Italy - Art

Image dimensions: 38.4 x 26.6 cm. Editions of 120 units and some Artist's proofs. Published in the Portfolio "Bettino Craxi 1989". Signed and numbered in the bottom with pen, it i...

Image dimensions: 28 x 26 cm. The Tricolor Cockade is an original lithograph on paper realized by the Italian politician Bettino Craxi in 1989.  Original lithograph on paper.  Fra...

Image dimensions: 17 x 47 cm. Radicofani is an original contemporary artwork realized by Bettino Craxi in the first years of the 1980s.  Original Etching on cardboard.  Hand-sign...

Giuseppe Minoretti (Erba, Como - 1938) L.O.F.L.Q. composition. Acrylic on Canvas 1983 Size: 30x30 cm - thickness 3 cm (52 x 52 x 6.5 including frame) Invisible glass Giuseppe Minor...

Tribal Colors is an original colored serigraph realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the lower left. Edition...

Don Quixote's Mill is a colored etching on paper, realized by the Italian artist Plinio Mesciulam in the 1980s. The artwork is hand-signed in pencil on the lower right. Artist's pr...

Berber Woman is a beautiful colored lithograph on paper, realized in 1988 by the Yugoslav artist, Jovan Vulic (1951). This contemporary artwork is ...

Horizontal Structure on Green is an original artwork realized by Carmelo Cappello in 1986. Colored serigraph on paper. The print is hand-signed and dated in pencil on the lower rig...

Da Non Cacciare (Not to be Hunted) is an original colored lithograph realized by Antonio Fomez between 1950 and 1974. Hand-signed in pencil on the lower right. Artist's proof (handw...

Green Shapes is an original colored screen print realized by Renato Barisani in 1983. Hand-signed and dated in pencil on the lower right. Numbered in pencil on the lower left. Editi...

Image dimensions: 35x24.5 cm. Woman is an original black and white lithograph realized by Oscar Pelosi during the 1980s. The artwork is hand-signed in pencil by the artist on the l...

Defence of Nature is an original b/w photograph representing the indoor of the Marino Gallery (in Mignanelli Square, Rome) where Joseph Beuys' exhibition was held. This photo was ver...

Italian painting from the second half of the 20th century. Mixed media framework on canvas (glued on panel) depicting a surrealist subject Crucifixion of good pictorial quality. Pain...

Exhibited in Almach Art Gallery Milano during 2023 Hand-signed by artist, Certificate of authenticity Included (issued by authorized authenticating body. Acrylic on canvas Image r...

Cascina Riazzolo, Ref. 401 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame bec...

Alighiero Boetti (Turin 1940 - Rome 1994), Independent Thoughts (1985) Collage, pencil and pastel on paper 76 x 57 cm signed lower center. The work appears to be archived at the Al...

Venezia, Calle dei Preti, 1984, rif. 540 Platemark mm 64.2x24.4 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical ret...

Venezia, part of the portfolio of the 39 venice views. Calle delle Terese, 1984, rif. 546 Platemark mm 48.9x34.6. Original etching, signed and numbered. Limited edition of 90. The e...

Italian painting from the second half of the 20th century. Mixed media artwork on canvas depicting a surreal subject, masked characters, signed lower right S. Carpini. Painting by st...

Venezia, I Tetti (roofs), platemark mm 593 x 392. Rif. 541 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrosp...

Alighiero Boetti (Turin 1940 - Rome 1994), Untitled (1985) Collage, pencil and pastel on paper 76 x 57 cm signed lower center. The work appears to be archived at the Alighiero Boet...

Le alabarde, Ref. 499 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame because she was able to interpret views, as Milan and Venice, landscapes and architecture with a poetic and original eye. Moreover she had the foresight to portray the beauty of the great Italian trees with a cycle of sixty different platemarks. In 2021, Milan named a new street after her. Her etchings are in prestigious museums in Europe and America, as well as in many private collections. Her work is protected by a foundation with her name, based in Milan. The etching was exhibited last year in the critical retrospective that the city of Milan promoted and set up to mark the tenth anniversary of her death. Milan's municipality has named a new street to her for the occasion. The many international and accredited critics who have lingered to appreciate Galli's etchings remark on her ability to combine poetry, architectural precision and interpretative originality. Federica Galli has always been able to take a fresh look at all the landscapes and architecture on which she has cast her gaze. NMWA (National Museum of Women in Arts) in Washington conserved the complete Venezia portfolio. Also, her oeuvres are in significant Italian museum collections such as the Pinacoteca Ambrosiana, (the same museum where Leonardo's Codex is conserved) and Museo of Castello Sforzesco, both in Milan; di Milano, Ala Ponzone in Cremona. Federica Galli's Biography Proudly present into Google art and Culture A prominent figure in the art of engraving in Italy, Federica Galli was born in 1932 in Soresina - a village just outside Cremona- in the north of the country. Straight after the war, in 1946, she convinced her parents to enrol her at the Artistic Lyceum in Milan. In 1950, she attended the Academy of Fine Arts of Brera, from where she graduated four years later with a diploma in painting. She began engraving in 1954 - "Il paese dell'Alberta"- experimenting with etching, a technique she never abandoned for the rest of her life. In 1966 she married the journalist Giovanni Raimondi – editor-in-chief of the Corriere della Sera. During that time she began to embark on a densely packed programme of cultural trips that took her to the most important European cities and to countries where the art of engraving is less deeply rooted. These were also the year in which she matured the conviction that engraving was the technique in which she expressed herself most effectively and started to apply herself exclusively to this art form, producing over eight hundred different subjects. Starting from her early personal exhibitions – the first one took place in 1960 in Milan – she met with the favour of the public and critics alike. In the space of a few years, she could count on the support of some of the most authoritative critics of her time: Franco Russoli, Mario de Micheli, Giovanni Testori – who was to follow her closely until he died - Mina Gregori, Gian Alberto dell'Acqua, Roberto Tassi, Renzo Zorzi, Carlo Bo, Daniel Berger (Metropolitan Museum of New York), Gina Lagorio, Giuseppe and Francesco Frangi, Marco Fragonara, Giorgio Soavi and David Landau (Oxford University). She obtained the most prestigious institutional acknowledgements given to any contemporary artist: she was the first living artist to be invited to exhibit at the Fondazione Cini in Venice - 1987 with a collection dedicated to the lagoon city - ; at the Civic Museum of Palazzo Te in Mantua - 1987 -; at the Castello Sforzesco in Milan - 1988 - ; in the Imperial Archive of the Forbid-den City, Wag Fung gallery, - 1995 -. Collectors of her works include people of culture from Italy and elsewhere, individuals are known for their cultivated passion for the graphic arts, comprising – just to mention some of the most famous: Dino Buzzati...

Venezia, Ponte di Rialto, 1987 Platemark mm 489 x 488 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospectiv...

Paolo Minoli (1942-2004) Archipainting 1988 Acrylic paints on canvas Size 60x60 cm - thickness 3 cm Bibliography: Pirovano, Paolo Minoli, General Catalog, volume 2, 1959-1979 Paolo Minoli was born in 1942 in Cantù (Como). He attended, at a very young age, the home of painter Enrico Sottili and, as a student, the studio of sculptor Gaetano Negri. He graduated "Master of Art" in 1961 from the State Art Institute of Cantù, where he taught from 1964 to 1978. Participated in 1968 in the national exhibition for young painters of the "San Fedele" prize in Milan. In 1969 he was featured in the exhibition "Urban Field. Aesthetic Interventions in the Urban Dimension," organized in Como, with a collective intervention on the theme "Signal Color." From 1977 to 1978 he was part of the research group "The Systematic Questioning" with Nato Frascà and Antonio Scaccabarozzi. Since 1979, at the Brera Academy of Fine Arts in Milan, he has taught the special course in "Chromatology" and collaborated, as a consultant, with companies for the application of chromatic solutions in industrial production. He was artistic director of the art series published by the "RS" editions in Como (1975-1986) and, from 1986 to 1989, of the "On Color" silkscreen printing workshop in Cantù, in collaboration with various artists, including Mario Radice, Carla Badiali...

Venezia, Canal Grande ref. 549 Etching inches 23,19 x 31,26 - mm 589x794 A prominent figure of the art of engraving in Italy, Federica Galli was born in 1932 in Soresina – a vill...

Venezia, Calle San Raffaele (Raphael) Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical retrospective that the city o...

Giuseppe Minoretti (Erba, Como - 1938) L.O.F.Q. composition. Acrylic on Canvas 1983 Size: 30x30 cm - thickness 3 cm (52 x 52 x 6.5 including frame) Invisible glass Giuseppe Minoret...

This is a very rare litograph made by Salvador Aulestia. Only 15 were printed and signed by the artist. Particularly unique is a second partial signature on the upper side of the pap...

Salvador Aulestia produce an important exhibition dedicated to the music composer Giuseppe Verdi. The exhibition was in tour in several important locati...

color serigraphy on Fabriano paper , edited in 1983 Limited Edition of 99 copies Hand signed in pencil by artist lower right and numbered EA ( artist proof ) lower left Paper size: 5...

In this lithograph we can find several fundamental stylistic points of the work of the maestro Salvador Aulestia. The subject of the Christ is presented in figure, but accompanied by...

The Christ was a recurring image in Salvador Aulestia's artistic path. This is a particular two color litograph in a vertical format that was attached to a bigger red cardboard to fi...

XIV Olympic Winter games  is a vintage poster realized by the artist Gabrijel Stupika, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good condition. Gabri...

Untitled (Capricci Series) is a mixed colored artwork realized by the contemporary Italian artist Pier Paolo Calzolari in 1982. Oil and tempera on board. Photo-certificate by Fonda...