New York - Paintings

Large oil on canvas painting by M J MYERS... depicting bar scene,, Amazing use of color ,space and texture,,, Born in Buffalo, NY and raised in the city of Tonawanda, MJ Myers attended the State University at New Paltz where he received a Bachelors of Fine Arts with a concentration in Drawing and Painting and a minor in Art History. Deeply embedded in the Buffalo art world, Myers works as an art handler for the Albright-Knox Art Gallery, UB Anderson Gallery, and Frank Lloyd Wright's Darwin D.Martin house. His work has been shown at multiple galleries as well as in many performances by the Buffalo, NY performance troupe Torn Space Theater. In 2014, MJ performed his first wedding painting...

Drawing with watercolor and oil on paper - All original in custom gallery double frame and non-reflective UV glass. Signed in pen to lower right. This is a wonderful monochromatic Pi...

Abstract painting by Ferro. One of a kind.

1950s German acrylic abstract painting in a natural color wood frame. The dominant color is orange with cobalt blue, black and wine. Artist is unknown. The painting is framed with...

Contemporary French artist Hortense Reynaud. Abstract painting using oil pastels which give a very rich and creamy finish. Thick quality paper. Newly framed in a natural color wood ...

Unusual pair of modern surrealist abstract paintings, hand executed by artist Gleen Fisher, Buffalo New York. Heavy gold gilt plaster and oil paint on wood, minor losses, see photo.

Desensitized Fritz Proctor is an American Painter from Niagara Falls, New York. Fritz acquired his BA in Studio Art from the University of Buffalo. H...

Oil on canvas "linens on line in the sun" signed Erik Sääf 1910 Sweden This painting represents a scene in nature where a pulled thread holds hanging laundry. This painting with poet...

Screen A: Autumn Scene with Geese in a Gentle Landscape. Lovely painting depicting geese under maple, in a gentle water landscape. Mineral pigments on paper with gold leaf clouds. ...

Gerson Leiber "A Welcome Discordance" Oil on Linen, 2014 Born in Brooklyn in 1921, Gerson showed promise in his high school art classes. Later, while stationed in Hungary in the a...

Gerson Leiber "Dense Yet Tender" Oil and Graphite on Linen, 2015 Born in Brooklyn in 1921, Gerson showed promise in his high school art classes. Later, while stationed in Hungary ...

Gerson Leiber "A Concise View of the North Fork" Oil & Graphite on Linen, 2015 Born in Brooklyn in 1921, Gerson showed promise in his high school art cla...

Gerson Leiber "I Hope for Controlled Chaos" Oil on Linen, 2015 Born in Brooklyn in 1921, Gerson showed promise in his high school art classes. Later, while stationed in Hungary in...

Gerson Leiber "I Remember Larry Fleishman Fondly" Oil and Graphite on Linen, 2015 Born in Brooklyn in 1921, Gerson showed promise in his high school art classes. Later, while stat...

One of the original members of the Abstract Expressionist "New York School", Salvatore Grippi (1921-2017) exhibited in two of the famous New York Painting and Sculpture Annuals (1953...

A mid century framed mixed media watercolor scene depicting sail boats against a city, possibly Venice, Italy. Appears to be mixed media including not limited to pastels, watercolor ...

Mixed media on paper. Framed. Image size: 80 x 121 cm. Signed and dated “Chr. Wachter ‘20” at bottom right.

Framed oil painting on board by Sara Skaaning. Based in the Island Mon, Denmark, the visual artist Sara Skaaning starts from her surroundings that twists and transforms until complet...

On mulberry paper with silk brocade. From the estate of Andrea Bollt. Artist's seal reads: Mitsushito (died 1922).

1930s Dutch school of art abstract painting. Newly framed art floating on linen backing. From a large collection of work.

Wonderful set of 6 original oil paintings by Endi Poskovic. These works recently acquired from old warehouse space in Buffalo NY, apparently a studio spa...

Contemporary French artist Anne Goujaud was born in September 1954. She has exhibited in numerous galleries throughout France. And been part of collective exhibits throughout Europe....

Japanese six-panel screen: Buck and doe at dawn. Showa period (1926-1989) painting of a rising sun seen through a woodland scene with a pair of deer. In Japan, deer are thought to be...

A lovely painting in the impressionist style capturing a scene of Parisian rooftops and buildings, accented by blooming trees lining the street. The colors are in muted tones, creat...

Owens, John Joseph (American/West Virginia 1887-1931), Model Portrait Study, signed and dated 1909, charcoal on laid paper and pen and ink, about 21 x 17 inches. Provenance: artist's...

Painting, oil in cardboard, signed H Scheiber (Budapest 1873- 1950). Hugo Scheiber was born in Budapest in 1873. At the age of eight, he moved with his family from Budapest to Vie...

"Ottobre in Cantina" Painting, oil on canvas by Italian artist Sergio Agostini, Rome, 1960. Signed on lower left with sticker from original exhibition at Galleria L'88 on Via M...

We love paintings and renderings of interiors as they can capture the soul of a room. This is a hand painted water color of a traditional dining room...

Sparrows ravish freshly harvested rice, drying on stakes, beyond wild chrysanthemum. Mineral pigments on silk. Signed in the lower left corner, signature reads: Soetsu. With a simple...

Westley G. Olmsted (1934-2011) was a painter and sculptor. He was born in Buffalo, New York, and was a distant relative Frederick law Olmsted, th...

The abstract paintings of Ethan Boisvert often begin with a random sketch and find form and narrative through an overlay of direct painting, drips, homemade print making  techniques ...

18th Century Oil on panel of European Nobleman

Large abstract expressionist painting on raw canvas by Belgian Painter, A.C. Hermkens. Signed. "Dynamicism and Space Co-exist in a Work of Subtle Tensions and Mythic Wishes.".  

Harry Schaare (American, 1922-2008), "The Lonely Command", Gouache and Acrylic on Paper mounted to Board, titled to verso, signed lower right, unframed. 18.5" H x 22" W.

Contemporary American artist Patrick Phillips "Is an abstract expressionist painter influenced by the 'New York School' artists including Mark Rothko, Robert Motherwell and Helen F...

Oil on board. Painting measures: 14 7/8 x 18 inches with frame it measures: 21 1/4 x 24 1/2 inches.

A boxed, abstract construction of colorful quilled paper by American artist Paul Shaub.

Signed dated ad titled “The Irresistible Landscape”. This painting was personal to the artist as Brook was born on July 14, 1898 ad at the age of twelve was bed-ridden with Polio. This painting is a self-portrait showing the artist looking out the windows of the room he rarely was able to leave. This painting was exhibited at the Pennsylvania Academy of Fie Arts ad the Ogunquit Museum Of America Art, exhibition tags from both institutions are attached to the stretcher en verso. Born in Brooklyn, New York, Alexander Brook was a realist painter, whose works consisted mostly of still-life subjects, landscapes, and figures, often of women. He was very successful in his day, winning second prize to Picasso's first prize at the Carnegie Institute International Exhibition of Modern Painting in 1930. In New York, he studied at the Art Students League between the years of 1914-1918. It was at the Art Students League that Brook developed significant relationships with Niles Spencer, Reginald Marsh, Kenneth Hays Miller, Yasuo Kuniyoshi and, perhaps most significantly, Peggy Bacon, whom he married in 1920. Along with Kenneth Hayes Miller, Brook studied with John C. Johansen, Frank V. DuMond, George Bridgeman and Dimitri Romanofski. Within this group lay the foundations of American Realism. Brook was a member of the Society of Independent Artists, who rebelled against the strictures of the National Academy of Design. In 1938 Brook traveled to Savannah, Georgia, there he did some of his most provocative work. After two years in the South, Bacon and Brook were divorced. Brook later married the painter Gina Knee. During the years 1928 through 1939, Alexander Brook had works in over one-hundred exhibitions, fifteen of which were one man shows. By 1942, Brook had resumed teaching at the Art Students League. Demand for the artist's work kept him in significant collections, galleries, and museums, including the Downtown Gallery (New York), the National Academy of Design, the Rehn Gallery, the Larcada and the Knoedler galleries. Some feel Brook may have retreated from the art world with the rise of Abstract Expressionism, although a sketchbook that he kept from 1949 to 1951 reveals an active engagement in painting and served multi purposes--a repository for his ideas, an address book, notebook, and travel diary. Of special interest are his notes on watercolor technique. It also includes tips for using new painting tools...

Stunning modern / Postmodern painterly abstraction with gorgeous knife work and thick impasto, vibrant, genius colors and juxtapositions. Fresh, unexpected yet very much reminiscent of the traditional landscape painting.

With his series of intense black mixed-media paintings, artist Gabriel Shuldiner captures the void simultaneously created by and filled up by technology. By layering the paintings wi...

Modernimpressionistic portrait of man and woman by Costain. Oil on canvas.

Modern impressionistic portrait of a woman in pink by Costain. Oil on canvas.

Stunning early master illustration by Bill Nelson in his preferred medium of colored pencil for the Cincinnati Magazine cover story (May 1980). Framed. Ta...

Collection of black and white artwork by contemporary American artist Sandra Constantine. Collages from original prints. Newly framed in black wood. Collection styles P1052 thru ...

About Alexander Gore The artist as an observer decided after many years of visiting non-western places of culture to put his memories to use on visible surfaces for people to see....

Gorgeous red monochrome Pop Art still-life drawing on paper, in the midst of the artist’s untitled table series of which I have a few large canvases listed. Don't miss this treasure!

This work, “Untitled, Woman Reclining" from 2006 is a 4-layer “painting” by William Stuart on fiberglass screen (“screen-door screen”) with acrylic late...

Guache painting signed Hugo Scheiber: Budapest 1873-1950. Hugo Scheiber was born in Budapest in 1873. At the age of eight, he moved with his family from Budapest to Vienna. There,...

Hand-signed by artist; frame included. "Art is a Criminal Action" by Ulrike Rosenbach, first printed in 1969. This is a reedition from 2018, and is edition 2/10.

Large painting on board of a couple and a baby by Tim Haven.

Contemporary Belgian artist Diane Petry creates her own three layer canvas using pima cotton, gauze and fine paper. Raw edges and applied threads add texture and dimension. Colors are cream, blue and rust. All artwork can be commissioned for any size and color adjustments. Archivally mounted on museum board in an anodized black aluminum frame with acrylic. We have a large collection of paintings...

Vintage-modern oil on masonite painting titled "Wetlands" signed "Vincent LaBadessa". Please confirm item location NY or NJ with dealer.

Old English hand painted Cote of Arms series with Provenance of each respective family, beautifully matted and elegantly framed. The crests are for the families listed below. Each's respective history and estate information affixed to back of each framed crest...

Oil on canvas, signed "Solodar". Beautiful abstract painting executed in oil on canvas. Signed. The composition consists of repeating geometric shapes in deep blacks, earthy brown...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

Toronto-based graphic designer and artist, Dustin Cox, reveals his skill as watercolorist in this delightful mountain landscape, titled "No Risk No Story." Newly framed and signed an...

Photo art and Plexiglas

Copy of a painting by French Impressionist showing two fauns on a lush green hill side overlooking a house and garden

Copy of an impressionist vertical landscape titled "Lisiere de Floret"

American Mid-Century watercolor of corset / dress in a silver frame (signed Anna Kipin)