate. When Zorn decided that the vey limited number of prints were all done he took his burin, (the steel cutting tool used in engraving also, back in history, called graver), and made cross hatched lines across the figures on the original plate, after which he made a couple of after proofs or cancellation proofs and the present etching is one of them. This gives the present work a special and interesting image of one of Zorns best and rarest etchings. Created in London 1883, the first year he made etchings. Etching 276 x 406mm Sheet circa 33,5 x 48cm Literature Asplund 6. Delteil. 5. Hjert & Hjert 6. Lidbeck 6. Unfortunately some reflexes in the photos. Anders Zorn (1860-1920) was a Swedish artist who attained international success as a painter, sculptor, and etching artist. He was to become one of Swedens foremost artists ever. No technique was foreign to him, he worked equally well with watercolors, wash technique or oil painting. The etching technique also attracted this virtuoso and the etchings contributed greatly to his success. Between 1875 to 1880, Zorn studied at the Royal Swedish Academy of Arts in Stockholm, where he amazed his teachers with his talent. Members of the Stockholm Society approached him with commissions. In early 1881, Zorn met Emma Lamm, whose background was quite different from his. Emma Lamm was from a wealthy Jewish merchant family. She was interested in art and culture and, after a long engagement, they were married in 1885. During the 1880s Zorn traveled extensively, to London, Paris, the Balkans, Spain, Italy, and the United States. In the 1890s when he was in Paris, he spent much time with Albert Edelfelt. He quickly became an international success and one of the most highly regarded painters of his era. In the beginning of Zorns career, it was primarily his skill as a portrait painter that gained him international acclaim, based principally upon his incisive ability to depict the individual character of his model, he came to portray many great people including three American Presidents: Grover Cleveland, William H. Taft, and Theodore Roosevelt. Zorn also depicted Swedish dignitaries, for example King Oscar II in 1898, King Gustaf V in 1909, Queen Sophia in 1909, Prince Eugen in 1891, fellow artist Carl Larsson in 1897 and August Strindberg in 1910. In the late 1880s, Zorn began working in the genre that is probably his hallmark for the general public, nude studies in the open air. Zorn had long been fascinated by the movements of water and the reflections of light on the water surface. Now Zorn chose to place a nude model by or in the water, with the aim of depicting people in nature. When Zorn started the art of etching, he developed a technique with Rembrandt as a model, where he built up the motif with bursts of lines. The first etching was created in London in 1883, the same year as our Maternal Delight. Axel Herman Hägg, then active in London, was Zorn's teacher in this special technique. Hägg was the person Zorn depicted in his first etching. Zorn quickly mastered the etching technique itself and a unanimous art expert was able to conclude early on that Rembrandt had now found his equal. At the age of 29, he was made a Chevalier de la Légion d'honneur at the Exposition Universelle 1889 Paris World Fair. Zorn's reputation as an etcher spread across the world. Soon he could find his etchings in the major world metropolises in Europe and the USA. Zorn produced 289 different etchings, including portraits, genre studies and nude studies. The motifs on Anders Zorn's graphic sheets are most often based on his own paintings, as ours, which is based on a watercolor he made in 1882 on his first trip to Spain. Even during Zorn's lifetime, his etchings were considered to be artistically superior to his paintings. As a result, his graphics quickly became sought after on the international art market. He was compared to Rembrandt, who as mentioned earlier was Zorn's great role model in the art of etching. Zorn was able to combine the old technique with his personal form of impressionism and the temporary and everyday with the universal. On the printing plates, one can study his outstanding etching technique, his characteristic play with parallel lines drawn in different directions, with varying degrees of force and intensity. Zorn's art made him wealthy and he was thus able to build up a considerable collection of art. In their joint will, Anders and Emma Zorn donated their entire holdings to the Swedish State. Some of his most important works can be seen at the National Museum of Fine Arts in Stockholm. Other museums holding major works by Zorn include the Musée d'Orsay in Paris, the Metropolitan Museum of Art in New York, and the Museum of Fine Arts, Boston. The Zorn Collections located in Mora and Garberg, Älvdalen, consist of four museums dedicated to the life and works of Anders Zorn. Shown there are extensive works of Zorn and his collected art. The Bellman Prize (Bellmanpriset) is a literature prize for "an outstanding Swedish poet", every year awarded by the Swedish Academy. The prize was established by Anders Zorn and his wife Emma in 1920. The motif: The present etching is based on a central and important work from Zorns first important trip to Spain, 1881-1882. After visiting Madrid and Seville, Zorn set off for Cádiz, tempted by the sea and the city’s women who were reputed to be the most beautiful in all of Spain. In Maternal Delight, also translated to Mothers Joy and Mothers Pride...

Circa 1890 Monumental English 19th C Ironmongers open Pine Bookcase Cabinet in original colour Measures: W 286 x D 25 x H 113 cm.    

By Gabriel Viardot. Gabriel Viardot (January 2, 1830 in Paris - March 19, 1904 in Paris) is a Parisian cabinetmaker specializing in the production of furniture freely interpreted "C...

Oriental rain drum in bronze, richly decorated with oriental characters and frogs on top. Approx. 1880. Dimensions Height approx. 41.5 cm. Island approx. 56 cm. This type of drum i...

Marked M.s.L. et G.S. Planter in earthenware of Montigny-sur-Loing decorated with painted flowers (so-called "à la barbotine") inserted in a blanc and gilded bronze mount, attrib...

Bruce Talbert, for Gillows of Lancaster and London. A very good quality English Aesthetic Movement ebonized and parcel-gilt upholstered settee with a rollover back and arms with in...

This glossy 18ct gold band holds a beautifully bright natural turquoise cabochon stones. The stones are bright and beautiful and complimented by the yellow gold perfectly. The should...

This sweet double cluster ring holds two halos of tiny pearls and at the centre sit two bright blue turquoise stones. The ring has a lovely dainty ...

Mirror in silver and mercury mirror made in the second part of the 19th century Ø cm 32 h cm 31,5 Mercury mirrors are a type of ancient mirror that uses a thin sheet of mercury to ...

This is a fabulous antique French Louis Revival Vernis Martin ormolu mounted display cabinet, circa 1880 in date. This beautiful cabinet has hand painted decoration, exquisite ormolu mounts and a beautiful marble top. The central panel has a beautiful painting depicting a courting couple in a boat and the two side panels have paintings of country scenes. The cabinet has serpentine glass to the sides with a capacious cupboard in the bottom. Complete with working lock and original key. The quality and attention to detail throughout is second to none. Add a touch of unparalleled style to your home. Condition: In excellent condition having been beautifully cleaned polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 160 x width 88 x depth 34 Dimensions in inches: Height 5 foot, 3 inches x width 2 foot, 11 inches x depth 1 foot, 1 inch Vernis Martin is a lustrous lacquer substitute widely used in the 18th century to decorate furniture and such personal articles as brisé fans...

Total height with mirror: 383 cm (151 in.) Console : Height : 97 cm (38 in.) ; Length : 291 cm (114 in.) ; Depth : 47 cm (18 in.) Height with pedestals : 178 cm (70 in.) – Width of pedestals tops : 36 x 23 cm (14 x 9 in.) Provenance: Hôtel de Bourbon-Condé, for the Conte de Chambrun, 12 rue Monsieur, 7th arrondissement, Paris. This magnificent white carrare and bleu turquin marble Louis XVI style console is embellished with carved and gilded bronze ornaments. The belt, adorned with a fluted frieze, masks of Bacchus and rosettes, is standing on six spirally fluted feet with foliage on the extremities. The part meant to be placed against the wall is divided in several pannels framed with moulded and beaded bronze. Above the console stands a giltwood and white-painted mirror, richly decorated at its top with a carved head of Apollo flanked by acanthus leaves and treillis. The mirror is framed by two patinated bronze female figures, each holding seven-light candelabra and standing on pedestals richly adorned with laurel garlands and bronze frames. These are casts by F.Barbedienne, after models by J.A.J. Falguière and P.Dubois (they are signed to the base, one ‘FALGVIERE and F.BARBEDIENNE. FONDEUR’, the other ‘P.DUBOIS’ and ‘F.BARBEDIENNE’). The original models of these bronzes were shown at the 1867 Exposition Universelle before being installed at the Château de Compiègne for the enjoyment of Napoleon III and Empress Eugénie. The masterful console was commissionned to Barbedienne around 1880 to garnish the interiors of the Conte de Chambrun at the Hôtel de Bourbon-Condé, 12 rue Monsieur, 7th arrondissement, Paris. This console was part of the sale of the count’s art and furniture collections that took place on the 18th of June 1900 after the count’s death (listed as lot n°52 in the sale catalogue). Born in 1810, died in Paris in 1892, Ferdinand Barbedienne, the most important caster of bronze pieces of art during the second half of the 19th Century, created and directed in Paris one of the major artistic founderies of his time. Barbedienne specialised in classical reproductions, whose models were exposed in famous European museums. Their illustrated catalogues included many diverse objects such as busts, ornemental sculpture (clocks, candelabras, cups) sometimes even life-sized and also bronzes for furniture. Apart from his own production, Barbedienne worked for the most renowned sculptors such as Barrias, Clésinger and Carrier-Belleuse. All his works were highly esteemed and he, himself honoured by contemporary critics. At the London exhibition in 1851 Barbedienne's firm won two « Council medals ». At the 1855 Universal Exhibition, he won a medal of honour. The success of Barbedienne's firm brought him many official commissions. At the London Universal Exhibition of 1862 Barbedienne won medals in three different categories : Furniture, Silversmith work and Artistic bronzes. Barbedienne was made an officer of the Légion d'Honneur in 1867 and Commander in 1878 when he was compared with « a prince of industry and the king of bronze casting ». His glory did not decline with the passage of the time for at the Universal Exhibition of 1889 the critics thanked Barbedienne for the example he set for other bronze-casters by the perfection of his bronzes. Paul Dubois (1829-1905) studied law before entering the workshop of Toussaint, then the School of Fine Arts. After travelling in Italy, he participated to the Salon of 1863 and won the third medal for the sculpture category. He won several other medals : the Medal of Honour with his Florentine Singer...

This gem depicts a warrior with helmet and spear, a shield and a head. The intaglio is carved into a rather high oval carnelian. The mount is made out of 9 karat gold and impressed ...

Fabulous pair of late 19th Century framed solid walnut armchairs in the renaissance style. Of French origin, circa 1880’s with wonderful crisp carvings. This table is in the style of Victor Aimone...

Large 19th Century French Majolica Flowers Vase, Impressionist period and style. 22 inches Height.  

You are viewing a gorgeous hand carved Italian Renaissance oak bench Just look at the details to the carving, I hope the photos go some way in illustrating the quality Characterful c...

Heals, attributed. An Anglo-Japanese aesthetic movement corner cabinet with shaped uprights and open fretwork with butterfly motifs, an open mirror bac...

Antique Wooden Carved Black Forest Mouflon Head ca. 1880s A large antique wooden carved Black Forest mouflon head. It features a real ram's horn trophy and is mounted on a wooden ca...

Wonderful print of St Thomas Becket Illuminated Chromolithograph Published circa 1880 Unframed. Free shipping The measurement is the paper size

Antique picture frame from the French historicism, the so-called Louis XV style. Beautiful and very heavy bronze work. Signed by the artist "E.Roo". Inside dimension: 13 x 9 cm ...

A beautiful hand carved coquille nut egg box. Beautiful carving, great patina, unscrews at center to open. The original use was a flea trap, things were d...

Beautiful antique painting, a fruit still life against a dark blue background. The painting is painted on canvas, the canvas is pasted on wo...

This intimate plein air study by Olof Arborelius captures the quiet beauty of a sunlit forest edge reflected in still water. The confident, spontaneous brushwork and delicate handlin...

3-seater bench / sofa with carved oak structure and original off-white / beige fabric. Louis XV style, France, circa 1880-1920. In good general condition: - structure in excellent ...

Beautiful pair of blue-tinted crystal “rouleau” vases decorated with Japanese-style enameled decoration representing a gilded full moon reflecting a tree with flowering branches, sur...

James Plucknett attributed, probably for Collier and Plunknett. An Anglo Japanese ebonized side chair with a braided green floral seat.

14k rose gold pendant set with pearls, with black ribbon detailed description: the pendant is 6.5 cm long by 3.0 cm wide Black ribbon is approximately 50 cm long, end can be tied ...

Experience the allure of a bygone era with our stunning Antique Mettlach German Villeroy & Boch Beer or Vine Pitcher. This masterpiece encapsulates the artistry of German craftsmansh...

This charming and unusual brooch was hand crafted in the 1st half of the 19th century. was intended as a sentimental gift. It has been designed as a flower with five petals and was ...

Among the treasured classic arts we offer for sale is this stunning painting by the artist Anton Genberg. Born in 1862 to Pehr Jonsson and Anna Genberg, he left an indelible mark on the art world through his magnificent creations. Genberg's life was colored with a passion for exploration, study, and artistic expression. His artistic journey began with studies at the Tekniska skolan in Stockholm from 1882 to 1884, during which he also honed his skills at Oscar Törnås' private painting school. He furthered his education under the tutelage of Per Daniel Holm at the prestigious Konstakademien from 1884 to 1889. During these years, Genberg's exceptional talent was recognized with numerous scholarships and medals. Our painting, dated 1889, transports us to a captivating scene just some minutes after sunset. The canvas is imbued with a beautiful golden glow as the sun's last rays kiss the sky. Amidst a serene lake, the heavenly light reflects, painting the water's surface with mesmerizing shades of purple. In the distance, the landscape is dominated by a mountainous forest, while in the foreground, a stretch of land adorned with bushes creates a sense of depth. The impressionist style comes alive through Genberg's swift brushstrokes, reminiscent of the masterful techniques employed by Rembrandt, with branches delicately etched using the opposite end of the brush. Genberg's fame as a landscape artist was solidified through his enchanting depictions of snow-laden landscapes from Norrland, particularly the majestic "fjällen" (mountains). His art also captured the allure of Stockholm, Dalarna, and his birthplace in Jämtland. Notably, his masterpiece "Vinterafton" earned him a place of honor at the esteemed Nationalmuseum. Beyond his creative pursuits, Anton Genberg was actively involved in the art community. He served as the vice-chairman of the Svenska konstnärernas förening from 1913 to 1918 and held a position on the board of Sveriges allmänna konstförening from 1906 to 1939. His exceptional contributions were recognized when he was elected as a member of the Konstakademien in 1922. Throughout his life, Genberg resided in various places, leaving behind a trail of artistic inspiration. From 1916 to 1924, he lived in the enchanting Villa Wallbeck-Hansen, a masterpiece of national romanticism...