New York City - Still-life Prints
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Item Ships From: New York City
Helios
By Aziz + Cucher
Located in New York, NY
C-print on Endura metallic paper (Edition of 5)
Signed and numbered, verso
This artwork is offered by ClampArt, located in New York City.
Begun in 2003, the series of works collect...
Category
2010s Contemporary New York City - Still-life Prints
Materials
C Print
Surya
By Aziz + Cucher
Located in New York, NY
C-print on Endura metallic paper (Edition of 5)
Signed and numbered, verso
This artwork is offered by ClampArt, located in New York City.
Begun in 2003, the series of works collect...
Category
2010s Contemporary New York City - Still-life Prints
Materials
C Print
Inti
By Aziz + Cucher
Located in New York, NY
C-print on Endura metallic paper (Edition of 5)
Signed and numbered, verso
This artwork is offered by ClampArt, located in New York City.
Begun in 2003, the series of works collect...
Category
2010s Contemporary New York City - Still-life Prints
Materials
C Print
Andy Warhol’s Studio
By Lowell Nesbitt
Located in New York, NY
We publish editions with both gallery and non-gallery artists in various media such as etching, photogravure, silkscreen and woodcut. We offer prints and photographs on the secondary...
Category
1990s New York City - Still-life Prints
Materials
Aquatint
Untitled (Flag)
By Robert Longo
Located in New York, NY
Untitled (Flag), 2013
Archival pigment print
26 1/4 × 43 in (66.7 × 109.2 cm)
Edition of 36
Category
2010s Contemporary New York City - Still-life Prints
Materials
Archival Pigment
Dracena II
By Ellsworth Kelly
Located in New York, NY
Printer: Gemini, G.E.L., Los Angeles
Publisher: Gemini, G.E.L., Los Angeles
Catalogue raisonné: Axsom 213
Edition size: 30, plus proofs
Signed and numbered in pencil, lower right
Category
1980s Minimalist New York City - Still-life Prints
Materials
Lithograph
Star, from American Signs Portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
Star, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins,
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' and numbered edition of 100 in pencil
--
Robert Cottingham
B. 1935, BROOKLYN, NEW YORK
Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler.
Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising.
In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California.
In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...
Category
Early 2000s Photorealist New York City - Still-life Prints
Materials
Screen
American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM
American Signs portfolio, 2009
The complete set of twelve screenprints in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
all signed, dated `2009' and numbered edition of 100 in pencil, published by Exhibit A Fine Art and Editions and American Images Atelier, New York, all in excellent condition, contained in original gray silk-covered box with artist and title embossed with gold foil.
Robert Cottingham
B. 1935, BROOKLYN, NEW YORK
Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler.
Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising.
In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California.
In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...
Category
Early 2000s American Realist New York City - Still-life Prints
Materials
Screen
Vase of Flowers with Cherry bole (After)
By Marc Chagall
Located in New York, NY
Chagall (After) offset lithograph, printed in circa 1970.
Signed in the plate, numbered in pencil 448/500.
Category
1970s Modern New York City - Still-life Prints
Materials
Lithograph, Offset
Leaf IV
By Ellsworth Kelly
Located in New York, NY
Portfolio: Twelve Leaves
Printer and Publisher: Gemini, G.E.L., Los Angeles
Edition size: 20, plus proofs
Signed, titled, and numbered in pencil, lower right
Catalogue Raisonné: Axso...
Category
1970s Contemporary New York City - Still-life Prints
Materials
Lithograph
The Oval Office
By Roy Lichtenstein
Located in Long Island City, NY
Artist: Roy Lichtenstein
Title: The Oval Office (C. 277)
Year: 1992
Medium: Screenprint on Rives, signed, dated and numbered in pencil
Edition: 17/175
Image: 30 x 39.25 inches
...
Category
1990s Pop Art New York City - Still-life Prints
Materials
Screen
Flowers FS II.70, 1970
By Andy Warhol
Located in New York, NY
Andy Warhol
Flowers (FS II.70), 1970
silkscreen on paper
36 x 36"
ed. of 250
signed in ball point pen and numbered with a rubber stamp on verso
Category
1960s Pop Art New York City - Still-life Prints
Materials
Archival Ink
Blue Sonica Whisper
By Marjan Moghaddam
Located in New York, NY
Blue Sonica Whisper
Category
21st Century and Contemporary Contemporary New York City - Still-life Prints
Materials
Archival Ink
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