Ohio - Landscape Photography

Shaft of light in Upper Antelope Canyon, near Page, Arizona, Navajo Nation Photograph on Kodak Professinal Paper, c. 1980's Unsigned Annotated verso "396" in ink lower right corner C...

Entrance, Reefert Chuch, Ireland Silver gelatin Print, 1989 Signed in pencil lower right on mount (see photo) From: Stone Churches of Ireland, published by Lodima Press, Volume 9 Ima...

Juniper, Lake Tenaya Gelatin silver print, 1937 Unsigned Edward Weston Estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward, printed in...

Pezhman technique is to cut out pieces of the photo and place them on top of the original to create a layered effect. He then uses inks to enhance this mixed media photography techni...

Pezhman technique is to cut out pieces of the photo and place them on top of the original to create a layered effect. He then uses inks to enhance this mixed media photography techni...

Pezhman technique is to cut out pieces of the photo and place them on top of the original to create a layered effect. He then uses inks to enhance this mixed media photography techni...

Plaster Works, Los Angeles, 1925 Toned silver print Negative by Edward Weston Print by Cole Weston (1919-2003) From: Edward Weston Portfolio, 1971 Published by Witkin-Berley Ltd., Ne...

Delicate Arch Photograph on Kodak Professinal Paper, c. 1980's Unsigned Annotated verso in ink "346" Condition: Excellent Minor handling issues Delicate Arch is a 5...

Antelope Canyon, Arizona Color photograph, n.d. Signed in ink on verso (see photo) Titled, numbered on verso (see photo) Edition: 50 (2/50) Shaped by millions of years of water and w...

The Second Wave, Coyote Buttes, Paria Canyon-Vermilion Clifts Wilderness, Arizona Photograph on Kodak Professional Paper, c. 1980's Unsigned Condition: Excellent Mi...

Bird and Hibiscus Cibachrome print, 1980 Signed and dated by the artist in pencil lower right (see photo) Deaccessed from the Reader's Digest Association Collection (#18717) with label (see photo) Purchased from Lieberman & Saul Gallery, between 1986 and 1993 when the name oif the gallery changed to Julie Saul Projects Very small edition Provenance: Lieberman & Saul Gallery, New Yokr, NY (until 1985) (label verso) Reader's Digest Association (label) Condition: Excellent Image size: 9-7/8 x 9-7/8" (25 x 25 cm.) Frame size: 20-1/2 x 16-1/2" Suzanne Camp Crosby Posted by FMoPA Apr 7, 2021 FMoPA In Focus 0 Suzanne Camp Crosby, Gasparilla Ship, 2004 In December of 2020 beloved Tampa photographer and educator Suzanne Camp Crosby died. She had taught generations of students at the Hillsborough Community College where she had been a professor of photography for 38 years. Camp Crosby had the prestigious honor of being the 2004 City of Tampa Photo Laureate and the exhibition resulting from that body of work, Suzanne Camp Crosby: 2004 Photo Laureate City of Tampa Public Art – Big Picture Project, was presented at the Tampa Museum of Art that same year. Other awards include a Southeast Artist Fellowship from the National Endowment for the Arts and Southeastern Center for Contemporary Art in 1978-79. Suzanne Camp Crosby, Paper Flowers, c. 1990 The Florida Museum of Photographic Arts (FMoPA) has gratefully accepted the task of helping to place the photographic archives of this beloved artist. This collection includes more than 725 photographs spanning her career of over 40 years. A broad selection of this work will be brought into the collection of FMoPA, with an exhibition to follow in the summer of 2022. Other institutions in the area are also considering simultaneous showings. University of Tampa student Alyssa R. Miller has signed on to help with the documenting and digitizing of this body of work. This will help make it possible to distribute photographs to other institutions, with limited works to be sold to help finance the efforts. Examples of her photography are already currently held in the collections of FMoPA, the Tampa Museum of Art (TMA), Los Angeles County Museum of Art, and the New Orleans Museum of Art, among many others. Three wonderful examples of her talent are currently on view at the TMA’s exhibition Her World in Focus: Women Photographers from the Permanent Collection, on view until June 27, 2021. Suzanne Camp Crosby, Doris Day at Clothesline, 1980 Camp Crosby’s solo exhibitions include Suzanne Camp Crosby: Kid City, 2009 at FMoPA, and multiple exhibitions at the HCC Galleries, where she eventually became the Program Manager for the Visual Art and Dance departments in addition to her teaching and exhibitions. She also taught and received her MFA at the University of South Florida in Tampa. Additional schools where she was an instructor include the University of Central Florida in Orlando, FL, and the St. Petersburg College, Clearwater campus. Camp Crosby specialized in creating thematically directed photographs, created by adding unexpected objects or people to mostly everyday scenes. Her artwork is often playful and witty. Early work included tender black and white compositions often using her children or friends to create evocative scenes. Later photographs brought in color and experimentation. Examples include the juxtaposition of life-sized 2-D paper doll cut-outs of 1950s movie stars to real-life mundane household settings, as well as a wide selection of other artificial items placed into real-life settings. As a visual storyteller, she continued to explore and experiment with ideas and themes throughout her lengthy career. Courtesy The FLORIDA MUSEUM of PHOTOGRAPHIC ARTS Suzanne’s artwork is in many permanent collections, including the Tampa Museum of Art, the USF Museum of Contemporary Art, the Orlando Museum of Art, the Polk Museum of Art, the Florida Museum of Photographic Arts, the Leepa-Rattner Museum of Art, the New Orleans Museum of Art, the Los Angeles County Museum of Art, Walt Disney World Corporation, Tropicana Corporate Collection, City Bank, Tampa Electric Company, Shriner’s Hospital, Tampa General Hospital, Hillsborough Community College, City of Tampa Public Art, City of Orlando Public Art, and the von Liebig Art Center. From ARTFORUM JULIE SAUL (1954–2022) Julie Saul, who through her long-running eponymous New York gallery did much to elevate contemporary photography within the art world, died February 4 in Tampa after a battle with a rare form of leukemia. Saul was known for her willingness to show an eclectic range of works in media ranging from painting to sculpture to video to ceramics by an equally diverse range of artists, but it was her eye for both traditional and avant-garde contemporary photography that cemented her reputation and that of her gallery, which she first established in 1986 in SoHo, then a frontier for the arts. Saul was born in Tampa on New Year’s Eve in 1954 to a father who was head of a sewn-products company and a housewife mother, a native New Yorker and volunteer docent whom Saul would later credit with introducing her to the arts. “Tampa had no museums, but she would take us to museums in New York,” she told the Tampa Bay Timesin 2003. “We had a house that wasn't filled with great art, but there were great reproductions and great art books.” In 1979, Saul moved to New York, obtaining her master’s degree from New York University’s Institute of Fine Arts in 1982. Four years later, with partner Nancy Lieberman, she opened Lieberman Saul Gallery at 155 Spring Street in SoHo, showing contemporary photography at a time when not many others were. “One thing that drew me to photography from the very beginning—and it still holds—is that photography is an affordable medium. Almost anybody can afford to collect photographs,” she told the Association of International Photography Art Dealers (AIPAD) in 2010. “Fundamentally, photography is a medium and what makes work great is the idea behind it and how well it’s executed.” Among the photographers whose work Saul championed are Nikolay Bakharev, Morton Bartlett, Eugene Bellocq, Andrew Bush, Sally Gall, Luigi Ghirri, Andrea Grützner, Sarah Anne Johnson, Adam Magyar, and Arne Svenson...

Morning Glory Pool, Yellowstone Color photograph, n.d. Signed, titled and numbered in ink on reverse (see photo) Edition: 50 (4/50) Morning Glory Pool is a hot spring in the Yellowstone Upper Geyser Basin of the United States. Long a favored destination for park visitors, Morning Glory Pool was named in the 1880s for its remarkable likeness to its namesake flower. The distinct color of the pool is due to bacteria which inhabit the water. On a few rare occasions the Morning Glory Pool has erupted as a geyser, usually following an earthquake or other nearby seismic activity. Westgate was awarded Fellowship of the Royal Photographic Society in 1976 and in 1990, obtained Mastership of the International Federation of Photographic Art (MFIAP) - at the time only the second British photographer to earn this distinction. More recently, he was awarded Mastership of the Photographic Alliance of Great Britain (MPAGB). He is also a Member of the London Salon...

Michael Falco takes his photographs using film. He built this image- a triple exposure and then prints after digitally correcting. This is printed on aluminum and is frameless. We can have the image printed on paper and matted and framed if you prefer. It says American Summer Fun- every state has an amusement park! Michael Falco is a freelance photographer who has worked for a number of publications including, the National Geographic, The New York Times, Harper's Bazaar, and W Magazines. His first book, “Along Martin Luther King Travels on Black America’s Main Street”, published by Random House in 2003, is a collection of photographs spanning two years documenting life along streets named after Dr. Martin Luther King in America. The Museum of Modern Art purchased one of his panoramic images of the Fresh Kills Landfill for its exhibit, “Groundswell: Constructing the Contemporary Landscape” 2005. Selected by the New York City Art Commission, he installed a 10 x28 foot glass mural...

Dante's View, Death Valley Gelatin silver print, 1938 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston (1953-19...

The Colonnade, Island of Philae Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates) Published by William ...

The Great Pylon at Edfou, Upper Egypt Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, ...

Travelers Boat at Ibrim Original gold toned albumin photograph, c. 1862 From: Upper Egypt and Ethiopia, c. 1862, Vol 3, (36 plates) Published by William Mackenzie, London, Glasgow & ...

Title Page-An Encampment in Ethiopia Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 3, (36 plates) Published by Wil...

Doorway in the Temple of Kalabshe, Nubia Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates) Published by...

Granite Pylon, Karnac Original gold toned albumin photograph, c. 1862 Unsigned as is usual From: Upper Egypt and Ethiopia, c. 1862, Vol 1, (36 plates) Published by William Mackenzie,...

Landscape Photography, Beach Pictures, Ocean Photography-Lowtide Swash 021 ABOUT THIS PIECE: "Lowtide Swash 021" was part of a series of landscape pho...

Beach Landscape Photography, Ocean Print, Color Photography-Lowtide Swash 022 ABOUT THIS PIECE: "Lowtide Swash 022" was part of a series of landscape ph...

Beach Photography, Ocean Photography, Black Sand Photography-Monolith 816 ABOUT THIS PIECE: Black Sand Beach Landscape Photography, "Monolith 816",...

Presumably artist James Baker (b. 1952) Cibachrome photograph Unsigned Provenance: Reader's Digest Association Collection (1992-2011; inventory no. 71575) 16 x 20" (Sheet dimensions ...

Photo montage in five sections juxtaposing light and dark mounted to support sheet. Unsigned Provenance: Estate of the artist Support sheet dimensions: 14 x 17" Peter Marks...

David Drebin (B. 1970 - ) is one of the most successful and highly collected photographers working today. What is so fascinating about Drebin is his ability to convey the beautiful i...