Georgia - Nude Paintings

Anthony Palliser was born in 1949 of an English father and a Belgian mother. He studied at Downside school and graduated from New College Oxford. In 1...

Marshall Jones is a realist painter born in Atlanta Georgia, and presently working and living in New York City. From 2008 to 2015 Marshall was the recip...

Original Mid-Century oil on canvas composition by American Artist Edith E. Ferullo (1928 - 2008). The painting features a thick textured abstract nude subject. The brutalist artwork ...

Charming woman nude pencil study by Russian-French painter Alexandre Pavlovitch Chemetoff (or Chemetov,) also known as Chem (1891 - 1981). It is a striking representation in which on...

This superb oil on canvas painting of a nude study is dated 1970 and signed lower left. We have not been able to decipher the artist's signature (please check the pictures for inform...

Stunning woman nude pencil study by Russian painter G. Debotoiyche (20th Century). The representation is very modernistic, with only a few lines drawn to render the whole movement an...

This pastel painting by Catherine Bres-Rhocanges (1947 -) is titled "Group of Bathers" and signed on the bottom right corner "Bres-Rhocanges." Catherine Bres-Rhocanges paints women w...

This lovely pastel painting on paper by John Alfred Begg (1903 - 1974) is a striking cubist nude study in blue, purple, and orange-rust colors with contrasting black lines. The artwork is signed in the bottom right corner. Provenance: From the estate of the artist. Newly reframed in an elegant deep-textured wood frame with orange, black, and gilded colors, original beige jute matte, and glass protection. Measurements: With frame: 17.13 in wide (43.5 cm) x 24.41 in high (62 cm). Opening view: 6.50 in wide (16.5 cm) x 12.44 in (31.5 cm). About: John Alfred Begg was born in New Smyrna Beach...

John Alfred Begg (1903 - 1974) designed this brutalist pastel painting on paper. The striking cubist nude study design boasts green, orange, and rust colors with contrasting black lines. No signature is visible on the front, but the piece can be signed at the back, like many of the artist's works. Provenance: From the estate of the artist. Newly reframed in an elegant deep-textured wood frame with orange, black, and gilded colors, original beige jute matte, and glass protection. Measurements: With frame: 17.32 in wide (44 cm) x 23.03 in high (58.5 cm). Opening view: 9.45 in wide (24 cm) x 13.19 in (33.5 cm). Note: John Alfred Begg was born in New Smyrna Beach...

This black pencil on paper is a study of a nude standing female, designed by Marie Louise Simard (1886-1963). The hand-written signature is on the bottom left corner with the officia...

This charming oil painting on marouflé canvas was designed by Robert Roujas (1908-2000). This romantic composition presents a study of a reclining nude seen from behind in a weary po...

This charming pastel painting on paper was designed by Pio Santini (1908-1986) and named: nude with lace. The artist's signature, Santini, can be found in the bottom left corner of the artwork. Lovely romantic composition with a nude young lady kneeling and holding a piece of white lace. Flamboyant magenta red drape background. The painting remains in its original frame, which features delicately carved wood, a gesso finish, an off-white wood liner, and glass protection. The piece is in good condition but has a dark stain and some small chips on the edges of the original wood frame. Measurements: With frame: 22.75 in. wide (58 cm) x 26 in. high (66 cm) Opening view: 14.50 in. wide (36.5 cm) x 17.75 in. (45 cm). Artist Biography: Pio Santini (1908-1986) Pio Santini was born on April 17, 1908, close to Rome, in Tivoli, Italy. He showed a precocious and pronounced artistic taste and gifts, to begin with, drawing and painting. From his childhood drawings, as early as 5 or 6 years old, he was gifted and had a technique above the average. As early as 1933, Pio Santini moved to Paris, in the Montparnasse district, also known as The Artists Area, where he settled in his first Parisian studio. He is recognized as a member of the Academy of Paris, a significant art movement in the first half of the 20th century, alongside Amedeo Modigliani and other Italian artists. While attending the classes of the Estienne School for further training in plastic art, Pio Santini started to attract attention in various Parisian Salons (particularly the Winter Salon, the Independents Salon, and the French Artists Salon) and to find a place in the Parisian universe of painting, as is shown in the press of the time. The Second World War, which pitted his country of birth against his adopted nation, created conflicting emotions in him. During this time, the concept of a united and reconciled Europe took root in his mind. In a way, he played a part in the resuming cultural exchanges between France and Italy by founding the association The Romans in Paris after the war, and especially by creating and animating the Villa D’Este Prize for about ten years, rewarding each year a French artist or writer by offering, a one month stay at the Villa, in Tivoli. Later, the Montparnasse Prize would reward Italian artists in Paris, in the same way. While devoting himself to painting, he worked as an art illustrator for edition and press and left us a rich but unrecognized work from this period. In the early 1960s, Pio Santini decided, imperiously and bravely, to live on his painting. A member of the Society of Independent Artists since 1934, he then actively participated in numerous collective exhibitions in France and abroad. He regularly exhibited in Parisian Salons, most of which he was a member: the Independents Salon, the Autumn Salon, the Winter Salon, the National Salon of the Fine Arts, and the Comparison Salon. A regular participant in the prestigious Salon des Artistes Français, he was often rewarded: Great Price of the Salon in 1970, then in 1974, a gold medal in 1971, and Prize-winner of the Ernest Marché Prize in 1974. Pio Santini lived his last years in his house in Garches, near Paris. He worked there until the last moment and died of illness at the age of 78. Keeping himself a part of the avant-garde of contemporary art, Pio Santini developed a personal work of formal coherence very steadily. He is a two-time artist, one of the beginnings of his career, the Thirties, and the other one, his rebirth, the Sixties, when the artist can again devote himself to painting. Between these two periods, the Second World War badly hit the pictorial growth of Pio Santini. However, everything had started under the best auspices for the young painter whose desire to devote himself to painting is evident in his self-portrait of 1928 as a manifesto. In the 1930s, following the revolutions of cubism, abstraction, and surrealism, figurative and sensual...

French artist Georges Lucien Guyot (1885 - 1972) signed this charming woman nude study. This painting features a lovely design of a woman getting out of the bath and wiping with a towel. Only a few lines in charcoal and red chalk or sanguine mark the silhouette and posture and capture the model's expression. The red color emphasizes the color of the skin and imbues the lascivious movement. The sketches of the bath towel are only suggested, but it gives the whole thing a lot of softness and an incredible illusion of movement. Signed on the bottom left corner: Georges Lucien Guyot. The artist used a technique named "sanguine," or red chalk or crayon. The drawing has a blood-red, reddish, or flesh coloration. It has been popular for centuries for drawing employed by 15th and 16th Century artists such as the great masters like Leonardo da Vinci, Michelangelo, and Raphael. The drawing is ornate with a contemporary wood frame with a red and yellow deep-textured pattern and an off-white matte with acrylic glass protection. Measurements: With Frame: 20.87 in. wide (53 cm) x 28.35 in. high (72 cm) x 1 in. deep (2.5 cm). View alone: 11.44 in. wide (29 cm) x 18.94 in. high (48 cm). About: Georges Lucien Guyot (born December 10, 1885, in Paris, where he died December 31, 1972) is a French artist, sculptor, and painter. From an early age, Georges Guyot showed artistic abilities, but the modest conditions of his parents did not allow him to study art. So he did his apprenticeship with a wood sculptor. Guyot excelled in copying works from the 15th, 16th, and 17th Centuries but rapidly showed an attraction for nature. This attraction led him to the Jardin des Plantes in Paris, where he could study wild animals and translate his observations into sculptures and paintings. A familiar figure of Montmartre, Georges Guyot was the guest of the Bateau-Lavoir from the time of Cubism. In 1931, he joined the group of Twelve, created by François Pompon and Jane Poupelet...

Interesting ink-wash nude woman study by French painter Robert Cami (1900-1975). In between drawing and painting, the Lavis process consists of the use of a pigment diluted in the wa...

Elegant pastel painting on paper by John Alfred Begg (1903 - 1974). This piece features a striking cubist nude study in blue-gray color with contrasting black lines. There is no visible signature. Provenance: From the estate of the artist. Newly reframed in an elegant blue-silver textured wood frame with black matte and acrylic glass protection. Measurements: With frame: 15 in. wide (38 cm) x 19.69 in. high (50 cm). Opening view: 7.32 in. wide (18.5 cm) x 12 in. (30.5 cm). (The last two pictures show the piece of art before framing). Biography: John Alfred Begg was born in New Smyrna Beach, Florida, on June 23, 1903. He studied art at Columbia University (BS), with Arthur Wesley Dow, with Charles Martin, and studied sculpture with Jose De Creeft and Ossip Zadkine. He was a member of the American Institute of Graphic Arts, the Typophiles, and the Yonkers Art Association (chairman from 1972-1973). He worked as an art editor and book designer at the American Book Company, New York, 1932-1937, as Art Director at Oxford University Press, New York, 1939-1968, and as vice-president from 1960-1968, as an art director at Art In America 1957-1959 where he won the Readerscope Award in 1945 for a bronze work. He also taught art and lectured on basic design at New York University from 1950 to 1958. He exhibited at the Brooklyn Museum 1935, 1937; at the Wakefield Gallery 1942, 1943, 1945; the Nierendorf Gallery 1945; at the Buchholz Gallery 1943, 1945; at the Whitney Museum of American Art 1945, 1950; at the Worcester Art Museum 1948; and at the Hudson River Museum...

Born in 1961, Alexej Ravski exhibits in France, Germany, Belgium, The Netherlands, the United States, Belarus and his native Russia. Alexej’s painting i...

This painting is in excellent condition and has only been shown in a gallery setting. The board dimensions measure approximately 32" x 26", with frame it measures approximately 40" ...

Marshall Jones is a realist painter born in Atlanta Georgia, and presently working and living in New York City. From 2008 to 2015 Marshall was the recip...

Argentine painter. He was born in Buenos Aires on February 21, 1915. He studied at the National School of Fine Arts and then, for two years, at the Argentine Institute of Graphic Arts, guided by the painter Lino Spilimbergo. He exhibited for the first time in 1939 as a member of the Orión Group. Starting in 1946 he exhibited individually and in various salons, obtaining numerous rewards, among them: ?? Enrique Cabré Moré ?? Painting Prize; First Prize National Hall of Bahía Blanca; Second Prize for Drawing XXXVII Annual Salon of Watercolorists; ?? Raúl Castellví ?? Painting Prize, XXVI Annual Salon of Santa Fe; Acquisition Prize First Salon of La Rioja, and First Prize of Drawing Salon de Acuarelistas. In 1959 he won the Grand Prize at the National Hall, the Mar del Plata Hall and the Municipal Hall. In 1963 the National Academy of Fine Arts awarded him the Dr. Augusto Palanza Prize. In 1950-51, he visited Spain, France, Italy, and England; in 1955-56 he traveled to the US and in 1966-67 he traveled to Spain, Portugal, France and Belgium. In 1967 he was invited to the Sacred Art Show at the Museum of Modern Art in Paris and presented a retrospective exhibition at The Gallery of Modern Art and The Huntington Hartford...

Originally painted for Louis XV's mistress Madame de Pompadour, this sensuous work of voluptuous bathing nudes is a copy of Boucher's "The Four Seasons...

Argentine painter. He was born in Buenos Aires on February 21, 1915. He studied at the National School of Fine Arts and then, for two years, at the Argentine Institute of Graphic Arts, guided by the painter Lino Spilimbergo. He exhibited for the first time in 1939 as a member of the Orión Group. Starting in 1946 he exhibited individually and in various salons, obtaining numerous rewards, among them: ?? Enrique Cabré Moré ?? Painting Prize; First Prize National Hall of Bahía Blanca; Second Prize for Drawing XXXVII Annual Salon of Watercolorists; ?? Raúl Castellví ?? Painting Prize, XXVI Annual Salon of Santa Fe; Acquisition Prize First Salon of La Rioja, and First Prize of Drawing Salon de Acuarelistas. In 1959 he won the Grand Prize at the National Hall, the Mar del Plata Hall and the Municipal Hall. In 1963 the National Academy of Fine Arts awarded him the Dr. Augusto Palanza Prize. In 1950-51, he visited Spain, France, Italy, and England; in 1955-56 he traveled to the US and in 1966-67 he traveled to Spain, Portugal, France and Belgium. In 1967 he was invited to the Sacred Art Show at the Museum of Modern Art in Paris and presented a retrospective exhibition at The Gallery of Modern Art and The Huntington Hartford...

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has be...

"Floral #7" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of vibrant lilac, rich purple, bright green, yellow ochre, and blue. ...

"Flora #2" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of bright yellow, lime green, pink, blue and purple. Guy Robinson is i...

"Flora" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of dark blue, bright yellow, lime green, pink, orange, and yellow ochre. ...

"Flora #14" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of blue, black, green, white and yellow. Guy Robinson is inspired by ...

"Floral #7" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of bright yellow, lime green, pale pink, supple pink light blue, and ...

"Flora #13" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of purple, pink, orange, blue and white. Guy Robinson is inspired by ...

"Flora #3" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of bright yellow, lime green, pale pink, light blue and yellow ochre. ...

"Flora #5" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of bright yellow, lime green, pale pink, light blue and yellow ochre. ...

"Flora #10" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of purple, magenta, blue, and orange. Guy Robinson is inspired by the...

"Flora #12" is one in a series of surreal paintings of the female figure featuring intricate patterning and hues of blue, pink, orange, green and white. Guy Robinson is inspired by t...