Lithuania - Ceramics

Incenso set An extraordinary addition to a contemporary decor for a stunning visual allure, this set of two incense holders features a raw, porous shape deftly handcrafted following the Japanese technique of naked Raku ceramic firing...

All handcrafted and cool looking antique stand (with marks underneath). If you are looking for something special to decorate your entrance, hallway, living room, kitchen, bathroom o...

- Handbuilt ceramic coat hook - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co...

A rare Meissen Marcolini Porcelain Chinoiserie incense burner vase and cover, made for the Chinese market, circa 1800, blue cross swords and star mark, Pressnummer 58 A Museum Quality Piece. Painted in the sought after famille rose palette with sprigs of indianische Blumen and enriched in gilding, the simulated pierced body supported by four feet painted with stylized dragons, the pierced cover with a Buddhist lion finial. 10" high x 6" wide x 6" deep The shape of this piece, which appears to be unrecorded in the literature, is inspired by similar Chinese porcelain censers from the Qing Dynasty, Kangxi Period (1654-1722). An example in the Palace Museum, Beijing, is illustrated by Li Yi-hua in Qing Porcelain of Kangxi, Yongzheng and Qianlong Periods from the Palace Museum Collection, Hong Kong, 1989, pl. 65. Another in the British Museum, London (museum no. PDF, A.812) is catalogued as a perfume-holder. These porcelain examples are in turn inspired by ancient Chinese bronzes from both the Shang (1600-1046 BC) and the Zhou (1046-246 BCE) dynasties, an example of which was sold anonymously by Christie's New York, 22 March 2019, lot 1601. This chain of inspiration tracking backwards from the 19th century to antiquity provides a clear example of how ceramics, and indeed other mediums, are able to influence and motivate the works of later generations. For a Meissen porcelain snuff...

An extraordinary addition to a contemporary decor for a stunning visual allure, this incense holder features a raw, porous shape deftly handcrafted and fire with the Raku Japanese...

Handbuilt organic modern moon vase made from a groggy clay body covered layers of glossy and matte white glaze, and a heavily textured lava glaze. Each vase is made by hand in our Br...

Fortunée Noël, a graduate of the Bezalel Academy of Arts and Design in Jerusalem in 2003, is a Franco-Israeli artist. Originally from the south of France, a native of Nice, she repre...

Tall West German Orange lava ceramic vase. In original condition with visible wear consistent with its age and use. Regarded as the golden age of ceramics, highly collectable 1950s-1...

Glazed Ceramic Vessel by Alexandre Kostanda. Stamped and signed on the bottom. France, circa 1960.

Hand painted ceramic pitcher by Giovanni DeSimone. Italy, circa. 1970's. Signed on base. 6.75 inches high. 6.5 inches wide. 4 inches deep.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Particular and original German ceramic vase colored with a beautiful shade of red and a dark and vivid black; it has a simple shape but at the same time innovative and modernist; the beautiful and bright colors are balanced and proportioned respecting a minimalist design; the glazing of the vase was obtained by first laying down one color, proceeding to fix it by firing it in the kiln, then the same procedure was carried out for the other color; on the bottom is the mark "W. Germany"; it was produced between 1968 and 1971 in a craft workshop in the city of Dresden (then in East Germany), an important center for the production of porcelain and ceramics. "Fat lava" is the name given to a certain style of East German art...

A unique wabi sabi incense holder made of lava stone, designed by Maximilian Jencquel, a Venezuelan-born, German-French architect. Jencquel brings a rich tapestry of cultural and pr...