Europe - Sculptures
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Item Ships From: Europe
Style: Neoclassical
Bronze Bust Jacob Van Campen, 1595 - 1675, Sculptor Jacques Elion 1842-1893
Located in Den Haag, NL
Beautiful bronze bust depicting Jacob van Campen unique piece one off the most in-portent
architects from Holland 1595 - 1675. Paleis op de Dam, Mauritshuis Nieuwe Kerk Haarlem stand...
Category
1870s Dutch Neoclassical Antique Europe - Sculptures
Materials
Bronze
Escultura Bronce de Milon de Crotona de Pierre Puget
Located in Madrid, ES
Espectacular escultura en bronce realizada en el siglo XIX siguiendo las tendencias del Grand Tour, réplica en miniatura de la afamada escultura que se encuentra en el museo de Louvr...
Category
19th Century French Neoclassical Antique Europe - Sculptures
Materials
Bronze
Bonze Sculpture of a Seated Hermes or Mercury, Dated 1867
By Pierre Marius Montagne
Located in AMSTERDAM, NH
France
Marius Montagne (1828-1879)
Dated 1867
A fine and detailed solid bronze sculpture of a seated Hermes or Mercurius. His demeanor radiates peac...
Category
1860s French Neoclassical Antique Europe - Sculptures
Materials
Bronze
Lead Statue of Mercury, 19th Century
Located in London, GB
A charming and rare 19th Century statue of the Greek god mercury made from lead.
This piece features a beautiful antiqued patina with wear & a crack in the back, which only adds to ...
Category
Late 19th Century European Neoclassical Antique Europe - Sculptures
Materials
Lead
Italian Molded and Carved White Marble Group : The education of children
Located in VERSAILLES, FR
This sculpture is of rare beauty, a mixture of finely carved white marble and part in cast and chiseled bronze with a brown patina. The theme is presented as the love of parents towa...
Category
Early 20th Century Italian Neoclassical Europe - Sculptures
Materials
Marble, Bronze
Large Gilt, Patinated Bronze and Marble Clock Set by Raingo Frères
By Raingo Frères
Located in London, GB
Large gilt, patinated bronze and marble clock set by Raingo Frères
French, Late 19th Century
Clock: height 73cm, width 29cm, depth 28cm
Candelabra: height 66cm, width 30cm, depth ...
Category
Late 19th Century French Neoclassical Antique Europe - Sculptures
Materials
Marble, Bronze, Ormolu
Large Carrara Marble Group of Virgin, Child and the Baptist Signed P. Romanelli
By Pasquale Romanelli
Located in London, GB
Large Carrara marble group of Virgin, Child and The Baptist signed P. Romanelli
Italian, 19th century
Measures: Figure: height, 170cm, width 70cm, depth 40cm
Base: height 93.5cm, width 59.5cm, depth 43cm
Executed in stunning Carrara marble, this exceptional sculpture is signed for the Florentine artist Pasquale Romanelli...
Category
Late 19th Century Italian Neoclassical Antique Europe - Sculptures
Materials
Marble, Carrara Marble
Antique Bronze Sculpture of Woman & Child
Located in London, GB
A lovely antique bronze sculpture, depicting a woman and child from classical times. This was likely made in central Europe around the 1930-50...
Category
20th Century French Neoclassical Europe - Sculptures
Materials
Bronze
Golden Angel Head
Located in Alessandria, Piemonte
Rare golden angel head, to hang: in the entrance as a welcome, in the bedroom for sweet dreams. Intact, without any retouching.
Category
Mid-18th Century Italian Neoclassical Antique Europe - Sculptures
Materials
Wood
18th Century French Stone Sundial
Located in Vosselaar, BE
A impressive late 18th century French sandstone sundial mounted on a custom lade iron stand. The Latin numerals finely carved at both sides an...
Category
Late 18th Century French Neoclassical Antique Europe - Sculptures
Materials
Sandstone
Antique Gilt Bronze Fireplace Surround Fender
Located in London, GB
This elegant gilt bronze (ormolu) fireplace fender was created in France in the late 19th century. The item will add splendour and beauty to a fireplace, making it the focal point of a room.
The fender features a pierced rail which is decorated with a central cartouche, flanked by stylized acanthus leaves. The ends of the fender are topped by full-length, semi-nude figures. These include a beautiful young woman and a bearded male, holding a blacksmith’s hammer. The latter can be identified as Hephaestus (or Vulcan), the classical god...
Category
Late 19th Century French Neoclassical Antique Europe - Sculptures
Materials
Bronze, Ormolu
Limoges France, Biscuit Child Bust, Stand with Dark Blue Glaze, Classic Style
Located in Copenhagen, DK
Limoges France. Biscuit child bust. Stand with dark blue glaze.
Classic style. Early 20th century.
Measures: 13.5 x 7 cm.
In excellent condition.
Stam...
Category
Early 20th Century French Neoclassical Europe - Sculptures
Materials
Ceramic
Boy With Thorn "Spinaro" Sculpture Alabaster 19th Century
Located in Beuzevillette, FR
Pretty alabaster sculpture of a young man removing a thorn from his foot.
Theme taken up many times in the sculpture, the oldest known example of the boy with thorn...
Category
19th Century Neoclassical Antique Europe - Sculptures
Materials
Alabaster
Very Rare Pair of Marble Sculptures of Seated Children by Cesare Lapini
By Cesare Lapini
Located in London, GB
Very rare pair of marble sculptures of seated children by Cesare Lapini
Italian, Late 19th Century
Boy: height 71cm, width 32cm, depth 41cm
Girl: height 71cm, width 33cm, depth 35cm
These wonderful sculptures were executed by the highly skilled nineteenth century Florentine sculptor Cesare Lapini (Italian, 1848-1893), one of a number of prolific master artists working in Florence in the second half of the nineteenth century who were heavily influenced by the great Neoclassical master Antonio Canova.
In the form of a seated boy and girl, titled on their bases 'Volere E Potere,' (willing and able, or where there's a will there's a way), and 'Chi S'Aiuta Dio L'Aiuta (God helps...
Category
Late 19th Century Italian Neoclassical Antique Europe - Sculptures
Materials
Marble
19th Century Marble Sculpture of a Putto and Bird, Signed 'Pigal'
Located in London, GB
A 19th century marble sculpture of a putto and bird, signed 'Pigal'
French, 19th century
48cm high x 33cm wide x 37cm depth
Crafted in the nineteenth century in France this fine...
Category
Late 19th Century French Neoclassical Antique Europe - Sculptures
Materials
Marble
Antique Bronze Diana of Gabii Sculpture Made & Marked F. Barbedienne & L. Collas
By F. Barbedienne Foundry, A. Collas Brevete
Located in Lisse, NL
Stunning antique bronze of the goddess of hunting, of women and of the moon. She also is a great talking piece.
The original Diana of Gabii is a lifesize marble statue...
Category
Mid-19th Century French Neoclassical Antique Europe - Sculptures
Materials
Bronze
Lost-Wax Bronze Sculpture by Théodore Rivière, Titled 'Carthage'
By Théodore Rivière
Located in London, GB
A lost-wax bronze sculpture by Théodore Rivière, titled 'Carthage'
French, Late 19th Century
Height 41cm, width 23cm, depth 18cm
This superb lost...
Category
Late 19th Century French Neoclassical Antique Europe - Sculptures
Materials
Bronze
Near Life Size Marble Crouching Venus
Located in London, GB
A near life size carved marble figure of the Crouching Venus. This late 19th century copy of the iconic Hellenistic original bases its form on the crouching Venus on permanent displa...
Category
Late 19th Century Italian Neoclassical Antique Europe - Sculptures
Materials
Statuary Marble
19th Century Italian Sterling Silver Madonna, circa 1830
Located in Milano, IT
Embossed and engraved silver plaque
La Madonna del lago (The Madonna of the Lake)
Probably Milan, post 1824
Brass frame
It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g)
State of conservation: some abrasions on the bottom. The frame is old, but not original.
The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era.
The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked.
It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version.
The painting
Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”.
The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917.
The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809.
The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman.
It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants.
In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found.
On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857).
The engraving
Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century.
In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...
Category
1820s Italian Neoclassical Antique Europe - Sculptures
Materials
Sterling Silver, Brass
19th Century Marble Putto Sculpture, Signed 'D'angelis'
Located in London, GB
A 19th century marble putto sculpture, signed 'D'Angelis'
French, Late 19th Century
Height 54cm, width 41m, depth 31cm
Executed with great artisti...
Category
19th Century French Neoclassical Antique Europe - Sculptures
Materials
Marble
Sculpture in Calamine, After Models by Auguste Moreau, France, 19th Century
By Auguste Moreau
Located in Madrid, ES
Sculpture in calamine. Signed “Aug. Moreau ”. Following models by Auguste Moreau, France, 19th century.
It is reminiscent of works such as the bronze entitled "The Fountain" by Mat...
Category
19th Century French Neoclassical Antique Europe - Sculptures
Materials
Other
Luigi Avolio Set of Four 800, Italian Silver and Ormolu Figural Groups
Located in Braintree, GB
Antique early 20th century set of four 800. Italian silver and ormolu figural groups.
Made in Italy, Naples, first half of 20th century.
Hallmarked with 800. Silver and 45NA maker'...
Category
Early 20th Century Italian Neoclassical Europe - Sculptures
Materials
Silver
Pair of carved and lacquered angels from 1700s Italy
Located in Cesena, FC
Carved and lacquered angels from the 1700s.
Angels all original, never restored.
Wood carvings in the round, carved, lacquered and gilded with "Mecca" technique.
The lacquered com...
Category
Early 18th Century Italian Neoclassical Antique Europe - Sculptures
Materials
Wood
Contemporary Ram's Head Bronze Sculpture Lost Wax Casting Technique Green Patina
By Pablo Simunovic
Located in Firenze, IT
This contemporary solid bronze sculpture of a ram's head is inspired by the art of Ancient Rome and Ancient Greece with a reference
to neoclassicism.
The artist is able to attribute ...
Category
2010s Italian Neoclassical Europe - Sculptures
Materials
Bronze
Ormolu Bust of a 16th Century Prince, by Rancoulet
By Rancoulet
Located in London, GB
An Ormolu bust of a 16th century Prince, by Rancoulet
French, Late 19th Century
Height 72cm, width 42cm, depth 22cm
Made by the skilled and renowned French artist and sculptor E...
Category
Late 19th Century French Neoclassical Antique Europe - Sculptures
Materials
Ormolu
Psyche Touch Lamp, White & Gold
By Massimo Marcomini
Located in Mantova, MN
Inspired by the Classical urns from the frescoes in the Hall of Cupid and Psyche in Mantova’s Palazzo Te, this table lamp will Stand out in any kind of décor, with its Fine ceramic and timelessly elegant shape. The innovative touch technology is activated with the lightest touch on the pedestal: a simple gesture lets you switch and adjust the light in a unique tactile experience. The light source is a 7W LED strip with 3000K, 369 Lumen and 100-240V voltage.
The maiden with the lamp, the beautiful mortal turned by love into the goddess of souls – Psyche lends her name to a sophisticated play of art, myth and design. The light sculpture Psyche draws from the style of Renaissance artist Giulio Romano, revisiting the ancient vase from his joyful, sensual Cupid and Psyche frescoes - and bathing it in the soft glow of the latest LED technology. With an eye to classical myth and a strong personality, Psyche celebrates the passion of beauty through the centuries.
Les First: Light of the Gods
A luminous pantheon reinventing myth in a flow of energy and imagination: light sculptures with a strong and versatile personality, a perfect fit for both classical or Minimalist settings, born to satisfy the senses and pay tribute to a timeless beauty.
The Lamps
1. The idea: Les First – Top Quality Italian Craftsmanship
2. Technological Innovation: The Dimmable Touch Lamp
Technical Information
3. Technical Features
4. Artisanal Production
5. Assembling
6. Packaging and Shipping
7. Maintenance
1. The idea: Les First – Top Quality Italian Craftsmanship
All Les First lamps are inspired by the mythological subjects in the frescoes that Renaissance artist Giulio Romano painted in the halls of Palazzo Te for the Gonzaga lords of Mantua. Distinctive design, blending traditional handmade ceramic from potteries of Venetian tradition with specially created, innovative technology, makes the lamps unique in the field of lighting fixtures.
Les First’s top quality table-lamps are crafted in the regions of Lombardy and Veneto. Carefully handpicked artisan workshops Craft to specification the various components, that are then assembled in the Les First atelier in Mantova.
The finest ceramics and skilled handcraft guarantee top quality together with the uniqueness of artisanal production.
2. Technological Innovation: The Dimmable Touch Lamp
The ceramic sculpture, core of the artistic composition, is enhanced by the innovative lighting cylinder of clear Plexiglas.
The micro-incisions, laser-engraved by CNC machines on the cylinder’s surface, ensure an even distribution of light across the whole pane.
The light is switched and adjusted through an innovative dedicated software, especially created by a technical laboratory in Verona. A microprocessor manages and processes the proximity effect of the user’s hand to control and adjust the light. The system, developed especially for Les First, turns the ceramic sculpture into a dimmable Touch Lamp, whose soft glow can be switched on and off and adjusted simply by touching the lamp’s ceramic base, without a conventional on-off switch.
3. Technical Features:
Weight: 8 kg / 17,64 lbs
Power consumption: 7 W (LED)
LIGHT SOURCE AVAILABLE: 1 Led Strip x 7W
Lumen: 369
Colour temperature: 3000 K
Color Rendering Index (CRI): 90
LED panel lifespan: 50 000 hours
Dimmer: Included
Voltage: 24Vdc
Environment: Indoor
Protection Rating: IP 20
Electric insulation class: 3^
Energetic class: A+
Power Supply Technical Data
Supply included: Yes
Supply voltage: input 100-240V, 50-60HZ; Output 24Vdc
Cord Lenght: 100 cm / 39,37 in
Indoor use only.
Psyche touch lamp is CE certified.
4. Artisanal Production
Les First’s ceramic lamps are artisanal pieces, and only a few components are made industrially. Due to the complex and many-staged hand production, each lamp can show individual characters, features unique to the hand-crafting process that must not be viewed as faults. A slight unevenness in the ceramic surface can result from shrinkage during the firing stage, or from characteristic features of the antique molds. Colors may show variations, with a very individual and pleasing effect, due to the firing process of the crystalline glaze, such as the typical and prized “crackle”. In the case of gold and silver metallic coating, slight irregular cracks can occur on the surface, as the precious metals and clay undergo different dilations during the various firing and cooling stages. Pieces from the same batch can show a slightly different appearance. Such varying reactions to the manufacturing process cannot be entirely predicted even by the most experienced potter, and are part of the unique and enduring charm of hand-crafted ceramic.
Each lamp is carefully vetted against out exacting quality standards. Les First holds to the highest quality standards for manual production, as established through centuries of experience in the potteries of Vicenza. The element of imperfection, typical of all hand-made products, is not a fault – but rather the mark of Italy’s ancient handcraft tradition.
5. Assembling
Assembling a Les First lamp from its hand-crafted components requires extremely skilled work, and it is never outsourced: the owner personally assembles each piece with the help of his assistants, making sure that the final result conforms to the chosen quality standard.
6. Packaging and Shipping
All Les First products are carefully hand-packages, with materials specially designed to ensure the stability and protection of the lamps.
The crates are sized to accommodate the lamps and the protective layers of expanded polyethylene and/or high-Expansion foam that ensure the lamps’ protection if correctly handled. These inner layers can vary, according to specific needs.
The weight of the packaging must be added to that of the lamp itself.
Psyche lamp...
Category
21st Century and Contemporary Italian American Classical Europe - Sculptures
Materials
Ceramic, Plexiglass
Pair of Grand Tour Marble and Brass Tazzas, c.1850-1860
Located in London, GB
19th century pair of grand tour marble and bronze tazza, of neo-classical design.
Set upon a grand Sienna with marble base, with finely chased lappet cast mounts over a stepped ba...
Category
1850s Neoclassical Antique Europe - Sculptures
Materials
Siena Marble, Bronze
Psyche Touch Lamp, Royal Blue & Gold
By Massimo Marcomini
Located in Mantova, MN
Inspired by the Classical urns from the frescoes in the Hall of Cupid and Psyche in Mantova’s Palazzo Te, this table lamp will stand out in any kind of décor, with its fine ceramic and timelessly elegant shape. The innovative touch technology is activated with the lightest touch on the pedestal: a simple gesture lets you switch and adjust the light in a unique tactile experience. The light source is a 7W LED strip with 3000K, 369 lumen and 100-240V voltage.
The maiden with the lamp, the beautiful mortal turned by love into the goddess of souls – Psyche lends her name to a sophisticated play of art, myth and design. The light sculpture Psyche draws from the style of Renaissance artist Giulio Romano, revisiting the ancient vase from his joyful, sensual Cupid and Psyche frescoes - and bathing it in the soft glow of the latest LED technology. With an eye to classical myth and a strong personality, Psyche celebrates the passion of beauty through the centuries.
Les First: Light of the Gods
A luminous pantheon reinventing myth in a flow of energy and imagination: light sculptures with a strong and versatile personality, a perfect fit for both classical or minimalist settings, born to satisfy the senses and pay tribute to a timeless beauty.
The Lamps
1. The Idea: Les First – Top Quality Italian Craftsmanship
2. Technological Innovation: The Dimmable Touch Lamp
Technical Information
3. Technical Features
4. Artisanal Production
5. Assembling
6. Packaging and Shipping
7. Maintenance
1. The Idea: Les First – Top Quality Italian Craftsmanship
All Les First lamps are inspired by the mythological subjects in the frescoes that Renaissance artist Giulio Romano painted in the halls of Palazzo Te for the Gonzaga lords of Mantua. Distinctive design, blending traditional handmade ceramic from potteries of Venetian tradition with specially created, innovative technology, makes the lamps unique in the field of lighting fixtures.
Les First’s top quality table-lamps are crafted in the regions of Lombardy and Veneto. Carefully handpicked artisan workshops craft to specification the various components, that are then assembled in the Les First atelier in Mantova.
The finest ceramics and skilled handcraft guarantee top quality together with the uniqueness of artisanal production.
2. Technological Innovation: The Dimmable Touch Lamp
The ceramic sculpture, core of the artistic composition, is enhanced by the innovative lighting cylinder of clear Plexiglas.
The micro-incisions, laser-engraved by CNC machines on the cylinder’s surface, ensure an even distribution of light across the whole pane.
The light is switched and adjusted through an innovative dedicated software, especially created by a technical laboratory in Verona. A microprocessor manages and processes the proximity effect of the user’s hand to control and adjust the light. The system, developed especially for Les First, turns the ceramic sculpture into a dimmable Touch Lamp, whose soft glow can be switched on and off and adjusted simply by touching the lamp’s ceramic base, without a conventional on-off switch.
3. Technical Features:
Weight: 8 kg / 17,64 lb
Power consumption: 7 W (LED)
LIGHT SOURCE AVAILABLE: 1 Led Strip x 7W
Lumen: 369
Colour temperature: 3000 K
Color Rendering Index (CRI): 90
LED panel lifespan: 50 000 hours
Dimmer: Included
Voltage: 24Vdc
Environment: Indoor
Protection Rating: IP 20
Electric insulation class: 3^
Energetic class: A+
Power Supply Technical Data
Supply included: Yes
Supply voltage: input 100-240V, 50-60HZ; Output 24Vdc
Cord Lenght: 100 cm / 39,37 in
Indoor use only.
Psyche touch lamp is CE certified.
4. Artisanal Production
Les First’s ceramic lamps are artisanal pieces, and only a few components are made industrially. Due to the complex and many-staged hand production, each lamp can show individual characters, features unique to the hand-crafting process that must not be viewed as faults. A slight unevenness in the ceramic surface can result from shrinkage during the firing stage, or from characteristic features of the antique molds. Colors may show variations, with a very individual and pleasing effect, due to the firing process of the crystalline glaze, such as the typical and prized “crackle”. In the case of gold and silver metallic coating, slight irregular cracks can occur on the surface, as the precious metals and clay undergo different dilations during the various firing and cooling stages. Pieces from the same batch can show a slightly different appearance. Such varying reactions to the manufacturing process cannot be entirely predicted even by the most experienced potter, and are part of the unique and enduring charm of hand-crafted ceramic.
Each lamp is carefully vetted against out exacting quality standards. Les First holds to the highest quality standards for manual production, as established through centuries of experience in the potteries of Vicenza. The element of imperfection, typical of all hand-made products, is not a fault – but rather the mark of Italy’s ancient handcraft tradition.
5. Assembling
Assembling a Les First lamp from its hand-crafted components requires extremely skilled work, and it is never outsourced: the owner personally assembles each piece with the help of his assistants, making sure that the final result conforms to the chosen quality standard.
6. Packaging and Shipping
All Les First products are carefully hand-packages, with materials specially designed to ensure the stability and protection of the lamps.
The crates are sized to accommodate the lamps and the protective layers of expanded polyethylene and/or high-expansion foam that ensure the lamps’ protection if correctly handled. These inner layers can vary, according to specific needs.
The weight of the packaging must be added to that of the lamp itself.
Psyche lamp...
Category
21st Century and Contemporary Italian American Classical Europe - Sculptures
Materials
Ceramic, Plexiglass
Psyche Touch Lamp, Pompeian Red & Gold
By Massimo Marcomini
Located in Mantova, MN
Inspired by the Classical urns from the frescoes in the Hall of Cupid and Psyche in Mantova’s Palazzo Te, this table lamp will Stand out in any kind of décor, with its Fine ceramic and timelessly elegant shape. The innovative touch technology is activated with the lightest touch on the pedestal: a simple gesture lets you switch and adjust the light in a unique tactile experience. The light source is a 7W LED strip with 3000K, 369 Lumen and 100-240V voltage.
The maiden with the lamp, the beautiful mortal turned by love into the goddess of souls – Psyche lends her name to a sophisticated play of art, myth and design. The light sculpture Psyche draws from the style of Renaissance artist Giulio Romano, revisiting the ancient vase from his joyful, sensual Cupid and Psyche frescoes - and bathing it in the soft glow of the latest LED technology. With an eye to classical myth and a strong personality, Psyche celebrates the passion of beauty through the centuries.
Les First: Light of the Gods
A luminous pantheon reinventing myth in a flow of energy and imagination: light sculptures with a strong and versatile personality, a perfect fit for both classical or Minimalist settings, born to satisfy the senses and pay tribute to a timeless beauty.
The Lamps
1. The idea: Les First – Top Quality Italian Craftsmanship
2. Technological Innovation: The Dimmable Touch Lamp
Technical Information
3. Technical Features
4. Artisanal Production
5. Assembling
6. Packaging and Shipping
7. Maintenance
1. The idea: Les First – Top Quality Italian Craftsmanship
All Les First lamps are inspired by the mythological subjects in the frescoes that Renaissance artist Giulio Romano painted in the halls of Palazzo Te for the Gonzaga lords of Mantua. Distinctive design, blending traditional handmade ceramic from potteries of Venetian tradition with specially created, innovative technology, makes the lamps unique in the field of lighting fixtures.
Les First’s top quality table-lamps are crafted in the regions of Lombardy and Veneto. Carefully handpicked artisan workshops Craft to specification the various components, that are then assembled in the Les First atelier in Mantova.
The finest ceramics and skilled handcraft guarantee top quality together with the uniqueness of artisanal production.
2. Technological Innovation: The Dimmable Touch Lamp
The ceramic sculpture, core of the artistic composition, is enhanced by the innovative lighting cylinder of clear Plexiglas.
The micro-incisions, laser-engraved by CNC machines on the cylinder’s surface, ensure an even distribution of light across the whole pane.
The light is switched and adjusted through an innovative dedicated software, especially created by a technical laboratory in Verona. A microprocessor manages and processes the proximity effect of the user’s hand to control and adjust the light. The system, developed especially for Les First, turns the ceramic sculpture into a dimmable Touch Lamp, whose soft glow can be switched on and off and adjusted simply by touching the lamp’s ceramic base, without a conventional on-off switch.
3. Technical Features:
Weight: 8 kg / 17,64 lb
Power consumption: 7 W (LED)
LIGHT SOURCE AVAILABLE: 1 Led Strip x 7W
Lumen: 369
Colour temperature: 3000 K
Color Rendering Index (CRI): 90
LED panel lifespan: 50 000 hours
Dimmer: Included
Voltage: 24Vdc
Environment: Indoor
Protection Rating: IP 20
Electric insulation class: 3^
Energetic class: A+
Power Supply Technical Data
Supply included: Yes
Supply voltage: input 100-240V, 50-60HZ; Output 24Vdc
Cord Lenght: 100 cm / 39,37 in
Indoor use only.
Psyche touch lamp is CE certified.
4. Artisanal Production
Les First’s ceramic lamps are artisanal pieces, and only a few components are made industrially. Due to the complex and many-staged hand production, each lamp can show individual characters, features unique to the hand-crafting process that must not be viewed as faults. A slight unevenness in the ceramic surface can result from shrinkage during the firing stage, or from characteristic features of the antique molds. Colors may show variations, with a very individual and pleasing effect, due to the firing process of the crystalline glaze, such as the typical and prized “crackle”. In the case of gold and silver metallic coating, slight irregular cracks can occur on the surface, as the precious metals and clay undergo different dilations during the various firing and cooling stages. Pieces from the same batch can show a slightly different appearance. Such varying reactions to the manufacturing process cannot be entirely predicted even by the most experienced potter, and are part of the unique and enduring charm of hand-crafted ceramic.
Each lamp is carefully vetted against out exacting quality standards. Les First holds to the highest quality standards for manual production, as established through centuries of experience in the potteries of Vicenza. The element of imperfection, typical of all hand-made products, is not a fault – but rather the mark of Italy’s ancient handcraft tradition.
5. Assembling
Assembling a Les First lamp from its hand-crafted components requires extremely skilled work, and it is never outsourced: the owner personally assembles each piece with the help of his assistants, making sure that the final result conforms to the chosen quality standard.
6. Packaging and Shipping
All Les First products are carefully hand-packages, with materials specially designed to ensure the stability and protection of the lamps.
The crates are sized to accommodate the lamps and the protective layers of expanded polyethylene and/or high-Expansion foam that ensure the lamps’ protection if correctly handled. These inner layers can vary, according to specific needs.
The weight of the packaging must be added to that of the lamp itself.
Psyche lamp...
Category
21st Century and Contemporary Italian American Classical Europe - Sculptures
Materials
Ceramic, Plexiglass
Roman Style 19th Century Mosaic Fragment on Stand
Located in Wormelow, Herefordshire
This roman style mosaic on stand is a fragment from history. It was reclaimed from a building in the southeast of England and includes a bespoke steel st...
Category
Mid-19th Century English Neoclassical Antique Europe - Sculptures
Materials
Cement, Marble
19th Century Neoclassical Marble Portrait Bust of a Lady by L.A. Goblet
Located in London, GB
A Neoclassical Portrait Bust
By Lewis Alexander Goblet (1764-c.1823)
Possibly exhibited at the Royal Academy in 1821
Carved from Carrara marble, the bust supported on a waiste...
Category
19th Century English Neoclassical Antique Europe - Sculptures
Materials
Marble
After Jean-Baptiste Carpeaux "Woman's Face", Patinated Plaster
By Jean-Baptiste Carpeaux
Located in Saint-Ouen, FR
After Jean-Baptiste CARPEAUX (1827 - 1875). "Woman's face", patinated plaster sculpture
Category
Early 1900s French Neoclassical Antique Europe - Sculptures
Materials
Plaster
Brongniart Children after Houdon by Tharaud Limoges
By Camille Tharaud, Jean-Antoine Houdon
Located in Paris, FR
This pair of Limoges porcelain bisque busts featuring Brongniart children derives from a masterpiece of children's portraiture by Jean-Antoine Houdon (French, 1741-1828): the busts of Louise (1772-1845) and her brother Alexandre (1770-1847), children of the famous architect Alexandre-Théodore Brongniart. Crafted of terracotta, Houdon's busts were presented at the Salon of 1777. Very popular, the two busts were reproduced in bisque, terracotta, marble and bronze. They were acquired at the end of the 19th century by the Louvre Museum.
Our Limoges busts...
Category
Early 20th Century French Neoclassical Europe - Sculptures
Materials
Porcelain
Set of Four Large Academic Style Torchères Emblematic of the Continents
By Miroy Frères, Mathurin Moreau
Located in London, GB
Set of four large Academic style torchères emblematic of the continents
French, late 19th Century
Height: 228cm, diameter 50cm
Torchères alone: Height 197cm, diameter 34cm
Bases alone: Height 31cm, diameter 50cm
The four large torchères in this set are designed in the manner of Mathurin Moreau, one of the leading Academic sculptors of the nineteenth century. The patinated metal sculptures were cast by Miroy Frères...
Category
Late 19th Century French Neoclassical Antique Europe - Sculptures
Materials
Marble, Metal, Ormolu
Sculpture of Psyche Revived by Cupid's Kiss
Located in Manchester, GB
A sculpture of Psyche Revived by Cupid's kiss. After Canova. Beautifully carved in fine statuary marble.
Late 19th century.
Category
19th Century Italian Neoclassical Antique Europe - Sculptures
Materials
Marble
Classical Late 19th Century Marble Statue of a Reclining Nude
Located in Brighton, Sussex
A fine quality late 19th century French marble statue of a classical female nude reclining on a tigers skin and bronze daybed.
Signed: G Gomlags.
Category
Late 19th Century French Neoclassical Antique Europe - Sculptures
Materials
Carrara Marble, Bronze
Mythological Figure Bronze
Located in Madrid, ES
A circular base slightly elevates the bronze figure. The man, already of a certain age (as can be deduced from his bushy beard), is standing, dressed in a cloth around his waist, wea...
Category
20th Century European Neoclassical Europe - Sculptures
Materials
Bronze
Set of Four Spelter Plaques by Ferdinand Barbedienne
By Ferdinand Barbedienne
Located in London, GB
Set of four spelter plaques by Ferdinand Barbedienne
French, late 19th century
Measures: Height 45cm, width 12cm, depth 0.5 cm
This set of four pla...
Category
Late 19th Century French Neoclassical Antique Europe - Sculptures
Materials
Spelter
Gustafsberg / Gustavsberg, Sweden, Angel in Biscuit, Dated 1930
Located in Copenhagen, DK
Gustafsberg / Gustavsberg, Sweden. Angel in biscuit. Dated 1930.
Measures: 21.5 x 17 cm.
In excellent condition.
Stamped.
Category
1930s Danish Neoclassical Vintage Europe - Sculptures
Materials
Ceramic
19th Century Italian Venetian Neoclassical White Figural Centerpiece Dwarfs
By Este Ceramiche
Located in Milan, IT
A charming and very decorative Italian white ceramic figurative circular centerpiece depicting a group of dwarfs around a palm tree, in a toasting festive attitude. This Italian anti...
Category
Early 19th Century Italian Neoclassical Antique Europe - Sculptures
Materials
Ceramic
French Gilt Metal Sculpture on Neoclassical Pedestal by Ernest Rancoulet
By Rancoulet
Located in London, GB
French gilt metal sculpture on Neoclassical pedestal by Ernest Rancoulet
French, early 20th century
Measures: Height 165cm, width 34cm, depth 34cm
This fine sculpture group is b...
Category
Early 20th Century French Neoclassical Europe - Sculptures
Materials
Metal, Bronze
19th Century Biscuit Statuette Young Woman with Flowers
Located in Paris, FR
19th century biscuit porcelain figurine featuring a young woman holding a bunch of flowers in her skirt. This figurine is representative of ...
Category
19th Century French Neoclassical Antique Europe - Sculptures
Materials
Porcelain
Pair of Children, Polychromed Pine Wood, Spain, 18th Century and Later
Located in Madrid, ES
Couple of children. Polychrome pine wood, Century XVIII.
Pair of polychrome pine wood carvings that represent two children in an attitude of playing a musical wind instrument, both seated, with their hands towards their faces, and slightly raising one leg to add some movement to a posture that, otherwise, it would be perhaps too static. Due to their postures and attitudes, they would be part of a large and quality altarpiece, judging by the size, the details, the hair, the proportions, etc., elements in which the musical angels were not something strange. Note that those present do not have wings, calling themselves in these cases "putti" and being, in the same way, figures of habitual presence in religious environments despite having emerged from Renaissance classicism and its sources from Antiquity. The proportions of the sizes, the anatomy, the symmetry, the certain plasticism of the hair, etc. are elements that speak of an influence of Neoclassicism in these sculptures. Likewise, a certain resemblance to works from the 18th century of the Castilian school can be appreciated."
Size: 22 x 42 x 85 cms / c/peanas 37 x 37 x 180 cm. Weight is merely orientative. Bases and wooden instruments...
Category
18th Century Spanish Neoclassical Antique Europe - Sculptures
Materials
Other
20th Century Italian Smiling Girl White Marble Bust Sculpture by Bossi Aurelio
By Aurelio Bossi
Located in Milan, IT
A 20th Century Italian white marble bust of a smiling girl, a carved Carrara marble figural sculpture, signed on the base by the Italian artist Aurelio Bossi, 1884-1948, whose sculptures are displayed at Pinacoteca di Brera in Milan, whereas at the Duomo Milan Cathedral there is his Statue of Cardinal Borromeo, while two busts adorn the facade of the chapel of the Niguarda Hospital.
This antique female...
Category
Early 20th Century Italian Neoclassical Europe - Sculptures
Materials
Carrara Marble, Stone
Pair of Large Royal Dux Water Carriers
By Royal Dux
Located in Brighton, Sussex
A large and impressive pair of Royal Dux neoclassical figures of water carriers.
Category
Early 1900s Czech Neoclassical Antique Europe - Sculptures
Materials
Pottery
Antique Patinated Bronze Sculpture of Diana by Ferdinand Barbedienne
By Ferdinand Barbedienne
Located in London, GB
Antique Patinated Bronze Sculpture of Diana by Ferdinand Barbedienne
French, late 19th Century
Dimensions: Height 60cm, width 22cm, depth 22cm
This...
Category
Late 19th Century French Neoclassical Antique Europe - Sculptures
Materials
Bronze
Pair of Silver Gilt Bronze French Tazzas with Tortoiseshell, 19th Century
Located in Southall, GB
This fine pair of French, silver, allegorical tazzas are tortoiseshelled. They include detailed wreaths on the walls of the base. A finely dressed woman holds each dish proudly above...
Category
19th Century French Neoclassical Antique Europe - Sculptures
Materials
Silver
Bronze of Meleager, Early 19th Century
Located in Greding, DE
Gilt bronze of the Aetolian hero Meleager/Meleagros standing on a square marble plinth with a black round stone base. The cloak, strongly moved by the wind, wraps around his arm, in ...
Category
Early 19th Century European Neoclassical Antique Europe - Sculptures
Materials
Bronze
Heinrich Max Imhof, Hagar and Ishmael, 1849
Located in Greding, DE
Inscription on the foot: "HEINRICH IMHOF FEC ROMA 1849".
Category
1840s Italian Neoclassical Antique Europe - Sculptures
Materials
Marble
Golden Pheasant Polychrome Bronze Vienna, 19th Century
Located in Madrid, ES
Golden pheasant polychrome bronze Vienna, 19th century
Polychrome bronze figure showing a golden male pheasant perched. A bird native to Asia, it was ...
Category
19th Century Austrian Neoclassical Antique Europe - Sculptures
Materials
Bronze
Antique Neoclassical Statuary Marble Statue
Located in Tyrone, Northern Ireland
A beautifully carved antique statuary Carrara marble statue of Adonis. The male figure is depicted in the nude leaning against a tree.
Adonis was the mortal lover of the goddess Aph...
Category
Late 19th Century Italian Neoclassical Antique Europe - Sculptures
Materials
Carrara Marble
Classical Antique Bronze Statue of a Young Maiden Reading a Book
By Paul Duboy
Located in Brighton, Sussex
A good quality 19th century bronze statue of a young maiden reading a book. Signed; Paul Duboy
Paul Duboy (French, 1830-1887), a bronze figure Cast in the form of a semi naked class...
Category
19th Century French Neoclassical Antique Europe - Sculptures
Materials
Bronze
Bronze Group of Children Playing with a Lioness, by Victor Paillard
By Victor Paillard
Located in Brighton, Sussex
A fine quality 19th century bronze group, depicting three children playing with a Lioness. Measures: 14"(35cm)
Signed: Victor Paillard
Victor Paillard was one of the most highly ...
Category
19th Century French Neoclassical Antique Europe - Sculptures
Materials
Bronze
Cupid, Bronze, Marble
Located in Madrid, ES
Lost wax casting. Marble base.
The god of love is distinguished from classical mythology by the quiver of arrows on its back and by the wings that are butterfly instead of feathered...
Category
20th Century European Neoclassical Europe - Sculptures
Materials
Marble, Bronze
Polychromed terracotta pair of Angels
Located in Vulpellac, Girona
19th Century polychromed terracotta pair of Angels. The pedestals shown in the photos are not included.
Measurements:
Angels figure: 69 cm (23,6...
Category
Early 19th Century Spanish Neoclassical Antique Europe - Sculptures
Materials
Terracotta, Wood
Psyche Revived by Cupid’s Kiss Sculpture
By Antonio Canova
Located in Tyrone, Northern Ireland
Psyche revived by Cupid’s kiss. After Canova. Beautifully carved in fine statuary marble.
The winged young man who has just landed on a rock where a ...
Category
Mid-19th Century Italian Neoclassical Antique Europe - Sculptures
Materials
Statuary Marble
18th Century Frame with a Marble Profile Portraits Vespesian Roman Emperor
Located in Firenze, IT
SHIPPING POLICY:
No additional costs will be added to this order.
Shipping costs will be totally covered by the seller (customs duties included).
In terracotta with black marble medallion centered by a white marble profile...
Category
1780s Italian Neoclassical Antique Europe - Sculptures
Materials
Marble
Pair of Porcelain Allegorical Figures by Aelteste Volkstedter Pozellanfabrik
By Aelteste Volkstedter Porzellanmanufaktur
Located in Barntrup, DE
A pair of porcelain allegorical figures of neoclassical style ladies, on scroll-molded bases by Aelteste Volkstedter Porzellanfabrik Triebner & Co....
Category
Late 19th Century German Neoclassical Antique Europe - Sculptures
Materials
Porcelain
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