Paris - More Asian Art, Objects and Furniture

MISTO invites itself into your interior to ward off spells, evil spirits and evil influences. Sophie Dries reinvents the traditional Calabrian mask with her contemporary graphic li...

In Greek mythology, the name CARIDDI (Charybdis in English) belonged to a monster that lived in the sea between Calabria and Sicily and destroyed ships by swallowing them up and spitting them back out, generating dangerous whirlpools in the water. This myth is reinterpreted in the form of a mask, which inverts the traditional convex surface to create a concave volume inspired by the underwater world. The mask invites the gaze into the blue depths of its smooth interior, where an uncanny protrusion emerges in the shape of a nose, a signature motif in Giovanni De Francesco’s artistic production. Each nose-island is different from the others; every mask has a unique beauty accentuated by imperfections, smudges, and uncontrollable colors, invoking the unpredictability of fear. This perception overturns the ferocious symbolism of the legendary monster, rewriting CARIDDI as a welcoming narrative. The artist’s explorations of fear, danger, and the unknown become particularly poignant when placed in the recent historical context of Calabria and the Mediterranean Sea. In the exceptional conditions of the present moment, when hundreds of millions of people are spending more time at home than ever before in living memory, the homeware brand TRAME wants to share the inspiring and supportive influences of these Mediterranean ritual objects with the entire world. The masks, whether the traditional forms or the contemporary design interpretations, reveal a sense of both timelessness and contemporaneity in their aspirational evocation of a social life with more serenity and less fear. Details: - Dimension: approximately 28 H x 22 W x 8 D cm - Material: 100% Mediterranean terracotta clay - Technique: 100% handmade in Italy - Each handcrafted CARIDDI Seminara mask is unique. Picture on an indicative basis. - 14-days return policy - In stock Giovanni De Francesco (Bergamo 1976), lives and works between Milan and Paris. He is a visual artist dedicated to sculptural installations through the use of plastic materials, photography, video, painting and sound. Since 1997 he has taken part in many personal exhibits as well as collective ones. He an artistic consultant at the Luisa delle Piane gallery in Milan and is a founding member of the Monstera theatre company. He occasionally collaborates with Andre Branzi...

The cranes by the river painting of this two-panel screen is hand-painted in watercolor, on squares of gold leaf which are applied by hand to the paper base over carefully jointed wo...

The fine pair of wallpaper panels hand painted in watercolor on rice paper, reproducing the 19th century Chinese export chinoiserie paintings ...

20th century Japanese style Showa period four-panel byobu screen depicting a spring flowering magnolia tree with blue birds. Vibrant ink and natural color pigments painted on silk co...

Burmese (Myanmar) Lacquerware has a long tradition dating back to the 13th century. Lacquer in Burma is called “Thitsi” meaning the sap of a Thitsi Tree (Melanhorrea Usitata). Typica...

Japanese early Meiji period Noh theater mask made of carved wood with gofun layers. The piece was made in Japan in circa 1880 and is signed on the back. In great antique condition wi...

Ditto potters with Antonio Bonamico. The ceramic masks of Seminara are ostentatious and grotesque, with deliberately frightening features to scare away ...

Japanese Meiji period puppet for the traditional Bunraku ningyo joruri puppet theater. The piece has a carved wood head and is adorned with richly detai...

We offer this rare antique Mexican Demon mask in wood, circa 1970. The mask makes a sound when moved.

On offer is a Basangwe mask from the Songye people of the Democratic Republic of Congo, circa 1950s. The mask has the typical facial shape of the Basangwe mask. At the top, it has a pair of stylised birds decorated with punched triangles. Their long beaks seem to suggest Hornbill or Kalao bird. The eyes are slanted elongated slits, it has narrow nose and protruding circular mouth in a light russet colour. It has a banded stripe design in black and white more similar to a Songye Kifwebe mask...

A high quality lacquer inro with a carved wooden netsuke. Both are unfortunately damaged but still very nice art pieces. The way the rooster is executed is just exquisite.