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Item Ships From: Santa Fe
Antique Horse Study; Legs and Rumps, 1838" Wouterus Verschuur (Dutch, 1812-1874)
Located in SANTA FE, NM
Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...
Category

1830s Romantic Santa Fe - Figurative Drawings and Watercolors

Materials

Pencil, Paper

Antique Horse "Heads, Hooves, Rump 1838" Wouterus Verschuur (Dutch, 1812-1874)
Located in SANTA FE, NM
Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...
Category

1830s Romantic Santa Fe - Figurative Drawings and Watercolors

Materials

Pencil, Paper

Drawing of Putti in the Clouds by Jean-Jacques le Barbier l'Ainé (1738-1826)
By Jean Jacques Francois Le Barbier
Located in SANTA FE, NM
Drawing of Putti in the Clouds Jean-Jacques le Barbier l'Ainé (France, 1738-1826) Black pencil on paper Signed and dated lower left "Le Barbier L'ainé 1816" 10 1/4 x 12 1/4 inches ...
Category

1810s Academic Santa Fe - Figurative Drawings and Watercolors

Materials

Paper, Pencil

Drawing of Putti with Anchor by Jean-Jacques le Barbier l'Ainé (1738-1826)
By Jean Jacques Francois Le Barbier
Located in SANTA FE, NM
Drawing of Putti with Anchor Jean-Jacques le Barbier l'Ainé (1738-1826) Black pencil on paper Signed and dated lower left "...1822. 12 years l waiting" Considering that the anchor ...
Category

1820s Academic Santa Fe - Figurative Drawings and Watercolors

Materials

Paper, Pencil

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Liber Mystia XLIII
By Henry Hablak
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Fawn
By Henry Hablak
Located in Philadelphia, PA
"Fawn" is an original ink, colored pencil, and gouache on paper artwork by Henry Hablak measuring 30"h x 22"w. Henry Hablak is a tattoo artist and illustrator based out of Philadel...
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Fawn
Fawn
H 30 in W 22 in
Self Portrait Sketch
By Ben Fenske
Located in Sag Harbor, NY
An early work on paper, by American Impressionist painter, Ben Fenske. It's rare to see a drawing like this from Fenske, especially of a self portrait. Fenske uses classical draftin...
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Persephone, 19th Century Classical French Academy Drawing
Located in Cotignac, FR
19th Century French Academy drawing of a classical maiden, signed Xavier Rendeley bottom right, numbered and dated 2nd April 1883. Presented in ...
Category

1880s Academic Santa Fe - Figurative Drawings and Watercolors

Materials

Paper, Chalk, Pencil

Untitled (Sideview of a Gentleman)
By John Gilroy
Located in New York, NY
John Thomas Young Gilroy (English, 1898-1985), "Untitled: Sideview of a Gentleman", Charcoal/Pencil on Paper signed and matted to original card stock, 20.75 x 12.75 (22 x 14), Early 20th Century, 1920 Colors: White, Black John Thomas Young Gilroy (30 May 1898 – 11 April 1985) was an English artist and illustrator, best known for his advertising posters for Guinness, the Irish stout. He signed many of his works, simply, "Gilroy". Born in Whitley Bay, Northumberland, England, Gilroy attended Durham University until his studies were interrupted by World War I, during which he served with the Royal Field Artillery. He resumed studying at the Royal College of Art in London, where he remained as a teacher. He taught at Camberwell College of Arts.[1] In 1925, he gained employment at S.H. Benson's advertising agency, where he created the iconic advertisement art for Guinness featuring the Zoo Keeper and animals enjoying Guinness.[2] He worked with Dorothy L. Sayers.[3] He was also an accomplished portrait painter, numbering Royalty, Politicians, Actors and many others amongst his sitters. He worked in his large studio at 10 Holland Park, London, the former home and studio of Sir Bernard Partridge. He was a long-standing and much loved member of the Garrick Club...
Category

1920s Academic Santa Fe - Figurative Drawings and Watercolors

Materials

Carbon Pencil, Charcoal

Henri-Louis Dupray (1841-1909) Studies of military horsemen, two signed drawings
By Henry Louis Dupray
Located in Paris, FR
Henri-Louis Dupray (1841-1909) Studies of military horsemen, two signed drawings Pencil on paper The first one figuring a partial study of two horsemen : 10.8 x 16.5 cm, bears a mo...
Category

1880s Romantic Santa Fe - Figurative Drawings and Watercolors

Materials

Pencil

Untitled (Mother Holding Baby)
By John Gilroy
Located in New York, NY
John Thomas Young Gilroy (English, 1898-1985), "Untitled: Mother Holding Baby", Figurative/Academic Drawing signed on Paper, 14 x 8, Early 20th Century Colors: White, Black "Untitled: Mother Holding Baby" is a Figurative/ Academic Drawing signed on Paper. Among our Gilroy collection of drawings, this particular work is unique due to its original grid markings included here within. As one can view among our details, the drawing has visible age markings and 3/4 of the perimeter rear of the work has tape. Nevertheless, as with all his figurative graphite works, a wonderfully drawn piece of a Mother cradling her infant child. John Thomas Young Gilroy (30 May 1898 – 11 April 1985) was an English artist and illustrator, best known for his advertising posters for Guinness, the Irish stout. He signed many of his works, simply, "Gilroy". Born in Whitley Bay, Northumberland, England, Gilroy attended Durham University until his studies were interrupted by World War I, during which he served with the Royal Field Artillery. He resumed studying at the Royal College of Art in London, where he remained as a teacher. He taught at Camberwell College of Arts. In 1925, he gained employment at S.H. Benson's advertising agency, where he created the iconic advertisement art for Guinness featuring the Zoo Keeper and animals enjoying Guinness.He worked with Dorothy L. Sayers. He was also an accomplished portrait painter, numbering Royalty, Politicians, Actors and many others amongst his sitters. He worked in his large studio at 10 Holland Park, London, the former home and studio of Sir Bernard Partridge. He was a long-standing and much loved member of the Garrick Club...
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1920s Academic Santa Fe - Figurative Drawings and Watercolors

Materials

Carbon Pencil

"Jersey Girl" Graphite Drawing
Located in Denver, CO
Tammy Liu-Haller's "Jersey Girl" is an original, handmade charcoal and graphite drawing that depicts a cow in profile.
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2010s Photorealist Santa Fe - Figurative Drawings and Watercolors

Materials

Archival Paper, Graphite

"Nest" Graphite Drawing
By Mary Carroll
Located in Denver, CO
Mary Carroll's (US based) "Nest" is an original, handmade graphite drawing that depicts green eggs nestled in a nest surrounded by a snake and two birds. Artist Biography: Born in ...
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2010s Surrealist Santa Fe - Figurative Drawings and Watercolors

Materials

Ballpoint Pen, Acrylic, Graphite, Paper

"Things are Looking Up" Charcoal Drawing
Located in Denver, CO
Tammy Liu-Haller's "Things are Looking Up" is an original, handmade charcoal and graphite drawing that depicts a fox in profile looking upwards towards the s...
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Charcoal, Archival Paper, Graphite

French School 19th Century, A Muskeeter, original pencil drawing
Located in Paris, FR
French school 19th Century A Muskeeter Pencil on paper 26.5 x 17 cm Bears a signature "F. Roybet" in the lower right In quite good condition, bears some visible foxings, In an old mount (some damages) (not framed) Even if the style, execution and of course subject are those of Ferdinand Roybet...
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1890s Academic Santa Fe - Figurative Drawings and Watercolors

Materials

Carbon Pencil

Previously Available Items
Old Masters Sanguine Drawing of Putti and a Lion, 18th century
Located in SANTA FE, NM
Old Masters Sanguine Drawing of Putti and a Lion 18th century 4 3/4 x 3 1/4 (8 5/8 x 7 1/4 frame) inches An utterly charming depiction in sanguine of 5 putti and a lion on a leash. Excellent details and condition. The innermost frame is period and probably original to the piece with the addition of a later frame added for style. Though the lion, known as the Marzocco, was the symbol of of a free Republic of Florence, it also carried many biblical meanings as well. As such, That a lion denotes the good of celestial love and the derivative truth, in its power, and also that in the opposite sense it denotes the evil of the love of self in its power, is evident from passages in the Word where a lion is mentioned. That it denotes the good of celestial love is evident in John:-- "Behold the lion that is of the tribe of Judah, the root of David, hath conquered to open the book, and to loose the seven seals thereof (Rev. 5:5);" Here the Lord is called a lion from the omnipotence belonging to His Divine love and the Divine truth thence derived. In other passages in the Word, Jehovah or the Lord is compared to a lion, as in Hosea:-- "They shall go after Jehovah; He shall roar like a lion; for Be shall roar, and the sons shall come with honor from the sea (Hosea 11:10)." Even more interesting still is the association with Cherubs (or perhaps Putti as they are closely related)... In Isaiah:-- "Thus said Jehovah unto me, Like as when the lion roareth, and the young lion over his prey, if a fulness of shepherds come running upon him, he is not dismayed at their voice, and is not afflicted by their tumult; so shall Jehovah Zebaoth come down to fight upon Mount Zion...
Category

Early 18th Century Old Masters Santa Fe - Figurative Drawings and Watercolors

Materials

Paper, Chalk, Ink

Study for Mural
By Diego Rivera
Located in Santa Fe, NM
This drawing is likely a study for the murals done by Rivera in the monumental Secretaría de Educación Pública (SEP) in Mexico City. The building contains a number of murals which r...
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1920s Modern Santa Fe - Figurative Drawings and Watercolors

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Taroudant
By Herbert Bayer
Located in Santa Fe, NM
Framed with a Japanese silk-top mat
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1970s Santa Fe - Figurative Drawings and Watercolors

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