New York - Paintings

Edward McHugh Untitled, 2021 Acrylic, ink, thread, iron oxide, polyester resin on double-refined fiberboard 3 x 45.5 x 56.5 in

Transform your space with the captivating allure of this exceptional oil painting on canvas, featuring a distinguished horse adorned in a rich brown and black coat. Poignantly peekin...

Elevate your space with the timeless allure of this exceptional oil painting on canvas, capturing the regal presence of a handsome horse adorned in a striking silver and grey coat. T...

Indulge in the timeless allure of this extraordinary oil painting on canvas, capturing the essence of a magnificent horse with a lustrous silver-white coat. This captivating piece de...

Contemporary American artist Patrick Phillips "Is an abstract expressionist painter influenced by the 'New York School' artists including Mark Rothko, Robert Motherwell and Helen F...

Elaine Goldberg-Galen (American, b. 1928), "Jerusalem", Oil on Canvas, 1976, signed lower right, marked to verso with title and artist's name, silver-tone frame. Image: 60" H x 70" W...

Grotto view of Capri. Gold-framed French watercolor views of Capri entitled, "Grotto a Capri - Le 24 Octobre 1846," Dimensions: Sight: 12.5" W x 9" H; overall 18.5" W x 14.5" H.  

View of Capri. Gold-framed French watercolor views of Capri entitled, "Ville de Capri - 13 Juillet 1846." Dimensions: Sight: 12.5" W x 9" H; overall 18.5" W x...

Westley G. Olmsted (1934-2011) was a painter and sculptor. He was born in Buffalo, New York, and was a distant relative Frederick law Olmsted, th...

One of the original members of the Abstract Expressionist "New York School", Salvatore Grippi (1921-2017) exhibited in two of the famous New York Painting and Sculpture Annuals (1953...

Natural scene of Mandarin ducks gliding gracefully amongst the water. Mineral pigments on silk with silk brocade border and natural wood trim. Seal reads: Kei.

Oil painting of the Crusifiction by Listed Artist-Theo in chrome frame.

Large oil on canvas painting by M J MYERS... depicting bar scene,, Amazing use of color ,space and texture,,, Born in Buffalo, NY and raised in the city of Tonawanda, MJ Myers attended the State University at New Paltz where he received a Bachelors of Fine Arts with a concentration in Drawing and Painting and a minor in Art History. Deeply embedded in the Buffalo art world, Myers works as an art handler for the Albright-Knox Art Gallery, UB Anderson Gallery, and Frank Lloyd Wright's Darwin D.Martin house. His work has been shown at multiple galleries as well as in many performances by the Buffalo, NY performance troupe Torn Space Theater. In 2014, MJ performed his first wedding painting...

Mixed media on canvas by Philippe Avignant, showing is work now in a solo show at Gallery 623 in Brooklyn.

"Man Finish House," 2018 by artist Kathi Robinson Frank is large abstract work from her large-scale paintings which incorporate oil, acrylic, charcoal, pastel and metallic paint fram...

Guache painting signed Hugo Scheiber: Budapest 1873-1950. Hugo Scheiber was born in Budapest in 1873. At the age of eight, he moved with his family from Budapest to Vienna. There,...

Phalangium Liliago hand colored engraving signed P.J. Redoute. One of a set of large and impressive well painted set of nine floral works each having...

John Lavalle (1896-1971) Verona, 1927. Watercolour of noted staircase in Verona, the “Scala della Ragione” by listed American artist John Lavalle in Italian-style gilt carved wood & ...

Untitled abstract painting by Adja Yunkers. Collage with acrylic, signed and dated 1969.

Contemporary French artist Hortense Reynaud. Abstract painting using oil pastels which give a very rich and creamy finish. Thick quality paper. Newly framed in a natural color wood ...

Beautiful fine detail of a variety of wild grasses. Lacquer on wood panel with carved surface and metal rim. Exhibited at National Nitten Exhibition 1969.

- Opaque III by Georges Ferrato - Oil on Canvas - 55 x 94 in, 140 x 240 cm - Signed at bottom right, signed dated and titled on the back Ferrato’s work is often associated with the ...

-Sommières by Georges Ferrato -Oil on Canvas -35 x 45.5 in, 89 x 116 cm -Signed at bottom, signed dated and titled on the back Ferrato’s work is often associated with the abstractio...

In her mixed-media artwork "23 V Countercurrent," Rey explores narratives connecting nature, technology and sustainability. Fusing a Postmodern oeuvre of abstraction and surrealism, with a nod to Tiepolo, Constable and Dali, the artist ignites saturated stems of red, pink, and green pigments in a world where color and form flow in and out of multi-perspectives. Springing forth through space is symbolic iconography. Sea life including fish, manatee and coral swim through currents of air, water and land as the artist examines the dynamic link between them. Engineered towers protect vital H2O for human sustenance while elements of the periodic table depict the equality of all that exists on earth and beyond. Renée Rey...

Eva Bouzard-Hui (American, 1936-2023), Abstract Composition, Acrylic on Canvas, apparently unsigned, featuring a woman's face, rabbits, and foliage amongst an abstracted background,...

GUNNAR ÅNGER ( 1952- 2019) abstract painting. Acrylic on perforated galvanized metal. Unsigned.

This master Painter and Sculptor was considered almost an elemental force in 20th-century modern art and his pieces across the entire expanse of 20th-century style ideals from impres...

Édouard Righetti (1924, Menton – 2001, Paris) was a French painter and printmaker known for his expressive and dynamic style, often depicting animals and nature with bold strokes and...

Oil on canvas landscape scene by German Painter Josef Sedlmeier in a gilt wood frame.

"My Family" a watercolor by Helen A. Haselton. She was active in Chicago and the Hartford area in Connecticut, born in 1888 and died in Woodstock Valley, CT in 1989. She was an accom...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #28 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...

Mid Century Mixed media painting "Storm at Sea" by J.Domokur in heavy gage brass frame.40x34

Still life oil painting of cabbage, leaks by listed artist Alicia Cajiao framed.46x48"

Abstract oil painting on canvas by Southampton listed artist Russell Christoffersen.

Dimentional art "Scrap Metals II" painted metalic paper on board-framed under glass by Lawrence S. Heller.

A rare piece to be found. Due to his early demise the number of works available by this artist are limited. His work can be found in every major collection in the United States. He was a Guggenheim Fellow, Museum of Modern Art Curator and rising Futurist Artist who was murdered in his New York apartment in 1961 when he was only 38 years old. Titled "Hypnerotomachia", the name means 'the act of falling in love in a dream'. This amazing and rare piece was created just one year after his success with exhibiting at the Venice Biennale of 1956. Semi-abstract composition and very dream like. This painting retains the original carved and gilded Hydenryk frame and has been professionally cleaned and conserved. His work can be found in every major collection in the United States. Charles Oscar...

19th century portrait of John Quincy Adams, the sixth President of the United States. Oil on canvas.

Domenick Capobianco (American, born Italy, b. 1938) "The Severed Head of Orpheus Afloat at Sea Still Sang:...", Oil on Canvas, signed and titled to verso, circa 2008, unframed. 20" ...

62" abstract painting by listed Southampton artist Russell Christoffersen.

Contemporary French artist Hortense Reynaud. Abstract painting using oil pastels which give a very rich and creamy finish. Thick quality paper. Newly framed in a natural color wood ...

Abstract expresionist acrylic airbrush on canvas painting "Dawn's reflection" signed Edward Evan in a white painted wood frame.

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #50 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Drawing with watercolor and oil on paper - All original in custom gallery double frame and non-reflective UV glass. Signed in pen to lower right. This is a wonderful monochromatic Pi...

Unique taupe abstract painting on paper by Brazilian artist Ivanilde Brunow. Fabulous colors invoke this beautiful moody image. Painting is ...

This oil painting, by Pinchas Litvinovsky, portrays a lively and expressive depiction of a bris, the Jewish ritual circumcision ceremony. The composition is filled with dynamic brush...

John Lavalle (1896-1971) gilt-framed watercolor of Sans Souci, the palace of Henri-Christophe, on the island of Saint-Domingue / Haiti, 1936. Signed lower l...

50" grey abstract acrylic painting by Arnie Arlow.

Modern sleek painting. Deep and dark accents giving the viewer many opportunities for interpretation.

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Domenick Capobianco (American, b. 1928), Abstract Ocean Scene, Oil on Canvas, depicting a sunset over the sea, apparently unsigned to verso, "Domenick Capobobianco Studio" stamp to v...

Terryl Best (American, XX) "Ribbons VIII" oil painting on canvas depicting a Minimalist abstract polychrome composition on a butter yellow ground, signed to verso with National Assoc...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #29 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Paint...

Abstract painting by Ferro. One of a kind.

Six watercolor paintings of cigar smokers by listed artist Gersten. Framed in a wood frame under glass.

Signed stylized oil painting of a cat in a hand-painted frame.

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. All artwo...

Under the Blanket Project, Naomi Clark creates what she titles Quilt Paintings. She breathes new life into old wool and cotton camping blankets culled from EBay, flea markets and gar...