Sweden - Decorative Objects

Beautiful Scandinavian Modern paperweight in pewter, ca 1930s. Good vintage condition, wear and patina consistent with age and use.

Decorative, scandinavian modern, dish in bronze, ca 1940's. Wear and patina consistent with age and use, scratches, marks, blemishes.

Cool scandinavian modern vase in pewter by K-E Palmberg for Alton F -1988. Signed with makers mark. Wear and patina consistent with age and use. Scratches and small dents, wear insi...

A large and beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1971. Great condition. Slig...

Rare mid century ceramic vase / urn by Carl-Harry Stålhane produced for Rörstrand Sweden, 1950s. In good original condition. Signed. Dimensions: H: 34 cm / 13.40" Diameter: 14 cm 5...

Swedish Root Bowl early 1800 century from Gagnef, Dalarna Marked by previous owner "H, MMS". Made of birch root wood. Height: 7 cm/2.7 inch Diameter: 17 cm/6.6 inch

A set of eight beautiful stoneware vases with amazing and rare glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. Incised signature "GN" and maker...

Lovely vase by Hans Hedberg, made in faience. Striking organic form with olive colored glaze and litchen-like flecks.

Carl-Harry Stålhane, unique hand decorated Scandinavian modern vase, executed by Rörstrand, signed and dated 1943. A fantastic theme with boat, flowers, birds and gigant fish. Signe...

Rare mid century stoneware / ceramic vase in a creamy glaze by the Swedish ceramist duo Andersson & Johansson for Höganäs Sweden, 1940s. In good original condition. Signed. We have ...

Rare vase by Vicke Lindstrand. hand blown art glass from the small series "Colora".

A leaf-shaped dish with a stunning glaze designed by Carl-Harry Stålhane at Rörstrand The bowl is 20,5 x16 cm (8,2" x 6,4") in diameter. It is in excellent condition except from some...

The intuitive result of an educated dancer, choreographer and large-scale ceramicist transferring his love for the human body into clay. With extensive studies during the mid 70’s in...

Paper basket designed by Carl Auböck for Illums Bolighus during the 1950s. Made from hand sewn, thick double cow hide leather in black with beautiful patina. With solid brass loop de...

Lovely stoneware vase by Berndt Friberg, with a slender neck and plump onion shaped base. Sky blue with transition to white hare’s fur glaze. Berndt Friberg was a Swedish ceramicist...

A globose vase designed by Ewald Dahlskog at Bo Fajans in Gefle in the 1930s with the beautiful "Lava"-glaze. This vases was first presented at the Stockholm exhibition in 1930, that...

A large ceramic bowl of model Kaskad designed by Mari Simmulson at Upsala Ekeby in the 1950s. The bowl is 30,5 cm (12.2") in diameter and in lovely condition except from a small chip...

Rare Swedish Modern set of 2 candleholders by Hans-Agne Jakobsson, model L 191, ca 1960's. Signed with makers mark. Good vintage condition, wear and patina consistent with age and u...

The intuitive result of an educated dancer, choreographer and large-scale ceramicist transferring his love for the human body into clay. With extensive studies during the mid 70’s in...

Swedish Wood Bowl circa 1830 With a grey smooth patina that only can be created over time. Residues from original paint. Owner's mark 'EB' engraved...

Beautiful small platter by Hans Hedberg, made in faience. Almond shaped with striking blue glaze covered with litchen-like flecks.

Large Rustic Birch Burl Bowl ca 1870 Lovely patina with a rustic charm. Height: 16 cm/6.2 inch Depth: 29 cm/11.4 inch Widht: 40 cm/15.7 inch

Three glassvases designed by Erik Höglund at Boda, Sweden. The red vase is 13.5 cm high and 15 cm in diameter, the highest blue vase is 21.5 cm high and 11 cm in diameter, the other ...

A lovely Bronze sculpture by the Swedish artist Bengt Amundin designed in 1957. The sculpture is called "Urfågeln" (The Primeval Bird). The sculpture is 36 cm (14.4") high including ...

Ceramic table lamp model 'Capri' by Gertrud Lonegren, Rörstrand, 1930s. Measurement (with lampshade) Diameter: 35 cm Height: 56 cm Lönegren studied in Vienna and Stockholm during t...

This Scandinavian Modern earthenware hedgehog from the 1960s exudes charm with its glazed zigzag pattern on beige fur. The unglazed brown face adds a distinctive touch to its feature...

A lovely turquoise naturally shaped vase designed by Ewald Dahlskog at Bo Fajans, Sweden in the 1930s. The vase is 15 cm (6") high and in excellent condition. It has a lovely glaze.

Rare mid century blue ceramic pitcher by Carl-Harry Stålhane produced for Rörstrand Sweden, 1950s. In good original condition. Signed. Dimensions: H: 26 cm / 10.25" Diameter: 8 cm ...

Rare brown mid century ceramic pitcher by Gunnar Nylund for Rörstrand, Sweden 1950s. In good vintage condition with some signs from age and use. Signed and numbered. Dimensions: H:...

Swedish Birch Burl Bowl early 1900 century Smooth beautiful surfuce with a small stand. Made out of birch burl wood. Heigth: 9 cm/3.5 inch Diameter: 25 cm/9.8 inch

Tapio Wirkkala, Vase "Inari" Glass Dish Model No. 3411 for Iittala Oy. The Impressive Mid-Century still-molded vase was cast in clear glass by Finnish artist and designer, Tapio Wi...

Vase designed by Per B. Sundberg for Orrefors, Sweden. 1990's. Glass. Dimensions: H: 28 cm/ 11'' Per B. Sundberg grew up in Huddinge, south of Stockholm, where he early showed interest in creative expression, including in textile. Sundberg applied and was accepted to the pottery division at Capellagården in Vickleby 1983-85. In the years 1985-1992 he studied glass and ceramics at Konstfack in Stockholm, with a break in 1988 to study at the Pilchuck Glass School in Seattle. Per B Sundberg altered the course of Swedish design in the 1990s with the advent of new techniques and the creation of experimental...

Rare and large mid century brown glazed ceramic pitcher by Gunnar Nylund for Rörstrand Sweden, 1950s. In good original condition. Signed. Dimensions: H: 35 cm / 13.75" W: 18 cm / 7...

Ceramic table lamp model '208' by Anna-Lisa Thomson, 1940s. Produced at Upsala Ekeby, 1940s.

A beautiful bronze vase with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Excellent condition. Stamped 'BRONS' and makers mark.

Large Swedish Burl Birch Bowl cirka 1780-1830s The old repairs on this bowl adds to the character and beauty of this piece. Traces of original paint remains. Made out of birch tre...

An extraordinary and stunningly and rather large beautiful handblown vintage signed glass vase, known as "Sjögräs" (translates to sea grass or seaw...

A porcelain vase designed by Carl-Harry Stålhane at Rörstrand in the 20th midcentury, the vase is of model "Konstrakta". It´s 10 cm high and 9 x 8 cm and in excellent condition excep...

Pair of Scandinavian Modern candleholders in pewter by Edwin Ollers, Sweden in 1950s. Simple and sophisticated. Stamped "Gjutet tenn", cast pewter, Z8 (1...

Scandinavian Modern, set of 6, candle holders in brass, Hans-Agne Jakobsson, ca 1960's. Signed with makers mark. 3 different measurements: Height: 5,2 cm, diameter: 2,8 cm. Heigh...

A porcelain vase designed by Carl-Harry Stålhane at Rörstrand in the 20th midcentury, the vase is of model "Havanna". It´s 26 cm high and in excellent condition. Carl-Harry Stålhan...

Dive into the understated charm of this mesmerizing blue glass vase crafted by the skilled hands of artist Erik Höglund for Boda glassworks. The shimmering blue glass, with its playful dance of tiny bubbles, creates an ambiance of delicate beauty. This handcrafted vase, hailing from the creative zenith of 1960s Sweden, unveils the artistry of Erik Höglund. At a stately 26 cm in height and with a width of ø 16cm, this vase not only echoes Höglund's refined design but also attests to the quality of Boda glassworks. The signature H 1199/255 is discreetly placed beneath the vase serves as a quiet testament to its origin and its place in the era of artistic ingenuity spanning from 1960 to 1969. Whether nestled among a collection or commanding attention as a focal point in your space, this Erik Höglund vase...

A large and beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1956. Excellent condition. ...

A pair of timless, elegant vases / candlesticks in solid glass. Model Pompadour / 1945, designed by Nanny Still (1926-2009) for Riihimäaen Lasi. Finland 1960/70s. This pair in bea...

A beautiful bronze vase with amazing patina. Designed by Sune Bäckström in Malmoe, Sweden, 1920s. Great condition. Stamped 'BRONS', model number '9130' and signature 'Sune Bäckstr...

Minature stoneware vase by Berndt Friberg, in a clean cylinder form, with white hare’s fur glaze. White vases by Friberg are particularly rare and sought after. Berndt Friberg was a...

Rare pewter inkstand, Firma Svenskt Tenn, Sweden -1925. Lid in the shape of a fish, relief decoration along the sides. The insert in glass is missing. Wear and patina consistent wit...

A rare beauty by Vicke Lindstrand for Upsala-Ekeby, vase model 409 with decor of leafs. Marked: EKEBY, 409, V.L In good condition, smaller signs of age and wear. Bottom with one s...

Beautiful stoneware vase made by master ceramists Erich and Ingrid Triller. This piece was created at their workshop in Tobo, Sweden, 1950’s. Great condition, with a small white dot...

Beautiful Art Noveau vase in black patinated bronze, designed by Hugo Elmqvist. Elegant clean form with relief decor of leaves, flowers and dragonflies around the mouth.

Wastepaper bin designed by Einar Barnes. Produced in Norway by PS Heggen during the 1950s. Made from laminated teak and beech wood. Very good vintage condition with age related wear ...

Ceramic Floor Vase by Arthur Andersson, 1950's Additional Information: Material: Ceramic Style: Mid century, Scandinavian Produced by Wallåkra in Sweden Dimensions (W x D x H): 30 x...

Decorative coaster/plate in isolit (plastic) and silver by Wilhelmina Wendt -1945. Good vintage condition, wear and patina consistent with age and use. Signed with makers mark. Wi...

Display this exquisite Isak Isaksson vase in your home and add a touch of contemporary style. The 13 cm tall and 19 cm wide vase is a beautiful piece of art pottery that features a g...

Big set of 12 candleholders model 4973 in solid brass designed by K. E. Ytterberg for BCA Eskilstuna, Sweden, during the 1960s. Organic shape and made in solid brass. Patinated su...

Lovely stoneware “Argenta” vase by Wilhelm Kåge in a curvesome form. Decorated with a motif of a woman playing a harp. Lovely attention to detail. “Argenta” was introduced at the ...

Brutalist bronze vases designed by Kaj Blomqvist. Produced in Finland by Rakennusvaline during the 1960s. Made from solid cast bronze. Partly polished. Very good vintage condition w...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...