Europe

Jacques STELLA (Lyon, 1596 - Paris, 1657) The Annunciation Oil on alabaster (single old break perfectly restored) H. 25 cm; W. 30 cm Son of François Stellaert, a painter of Flemish ...

Obverse: .BREDA . OBSESSA . 1625, coat of arms of prince Maurits, value above, rosette underneath, left and right city crest Reverse: blank RARE During the Eighty Years' War, Breda...

These images are rare but fine examples of original 17th-century European engravings, displaying characteristics that might point to an Italian origin based on stylistic analysis. Th...

These original antique engravings are characteristic examples of 17th-century European art, possibly Italian, given some of the stylistic choices and the text. The images show putti,...

These images are rare but fine examples of original 17th-century European engravings, displaying characteristics that might point to an Italian origin based on stylistic analysis. Th...

These images are rare but fine examples of original 17th-century European engravings, displaying characteristics that might point to an Italian origin based on stylistic analysis. Th...

These images are rare but fine examples of original 17th-century European engravings, displaying characteristics that might point to an Italian origin based on stylistic analysis. Th...

The Netherlands Amsterdam Circa 1625 – 1650 A blue and white Dutch tile with a decoration of a Dutch soldier from the period of the 80 Years War. This soldier could be a member of t...

The image is an original engraving by Daniel Meisner from his work in Eberhard Kieser's 'Politisches Schatzkästlein' (Political Treasure Box), depicting the Nonsuch Palace in Surrey, England, which was commissioned by Henry VIII. This engraving is part of the 8th and last book from 1626. Nonsuch Palace was a Tudor architectural...

The Netherlands Amsterdam Circa 1625 – 1650 A blue and white Dutch tile with a decoration of a Dutch or Spanish soldier from the period of the 80 Years War. The decoration of this t...

The Netherlands Circa 1620 – 1640 A blue and white Dutch tile with a decoration of a Chinese garden with a bird on a rock. Influenced by the Chinese porcelain from the Wanli Period....

The Netherlands Circa 1620 – 1640 A polychrome Dutch tile with the decoration of an orange flamed tulip. This tile with a very large tulip was ...

The Netherlands Amsterdam Circa 1625 – 1650 A blue and white Dutch tile with a decoration of a Dutch soldier from the period of the 80 Years War. The decoration of this tile is very...

Detail of Neptune’s Head, Neptune and Triton, Gian Lorenzo Bernini (1598-1680), National Collection of Sculpture, Victoria and Albert Museum © Victoria and Albert Museum, London Pho...

Beautiful large 1920's large overseas suitcase made of wood and cardboard. Reinforced with thick bentwood and bakelite fittings. Very good vintage co...

Jacques STELLA (Lyon, 1596 – Paris, 1657) Judith and Holofernes Oil on slate H. 23.5 cm; L. 24 cm Son of François Stellaert, a painter of Flemish origin who settled in Rome in 1576, then in Lyon, Jacques Stella was born in this city in 1596. Around 1619, he left for Florence where he worked for Cosimo II de Medici. He probably already met Nicolas Poussin and Jacques Callot there. Stella left Florence for Rome in 1622 or 1623, where he befriended Poussin, who arrived in 1624. Stella became famous in the world of Italian amateurs for his small paintings painted on precious supports: marble, agate, lapis, slate, as well as by his engravings and drawings. In 1634, having received offers from the King of Spain, he left Rome in the suite of Marshal de Créqui, French ambassador. He passed through Venice, stopped in Lyon in 1635, then in Paris. Retained by Richelieu who took him into his service, he settled in the capital of the kingdom. Covered with favors, he benefited from accommodation in the Louvre and a considerable pension. He later received the Collar of the Order of Saint-Michel, a rare honor for an artist...

Neapolitan caravagist artist, 17th century SAINT JAMES THE MINOR oil on canvas, cm 127x101 (The painting is part of a triptych together with the two holy apostles Saint Thomas and S...

Neapolitan caravagist artist, 17th century SAINT THOMAS APOSTOLE oil on canvas, cm 127x101 (The painting is part of a triptych together with the two holy apostles Saint James the Mi...

Neapolitan caravagist artist, 17th century SAINT JUDE THADDEUS oil on canvas, cm 127x101 (The painting is part of a triptych together with the two holy apostles Saint Thomas and Sai...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Lucas Vorsterman (1595 - 1675) after Peter Paul Rubens (1577 - 1640) The Fligh...

A Pair Of Crystal Candlesticks And Gilt Bronze Mounts, Late 17th Century Italian carved and polished crystal candlesticks, tiered, faceted, with incised brass detailing. 28x9x9cm

An exceptional, large, early-17th century, carved, oak & ebony, Flemish, statue cabinet or 'Beeldenkast' depicting the three theological virtues of Faith, Hope and Charity and the Ca...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Pieter van den Keere (1571 - circa 1646) after John Speed (1551 or 1552 - 1629) Map of Cambridgeshire Engraving 8 x 12 cm A beautifully coloured map of Cambridgeshire, with an antique description of the county to the reverse. The map, along with many others, was published in Speed's atlas, 'The Theatre of the Empire of Great Britaine', first published in 1611. This particular miniature edition of the 'Theatre' was published in miniature by George Humble in 1627, entitled 'England Wales Scotland and Ireland Described and Abridged With ye Historic Relation of things worthy memory from a farr larger Voulume. Done by John Speed.’ Speed's original map was likely engraved for this edition by Peter van den Keere. van den Keere's maps soon came to be known as "Miniature Speeds". John Speed was an English cartographer, chronologer and historian. The son of a citizen and Merchant Taylor in London, he rose from his family occupation to accept the task of drawing together and revising the histories, topographies and maps of the Kingdoms of Great Britain as an exposition of the union of their monarchies in the person of King James I and VI. He accomplished this with remarkable success, with the support and assistance of the leading antiquarian scholars of his generation. He drew upon and improved the shire maps of Christopher Saxton, John Norden and others, being the first to incorporate the hundred-boundaries into them, and he was the surveyor and originator of many of the town or city plans inset within them. His work helped to define early modern concepts of British national identity. His Biblical genealogies were also formally associated with the first edition of the King James Bible...

Contemporary Hand Carved Indonesian Salad Servers – Pair Contemporary Hand Carved Indonesian Salad Servers. Hand made in Indonesia using locally sour...

Scene of Ancient Life Rome is an Etching realized by Bernardino Capitelli (Siena 1589-1639) in 1620. Good condition on a yellowed paper. Signed in the plate and Latin Inscription on the lower margin. Bernardino Capitelli (1589–1639) was an Italian painter and etcher of the Baroque period. He was born in Siena. He became a pupil of Alessandro Casolani, and then of Rutilio Manetti, and between the years 1622 and 1637 was active in both at Rome and at Siena. Among his etchings are a Portrait of Alessandro Casolani, a St. Anthony of Padua (1637), a Marriage of St. Catharine after Correggio, a nocturnal Repose in Egypt after Rutilio Manetti, a Lot and his Daughters after Manetti. He also made a Ceres drinking in the Cottage of the old and a set of twelve plates...

- This table is a rare and attractive octagonal form with characteristic Renaissance legs. - It can serve as centre, dining or writing table. - The...

Antique map titled 'Frisia Occidentalis.' - A very decorative map of the Dutch province Friesland, also showing the Wadden islands Terschelling and Ameland. With coats of arms of the...

Spetchley park, Bargello, silk, bed curtains adapted into wall hangings in the 19th century • The use of silk, patterning and size suggests that these striking Bargello hangings were almost certainly conceived as bed curtains. In the Green Chamber at Parham House the State Bed is hung with Bargello curtains, pelmets and valences c1620. Like the Parham bed curtains, the Spetchley Park bed curtains have two horizontal pattern repeats in each drop. Needless to say, surviving bed curtains from this period are exceptionally rare as they had value as hangings and for upholstering domestic objects when removed from the bed. • The Spetchley Park bed curtains are really beautiful and luxurious. They were made as elite objects and have not lost their gravitas or their character and charm. • The Spetchley Park bed curtains were adapted into wall hangings in the 19th century. They are versatile and could easily be reinstated as curtains or panels within larger curtains. • Bargello work has a classic timeless quality to it and blends with most decorative schemes whether period or contemporary Each panel is made from two sections of bargello. The step (pattern) comprising two rows of short vertical stitches over two threads of graduating numbers of stitches up and down with two rows of long vertical stiches over six threads of graduating numbers of stitches up and down. Worked in graduating shades of blue, green, brown, red, tan and ivory silks on a hessian ground. The four edges of each hanging are faced with a 19th century, dusky pink fan...

PARROCHETTO Budgerigar Parakeet Verso with recipe for Parakeet and Pasta!! Extremely rare Copper engraving published by Giovanni Pietro Olina (1585-1645) for his scarce treatise: Uccelliera overo discorso della natura e proprieta di diversi uccelli. Rome: Andrea Fei, 1622. Uccelliera is a discourse on the characteristics of the many birds to be found in Italy, and gives instructions on their care, and identifies their habits and songs. Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Francesco Villamena was an Italian engraver and artist. Villamena was born in Assisi. He studied under Cornelis Cort...

Copper engraving published by Giovanni Pietro Olina (1585-1645) for his scarce treatise: Uccelliera overo discorso della natura e proprieta di diversi uccelli. Rome: Andrea Fei, 1622. Measures: 22.3 x 15.8 cm Fine hand colour. Uccelliera is a discourse on the characteristics of the many birds to be found in Italy, and gives instructions on their care, and identifies their habits and songs. Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Francesco Villamena was an Italian engraver and artist. Villamena was born in Assisi. He studied under Cornelis Cort...

Delightful panel with an ancient fragment of tapestry representing fruits and beautiful colors. I thought of applying it on a panel covered with an ex...

Antique map titled 'Prussia'. Original antique map of Prussia, a historically prominent German state that originated in 1525 with a duchy centered on th...

Antique map titled 'Lumen Historium per Orientem (..).' Scarce map of the Middle East, surrounded by Latin text. The two insets show Israel and an oval world map. This map (from the last edition of Ortelius Theatri Orbis Terrarum Parergon, 1624) was engraved by Franciscus Hareio. Later, this map was copied by Hornius for his World Atlas (1653). Artists and Engravers: Franciscus Haraeus (Latinised form of Franciscus Verhaer; also known as Frans Verhaer), (Utrecht 1555? - Leuven, 11 January 1631), was a Dutch theologian, historian, and cartographer. He is best known for his history (from a Catholic point of view) of the Dutch Revolt...

Antique map titled 'Geldria et Transysulana'. One of the earliest maps of Gelderland and Overijssel in the Netherlands, prepared by Gerard Mercator. Artists and Engravers: Ger...

Antique print depicting two horses near the Louvre, France. Also depicted are a group of men, including Mr. LeGrand. This print originates from 'L'Instruction du Roy en l'Exercice de...

Antique portrait of William of Orange I. With text in oval 'tranquillus in undis saevis'. Latin text below: 'Guihelmus D:G: Princeps Arausionensum; comes Nassavia, Cattimelibocii, Vianda, Dietzia, Linga, Buyra Leerdami; etc. Marchio Vera et Flissinga; dominus et baro Breda, Diest, Grimbergia, Arlay, Noseretti, Castelbellin; etc. vice comes hereditarius Antverpia et Bisancia Gubernator generalis Brabantia Hollandia Zelandia Frisia Ultrajecti Arcdithalassus maris inferioris Germania: quam celeberimi Pr: effigiem a Cornelio Vischero ad visum depictam et Guilismo Jacobi Delphio coelo hac forma expressam dedicat consecratq ipse sculptor DD: principibus Mauritio et Henrico filijs paternarum virtutum heredibus. Cum privilegio illus tr: DD : Ordinum gener. ad annos octo An. Dom'. William the Silent (24 April 1533 – 10 July 1584), also known as William the Taciturn or, more commonly in the Netherlands, William of Orange, was the main leader of the Dutch Revolt against the Spanish Habsburgs that set off the Eighty Years' War (1568–1648) and resulted in the formal independence of the United Provinces in 1581. Born into the House of Nassau, he became Prince of Orange in 1544 and is thereby the founder of the Orange-Nassau branch and the ancestor of the monarchy of the Netherlands. In the Netherlands, he is also known as Father of the Fatherland (Pater Patriae). A wealthy nobleman, William originally served the Habsburgs as a member of the court of Margaret of Parma, governor of the Spanish Netherlands. Unhappy with the centralisation of political power away from the local estates and with the Spanish persecution of Dutch Protestants, William joined the Dutch uprising and turned against his former masters. The most influential and politically capable of the rebels, he led the Dutch to several successes in the fight against the Spanish. Declared an outlaw by the Spanish king...

Antique map titled 'Eboracum, Lincolnia, Derbia, Staffordia, Notinghamia, Lecestria, Rutlandia et Norfolcia'. Decorative early map of the northeast of England, comprising the cou...

The African Kuba Bwoom tribal mask is the oldest known mask, the Kuba bwoom mask. The materials used for the realization of the Mask are: Wood, colors and vibrates plants, caures, beads, animal hair. In dance it expresses exuberance and joy. The style is similar to that of the middle Kasai. This mask is a helmet with animal hair, carved with a very wide forehead and hollow cheeks that are announced by motifs or dashes and beads. The mouth of the mask is very pronounced carved in wood and then applied on the mask. To distinguish the forehead in different areas are used black and white beads to draw attention to other aspects of the face such as the nose and chin. The entire edge of the chin is surrounded by beads of various colors. The person wearing the mask cannot look because there are no holes for the eyes present; the mask must create the feeling of being blind. Some masks similar to the bwoom mask include the funny mask, the ram mask and initiation masks such as Nnup. The real Kuba masks...

Rare, early 17th century, Spanish, leather, ‘Arcon’ or domed travelling coffer with a gilded armorial & ornamented with brass studwork. Surviving utalitarian pieces such as travel...

Exceptional, early 17th century, Spanish, leather, ‘Arcon’ or domed travelling coffer ornamented with brass studwork Surviving utalitarian pieces such as travelling coffers from t...

An exceptional, fine and impressive antique Charles I English sterling silver chalice; an addition to our collectable range of 17th century silverware. This exceptional antique Char...

Visit our other items to see a large selection of views of Oxford and Cambridge. Michael Drayton (1563-1631) Map of Cambridge and the Isle of Ely (1...

We have available the best Stock of Authentic Reclaimed French Stone Flooring, famous "Dalle de Bourgogne",age 15th - 16th Century ( 5 and 3 cm thick ) 1,2 and 2 inc. Large Opus, ran...

Italian school of the first half of the 17th century. Artwork attributable to the painter Tomaso Pombioli (1579-1636), lacking authentication. He trained in the workshop of Gervasio ...

The Netherlands Amsterdam Circa 1625 – 1650 A blue and white Dutch tile with a decoration of a Dutch soldier from the period of the 80 Years War. The decoration of this tile is very...

Marvellous Italian Liberty wall light. This unique sconce was produced in Italy in the 1920s. This lovely sconce was designed in the shape of an umbrella with the shade made in par...

Perseus (or Mars?) Padua, first half of the 17th century follower of Tiziano Aspetti (Padua, 1559 - Pisa, 1607) bronze with dark patina State of conservation: the dark patina cov...