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Maine - Animal Prints

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Item Ships From: Maine
RAM - PROFILE
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. RAM. Tahir 86. Woodcut., 1969. Trial Proof aside from the Edition of 100. Signed, Titled, dated and inscrbed :Trial Proof, all in pencil. 21 x 4 3/4 (image),24 ...
Category

1960s Maine - Animal Prints

Materials

Woodcut

Hommage a Manolete
By Óscar Domínguez
Located in Wiscasett, ME
OSCAR DOMINGUEZ 1906-1957 Hommage a Manolete, 1955 This is an original and signed and numbered lithograph in colors on BFK Rives vellum paper. Thi...
Category

1950s Surrealist Maine - Animal Prints

Materials

Lithograph

L'Ecuyere
By Massimo Campigli, 1895-1971
Located in Wiscasett, ME
MASSIMO CAMPIGLI 1895-1971 Florenz 1895-1971 St. Tropez (Italian) Title: L'Ecuyere, 1954 Technique: Original Hand Signed and Dated Lithograph in Colours on BFK Rives Wove Paper Th...
Category

1950s Futurist Maine - Animal Prints

Materials

Lithograph

NOAH'S ARK
By Mervin Jules
Located in Portland, ME
Jules, Mervyn (American 1912-1994). NOAH'S ARK. Color screenprint, not dated, but mid-20th Century. Signed in the matrix and in pencil in the margin, and also, with Jules's copyright...
Category

Mid-20th Century Maine - Animal Prints

Materials

Screen

SEEING NEW YORK
By John Sloan
Located in Portland, ME
Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all in pencil. Edition of 100, of which only 85 were printed. The image is of live ch...
Category

1910s Maine - Animal Prints

Materials

Etching

BROWN TROUT
By Neil Welliver
Located in Portland, ME
Welliver, Neil. BROWN TROUT. Etching and aquatint, 1978. Edition of 50. Signed and numbered 16/50, and signed in pencil. 26 1/2 x 36 13/16 inches (sheet). ...
Category

1970s Maine - Animal Prints

Materials

Aquatint, Etching

THE ONE THAT GOT AWAY
By John D. Muench
Located in Portland, ME
Muench, John (American, 1914-1993). THE ONE THAT GOT AWAY. Color Lithograph, not dated. Edition of 25. Signed, titles and numbered, all in pencil...
Category

Mid-20th Century Maine - Animal Prints

Materials

Lithograph

MOBY DICK
By Rockwell Kent
Located in Portland, ME
Kent, Rockwell, illustrator. MOBY DICK by Herman Melville. .Lakeside Press, 1930. The Artist and the Book, 140. Edition of 1000 copies. First edition thus. Three volumes, quarto, 279, 284, and 282pp. 280 illustrations by Kent after his ink and wash drawings, except that the title pages of each volume are prints made from copper-plate engravings by Kent. In the original aluminum slipcase. In excellent condition. Jo Mielziner...
Category

1930s Maine - Animal Prints

Materials

Black and White

MALARDS
Located in Portland, ME
Harvey, Florence D. MALLARDS. Etching 6 3/4 x 5 in. Titled and signed in pencil.
Category

Mid-20th Century Maine - Animal Prints

Materials

Etching

EVENING FLIGHT
By Roland Clark
Located in Portland, ME
Clark, Roland. EVENING FLIGHT. Derrydale 11. Etching and drypoint, 1929. Edition of 75. Signed in pencil. 12 x 15 inches. In excellent condition.
Category

1920s Maine - Animal Prints

Materials

Drypoint, Etching

CANVASBACKS - THE EVENING FLIGHT
Located in Portland, ME
Darling, J. N. (Ding). (Amercan, 1876-1962) CANVASBACKS - THE EVENING FLIGHT. Etching and Aquatint in shades of blue/black, 1930. Edition size not st ated...
Category

1930s Maine - Animal Prints

Materials

Etching, Aquatint

JACK SNIPE
By Roland Clark
Located in Portland, ME
Clark, Roland (American 1874-1957). JACK SNIPE. Etching, 1928. Edition of 70. Signed in pencil. 8 1/2 x 12 inches. In excellent condition.
Category

1920s American Realist Maine - Animal Prints

Materials

Etching

CAT
By Louise Nevelson
Located in Portland, ME
Nevelson, Louise. CAT. Baro 80. Etching and drypoint, 1965/6. Edition of 40 (There were also three Trial Proofs and four Artist's Proofs). Signed and numbered in pencil. 17 1/2 x 11 1/2 inches (plate), (sheet). The edition was printed at the Hollander Graphic...
Category

1960s Maine - Animal Prints

Materials

Drypoint, Etching

RAM
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdosvsky, Jacques. RAM. Tahir 370. Etching, 1979. Edition of 150. Signed, Titled, dated and numbered 59/100, all in pencil. 16 3/4 x 23 inches In excellent condition. Framed.
Category

1970s Maine - Animal Prints

Materials

Etching

THE COMMON BUZZARD
By Peter Mazel
Located in Portland, ME
(Mazell, Peter). THE COMMON BUZZARD after Charles Collins. Engraving with hand-coloring, c. 1766. A plate from The British Zoology, London 1777. Titled in the plate, top, and with th...
Category

1760s Maine - Animal Prints

Materials

Engraving

THE PORTRAITURE OF LAMPREY
By Richard Houston
Located in Portland, ME
Houston, Richard. THE PORTRAITURE OF LAMPREY. Engraving with hand-coloring, 1755, by Houston after the painting by James Seymour. 11 3/4 x 13 7/8 inches, plus full margins. In excell...
Category

Mid-18th Century Maine - Animal Prints

Materials

Engraving

FLYING DOG
By Robert A. Birmelin
Located in Portland, ME
Birmelin, Robert. FLYING DOG. Etching, not dated. Edition of 12. Signed in pencil and numbered and titled. 8 7/8 x 8 7/8 inches (image), 12 5/8 x 18 1/8 inches (sheet). In excellent ...
Category

Mid-20th Century Maine - Animal Prints

Materials

Etching

LEOPARDENJAGD (LEOPARD HUNT)
By Norbertine Bresslern-Roth
Located in Portland, ME
Bresslern-Roth, Norbertine (Austrian, 1891-1978). LEOPARDENJAGD (LEOPARD HUNT). Linoleum cut in colors, 1927. Signed, titled and inscribed "Handdruck" (ha...
Category

1920s Maine - Animal Prints

Materials

Linocut

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Category

1960s Modern Maine - Animal Prints

Materials

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Marino Marini - Knight - Original Lithograph
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Old Cat
By David Shrigley
Located in London, GB
12 Colour Screenprint with a Varnish Overlay on Somerset Tub Sized 410gsm Paper. Limited edition of 125. Hand signed and numbered verso by David Shrigley.
Category

2010s Contemporary Maine - Animal Prints

Materials

Screen

Old Cat
Free Shipping
H 29.93 in W 22.05 in
Surrealist Salvador Dali Large Pochoir Etching Drypoint Lithograph Chariot Rider
By Salvador Dalí­
Located in Surfside, FL
Salvador Dalí (1904-1989) – Spanish painter, graphic artist and sculptor. Drypoint with etching and pochoir on Japon paper "Elijah and the Chariot," 1975, (Horse and rider) from the "Our Historical Heritage" suite. Pencil signed along the lower right and numbered 53/250 along the lower left. Literature: Field 75-4 J Framed; Height: 29 in x width: 35 in. Mat opening 19.5 X 25.5. The Spanish artist’s extensive oeuvre not only includes watercolors, drawings and sculptures but also tapestries; here a fine example from the limited edition ‘The Twelve Tribes of Israel’ The tapestry was created after an etching by Salvador Dalí from 1973 with the title ‘The Tribe of Judah’, which the artist created as part of a suite to mark the 25th anniversary of the State of Israel, and in which he represented the twelve tribes of Israel. This vintage French tapestry is an impeccable textile re-creation of a rare Dali etching. This is a flat weave Aubusson style tapisserie. The edition size was 500. The tapestry is inscribed with woven ‘Salvador Dalí’ lower right Genre: Surrealism Subject: people, architecture rendering Medium: textile Salvador Dali (Spanish, 1904-1989) Salvador Dali is considered as the greatest original artist of the surrealist art movement and one of the greatest masters of art of the twentieth century. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous - the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. Along with Rene Magritte his is considered the greatest of the Surrealists. His great craftsmanship allowed him to execute his paintings in a nearly photo realistic style. No wonder that the artist was a great admirer of the vintage Italian Renaissance painter Raphael. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. In 1933 Salvador Dali had his first one-man show in New York. One year later he visited the U.S. for the first time supported by a loan of US$500 from Pablo Picasso. To evade World War II, Dali chose the U.S.A. as his permanent residence in 1940. He had a series of spectacular exhibitions, among others a great retrospective at the Museum of Modern Art in New York. He has worked in paining, sculpture, tapestry, Daum glass and prints. Dali became the darling of the American High Society. Celebrities like Jack Warner or Helena Rubinstein gave him commissions for portraits. His artworks became a popular trademark and besides painting he pursued other activities - jewelry and dated clothing designs for Coco Chanel or film making with Alfred Hitchcock. In 1948 Dali and Gala returned to Europe, spending most of their time either in their residence in Ligate/Spain or in Paris/France or in New York. Dali developed a lively interest in science, religion and history. He integrated things into his art that he had picked up from popular science...
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1970s Surrealist Maine - Animal Prints

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Previously Available Items
"Goose and Teal, " etching, Frank Benson, in collections of Met, MFA, Smithsonian
By Frank Benson
Located in Wiscasset, ME
Born in Salem, Massachusetts, American Impressionist Frank Benson studied at the Museum of Fine Arts in Boston under Otto Grundmann and at the Academie Julian with Gustave Boulanger and Jules Lefebvre. Benson was a founding member of the American Academy of Arts and Letters, Guild of Boston Artists and the ‘Ten American Painters,’ a prestigious group of early impressionists. In 1900, Benson purchased a farm and studio on North Haven Island off the coast of Maine. It was there that his style became increasingly impressionistic. Benson is credited with being known as one of the outstanding 20th-century wildlife printmakers. Benson was a member of the Boston Art Club, National Academy of Design, Society of American Artists and Guild of Boston Artists. He exhibited at the World’s Columbian Exposition in Chicago...
Category

Early 20th Century American Impressionist Maine - Animal Prints

Materials

Etching

OWL AND INSECT
Located in Portland, ME
Kent,William (American, 1919-2007). OWL AND INSECT. Slate Print, 1963. From an edition of 20, printed in 1963 (the total edition with later printings is about 65. 8 11/16 x 21 3/8 (i...
Category

1960s Maine - Animal Prints

Materials

Woodcut

WADERS
By Frank Benson
Located in Portland, ME
Benson, Frank (American, 1862-1951). WADERS. Paff 298. Drypoint, printed on wove paper, 1930. Edition of 150. Signed in pencil. 7 x 12 inches, 176 x 304 mm. Provenance: Descended wit...
Category

1930s Maine - Animal Prints

Materials

Drypoint

BOAR
By Leonard Baskin
Located in Portland, ME
Baskin, Leonard. STAG. FO'S 306. Wood Engraving, 1957. Illustration for Flaubert's St. Julien the Hospitaller. 3 1/4 x 3 1/8 inches, 82 x 77 mm. In excellent condition.
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1950s Maine - Animal Prints

Materials

Woodcut

BOAR
H 16 in W 20 in
BOAR
By Leonard Baskin
Located in Portland, ME
Baskin, Leonard. BOAR. FO'S 304. Wood Engraving, 1957. Illustration for Flaubert's St. Julien the Hospitaller. 2 5/8 x 5 3/4 inches, 67 x 147 mm. (image) on a larger sheet. In excell...
Category

1950s Maine - Animal Prints

Materials

Woodcut

BOAR
H 16 in W 20 in
FLOCK OF LAMBS
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. FLOCK OF LAMBS. Linocut, 1975. Edition of 150. Signed, titled, dated and numbered 108/150, all in pencil. 19 x 22 inches (image) on a larger sheet. A small well ...
Category

1970s Maine - Animal Prints

Materials

Linocut

RAM AND EWES
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. RAM AND EWES. T.230. Woodcut, 1976. Edition of 150. Signed, titled, numbered and dated, all in pencil. 13 x 15 inches (imahe), 16 x 18 1/2 inches (sheet), matted...
Category

1970s Maine - Animal Prints

Materials

Woodcut

SALMON
By Neil Welliver
Located in Portland, ME
Welliver, Neil. SALMON. Handcolored etching, 1977. Edition of 40, printed on cream colored Arches paper. Signed and numbered 37/40 in pencil. Published by Brooke Alexander, NY. 21 3/...
Category

1970s Maine - Animal Prints

Materials

Etching

YELLOWLEGS IN SUNLIGHT
By Frank Benson
Located in Portland, ME
Benson, Frank. YELLOWLEGS IN SUNLIGHT. Paff 285. Drypoint, 1928. Published state, Edition of 150. Printed on laid paper watermarked "England." Provenance, the family of the artist. 9...
Category

1920s Maine - Animal Prints

Materials

Drypoint

UNTITLED (SHORE BIRD)
By Keiko Minami
Located in Portland, ME
Minami, Keiko. (Japanese), 1911-2004). UNTITLED (SHORE BIRD). Etching in colors, not dated. Edition of 50. Signed in pencil and numbered 38/50. 14 1/2 x 11 ...
Category

Mid-20th Century Maine - Animal Prints

Materials

Etching

UNTITLED (SHORE BIRD)
UNTITLED (SHORE BIRD)
H 15 in W 12 in D 1 in
CRAB AT WINDOW
By Erik Desmazières
Located in Portland, ME
Desmazieres, Erik. UNTITLED (CRAB AT WINDOW). Etching, 1980. Signed, dated amd numbered 18/70. 4 5/8 X 5 3/4 inches. In excellent condition.
Category

1980s Maine - Animal Prints

Materials

Etching

SPRIGTAIL
By Frank Benson
Located in Portland, ME
Benson, Frank. SPRIGTAIL. Pfaff 151. Etching, 1918. Edition of 50. Signed in pencil. 4 x 5 inches, plate. Framed to 9 7/8 x 12 inches. In excellent condition.
Category

1910s Maine - Animal Prints

Materials

Etching

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