New Jersey - Figurative Paintings

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Figurative abstract oil on canvas of a performing orchestra. Great colors and brushstrokes. Signed lower right.

Oh the stories that this coastal scene at the last light of the day could tell! The sky is nearly flashing as the sun light diminishes sending pools of sparkles on the water's surface. The crew and guests on the schooners, smaller sailboats and dinghy become absorbed in the culmination of their day's journey and the journeys of the passengers in the other remaining boats as they navigate their boats with safe passage to their home dock destination. Rising star fine artist Paul Beebe...

Looking At You (2019), a collaboration between artists Gigi Chen and Loren Abbate. Acrylic and colored pencil on wood panel depicting a figurative painting of a bird perched on a win...

This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...

Magical Basquiat

The thrill of traversing the beautiful spring countryside rushes color to their cheeks, tightens their calves, lowers their heels and steadies their hands as they ready for the hunt. The horn is sounded, the hounds begin chase and the riders reassure their horse while urging them forward. The scent of the fox, the chase, the jumping across the creeks and over downed branches has come to an end for another equestrian hunt shared with the other highly regarded club members. They walk their horses for a while as the horses and hounds cool down and the riders are waiting on brandy to mellow out the day's excitement. With pristine riding gear intact they let their minds wander to both family and club hunts and events of times gone by. Artist Joseph Sundwall...

Manuel Soto-Muñoz (1913-2000), Puerto Rican born American painter. Recipient award of merit Florida Southern College, 1958; prize Art Students League New York, 1950; 1st prize Salón ...

Set amongst the acres and acres of rolling blue cypress and kelly green colored hills and fields is the morning pasture where the dairy cows graze, feed and produce milk for the folk...

One Day in Paradise. Day-dogs fighting (flowers), made in grey, red, orange, black and white color Photographically accurate realism and conceptualism, peacefully coexisting on the c...

Beautiful young lady in a Paris Park, signed, Original Frame, listed size includes the frame.

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Oil, acrylic, and mixed media on canvas

A pretty baroque-style painting.

Female nude by George John Illian (1894-1932), American exhibited at the Salmagundi Club Annual Exhibition. George John Illian born in 1894 and was largely inspired by the 1900s and ...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875-1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists. In 1909, Walter won the Mary Smith Prize from the Academy for a portrait she had painted while in Europe. At the onset of World War I, Martha returned home and began painting plein-air subjects, such as Ellis Island, the fishing village of Gloucester, scenes of cheerful children, and the quintessential American beach scenes which have brought her national acclaim. Throughout her life, Walter continued to travel with great regularity capturing in oil and watercolor a wealth of landscapes and cultures across the globe. Martha lived a charmed life...

Whether dreaming of sailing off into the setting sun or just enveloping yourself in the magical turquoise colored waters of the ocean and aquamarine sky as you walk through the beach crowd with the sandy beach tickling your toes, a sense of serenity envelops you. The sounds of the lapping surf in this original impressionist figurative marine landscape will rest your weary soul as you chat with old friends and new friends nearby. This seascape in oil paint will afford you a return to those lazy hazy crazy days of summer at will! Born and raised in Italy, now living and painting in New York, artist Bart DeCeglie studied his craft at both Pratt Institute and the Phoenix School of Art and Design before returning to Pratt Institute as an adjunct professor. A very popular artist...

"Leaving Orange Pt. 1" (2020) by Francesca Reyes Oil painting on wood panel, urban skyscape, sunrise or sunset Figurative Art / Representations of Architecture / Cityscapes and City Scenes / Dark Colors Small scale vertical contemporary landscape, cityscape. Moody color tones of a Philadelphia...

FRANCOIS CHABRIER “”AU CAFE" OIL ON CANVAS, SIGNED FRANCE, C.1960 32.5 X 39.5 INCHES Framed 41 x 48 inches. François Chabrier Born 1916 François Chabrier was born in 1916 in Bel...

The style of the artist Airo is called "retrofuturism" or "Russian cosmism." This is a popular and growing trend among artists and collectors around the world. He connects the past with the future in the present. The artist uses various types of techniques to create his own special expression. Sergei Airo was born in 1960 in the city of Novorossiysk (Krasnodar region) in the artist's family. In 1991, Sergei showed interest in the so-called "primitivism". His attention is drawn to the works and images of mythical life. After that the artist was concentrated on the study of medieval masters. Mainly exploring the religious direction and influence of Flemish medieval artists. In 1996, Sergei Airo presents a series of works at the Airspace Design exhibition in Air France. He is a permanent member of the Union of Artists, the Association of New Artists and the Society of Fine Arts, on the personal recommendation of Zurab Tsereteli...

Natalya Prager was born in Moscow, Russia in 1938, the daughter of a famous Russian artist Vladimir Prager. She began her life as a ballerina studying at the Bolshoi Theater Ballet School. As a young woman she participated in the Bolshoi Theater performances, but the rigorous training damaged her health. Her exposure to music at a young age certainly influenced the subjects of her future endeavors in art. Her works are lyrical and with observation tell an intimate story. Encouraged by her father, she turned to painting and became a student at the Moscow College of Art. She had two exhibitions of large canvases to critical acclaim at the First Exhibition of Young Painters in Moscow when she was eighteen years old. After marrying her fellow artist Igor Kononov in 1957, she expanded her work in many different different areas, including book illustrations, circus and stage design, and puppet making for a children’s TV channel, receiving critical success and broad recognition. Prager- Kononov came to the United States with her husband and son in 1975. The first years were extremely difficult, but they never looked back. The family settled in Staten Island, New York and since 1985 in Bridgewater, New Jersey. Natalya displayed her works in some of the most prestigious locations in New York City including 57th street and SOHO galleries, Lincoln Center Gallery, Staten Island galleries and many others throughout the country. Her final show, jointly with her husband, was produced by Somerset Arts Association in 1999. Animals had a special place in Natalya’s life and art. Some of the enchanting New York City Toy Center soft animal toys had been designed by her and continue to bring joy to children of the world. Many national and local newspapers published extensive articles and personal interviews praising her enchanting work as a door to the Bewitching Fairy Kingdom...

Earth tones, totem with female figures, dog, florals; lime wash, acrylic ink, flashe and pastel painting on canvas; custom wood float frame; folk art inspired Hand signed by the art...

Oil, xerox transfer, and holographic foil on wood panel Orange parasaurolophus (2019) by Alexis Kandra Animal painting, miniature oil painting ...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followe...

Jim’s of Lambertville is proud to offer this artwork. Signed and dated middle left Xue Mo (b. 1966) "Whenever I return to my homeland, a small town in Inner Mongolia, my heart i...

Female figure, basking in the sun; Ink, marker, watercolor, and pastel on paper; custom framing available. Pink, blue, yellow and black. Figurative and folk art style. Prominent line...

Sunrise Tunnel (2022), oil painting on canvas, earth tones and pastels, outdoor greenhouse, farm landscape, silos and green hills in background, skyscape, sunrise colors "Sunrise Tunnel" by Delilah Ray...

Jim’s of Lambertville is proud to offer this artwork by: Robert Spencer (1879 - 1931) One of the rarest and most important artists among the New Hope School, Robert Spencer was bor...

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Photographically accurate realism and conceptualism, peacefully coexisting on the canvases of Pavel Polanski. His canvases are gray with different depths of tone, almost monochrome a...

Flair (2024) by Rebecca Johnson Flashe, dry pigment, acrylic, pastel and watercolor on 14x11" canvas, custom Kona-stained wood frame. Neo-folk style doves and star with decorative b...

Female figure, vase, foliage, florals; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom framed, shallow shadow box frame. Deep blue, marigold yellow gold. Fra...

The Wizard (2024) by Rebecca Johnson Flashe, dry pigment, acrylic, pastel and watercolor on 14x11" canvas, custom Kona-stained wood frame. Neo-folk style owl with moth and decorativ...

Birds are Emerging II by Seth Ruggles Hiler

Jim’s of Lambertville is proud to offer this artwork. Signed and dated lower right. Illustrated in "Charles Searles" 2013 exhibition catalog (La Salle University Art Museum / Tyler School of Art) pg. 195 Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...

With her love for the abstract expressionist style of art, fine art artist Sonia Grineva created this sensational, multi-dimensional interpretation of the bustling, colorful, Manhat...

Spree on Fire by Keith Garcia Acrylic on panel The artist's classic highly detailed knolling style narrative painting, this one includes all of the fixings for a perfect heist -- th...

Attack From Above, 2020, acrylic, oil, canvas, yarn and thread on canvas. Green, blue, pink, eagle, jet, spider-man, abstract.

IRVING GEORGE LEHMAN "CUBIST FIURES' OIL ON PANEL, SIGNED RUSSIAN-AMERICAN, C.1960 23.5 X 25.5 INCHES FRAMED 29.5 X 32.5 INCHES Irving George Lehman 1900-1983 Born in Kiev, R...

Smith studied at the School of Industrial Art in Philadelphia under Edward Warwick. In 1935 she was asked by the Art Institute of Chicago to loan her painting, "Repose" to the forty...

Oil Painting / Text / Pastel Colors / Figurative Art / Outsider Art / Pop Art / Surrealism From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Phantasm" is a figurative, pop surrealist painting made with oil, acrylic and graphite on canvas. The piece features beautifully rendered koi fish beside a rendering of the globe into a single, flat plane, beneath the impasto text reading "Phantasm" across the top of the painting. Across the bottom third of the painting's image is a green landscape with a glue sky, behind what appears to be a metal fence...

Jim's of Lambertville Fine Art Gallery is proud to present this work by Jacob Lawrence (1917 – 2000). Provenance: This painting is from the private collection of Gwen Lawrence, widow of Jacob Lawrence. Exhibitions: An attached photo (3rd photo) of the back of the piece shows its extensive exhibition history. Biography: Leading African-American narrative painter, Jacob Lawrence was born in Atlantic City, New Jersey in 1917. After his father abandoned his family in 1924, Lawrence spent several years in foster homes before reuniting with his mother in 1930 in Harlem, New York. In New York, he attended art classes organized at the Harlem Art Workshop with Charles Aston and the Harlem Community Art Center with Augusta Savage. There, he met fellow young painters, Aaron Douglas, and William Johnson...

To summer in Cap Ferrat, in the south of France, just across the border from Monte Carlo, is comparable to living in a Faberge egg, with all of the intricate detailing and elegance one might dream of! Jutting out into the turquoise Mediterranean Sea, the peace and privacy of the best and the brightest is discreetly protected whether of the royal family or the international jet set and intelligentsia! Master artist Jim Rodgers has been painting for more than 35 years, having studied at both the highly respected Art Students League of NYC as well as the Ridgewood Art Institute of New Jersey. His work has been acknowledged by numerous publications including American Art Collector. His work is represented in the collections of Pfizer Corporation, The Rockefeller Trust and many other noteworthy corporate and private collections. This French impressionist marine landscape is framed in an antique gold wood...

Beautiful. large oil on canvas, in excellent condition. Framed The Spätimpressionist Leopold Illenz was a student of Anton Azbe, and Simon Hollósy at Munich private schools...

"Carmine" (2023), by Brittany Williams, based in the Finger Lakes region of NY state Figurative portrait painting, pop portraiture, street art, stre...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

"Sheets" by RU8ICON1 is an oil painting on canvas, from 2022. It is a figurative interiors and portrait painting that depicts a woman lounging on a bed with her clothing and the she...

Female figure, foliage, florals; acrylic ink, flashe and pastel on 300g Arches hot press paper; custom framed, shallow shadow box frame. Deep blue, marigold yellow gold. Frame dim...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Sword Fight, 2018, pen and crayon on paper

"Top Hat", is a unique stained glass shadowbox handmade by TF Dutchman, contains an acrylic and paint marker painting on canvas set in a stained glass box...

When the days become pleasant and the trees are respendent with new growth, walking under the umbrella of lush leaves feels like a butterfly emerging from it's cocoon! A peaceful and nurturing oil painting, this original work of art would be suitable for any transitional space. Polish American artist Eugene Maziarz...

One is Signed Lower and the Other is Signed Lower Right Louis Kronberg (1872 - 1965) Kronberg, often referred to as "the American Degas,"was born in Boston on December 20, 1872. He displayed artistic talent in his elementary school years and while he was only fifteen years old, his brother, who had become an impresario, made it possible for Louis to copy portraits of stage and concert celebrities backstage. Louis came to know Ignaz Paderewski, Boris Chaliapin...

William Ablett was born in Paris of English parents. He was accepted at the prestigious Ecole des Beaux-Arts and began working in oils. Under the tutelage of his professors and mento...

UMBERTO ROMANO "HORSE TRAINERS" OIL ON PANEL, SIGNED AMERICAN, DATED 1952 23.74 X 35.75 INCHES Born: 1905 - Naples, Italy Died: 1984 - New York C...

Reminiscing about afternoons at the famous Horseshoe Beach in Bermuda, next to the Southhampton Princess, brings animated joy and, as such, Polish American artist Eugene Maziarz has...

A whimsical pastel featuring a Mother with her Child on her lap that just pulled a goldfish from it's bowl. A charming large work that is exquisitely framed. Peggy Dodds Williams ...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...