Paris

Signed Forest à Paris A rare Louis XIV style wardrobe with a break-fronted ogee pediment. Opening with two side cupboards flanking a regulator clock, richly decorated with marquet...

Apple Dancer by Jean-Léon GEROME (1824-1904) Bronze sculpture with a dual patina, brown and gilded signed on the base "JL. GEROME" cast by "Siot-Decauville Fondeur Paris" (foundry s...

Exceptional Louis XVI style cabinet and its companion vitrine beautifully mounted with chiseled and gilded bronze. They are surmounted by a rectangular top with an egg-and-dart molded edge, above a frieze centered by a laurel-festooned Bacchic mask and scrolling acanthus. The vitrine and the cabinet open by one door ; the paneled door of the cabinet centered by a ribbon-suspended lyre and foliate pendant. Both have the angles adorned with tapering female caryatids, above a guilloche. They rest on tapering fluted quiver-form legs joined by a pierced stretcher, surmounted by a flowery urn, and ending on toupie feet. Related work : Cabinet and vitrine listed under index 684 of Linke’s photographic archives (see photo attached). View of a room of the private collector Elias Meyer’s Mansion, in 16 Grosvenor Square, London, taken in 1909 and reproduced and commented in François Linke (1855-1946), The Belle Epoque of French Furnitures, Ch. Payne, p.247) showing the cabinet and the showcase in situ. (see photo attached). View of the cabinet in situ in the Queen’s bedroom in the Palace Ras al-Tin, in Alexandria, after being bought by King of Egypt Fouad on March 1927. Reproduced and commented in François Linke (1855-1946), The Belle Epoque of French Furnitures, Ch. Payne, p.278. (see photo attached). François Linke, born in 1855 in Bohemia (Czechoslovakia), worked as a cabinet-maker in Paris from about 1882 until his death in 1946. In 1900, at the apex of his career, he opened a new shop at the famous Parisian place Vendôme. He specialized in Louis XV and Louis XVI style furniture: all pieces were beautifully mounted with gilt-bronze ornaments, and he received numerous commissions. Later Linke decided to collaborate with the well-known sculptor Léon Messagé and integrated new lines and shapes announcing the “Art Nouveau” style. His great success is definitely the 1900 Universal Exhibition where he was awarded the gold medal for his extraordinary kingwood desk, designed by Messagé. At this occasion, the “Revue artistique et industrielle” commented that “Linke’s stand...

Alphonse Mucha's "Gismonda" poster, featured as Plate 27 in "Les Maîtres de l'Affiche," stands as a testament to the harmonious convergence of visual arts and theatrical brilliance. ...

French school end of 19th Century, Portrait of a man, charcoal on paper Signed ? and dated 94 (?) on the upper right Dedicated "A mon ami Gaguin (?)" on the lower right Framed : 57...

"Night's Rest" from the series "The Times of the Day" Original lithograph Signed "Mucha" and dated "99" for 1899, at the lower part of the plate. There is no hand-written signature ...

The circa 1895 original advertising poster for Pastilles Zan encapsulates the essence of Belle Époque advertising, showcasing the elegance and charm of turn-of-the-century Parisian l...

The 1897 original exhibition poster for the Internationale Kunst Ausstellung Dresden is a captivating testament to the vibrant art scene of the late 19th century. Crafted by the skil...

The original advertising poster by Georges Blott in 1895 captures the essence of turn-of-the-century Parisian life, promoting the innovative water meters of Maison Maurice Eyquem whi...

Suspension in glass painted with floral motifs in shimmering colours . Each section is defined and taken in a spiral movement which gives a dynamic to the whole. This model could hav...

"Morning Awakening" from the series "The Times of the Day" Original lithograph Signed "Mucha" and dated "99" for 1899, at the lower part of the plate. There is no hand-written signa...

The original 1895 poster by Steinlen, titled "De Mazas à Jérusalem par Zo d'Axa," offers a compelling glimpse into the cultural and political landscape of the era. Created by renowne...

The original lithograph by Eugène Grasset for Le Salon des Cent in 1894 epitomizes the artistic vibrancy of the Belle Époque era. Grasset, a Swiss-born artist celebrated for his con...

The original 1896 poster by H. G. Ibels, titled "Demi Cabots le café-concert le cirque les forains," offers a vivid glimpse into the colorful world of Parisian café-concerts and circ...

The 1895 original poster by Jules Chéret, promoting the Palais de Glace on the Champs-Élysées, represents a captivating glimpse into the vibrant nightlife and entertainment scene of ...

The 1894 original poster by Jules Chéret, titled "Au quartier Latin Mi-Carême," unveils a captivating snapshot of the festive atmosphere during the Mi-Carême celebration in the Latin...

Ape riding on a Gnu by Antoine-Louis BARYE (1796-1875) A bronze group with a nuanced dark green patina signed "Barye" on the base Old cast probably by Brame France circa 1890 heig...

Beautiful "Panther of India" sculpture by Antoine Louis Barye mounted atop a green and white veined marble inkwell, Ferdinand Barbedienne edition, France circa 1900. Signed by the ar...

In the annals of art history, the lithograph created by Edvard Munch in 1897 for the theatrical production of "Jean Gabriel Borkman" at the Théâtre de...

Crafted in 1895 by the talented artist Gustave Fraipont, the original poster for "Paris Amsterdam en 10 heures" by Chemin de fer du Nord stands as a testament to the allure and convenience of rail travel during the late 19th century. Depicting a scene of speed and sophistication, the poster captures the imagination with its vibrant colors and dynamic composition. Against a backdrop of iconic landmarks and scenic vistas, a sleek locomotive charges forward, symbolizing the rapid transit between Paris and Amsterdam afforded by the Chemin de fer du Nord. Gustave Fraipont, known for his mastery of landscape painting and illustration, brings his signature style to this promotional artwork. His meticulous attention to detail and ability to evoke a sense of adventure and possibility make this poster not just a piece of advertising, but a work of art in its own right. During the late 19th century, rail travel was undergoing a period of rapid expansion and innovation, revolutionizing the way people moved across vast distances. The Chemin de fer du Nord, one of France's major railway companies, played a pivotal role in this transportation revolution, offering travelers the opportunity to journey from the heart of Paris to the vibrant city of Amsterdam in just 10 hours—a remarkable feat of engineering and efficiency for its time. Railway - Tourism - Netherlands North Railway F&M Moreau...

The original poster for the Services de la Méditerranée by the Compagnie Internationale des Wagons-lits et des grands express européens, advertising the Hôtel Riviera Palace in 1893,...

Impressive Central piece in the shape of "Temple of Love housing Cupid", Neoclassical rotunda surmounted by an allegorical statue representing fertility The graceful maternal fi...

Amusing bronze with double patina and porcelain clock in the shape of a covered jar. This clock, with a dial with Arabic numerals decorated in its center with a seated lute player, i...

Beautiful pair of Louis XVI-inspired baluster-shaped cassolettes in white marble, enriched with an elegant bronze mount with a double patina. The lid is topped with a seed-shaped gri...

Crafted in 1894, the original poster by Ogé for the Exposition Internationale du Livre & des Industries du Papier stands as a testament to the vibrant artistic scene of the Belle Épo...

Paul César Helleu Profile of a Woman, 1913 Etching Printed signature On vellum 26 x 20 cm (c. 10.5 x 8 inch) Very good condition, light defects at the edge of the sheet

Paul Lecomte (1842-1920) Mother and daughter at a fountain Signed on the lower left Oil on canvas transfered on cardboard 25.5 x 34 cm In good condition In a modern frame : 44 x 52 ...

Ernest Lessieux (1848 - 1925) The sea in calm weather, signed lower left watercolor on paper 16.5 x 24 cm Framed : 35 x 41 cm This rather atypical work is a remarkable addition to...

Louis Rhead Jane Original lithograph Printed signature in the plate 1897/98 On vellum 40 x 31 cm (c. 16 x 12") INFORMATION : Published by 'Estampe Moderne, Paris, 1897-1899 and pri...

In the late 19th century, the bustling streets of Belle Époque Paris were adorned with vibrant posters, and at the forefront of this visual revolution stood the pioneering artist Jul...

In the vibrant tapestry of Belle Époque Paris, the world of literature and popular culture converged in the mesmerizing work of poster artist Paul Balluriau. His 1899 creation, a pos...

Alphonse Mucha's "Lorenzaccio" poster, featured as Plate 114 in "Les Maîtres de l'Affiche," encapsulates the Art Nouveau spirit and the enchanting collaboration between the iconic ar...

Direct from a Private Mansion in St. Tropez, a Stunning 19th Century 950 Sterling Silver and Vermeil Table Service by Premier French Silversmith "Boin Taburet", Consisting of a 322pc Flatware Set Plus a 15pc. Serving Platter Set...

ARTISTE: after Auguste RODIN TITLE : Dante & Virgilus MEDIUM : Etching/photogravure after the original drawing SIGNATURE : Unsigned YEAR : 1897 PAPER : Vellum SIZE : 13 x 10" INFOR...

Direct from a Private Mansion in Paris, A Magnificent 126pc. 19th Century French 950 Sterling Silver Flatware Set by the World's Premier French Sil...

Keller 8pc. Tea Set – Description Direct from Paris, A Gorgeous 19th Century Louis XVI, 8 pc. 950 Sterling Silver Tea / Coffee Set by one of France's Premier Silversmiths, Gustave Keller, Includes a Large Sterling Silver Serving Tray...

Direct from Paris, A Magnificent 198-piece Sterling Silver and gold plated sterling silver Flatware Set by One of France's Premier...

Direct from a Private Chateau in the South of France, A Magnificent 17pc. 19th Century Gold Plated 950 Sterling Silver (Vermeil) Napoleon III Liqueur Serving Set by the World's Premi...

236 - 19th century tapestry from the felletin manufacture signed.     

Direct from Paris, A Magnificent 8-piece Sterling Silver Tea Set by one of France's Premier French Silversmith "Boin-Taburet", and includes 6 Faberge Imperial Egg espresso cups and saucers in fine Limoges porcelain. The world of silver-smithing has witnessed the rise and fall of many notable firms throughout its history. In the realm of French silver-smithing, the name "Boin-Taburet" stands as a symbol of enduring excellence, innovation, and craftsmanship. Fabergé, a name synonymous with opulence, craftsmanship, and unparalleled luxury, has captivated the world for over a century. The brand's remarkable journey from a modest Russian jewelry atelier to a symbol of prestige and sophistication is a testament to its enduring legacy. In 1885 Tsar Alexander III commissioned a lavish Easter egg for his wife, Empress Maria Feodorovna. This magnificent piece, known as the Hen Egg, was an extraordinary fusion of artistry and engineering, setting the stage for what would become Faberge’s most iconic creations - the Imperial Easter Eggs. The Imperial Easter Eggs, a series of intricately designed and meticulously crafted eggs, became the hallmark of Fabergé's artistry. Peter Carl Fabergé and his team of skilled artisans poured their hearts and souls into creating these masterpieces, which were intended as gifts from the Russian Tsars to their wives and mothers. The history of Boin-Taburet is closely linked to the two families that merged to create this iconic firm. The story begins with the Boin family, where Alexis Boin, a skilled silversmith, laid the foundation of the firm. Boin's craftsmanship and artistic abilities were quickly recognized, and his works gained prominence during the early 19th century. The Taburet family, on the other hand, was equally esteemed in the silver-smithing world. Auguste Taburet, known for his intricate designs and fine workmanship, brought the Taburet name to the forefront of French silver-smithing. It was the union of these two families through marriage in 1845 that established the firm known as "Boin-Taburet." The Imperial Easter Eggs not only showcased Fabergé's technical prowess but also solidified the brand's reputation as the jeweler to the Russian imperial family. They were exquisite symbols of love and devotion, and their creation marked a collaborative effort between Fabergé and the Romanov dynasty. The quality and craftsmanship of Boin-Taburet's silverware, exemplified in this stunning tea set, earned the firm a well-deserved reputation. Notably, Boin-Taburet received royal patronage from Emperor Napoleon III, which marked a significant milestone in their history. This recognition catapulted the firm to new heights, and they began creating exquisite pieces for the French royal court. Their exceptional work was displayed at prestigious international exhibitions, further enhancing their reputation on the global stage. The firm's achievements were not limited to France, as Boin-Taburet's pieces found homes in royal collections around the world. This is an amazing 8 piece set and in each of the sterling pieces have been professionally restored to near new condition. The majestic Samovar (Water Fountain) stands roughly 39.00cm. high to the top of the lid, is approximately 23.00cm. across to the tip of the spout and weights 2,270 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris" on the underside. The Coffee server stands roughly 21.50cm. high to the top of the lid, is approximately 22.00cm. across to the tip of the handle and weights 698 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49213 16" on the underside. The Teapot is roughly 18.50cm. high to the top of the lid, approximately 22.50cm. across from the tip of the spout to the outside of the handle and weights 701 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49208 16" on the underside. The Hot Chocolate server stands roughly 22.00cm. high to the top of the lid, is approximately 21.00cm. across to the tip of the handle and weights 733 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 51103 17" on the underside. The elegant Sugar Bowl stands approximately 17.00cm. high to the top of the lid, roughly 13.50cm. across to the outside of the handles and weights 560 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49665 16" on the underside. The Cream Pitcher stand approximately 11.00cm. high to the top of the handle, is roughly 12.00cm. across from the tip of the spout to the outside of the handle and weights 195 grams. It bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 49214 16" on the underside. The sturdy Candy / Biscuit Dish is roughly 6.00cm. high, approximately 15.00cm. in length to the tips of the handles and weights 275 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Frères sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris 48511 16" on the underside. The massive serving tray is approximately 63.70cm. in length, 51.00cm. across at its widest point and weights in excess of 3,100 grams. It also bears the French Government's Head of the Minerva 1 hallmark, certifying a minimum of 950 sterling silver, in addition to the Henin Freres sterling silver manufacturer's hallmark and is stamped "Boin-Taburet a Paris" on the underside. "The Imperial Swan Egg...

Direct from a Private Mansion Near Paris, A Magnificent 327 piece (Service for 18) Sterling Silver Flatware Set by Henri Lapparra; «Silversmith to the French Court". The rich history of French silversmithing boasts many illustrious names, but few have left as indelible a mark as the renowned Lapparra family. For over a thousand years, this lineage of skilled artisans has crafted exquisite silverware that transcends mere utility, evolving into a symbol of luxury, artistry, and French cultural heritage. The story of the Lapparra family's silversmithing prowess begins in the early 10th century. By the 12th century, the Lapparra name had become synonymous with craftsmanship, and their workshops produced intricate chalices, candlesticks, and reliquaries for churches across France. The 19th century witnessed the rise of Napoleon Bonaparte and the consolidation of his empire. The Lapparra silversmiths adapted to the imperial tastes, crafting magnificent pieces that showcased the grandeur of the First French Empire, like this amazing 327-piece flatware set. In addition, elaborate tea and coffee sets, dinnerware, and ornate presentation pieces were created for the imperial court, earning the family the coveted title of "Imperial Silversmiths." The Lapparra family's creations graced the tables of Napoleon's lavish banquets and adorned the Palais des Tuileries. Their innovative techniques, set new standards in silversmithing. Even after Napoleon's fall, the Lapparra legacy endured, as they continued to cater to the elite of Europe, from Russian tsars to British nobility. The Lapparra family's enduring legacy extends far beyond their magnificent silverware. Their contributions to the world of silversmithing have left an indelible mark on French culture and the global art community. Their ability to evolve with the times while preserving their commitment to quality and craftsmanship has made them a symbol of artistic excellence. The Lapparra name is not only associated with opulence and luxury but also with innovation and artistic expression. Their influence can be seen in the work of countless contemporary silversmiths who draw inspiration from their rich history. The Lapparra family's legacy continues into the 21st century, as the family's artisans continue to produce exquisite silverware, blending traditional craftsmanship with modern sensibilities. With a renewed focus on custom creations and limited-edition series, they cater to collectors, museums, and connoisseurs worldwide. This set is in extremely good condition and comes with a stunning 5-drawer, marble top storage...

In the late 19th century, political scandals reverberated through French society, and the press played a crucial role in shaping public opinion. Pablo's 1893 poster titled "La libre ...

Direct from a Private Mansion in Paris, a Magnificent 9pc. Antique French 950 Sterling Silver Tea Set by the World's Premier French Silversmith Jean-Baptiste Odiot, plus 6 Faberge Im...

In the realm of Belle Époque Paris, Jules Chéret emerges as a luminary, casting his artistic brilliance on the city's vibrant cultural scene. Known as the "father of the modern poste...

Henri Rivière's circa 1895 creation for "Le Théâtre du Chat Noir: L'Enfant Prodigue" stands as a whimsical masterpiece that invites us to step into the magical realm of Parisian caba...

Gustave-Max Stevens Solveig Original litograph Platesigned 1897/98 Printed on paper Vélin Size 40 x 31 cm (c. 16 x 12") INFORMATION : Published ...

Direct from Paris, A Stunning 328 piece, Louis XVI French 950 Sterling Silver Flatware Set (Service for 24) by Henri Lapparra, "Silversmith to the French Elite", Includes a Magnificent 5-Drawer Wooden Storage Cabinet and 29 Serving Pieces, No Monograms, circa 1920s. The rich history of French silversmithing boasts many illustrious names, but few have left as indelible a mark as the renowned Lapparra family. For over a thousand years, this lineage of skilled artisans has crafted exquisite silverware that transcends mere utility, evolving into a symbol of luxury, artistry, and French cultural heritage. The story of the Lapparra family's silversmithing prowess begins in the early 10th century. By the 12th century, the Lapparra name had become synonymous with craftsmanship, and their workshops produced intricate chalices, candlesticks, and reliquaries for churches across France. The 19th century witnessed the rise of Napoleon Bonaparte and the consolidation of his empire. The Lapparra silversmiths adapted to the imperial tastes, crafting magnificent pieces that showcased the grandeur of the First French Empire, like this amazing 328-piece flatware set. In addition, elaborate tea and coffee sets, dinnerware, and ornate presentation pieces were created for the imperial court, earning the family the coveted title of "Imperial Silversmiths." The Lapparra family's creations graced the tables of Napoleon's lavish banquets and adorned the Palais des Tuileries. Their innovative techniques, set new standards in silversmithing. Even after Napoleon's fall, the Lapparra legacy endured, as they continued to cater to the elite of Europe, from Russian tsars to British nobility. The Lapparra family's enduring legacy extends far beyond their magnificent silverware. Their contributions to the world of silversmithing have left an indelible mark on French culture and the global art community. Their ability to evolve with the times while preserving their commitment to quality and craftsmanship has made them a symbol of artistic excellence. The Lapparra name is not only associated with opulence and luxury but also with innovation and artistic expression. Their influence can be seen in the work of countless contemporary silversmiths who draw inspiration from their rich history. The Lapparra family's legacy continues into the 21st century, as the family's artisans continue to produce exquisite silverware, blending traditional craftsmanship with modern sensibilities. With a renewed focus on custom creations and limited-edition series, they cater to collectors, museums, and connoisseurs worldwide. This set is in extremely good condition with a magnificent wood storage cabinet and an amazing assortment of 29 serving pieces. Each of the main flatware pieces bear the hallmark of the French Government's "Head of the Minerva - 1" Hallmark, certifying a minimum of 950 sterling silver in addition to the Henri Lapparra manufacturer's sterling silver hallmark. Each of the vermeil dessert knives bears a Danish sterling silver hallmark and the manufacturer's hallmark (AR) engraved on the blades. The two salt cellars are by Odiot and also bears the French Government's Head of the Minerva 1 hallmark in addition to the Odiot sterling silver manufacturer's hallmark. The Stunning Wooden 5-Drawer Storage Cabinet Measures roughly 81 cm. in Height, 74 cm. Wide and 47 cm. Deep. Each Drawer is Independently Lockable. The Main Storage Chest Holds Approximately 200 Pieces and a Number of Smaller Modern Storage Chest...

Louis Abel GIRARDOT (1848 - 1937) Oriental Woman (Femme du Riff), 1897 Original lithograph Printed signature in the plate On vellum 40 x 31 cm (c. 16 x 12") INFORMATION : Published...

Direct from Paris, A Magnificent 166pc. 950 Sterling Silver and Vermeil Flatware Set by Andre Aucoc "Silversmith to the Kings and Queens of Europe...

Theophile Alexandre Steinlen (1859-1923) Men at the Pont du Carrousel, Signed "St" on the lower right pencil on paper 9 x 15 cm framed : 24,5 x 30 cm In good condition, slightly ye...

Jules Chéret Musée Grévin : Dancer Lifting Her Skirt, 1895 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 41 of "L...

Beautiful lantern in double patina bronze and crystal. The central shaft is engraved with a Greek frieze centered on a star. The whole is suspended from a openwork crown decorated wi...

Henri Rivière's circa 1895 creation for "Le Théâtre du Chat Noir: L'Enfant Prodigue" stands as a whimsical masterpiece that invites us to step into the magical realm of Parisian caba...

Beautiful pair of Chinese porcelain vases. On a blue background of stylized clouds, two cartouches display a design of pairs of swallows flying among flowering branches. The reverse ...

Charming Oriental style corner wall shelf in carved wood with moucharabieh decoration and mother-of-pearl pastilles on the edge of the shelf.

18Kt (750°/°°) yellow gold and silver dormeuse earrings featuring a small rose-cut diamond set in a larger, beautifully worked and openworked bezel. ...

Henri DE TOULOUSE-LAUTREC (1864-1901) Divan Japonais, 1895 Lithograph Printed signature in the plate On Japan paper 39 x 29 cm (c. 15.3 x 11.4") Here one of the rare copies of the deluxe edition on Japanese paper, limited to 150 copies (not numbered) INFORMATION : Plate 2 of "Les Maîtres de l'Affiche...

In the realm of vintage poster art, Adolphe Willette's 1893 masterpiece for the Exposition Internationale des Produits du Commerce et de l'Industrie offers a captivating window into ...

Portrait of a young woman ,wearing a bouquet of chrysanthemums in her hair.(Allegory of Spring?) SCHREIBER Charles Baptiste (1847-1902) He studied in...

Alphonse Mucha's 1898 chromolithograph for the Lefèvre Utile (LU) brand's "Vanilla Wafers" is an iconic work that embodies the Art Nouveau aesthetic and testifies to the artist's cre...