New York - Paintings

"La Salute" is a striking oil painting by renowned Italian artist Lazzaro Donati, depicting the iconic Santa Maria della Salute church in Venice. Known for his vivid, expressionistic...

Unique taupe abstract painting on paper by Brazilian artist Ivanilde Brunow. Fabulous colors invoke this beautiful moody image. Painting is ...

The pair are painted on wood panel and done circa 1760 by a country artist working from life. Each composition is very similar but subtly different and incorporating different leaves...

with thought to be Izumo no Okuni (1578-1613). Mineral pigments and gold dust on mulberry paper with silk brocade border.

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #5 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painti...

Domenick Capobianco (American, born Italy, b. 1938) "The Severed Head of Orpheus Afloat at Sea Still Sang:...", Oil on Canvas, signed and titled to verso, circa 2008, unframed. 20" ...

Impressionistic oil painting by Joyce Pike listed American, California artist. Measures: 5 ft.

Santiago Uribe Holguin. Colombian, b. 1957 El Gran Vermeer, 1996-97. Signed and dated Uribe-Holguin '96 (lr), Signed and dated Uribe-Holguin 97 and inscribed as titled on the reverse...

Abstract mixed media collage on paper by Susan E. Wolfe, New York. (Unframed)

Oil painting by Curtis Miller titled "Range Top" Signed and dated lower right frame. 1955.

Provence is a geographical region and historical province of Southeastern France, which extends from the left bank of the lower Rhône River to the west to the Italian border to the e...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #25 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

GUNNAR ÅNGER ( 1952- 2019) abstract painting. Acrylic on perforated galvanized metal. Unsigned.

Original artwork by Max Sanjulian. Acrylic on paper. Dimensions: 14" X 20" Painted white float frame. Framed dimensions: 16" x 24" x 1.5"

Midcentury semi-abstract oil on canvas painting dated '50, signed Boardman in a wood frame of the period

This oll painting of atrawberries captures the timeless beauty of a classic still life. Meticulously detailed, the rich reds of the strawberries stand out against their natural backd...

Great grandson of the famous writer Victor Hugo, the painter Jean Hugo (1894-1984) was in the thick of the Paris art scene between the wars. A member of the avant garde, he was a friend of Picasso, Cocteau and Colette and was associated with the Neo Romantics. His small gouaches on paper were avidly collected by Dr. Albert Barnes, and can be seen today in the Barnes Collection in Philadelphia. Hugo's most desirable work -- landscapes, interior scenes, set designs -- date from the mid 1920s to the late 1930s. This whimsical painting, signed and dated 1927, is set in a curtained, classical interior furnished with Victorian lighting fixtures...

Beautiful fine detail of a variety of wild grasses. Lacquer on wood panel with carved surface and metal rim. Exhibited at National Nitten Exhibition 1969.

Abstract Painting in Purple, Blue, Pink and Black in a Custom Black Wood Frame with Non Reflective Lucite

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #15 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

Contemporary painting by Spanish artist Santiago Castillo. This large painting is created in oil and stucco on wood. The stucco and a combination of matte and gloss paint finish crea...

This is a wonderful set of 5 Original paintings by Martin Sumers on a silk dark gray matting board. Silver paintings of abstract figures. The original orange metal frames are scuffed...

Framed Oil on Board Painting of a woman by Francis L. Woodahl.  

Domenick Capobianco (American, b. 1928) Abstract Composition, Oil on Canvas, depicting white free forms and red dots on black ground, apparently unsigned, "Studio Domenick Capobianco...

77 x 39 abstract oil painting by Wolf Von Frise in custom frame.

Framed vintage abstract oil on canvas figure signed lower right Fr. Andre. Gilt frame is original.

Watercolor still life of a goose with grapes by Paul Hodgu under glass in a wood frame.

Mid Century Mixed media painting "Storm at Sea" by J.Domokur in heavy gage brass frame.40x34

Six watercolor paintings of cigar smokers by listed artist Gersten. Framed in a wood frame under glass.

Signed dated ad titled “The Irresistible Landscape”. This painting was personal to the artist as Brook was born on July 14, 1898 ad at the age of twelve was bed-ridden with Polio. This painting is a self-portrait showing the artist looking out the windows of the room he rarely was able to leave. This painting was exhibited at the Pennsylvania Academy of Fie Arts ad the Ogunquit Museum Of America Art, exhibition tags from both institutions are attached to the stretcher en verso. Born in Brooklyn, New York, Alexander Brook was a realist painter, whose works consisted mostly of still-life subjects, landscapes, and figures, often of women. He was very successful in his day, winning second prize to Picasso's first prize at the Carnegie Institute International Exhibition of Modern Painting in 1930. In New York, he studied at the Art Students League between the years of 1914-1918. It was at the Art Students League that Brook developed significant relationships with Niles Spencer, Reginald Marsh, Kenneth Hays Miller, Yasuo Kuniyoshi and, perhaps most significantly, Peggy Bacon, whom he married in 1920. Along with Kenneth Hayes Miller, Brook studied with John C. Johansen, Frank V. DuMond, George Bridgeman and Dimitri Romanofski. Within this group lay the foundations of American Realism. Brook was a member of the Society of Independent Artists, who rebelled against the strictures of the National Academy of Design. In 1938 Brook traveled to Savannah, Georgia, there he did some of his most provocative work. After two years in the South, Bacon and Brook were divorced. Brook later married the painter Gina Knee. During the years 1928 through 1939, Alexander Brook had works in over one-hundred exhibitions, fifteen of which were one man shows. By 1942, Brook had resumed teaching at the Art Students League. Demand for the artist's work kept him in significant collections, galleries, and museums, including the Downtown Gallery (New York), the National Academy of Design, the Rehn Gallery, the Larcada and the Knoedler galleries. Some feel Brook may have retreated from the art world with the rise of Abstract Expressionism, although a sketchbook that he kept from 1949 to 1951 reveals an active engagement in painting and served multi purposes--a repository for his ideas, an address book, notebook, and travel diary. Of special interest are his notes on watercolor technique. It also includes tips for using new painting tools...

A trio of symbolic mythical fish with bird elements, drift and turn over a NY cityscape a background of letters spelling CLOUDY. Images of construction emerge and are obscured by the fog. The rear reads An homage to the striped bass...

Oil painting by Jane Hendrickson "Dawn." Measures: 60".

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #10 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

A rare piece to be found. Due to his early demise the number of works available by this artist are limited. His work can be found in every major collection in the United States. He was a Guggenheim Fellow, Museum of Modern Art Curator and rising Futurist Artist who was murdered in his New York apartment in 1961 when he was only 38 years old. Titled "Hypnerotomachia", the name means 'the act of falling in love in a dream'. This amazing and rare piece was created just one year after his success with exhibiting at the Venice Biennale of 1956. Semi-abstract composition and very dream like. This painting retains the original carved and gilded Hydenryk frame and has been professionally cleaned and conserved. His work can be found in every major collection in the United States. Charles Oscar...

Abstract acrylic on canvas painting signed by the artist "R.H. Hoffman 1982" Please confirm item location NY or NJ with dealer.

Oil painting of a nude in a room by J. Wasserman, 1970. Measures: 60".

Oil painting by Chicago/New York artist Scott Reeder.

Oil painting of the Crusifiction by Listed Artist-Theo in chrome frame.

Contemporary French artist Hortense Reynaud. Abstract painting using oil pastels which give a very rich and creamy finish. Thick quality paper. Newly framed in a natural color wood ...

Contemporary American ceramic artist Richard Hirsch's encaustic Paintings of Nothing is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #19 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

Abstract expresionist acrylic airbrush on canvas painting "Dawn's reflection" signed Edward Evan in a white painted wood frame.

Large 60" x 48" modern abstract oil on canvas painting. "Morning Glory" by Peter Caruso, NYC Artist. Amazing use of color, texture, space, very cool 1970s vibe. Would enhance any mod...

Impressed mark of J. Loebnitz and retailers mark of Maison Pichenot.

Contemporary French artist Hortense Reynaud. Abstract painting using oil pastels which give a very rich and creamy finish. Thick quality paper. Newly framed in a natural color wood ...

Large 50" x 50" Modern Abstract oil on canvas painting by Martha Visser t Hooft... (1906-1994) Martha Hamlin Visser't Hooft was an artist and teacher w...

"Bank," mixed-media on canvas by Philippe Avignant.

Contemporary French artist Hortense Reynaud. Abstract painting using oil pastels which give a very rich and creamy finish. Thick quality paper. Newly framed in a natural color wood ...

Unsigned. Attributed to Irina Valeryanovna Shtenberg. Period frame. Dimensions (unframed): Height: 13”, width: 11” Dimensions (framed): Height: 15”, width: 12-7/8” All the w...

Contemporary French artist Hortense Reynaud. Abstract painting using oil pastels which give a very rich and creamy finish. Thick quality paper. Newly framed in a natural color wood ...

Mixed media on canvas. Canvas Dimensions: 120 x 110 cm. Monogrammed “LW '24” at bottom right. Signed, titled and dated on the reverse.

Mixed media on canvas. Image size: 120 x 100 cm. Monogrammed lower right “LW ‘24”. Signed, dated and titled on verso.

Oil on linen. "Pit Thea", Study of a pine cone. From the Plant Series 1968-1989. Signed lower left, dated 1974. Signed and titled and dated on back. 20" X 24" (floating frame 21" X 25"). My imagery is rooted in the world of the spirit which manifests itself through ritual, myth and symbol. The monolithic single-image plant forms which I began painting in 1968 are potent symbols of the ancient Great Goddess in Her aspect as ‘Lady of the Plants’, who . . . has been worshipped under a thousand names since the beginnings of prehistory.” (Buffie Johnson, Artist’s Statement for the exhibition catalogue of The Language of Symbols, Landmark Gallery, New York City, April 1980.) “... in the ancient world ... such images were perceived as sacred. This sense of divinity inherent in the plant has inspired these icons and through them I hope to evoke a similar magical experience. These forms were created both as metaphors for the spiritual mystery of nature . . . [and] as celebrations of the feminine.” (Buffie Johnson, Artist’s Statement for the exhibition catalogue of Buffie Johnson: The Spirit of Plants, Chuck Levitan Gallery, New York City, October 3rd – October 26th, 1997.) BORN: February 20, 1912 New York City DIED: August 11, 2006 at her home and studio , Greene Street, New York City SOLO EXHIBITIONS: 1937 * Jake Zeitlin Gallery, Los Angeles (First Solo Exhibition) 1939 * Galerie Andre J. Rotge, Paris: “Peintures Recentes de Buffie Johnson” (First Solo Exhibition in Paris) 1939 * Wakefield Gallery, NYC: “Buffie Johnson” (First Solo Exhibition in New York) 1941 * James O’Toole Gallery, NYC: “Recent Paintings and Portraits by Buffie Johnson” 1942 * Robert C. Vose Galleries, Boston: “Paintings and Portraits by Buffie Johnson” (First Solo Exhibition in Boston) 1944 * Caresse Crosby's G Place Gallery, Washington, D.C. 1945 * Howard Putzel’s 67 Gallery, NYC: “An Exhibition of Recent Paintings by Buffie Johnson” 1948 * The John and Mabel Ringling Museum of Art, Sarasota: “Buffie Johnson” * Galleria del Cavallino, Venice: “Buffie Johnson” 1949 * The Hanover Gallery, London: “Buffie Johnson” (First Solo Exhibition in London) * Galerie Colette Allendy, Paris: “Buffie Johnson” * The John & Mable Ringling Museum of Art, Sarasota * Galleria del Cavallino, Venice 1950 * Betty Parsons Gallery, NYC: “Recent Works by Buffie Johnson” 1951 * Galerie Bing, Paris * The Paul Mellon Gallery, The Choate School, Wallingford: “Exhibit of Portraits: Buffie Johnson 1936-51” 1956 * Galerie Bing, Paris: “Buffie Johnson: Exposition de peintures” 1960 * Galerie Bing, Paris: “Buffie Johnson: peintures recentes” * Bodley Gallery, NYC: “Buffie Johnson” 1961 * Gallery Thibaut, NYC: Buffie Johnson: “Phases of the Sun” 1963 * World House Gallery, NYC 1964 * Galeria de Antonio Souza, Mexico City: “La exposicion de las obras de Buffie Johnson” * The Granville Gallery, NYC: “Buffie Johnson: Recent Paintings” * World House Gallery, NYC 1966 * Galeria de Antonio Souza, Mexico City 1969 * The New School for Social Research/The New School Associates, NYC: “Buffie Johnson: Creation Myths - Oils” 1973 * Max Hutchinson Gallery, NYC: Buffie Johnson: Paintings 1968-1973” 1975 * Palm Beach Galleries, Palm Beach “Buffie Johnson” 1976 * Andre Zarre Gallery, NYC: “Buffie Johnson: Recent Paintings” 1977 * The Stamford Museum and Nature Center, Stamford: “Two Organic Women: Buffie Johnson / Stella Snead” 1979 * Gallery 700, Milwaukee: “Buffie Johnson: Floral Paintings” 1981 * Ankrum Gallery, Los Angeles: “Buffie Johnson” * Landmark Gallery, NYC: "Retrospective" 1984 * Elizabeth Leach Gallery, Portland: “Buffie Johnson” 1989 * 56, Bleecker Gallery, Ltd., NYC: “Buffie Johnson Portraits 1936-1947” 1991 * Cardiff House at University of California, Santa Cruz: “The Numbering Series” 1992 * PMW Gallery, Stamford: “Buffie Johnson: A Span of Time” Retrospective 1993 * The Institute for Contemporary Art, P. S. 1 Museum, Long Island City: “Buffie Johnson: Paintings from the 40s and 90s” curated by Director, Alanna Heiss 1995 * Kingsborough Community College Art Gallery of The City of New York, Brooklyn: “Buffie Johnson: Plants” 1996 * Millennium Art Gallery, East Hampton: “Perceptions”: Buffie Johnson – A Retrospective of her work from the 1940s to the 1990s” 1997 * Chuck Levitan Gallery, NYC: “Buffie Johnson: The Spirit of Plants" (Part I) 1998 * Chuck Levitan Gallery, NYC: “Buffie Johnson: The Spirit of Plants" (Part II) 2002 * Anita Shapolsky Gallery, NYC: "Buffie Johnson: Transcendentalist" 2007 * Anita Shapolsky Gallery, NYC: "Buffie Johnson Memorial Exhibition" Group exhibitions: 1938 * Galerie Le Niveau, Paris: “Paysages: Exposition de Groupe” 1939 * Wakefield Gallery, NYC * The Fine Arts Gallery, Balboa Park, San Diego: The Fine Arts Society of San Diego: “The Eleventh Annual Southern California Art Exhibition” * Galerie de Beaune, Paris: “VIIe Exposition de Gravures et Platres Gravés du Groupe de L’Atelier 17” 1940 * Wakefield Gallery, NYC: “Group of Small Paintings” 1941 * Carnegie Institute, Pittsburgh: "International Exhibition of Painting and Sculpture" * Marie Sterner Gallery, NYC: “International Group of Contemporary Painters” * The American British Art Center, NYC: “First ABAC Exhibition: Paintings and Sculpture from England, Canada & America” * The American British Art Center, NYC: “Stage and Circus: An Exhibition of Contemporary Paintings, Designs and Model Stages by American and British Artists” 1942 * Society of the Four Arts, Palm Beach: “Fourth Annual Exhibition by Artist Members” * Parke-Bernet Galleries, NYC: “A Loan Exhibition of Paintings for the Benefit of The American Red Cross representing Happier Days in The United Nations arranged by Marie Sterner” 1943 * Peggy Guggenheim's Art of This Century, NYC: “Exhibition by 31 Women” 1945 * Howard Putzel’s 67 Gallery, NYC: “Preview 1945-1946 Season of Two-man and Group Exhibitions at this Gallery” * Howard Putzel’s 67 Gallery, NYC: “40 American Moderns” 1946 * Walker Art Center, Minneapolis: "136 Americans" * The Springfield Museum of Fine Arts, Springfield, MA: “Sixth Annual Spring Purchase Exhibition: 30 Paintings by 30 Contemporary American Artists” 1948 * Salon des Realites Nouvelles, Paris 1949 * Salon des Realites Nouvelles, Paris 1950 * The Brooklyn Museum, Brooklyn: "Fourth National Print Annual Exhibition" * La Galerie Arnaud, Paris: “sculpteurs et peintres abstraits americains de paris” * The Riverside Museum, NYC: “Creative Art Associates” * Guild Hall, Moran Gallery, East Hampton: 10 East Hampton Abstractionists” 1951 * Guild Hall, East Hampton: “Frankly Romantic” 1953 * Guild Hall, East Hampton: "A Selection from 12 East Hampton Collections" * Guild Hall, East Hampton: "17 East Hampton Artists" * The Brooklyn Museum, Brooklyn: "17th Biennial International Watercolor Exhibition" 1954 * stabile Gallery, NYC * Whitney Museum of American Art, NYC: “The Whitney Annual” * The Baltimore Museum, Baltimore * Hampton Gallery & Workshop, Amagansett: "Group Show: Eight Painters, Two Sculptors" 1955 * stabile Gallery, NYC * Moderna Galerija, Ljubljana, “Exposition Internationale de Gravure” 1956 * Haus der Heimat, Iserlohn: "Junge Amerikanische Kunst" * Group Espace, Paris * Guild Hall, East Hampton: “13 Artists of the Region: Museum Acquisitions and Recent Works” 1957 * Signa Gallery, East Hampton: "Second Exhibition" 1959 * Hirschl & Adler Galleries, NYC: "Works by Gallery Artists" 1960 * Guild Hall, East Hampton: "Monotypes and Prints" * Whitney Museum of American Art, NYC: Friends of the Whitney Museum of American Art: "Business Buys American Art" * Bodley Gallery, NYC * The Philadelphia Art Alliance, Philadelphia: “Monotypes & Prints of Related Techniques” Shown concurrently with the publication of Henry Rasmusen’s Printmaking with Monotype 1961 * Bertha Schaefer Gallery, NYC: "Contemporary Collage" 1964 * Long Island University/The Parrish Art Museum, Southampton: "Long Island Artists" at Long Island University’s Galleries * Guild Hall, East Hampton: “Festival of the Arts Exhibition: Artists of the East Hampton Area Each showing one of his own works along with a favorite work of art or object from his collection.” 1965 * The Parrish Art Museum, Southampton: "Twelve Women Painters of the South Fork” 1970 * Le Salon International de la Femme, Nice. (Medailles d’argent) 1971 * Museum of Modern Art, NYC: "Penthouse Exhibition" * Whitney Museum of American Art, NYC: "American Art of Our Century" 1972 * Kunsthaus Hamburg, Hamburg: "Gedok American Woman Artist Show" * Suffolk Museum and Carriage House, Long Island: “Unmanly Art” 1973 * The New York Cultural Center, NYC: "Women Choose Women" * Whitney Museum of American Art, NYC: “1973 Biennial Exhibition: Contemporary American Art" * Women's Interart Center, NYC: "In the Beginning: Women and Religion" * University of Texas at Austin, "The Ciba-Geigy Collection of Contemporary Paintings" * A .I. R. Gallery, NYC * Brooklyn College, Brooklyn: "New York Women Artists" * Lehigh University, Bethlehem, PA: "New York Women Artists" 1974 * Kresge Art Center Gallery, Michigan State University at East Lansing: “Works by Women from the CIBA-GEIGY Collection” * Weatherspoon Art Gallery, The University of North Carolina at Greensboro: “Works by Women from the CIBA-GEIGY Collection” * Cranbrook Academy of Art, Bloomfield Hills: "Waves: An Artist Selects" * Grand Rapids Art Museum, Grand Rapids: "Waves: An Artist Selects" 1975 * Women's Interart Center, NYC: "Color, Light & Image" * The Pratt Institute Gallery, Brooklyn: "Women's Exchange Exhibitions: Artists from the Women Artist Historical Archives of the Women’s Interart Center" * Ashawagh Hall, Springs: "Women Artists Here & Now" * The Aldrich Museum of Contemporary Art, Ridgefield: "A Change of View" * The Brooklyn Museum, Brooklyn: "Works on Paper: Women Artists" * Whitney Museum of American Art, NYC: "Women from the Permanent Collection" 1976 * Buecker & Harpsichords, NYC: “Recent Portraits of Sari Dienes” * Soho Art Tour: A Benefit for Guild Hall of East Hampton * Guild Hall, East Hampton: "Artists and East Hampton: A 100 Year Perspective" * Landmark Gallery, NYC: “10 Artists" * The Hirshhorn Museum, Washington, D. C.: "A Bicentennial Edition of Banners" * Chuck Levitan Gallery, NYC: "A Bicentennial Edition of Banners" * National Museum Singapore, Singapore: “Artists Celebrate the Bicentennial” * Marion Koogler McNay Art Institute, San Antonio: "American Artists ‘76: A Celebration" * The Bronx Museum of the Arts, Bronx: "The Year of the Woman: Reprise" 1977 * The Bronx Museum of the Arts, Bronx: "The Magic Circle" * Hurlbutt Gallery, Greenwich: The Friends of the Greenwich Library Present: "Contact: Women and Nature” The Works of 30 contemporary women artists selected by New York critic and author Lucy R. Lippard * The Brooklyn Museum Art School, The Brooklyn Museum, Brooklyn: "Contemporary Women: Consciousness and Content" * New York University, Contemporary Arts Gallery, NYC: Visual Artists Coalition Exhibition: “Women Painters and Poets” 1978 * Women’s Interart Center, NYC: Women Artists: Sketch Books 1979 * Elaine Benson Gallery, Bridgehampton: "Five Artists New York/Hamptons" * Connecticut College, Cummings Center, New London: Visual Artists Coalition Exhibition: “Women Painters and Sculptors” * Clayworks Benefit Exhibition, 4 Great Jones Street, NYC 1980 * Landmark Gallery, NYC: "The Language of Symbols" * Fordham University, Lowenstein Library Gallery, NYC: “Evocative Images” * The Tweed Museum of Art, University of Minnesota, Duluth, “Invitational Print Show” 1981 * Landmark Gallery, NYC: "118 Artists" * The Parrish Art Museum, Southampton: "Alive at the Parrish" * American Academy and Institute of Arts and Letters, NYC: "Paintings And Sculpture by Candidates for Art Awards" 1982 * Westbeth Gallery #1, NYC: “Sexuality in Art: Two Decades from a Feminist Perspective.” One of sixteen shows of “Views by Women Artists: Sixteen Independently Curated Theme Shows Sponsored by the New York Chapter of the Women’s Caucus for Art” * The State University of New Jersey Rutgers, Mabel Smith Douglass Library, New Brunswick: Women Artist Series at Douglass College: “Modern Masters: Women of the First Generation” * Frank Merino Gallery, NYC: “Heresies 3rd Annual Art Benefit: Work by 146 Women Artists for Sale at Artists’ Prices” 1983 * Philadelphia College of Art, Philadelphia: “An Exhibition of Work by Artists in the Historical Archives of the Women’s Interart Center of New York City” 1984 * Suzanne Gross Gallery, Philadelphia: "Major Contemporary Women Artists: In Celebration of Simone de Beauvoir" 1985 * The Parrish Art Museum, Southampton: "Looking At Pictures" 1987 * Schick Art Gallery, Skidmore College, Saratoga Springs: "Self-Portraits: The Message, The Material" * Hofstra Museum - Emily Lowe Gallery, Hempstead: "Self-Portraits: The Message, The Material" 1988 * Phoenix II Gallery, Washington, D. C.: “Small Works by Forty-Two Artists 1989 * Anita Shapolsky Gallery, NYC: "Early Abstractions: Painting and Sculpture of the 40’s and 50’s" * Knoxville Museum of Art, Knoxville in conjunction with Bennett Galleries, Knoxville: "American Women Artists: The 20th Century" 1990 * Queensborough Community College Art Gallery, Bayside: "American Women Artists: The 20th Century" * Guild Hall/East Hampton Center for Contemporary Art, East Hampton: "East Hampton Avant-Garde: A Salute to the Signa Gallery 1957-60" 1991 * Harmon-Meek Gallery, Naples, FL: “Gallery Group Exhibition” * Harmon-Meek Gallery, Naples, FL: “Recently Added Artists” * Anita Shapolsky Gallery, NYC: “The Prevailing Fifties” 1992 * The Institute for Contemporary Art, P. S. 1 Museum, Long Island City: "Slow Art: Painting in New York Now." Curated by the museum’s Director, Alanna Heiss * Stuart Levy Gallery, NYC: “American Vanguard: Jackson Pollack, Lee Krasner and Friends” for the benefit of The Study Center Development Fund of The Pollock- Krasner House and Study Center, East Hampton, New York * Harmon-Meek Gallery, Naples, FL: “Flowers in Art” * Melvin Gallery, Florida Southern College, Lakeland: “Women Artists From the Harmon- Meek Gallery” * Anita Shapolsky Gallery, NYC: “The Americas” 1993 * Richard Anderson Gallery, NYC: “Songs of Retribution.” Curated by Nancy Spero * Snyder Fine Art, NYC: “Out of the ‘50s”: Works Shaped by the Aesthetic of the 1950s * Benton Gallery, Southampton: “Woman!” * The Museum of the Provincetown Art Association, Provincetown: The Art Students League of New York and The Provincetown Art Association and Museum Exhibition of: “The League at the Cape” Part II: Contemporary Invitational Section * Anita Shapolsky Gallery, NYC: “Women of the Fifties” 1995 * The New York Open Center, NYC: “The Creative Call to the Divine: An interfaith art show and healing experience” * Millennium Gallery, East Hampton: "Living Legends" * Anita Shapolsky Gallery, NYC: “Artists of the Fifties” (Part 2) 1997 * Pollock-Krasner House and Study Center, Springs, East Hampton: "Art of This Century: The Women" 1998 * Anita Shapolsky Gallery, NYC: “Earthly Delights” 1999 * Anita Shapolsky Gallery, NYC: “The Immortals” 2000 * Anita Shapolsky Gallery, NYC: “Buffie Johnson, William Scharf, Yvonne Thomas, Rufus Zogbaum, Wilfrid Zogbaum: Feb. 12-April 29, 2000” 2001 * Emily Lowe Gallery, Hofstra University, Hempstead: “Abstract Expressionism, Then and Now” 2003 * Anita Shapolsky Gallery, NYC: "Re-Examining Abstract Art, Part 2" 2004 * Anita Shapolsky Gallery, NYC: "New York School Artists: Work of 50’s & 60’s" 2005 * Anita Shapolsky Gallery, NYC: "Betty Parsons & the Women" 2007 * Anita Shapolsky Gallery, NYC: "Collectors' Choices" * Thomas McCormick Gallery, Chicago: “Suitcase Paintings...

Dimensions: Unframed: 11-1/2 x 8-1/16 inches Framed: 17-1/8 x 12-7/8 inches Signed by the artist and dated ’64 in the lower right corner; inscribed in German: Zurich, Schweitz (Zurich, Switzerland) This unique work of art is a mixed-media collage on paper, where the artist had generously used his own pencil, gouache and watercolor drawing with a print cut-outs. Stanley R. Stangren (1928–2014) was an outstanding American jeweler, artist, sculptor and ceramist, residing in New York City. He worked in different styles and in different materials, including oils, watercolor, ceramic and stone sculptures; and fine jewelry. Stangren’s painting styles varied tremendously – from complete abstract works to Holocaust themes in the style of Georges Rouault and Hieronymus Bosch to portraits in the style of Moses and Raphael Soyer. He was also a passionate lover of the performing arts, and, as a young man, spent time studying dance at both the School of American Ballet and with Martha Graham. Although he worked with dance pioneers like Ms. Graham, Anna Sokolow and Charles Weidman, an injury prevented him from pursuing dance as a career. But he found other outlets for his artistic pursuits. In his youth, Stangrem attended the Brooklyn Museum School of Art, and graduated from the High School of Music and Art in New York City. He later studied at the Boston Museum of Fine Arts, the Art Students League, Bard Colledge and in Europe. Stangren studied jewelry design in Europe, attending Staatlische Kunst Werkschule in Pforzheim, Germany and Kunstgewerbeschule der Stadt in Zurich, Switzerland. His jewelry and designs were received with great success. His combination of precious and semi-precious stones, high-karat gold and sterling silver, and exotic materials executed with outstanding workmanship in the abstract modernist style gave a unique aspect to his designs, the metalwork usually electroformed, cast, or fused in varying textures. After returning to New York in the later 1950s, Stangren opened and maintained a ceramic business in Trenton, New Jersey. Very few pieces of his work remain from this period. When he retired from the ceramics business, he spent much of his time enjoying the arts. He frequently attended Juilliard performances, including most of the opera and drama presentations at the School, and was especially fond of the dance concerts. The last 40 years of his life, he taught painting in the New York area and worked with Metropolitan Museum of Arts in developing annuities, for future acquisitions. In addition, Stangren left annuities for MoMa in support of educational programs and left, in his will or through his executors, art supplies for the Harlem School of Art and benefits for the Urban Assembly organization. Mr. Stangren's love for the arts and for the performances he was seeing at Juilliard inspired him to take his participation a step further and to establish charitable gift annuities with the School. "I realized what Juilliard offered me, being a passionate music lover, and I decided to give something back" he said. "What Juilliard achieves is remarkable. When I think of the prominent actors, dancers and musicians that have been educated there, I am always staggered. It is deeply financially satisfying to be able to give back to the School, while benefitting from it at the same time." The Juilliard School is not the only organization that Stanley Stangren...

Framed Mid-Century Modern painting of a boat on glass, this art would make a great addition to any home or office. Please confirm item location with dealer (NJ or NY).

This original painting botanical has a wonderful light, airy feel to it. This lovely piece works in so many settings, but we particularly like to pair it with traditional pieces for...

Early work of Sylvia Hommert 2002 LA #501 untitled painting. Oil, beeswax, paua shell, and resin on canvas. Signed lower right.

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

Triptych of large-scale paintings, highly patterned and evocative of Memphis-style 1980s design. Each painting is 52.5" square. They make quite an impressive display when hung togeth...

A Vienna style porcelain burgundy-ground tray, 'triumph Der Venus' late 19th century, blue beehive mark, signed bergère Pinh. The oblong octagonal tray painted with Venus rising from the sea...