New York City Vases

OLSEN THORKILD ( 1890-1973 ) and KNUD ANDERSON ( 1892-1966 ) FOR ROYAL COPENHAGEN An extraordinary monumental lidded urn in Royal Copenhagen crackle war...

A collection of Danish cobalt blue blown glass hyacinth vases, Late 19th/Early 20th Century Priced individually - $260 Each

Claude Conover (American, 1907-1994) "Arcella" large stoneware pottery. Signed underside.

Bitossi Raymor vase, ceramic, metallic platinum, silver, chrome, signed. Small scale platinum glazed vase with a rounded body, cylindrical neck, and flat shoulders. Signed with a pap...

An ovoid vase, the overall leaf pattern is thickly glazed in white. Stamped.

Studio ceramic vase with stand by Marcello Fantoni. Tall vase form with pinched neck and triangular spout. Hand-built earthenware with rough, matte black glaze, and multicolored cub...

Mid-Century Modern very rare vase in blown Murano glass by Leucos of Minimalist design, the cylindrical body is decorated in the center by a succession of varied size "bubbles" that ...

Large crystal hexagonal shaped vase (signed: DAUM France)

Satin glass vase, designed and manufactured by Venini, features the same shape of the iconic opalino vase with a frosted finish. Indoor use only. Dimensions: Ø 20 cm, H 42 cm.  

Large, Italian, mid-century, earthenware vase by Flavia Montepulo features a classical urn shaped form in a poruous, matte glaze with 3 inch mouth opening.

Incisi glass vase collection, designed by Paolo Venini and manufactured by Venini, feature an engraved surface. Originally designed in 1956. Numbered edition per year, marine blue ve...

Known as a "Jack in the Pulpit" vase, this Favrile glass creation by Tiffany Studios New York begins with a bulbous base in deep hues of striated, swirling iridescent yellow and gold. Shooting upward from the base is an elongated, narrow neck of similar coloration, darkening in coloration as it ascends. From the narrow neck explodes an outward facing glass bloom in brilliant shades of ochre, umber and marigold, made to shimmer by the undulations in the bloom's outer edges, all tinged with iridescence. Item #: T-20052 Artist: Tiffany Studios New York Country: United States Circa: 1900 Dimensions: 17.5'' height, 8.5'' width, 5'' depth Materials: Favrile glass Signed: “L.C.T. Y5463” Literature: A similar vase is pictured in Timeless Beauty: The Art of Louis Comfort Tiffany...

This visually intricate, handcrafted piece is a combination of contemporary design and classic Murano glass-making technique. The result is a stunning and elegant piece of glassware ...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

Late 19th / early 20th century Japanese, Meiji Satsuma vase with a double gourd form. The design incorporates underwater plants with golden Koi Car...

Magnificent and very large (23 inch tall) antique (19th century) trophy form vase or urn with cover, finely crafted from bronze with body and lid featuring multi-colored floral and a...

Contemporary Italian artist Massimo Micheluzzi's hand blown and battuto cut black Murano glass vase was made in 2002. Incised signature to underside: [Massimo Micheluzzi, Murano, 2002]. Image 6: Massimo Micheluzzi (Italian, born 1957) Artist's Bio: Born in Venice in 1957, Massimo Micheluzzi was introduced to the world of glass in the late 1970's as a young photographer for the renowned Venini glass factory, an extraordinary experience that over time will prove to be decisive. Following a long and fruitful apprenticeship in the furnace, Micheluzzi started his personal journey in the late 1990's. His work has constantly evolved since then as he continues to explore new ways of mastering the material, whilst always remaining ‘true’ to the nature of glass. Working alongside his master glassblower, Massimo Micheluzzi uses the techniques that have defined the Murano tradition intervening directly on each phase of the creative process. Striving to balance tradition and innovation, he applies these ancient crafts to achieve a uniquely modern aesthetic. Micheluzzi’s work is deeply embedded in the life and history of the city of Venice and constantly inspired by its watery surroundings and architecture. His eclectic body of work shifts between fluid and organic shapes, iridescent transparencies and opaque carved surfaces as well as elaborate colour combinations, mosaic patterns and sculptural forms. His works have exhibited in cities all over the world and are in some international museums and various public and private collections such as the The Metropolitan Museum of Art in New York, The Corning Museum of Glass in New York, Muse´e Des Arts De´coratifs de Paris, Museum Boijmans Van Beuningen in Rotterdam, Museo del Vetro di Murano in Venice and Villa Necchi...

Contemporary glazed porcelain sculpture by Matthew Solomon. Unique piece, signed and dated. Using fine porcelain and glazes he crafted himself, Matthew Solomon translated the unruly...

16th century Thailand Sawankhalok ceramic tulip shaped vase from the old city of Sawankhalok known for its pottery. Beautiful and natural patina from being submerged under water. Par...

Sergio Asti Collina vases, ceramic, metallic silver chrome, signed. Two Collina (Hill in Italian) Series vases glazed metallic silver chrome. The v...

Silver Plated Vase by Luc Lanel for Christofle with a wooden base. Marked on the underside. About Luc Lanel: The designer and ceramist had ...

Part of Richard Haining's STACKED Collection, this wooden vessel is made from reclaimed oak. The salvaged wood offcuts were sourced from a variety of local Brooklyn wood shops, as we...

This stunning Mid Century Modern ceramic vase was realized by the esteemed artist Jean Mégard in France in 1953. It features a teardrop form with a bulbous base that tapers to an elo...

This sophisticated modernist orchid vase/ occasional bowl was realized in the United States during the latter half of hte 20th century. Realized in ceramic and finished with a bronze...

This early 21st-century Northern Italian ceramic pair of organic sculptural vases, entirely handcrafted in Italy, presents an unusual post-modern style, the asymmetrical shape makes ...

Gorgeous Art Nouveau Martelé silver centerpiece vase. Made by Gorham in Providence in 1908. Tall and elongated baluster with turned-down mouth and domed foot; rims irregular and scro...

Gunnar Nylund, a model ‘AKT’ stoneware vase, Rörstrand, 1950’s-60’s. Stoneware, speckled glaze in brown and blue. Signed R Sweden GN AKT. Height 17,3″. Minor wear. Marks. Minor sta...

Franck Benito begins his process by tracing his designs onto uncut forms. These are then milled by hand, and the rough cut refined—the patterns channeled deeper and deeper, to the ve...

Large "Devil's Churn" vase in frosted glass, manufactured by Iittala around 1950s-60s. Designer by Timo Sarpaneva a Finnish designer and sculptor. Engraved on bottom: Timo Sarpaneva ...

Exquisitely crafted Murano Glass Vase, by renowned glass maker Seguso. This hand-blown vase features an elegant elliptical shape and a striking band of gold leaf around its center. T...

A stoneware vase by Gunnar Nylund for Rostrand, Circa 1950th. Signed R GN. H 9″.

Holmegaard glass vase design by Japanese designer Mutsuo Inoue for the Danish glass manufacturer Holmegaard 1984, in a translucent white milky and blue glass in mint condition.  

Aldo Londi Bitossi Vase, Ceramic, Mondrian, Abstract, Red, Yellow, Signed Large chunky stoneware vase decorated with rectangles and lines and glazed in red, yellow, and black over ra...

Hand blown blue glass vase with murrhines and gold foil by Giulio Radi for Arte Vetraria Muranese (A.V.E.M.), Murano, Italy, circa 1950. Radi's works are beautiful and rare. The gold...

The Following Item we are offering is this Rare DEEP CUT HEAVY CRYSTAL BOHEMIAN CRANBERRY RED VASE. Vase is Beautifully done with Fine Outstanding Sculpted Detail. Taken out an Impor...

Tiffany & Co. sterling silver bud vase, designed by Louis Comfort Tiffany, adorned with natural motifs. It measures 5 1/3'' in height by 1 1/8'' in diameter at the top, weighs 5.2 tr...

Italian Mid-Century Modern umbrella stand in the style of Alessandro Mendini and Studio Alchimia, circa 1976-1980. The base is composed of carved travertine stone and the 3 containers are in chromed metal. The piece can also serve as a vase or urn. A coat stand also attributed to Studio Alchimia and Mendini I is shown in the last image. References: Italian Radical Design, Alessandro Mendini, Superstudio, Postmodern, Memphis, Ettore Sottsass, Gaetano Pesce, Studio 65, Studio Most. Michelle De...

Decorated with a frieze of classical figures between a berried vine border and upright acanthus leaves. The neck similarly decorated with pendant trophies between upright handles.

A fabulous and quite beautiful pair of Louis XVI style dore bronze mounted Chinese Famille Rose porcelain, sgraffito ground covered vases or por pourries. Each is exceptionally hand ...

Uranus Vase by Colours of JoYE French Rose D 7.2" x H 6.6" Marble Powder, Resin and Pigment Each handcrafted from powdered marble, resin and coloured pigment, the sumptuous avant-gar...

Antique Chinese carved red painted wooden flower pot base / stand with a circular surface to hold a pot or vase, resting on four bowed and carved feet with a circular stretcher.

Seguso Scavo Murano amethyst vase. Purple / amethyst bud vase with handle, Venice, Italy, circa 1940. Dimensions: 8.75” height x 2.38" diameter base; 2.88...

Gorham sterling silver basket vase, in Art Nouveau style, from the early 20th century, beautifully adorned with natural and architectural motifs, standing on an oval base. It measure...

Satin glass vase, designed and manufactured by Venini, features the same shape of the iconic opalino vase with a frosted finish. Indoor use only. ...

Cano Vase by Colours of JoYE Aqua-Marina D 4.7" x H 11" Marble Powder, Resin and Pigment Each handcrafted from powdered marble, resin and coloured pigment, the sumptuous avant-garde ...

Asymmetrical, lens-shaped glass vase in vibrant blue and red tones, featuring an elongated, narrow opening. Designed by Flavio Poli for the renowned glassmaker Seguso Vetri d’Arte, t...

This impressive pair of monumental antique porcelain vases is a testament to the opulence of French craftsmanship in the style reminiscent of Sèvres porcelain, dating back to around ...

Bitossi for Raymor Cambogia (Cambodia) vase, ceramic, blue, purple, white, stripes, signed. Tall cylinder vase with banded stripes glazed in violet,...

A gorgeous Mid-Century Modernist vase in hues of green and blue by Swedish ceramicist Gunnar Nylund for Rörstrand. A lovely piece on its own or folding a single stem of flora. This ...

"Collection of Vessels — No. 1, 2, 4, 5 & 6" J.M. Szymanski 2024 Vessels No. 1, 2, 4, 5 & 6 make up this unique collection. Designed to be displayed together. Mathematically designe...

A monumental pair of ruby red gilt Bohemian "Alhambra" cut glass vases on stands, circa 1910. Of Alhambra form, in the Moorish / Islamic tast...

Berndt Friberg for Gustavsberg Vase, Stoneware, Yellow, Signed. Large chunky vase, glazed in yellow haresfur, with a slightly elongated neck, rounded body, and footed base. Signed wi...

Can also be purchased individually - A set of two Venetian decorative vases, in blown Murano glass, worked with pure 24k gold, the body in a textured gla...

Group of glass vases by Bertil Vallien for kosta Boda , Sweden 1990 White glass bowl and vases with colorful decorations. 3.5" - 10.5" Excellent condition

Contemporary Venetian Decorative Arts gold vase, in blown Murano glass, worked with pure 24k gold, one part more elongated than the other and both can function as a base. The bodies ...

Bruno Gambone Vase, Ceramic, White, Burnt Umber, Stripe, Signed. Medium scale bottle form vase with sloped shoulders and decorated with a dark orange angled stripe over an off-white ...

Exquisite deep blue sommerso glass with gold flakes within clear Murano bullicante glass. Expertly handcrafted. Each piece slightly differs in size, shape, and color due to the natur...

Neptune Vase by Colours of JoYE Pistachio D 6.5" x H 5.7" Marble Powder, Resin and Pigment Each handcrafted from powdered marble, resin and coloured pigment, the sumptuous avant-gard...