North Carolina - Landscape Prints

"July Fifteenth" is a lithograph from 1938 by Grant Wood. The artwork size is 9 3/4 x 12 1/2 inches. The framed size is 17 x 19 1/2 x 5/8 inches. The piece is signed in pencil, lower...

"Harbor Rainbow" with rippling water reflections of the blue boat floating in the sea is a quintessential example of Tom Swimm's enhanced realism. This c...

SINGLIN' OUT by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques o...

"Morning By The Bay" features a colorful street scene leading to the sparkling Caribbean sea, and is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pull...

Anton Schutz, 'Cleveland Public Square', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. Annotated 'Cleveland Public Square S489', in another hand, in the bottom right margin. A fine, richly-inked impression, in brown/black ink, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 3 inches), in excellent condition. Archivally sleeved, unmatted. Image size 11 7/8 x 8 7/8 inches; sheet size 17 1/4 x 12 1/8 inches. ABOUT THIS IMAGE 'Public Square' is the two-block (formerly four-block) central plaza of downtown Cleveland, Ohio. Based on an 18th-century New England model, it was part of the original 1796 town plan overseen by Moses Cleveland and remains today as an integral part of the city's center. The 10-acre (4.0 ha) square is centered on the former intersection of Superior Avenue and Ontario Street.[2] Cleveland's three tallest buildings, Key Tower, 200 Public Square, and the Terminal Tower, face the square. Public Square was part of the Connecticut Land Company's original plan for the city, overseen by Moses Cleveland in the 1790s. The square is signature of the layout for early New England towns, which Cleveland was modeled after. While it initially served as a common pasture for settlers' animals, less than a century later in 1879 Public Square became the first street in the world to be lit with electric street lights—arc lamps designed by Cleveland native Charles F. Brush. The square was added to the National Register of Historic Places on December 18, 1975. Public Square is often the site of political rallies and civic functions, including a free annual Independence Day concert by the Cleveland Orchestra...

Original artwork = $13,000 Limited editions 30 - Square format: 100 x 100 cm - 39,4 x 39,4 in artwork rolled up in a tube 110 x 10 cm, 950 g = 990 Eur artwork framed 106 x 106 x 8 ...

Tug Boat in New York Harbor Screen print, c. 1942 Signed in the screen lower right (see photo) Condition: Excellent Image size: 16 x 20 inches Published by Li...

Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...

Original artwork = $16,000 Limited editions 30 - Rectangular format, 3/4 160 x 120 cm - 63 x 47,2 in artwork rolled up in a tube 130 x 10 cm, 1,2 kg = 2 400 Eur artwork framed 166 x...

a large scale photograph of lush emerald green nature biotope, a highly detailed observation of the natural beauty of the Northern California redwood forest Redwoods by Erik Pawassa...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% acid free. TAPESTRY OF SPRING is a realistic Western landscape scene set in Wyoming featuring a backdrop of Wyoming's majestic Grand Teton snow...

"Morning By The Bay" features a colorful street scene leading to the sparkling Caribbean sea, and is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pulled 90 color serigraph exhibits all of the bold colors and strong composition that Swimm is known for. It is hand signed by the artist in an edition of 240 including Artist Proofs. The serigraph features hand torn deckled edges so that the artwork can be floated in a frame with no margins (the artist signs in oil on the image.) Born and raised on the East Coast, he had a successful career as an advertising commercial artist in New York, then resettled in southern California with his wife and son in 1982. Inspired by the light and landscape of the West Coast, he renewed his passion for painting and was accepted for his first exhibition in the Festival Of Arts in Laguna Beach, California in 1988. His paintings soon became recognizable for their exceptional use of light and color -- a style that he continues to develop with each new work. To quote the artist: “Light is the most important aspect of my work, offering the ultimate challenge and reward. To capture its elusive qualities on canvas offers great personal satisfaction, and it’s what I thrive on artistically.” To seek inspiration, the artist travels extensively, working from photos and sketches that he uses for reference, then creates his original oils...