Texas

English Victorian Majolica fish pitcher circa 1880. H / 11.5 inches.

Near Pair of Italian Gio Ponti inspired lounge chairs. This stunning complementary pair of Italian Mid-Century Modern lounge chairs, club chairs, or side chairs have beautifully tape...

Postmodern artisan-made sculptural, carved granite & aluminum stand displayed with handmade, studio craft, teak trinket box. Such a beautiful and unique pairing of objects. We've co...

Stunning 'PE-32' copper clad bar cabinet on casters by Paul Evans for Directional, produced in 1968 per original receipt which we have a copy of...

Neutral toned gestural abstract painting by contemporary artist Ian Francis. The work features a variety of gestural marks in white and tan, accented by a black square. Signed, title...

French mirror, hand carved wood molded frame. Featuring its original gold leafed patinated finish. The mirror boasts a original intact convex mercury mirror. This piece is in very ni...

1900s Italian Empire mahogany chest of drawers with gilt bronze ormolu, keys and black marble top.

The Chloé coffee table features a generously proportioned rectangular travertine top with a curved profile, perfectly complemented by solid Oak hand-turned legs. The legs are reminis...

Found in France and crafted in the late 18th century, this beautiful wrought iron wine cellar gate has a wonderful time-worn patina. A wonderful decor...

PRESENTING A LOVELY Set of 5 Masons Ironstone Mandalay Pieces. Early 20th Century, circa 1920. Made in England. The Set consists of:- ...

Coffee/cocktail table model #313 designed by Edward Wormley for Dunbar constructed of walnut & brass..

77905, vintage Persian Shiraz Kilim rug with Bohemian Tribal style. Full of tiny details and a bold expressive design combined with vibrant colors and tribal style, this hand-woven w...

A pair of Italian hand-blown Murano glass mirrored avventurina lamps that contain 23 carat gold flecks and beautiful blue glass. The process of fusing the gold flecks within the glas...

1990's Dolce & Gabbana Coral Pink Satin Asymmetrical Mini Dress Condition : Very good No fabric tag, Feels like silk Made in Italy Bust: 32"- 36", Waist: 30"- 37", Hips: 43"- 48", Le...

Late 19th/20th c., four-arm, diamond cut crystal and gilt bronze candelabra, drilled for lamps but not electrified, unmarked

Tiffany Studios Pomegranate Leaded Glass and Patinated Bronze Table Lamp. A beautiful Tiffany Studios ensemble with a rare and early patinated bronze base with original Bryant socket...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 27 x 33 Frame Size: 35 x 41 Medium: Oil On Canvas Late 1940s-Early 1950s "Bluebonnet Time" Texas Hill Country Landscape Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican-American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910 near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions. While a few of his early works have a soft, tonalist quality, with subtle gradations of sunset colors, most were painted in a style that fits well within the currents of the late American Impressionist style, with solid drawing and a warm, chromatic palette. Like Robert Wood's works of the 1930s, the paintings Salinas produced as a young man were usually well composed and detailed views of the spring wildflowers in full bloom in the Texas countryside. In contrast to Wood's work, however, early Salinas compositions were usually pure landscapes without the pioneer farms or dilapidated fences that Wood often used to add visual interest to his wildflower scenes, and he also painted scenes of San Antonio itself as his mentor Jose Arpa had done. To residents of the Hill Country, Salinas was especially adept at accurately capturing the palette of the region and its unique atmosphere. In 1939 Salinas began working with Dewey Bradford (1896-1985), one of the great characters of Texas art. Bradford was a second-generation dealer whose family operated the Bradford Paint Company in Austin, where they sold art supplies, framed artwork, restored paintings and exhibited paintings by Texas artists. Salinas was struggling when he met Bradford, but the older man took the young artist under his wing and began to sell his work reliably, even though the prices that people would pay for a painting were still low due to the lingering effects of the Great Depression. Bradford was a born salesman with a gift for storytelling, and truth be told, a bit of embroidery. The relationship between Bradford and Salinas was often rocky, but it was to last the rest of the artist's life and give him a modest sense of loyalty and security, things which are all too rare in the art world. While Bradford could be critical of his work, Salinas knew that he had a dealer who encouraged him, believed in him and was not shy about singing his praises to anyone who entered Bradford's store on Guadalupe Street. During the early years of World War II Salinas met a pretty Mexican woman from Guadalajara named Maria Bonillas, who was working as a secretary for the Mexican National Railways office in San Antonio. While he was walking downtown with a painting of a bullfighter under his arm, he started a conversation with the young woman, and things progressed rapidly. The couple were married on February 15, 1942 and settled into life in bi-lingual San Antonio and they eventually purchased a tidy stone home on Buena Vista street that had a detached studio in back. By the time the United States entered World War II, Salinas was starting to make a decent living selling his art and beginning to garner recognition across Texas. However, in 1943, like millions of other young men, he was drafted into the service of his country. Fortunately, as an older Army draftee with special talents, after his training he was assigned to Fort Sam Houston, right in San Antonio, allowing him to remain at home while still completing his obligation to "Uncle Sam." Because of his artistic abilities, Salinas was asked to do paintings for the Army as well as a mural for the Officer's Club, which has been re-discovered in recent years. In his spare time he kept working on landscapes and when the war ended in 1945, he was not faced with the same rocky transition from military to civilian life as many veterans. That same year, Salinas became a father as he and Maria celebrated the birth of his only child, Christina Maria Salinas. Like most landscape artists of the era, Salinas was an avid Plein-air painter, and he took his easel and paint box with him on trips throughout Texas and into Mexico. He and his wife traveled deep into her native country, where the artist painted the majestic volcanic peaks of Iztaccihuatl (known as the "Sleeping Woman" because of its unique shape) and Popocatepetl (called the "smoking mountain" because the volcano is still active), south of Mexico City. Salinas also painted studies of rustic villages and their residents. While his most popular paintings were always the scenes of the Texas Bluebonnets and other wildflowers that bloom all over the Hill Country in the spring, he also painted scenes of the twisted Texas oak trees of central Texas, the more arid landscapes of the Texas panhandle and West Texas, and the historic Texas missions; he even sold rapidly executed scenes of bullfights and cockfights for Mexican-American collectors. By the late 1940s, the American economy was finally growing again and wealthier Texans began to collect Salinas paintings, purchasing them from galleries in San Antonio and Dallas and at Dewey Bradford's County Store Gallery in Austin. Salinas also sold work to the Atlanta dealer Dr. Carlton Palmer, who represented Robert W. Wood for many years. In 1948 Palmer sold two large Salinas paintings to the Citizen National Bank in Abilene, Texas. Because Austin was the state capitol, Bradford counted many of the state's elite among his patrons, and due to his interest in history and literature, he played a large role in the cultural history of central Texas. Bradford introduced a number of the major Texas political figures to Salinas' work, including Lyndon Baines Johnson (1908-1973), who was then in the House of Representatives and on his way to winning a controversial election that vaulted him in the United States Senate. Johnson became an enthusiastic collector, as did his political mentor, the legendary House Speaker Sam Rayburn (1882-1961). Johnson decorated his Washington offices with Salinas paintings and he brought a number of them home to his vast LBJ Ranch, near Johnson City, Texas. In spite of his important patrons, Salinas went through a fallow and difficult period in the late 1950s. He had a volatile temperament, which made relationships difficult, and it took great patience for his wife to help him manage his career. As Salinas entered middle age his work began to sell steadily, but except for tourists who purchased his paintings in San Antonio, he was known primarily only to Texas art collectors. All that changed in 1961 with the election of John F. Kennedy (1917-1963) to the Presidency of the United States and his running mate Lyndon Johnson to the Vice Presidency. Johnson was an expansive, larger-than-life character and his status as a long, tall Texan in a cowboy hat was a large part of his imposing political image. During his storied career in the House of Representatives and the United States Senate, Johnson and Lady Bird Johnson (1912-2007) spent their time in Washington in a modest house on the edge of Rock Creek Park, but this home would not do for a Vice President. So, in 1961, the Johnsons purchased a French chateau-styled home in the Spring Valley section of the Capitol. Obtained from the famed socialite and ambassador Perle Mesta (1889-1975), the house came with a fine collection of French furniture and tapestries, and the designer Genevieve Hendricks was hired to meld the French look with objects from the Johnsons' overseas travels and paintings of the flora and fauna of their native Texas. Featured prominently in the foyer were the paintings of Porfirio Salinas. Because of the Johnsons' patronage, his work was mentioned in Time Magazine and other national publications. Lady Bird Johnson loved her landscapes of the Texas Hill Country and told reporters that, "I want to see them when ever I open the door, to remind me where I come from." After President Kennedy's death thrust Lyndon Johnson into the Presidency, he brought his Salinas paintings into the historic halls of the White House, further enhaning the Texas painter's national reputation. At the time of the President Kennedy's assassination, Salinas had completed a scene of a horse drinking titled "Rocky Creek" that was to have been presented to Kennedy during his ill-fated visit to Dallas. Instead, in an effort to memorialize the fallen President, Salinas painted a symbolic work of a lone horse depicted against foreboding clouds. During his tenure in the White House, President Johnson presented a Salinas landscape as a state gift to the President of Mexico, Gustavo Diaz Ordaz (1911-1979). During the 1960s, Salinas paintings sold briskly and, thanks to Presidential patronage, for escalating prices. In an interview with a writer from the New York Times, President Johnson enthused about the work of "his favorite artist" and said that, "his work reminds me of the country around the ranch." Salinas was invited to the LBJ Ranch frequently during the Johnson administration and his paintings were hung throughout the ranch, in the President's offices and even in the private quarters of the White House. The connection to President Johnson was a great boon to sales of Salinas paintings, and in 1964, when the demand was at its height, Texas Governor John Connelly (1917-1993) was told that all Salinas'work was sold and that he would have to wait for a painting. In 1960, a half century after his birth, Salinas was honored by his home town of Bastrop, a celebration that touched the modest artist. In 1962 Salinas was given a solo exhibition at the Witte Museum in San Antonio that featured more than twenty of his works. By the early 1960s, sales of reproductions of the artist's landscapes by the New York Graphic Society and other publishers grew rapidly, enlarging his audience throughout the United States. In 1967, Dewey Bradford helped to organize the production of a book of Texas stories titled "Bluebonnets and Cactus" (Austin: Pemberton Press: 1967), which was profusely illustrated with paintings by Salinas. His works were still popular when Salinas died after a brief illness in April of 1973, just a few months after former President Johnson's passing. He was memorialized in the City of Austin by Porfirio Salinas Day, which honored him for having "done much to bring the culture of Mexico and Texas together with his paintings." Bastrop, Texas, the city of the artist's birth, has been holding a Salinas Art Exhibition annually since 1981. He painted hundreds of scenes of the wildflowers, including the various varieties of Blue Lupin, the state flower, as well as other flowering flora. These show the influence of his artistic mentors Robert W. Wood and Jose Arpa Y Perea. Salinas also painted a number of scenes of Prickly Pear Cactus that show the influence of the English painter Dawson Dawson-Watson (1864-1939), who painted many such works during his tenure in Texas. He painted the more arid Texas landscape infrequently and these works are very rare today and sought after by collectors from the Texas Panhandle and West Texas. Salinas also painted many river landscapes along the Guadalupe, Rio Frio, the San Antonio and the Rio Grande. On trips to his wife's homeland of Mexico, he painted a number of scenes of the volcanic peaks as well as scenes of peasant villages and villagers. Figurative paintings are rare among Salinas' works and these scenes of bullfights, fandangos and cock fights are probably the least sought after of his paintings. There are also a small number of modest marines, painted on trips to the Texas and California coast. Salinas paintings are highly prized by collectors of early Texas art, with the paintings of wildflowers in greatest demand. Works by Porfirio Salinas can be found in a number of public collections, including the Panhandle Plains Historical Museum in Canyon, Texas; the Texas State Capitol; the Texas Governor's Mansion; the Lyndon Baines Johnson Ranch; the Sam Rayburn Library and Museum in Bonham, Texas; Amarillo High School; the Witte Museum in San Antonio; the historic Joan and Price Daniel House in San Antonio; the Stark Museum in Orange, Texas; the R.W. Norton Art Gallery in Shreveport, Louisiana; the Sangre de Cristo Arts Center in Pueblo, Colorado; Texas A & M University and the Modern Art Museum of Fort Worth. Salinas has been featured in a number of reference works as well as anthologies devoted to American Western Art...

Bulgari Serpenti Serpent Stainless Steel Ladies Watch SP35S - Quartz. Stainless steel with factory diamond bezel (35mm). White Guilloche dial. Single-spiral stainless steel bracelet...

Presenting a beautiful piece of American and Texan Art by the highly regarded Texas Artist, Manuel Garza. This is an oil on canvas from 1968 A very early example of Garza's work. It features 'Birds in Flight' in a rustic Texan setting. Very nice signed on the bottom left by 'Manual Garza'. Also signed on the back and marked 'A-68'. It is in its' original frame.' It is extremely well painted, has 'plenty' of detail and has real quality !! In an square Mexican (Baja) Frame. It features birds in flight (probably Quail) with pasture, trees, cactus, etc. It has a loose leaflet all about the Artist, Manual Garza attached to the rear of the frame. It also has its original price tag from the 1960's of $170.00. What makes this painting all the more interesting and important is that Garza was only 28 years old when he painted this. It is a very early painting by him and does not feature a small red bird...

The Eames Walnut Stool series were designed by Ray Eames in 1960 for the lobby of the Time-Life building in New York City. Crafted from solid turned...

A fine English rectangular garden trough of planter with an ornamental Classical relief of cherubs on all four sides.

The iconic beautiful mexican modern Don Shoemaker "sling" chair. Made for Señal S.A. Made from solid Cocobolo Wood with original black leather. Made in the 1960s

19th Century French Louis XVI Giltwood Bergere. Offered antique French gilt wood chair or Bergere has great lines and patina. Sturdy, comfortable and ready for the fabric of your cho...

79098 Ritva Puotila Vintage Finnish Rya Ryijy Rug, 04'03 x 06'00. A rare and electrifying artifact of modern textile mastery, Flame (1979) by renowned Finnish designer Ritva Puotila ...

Pair of decorative Gustavian pine chest of drawers painted in shades of white, fitting their Swedish origin. Canted fluted side posts with upper carved diamond medallion, carved flu...

- Vintage item - Collectible costume jewelry piece from the '80s - 8" length - 1" width - Matte gold plated - Toggle clasp - By Anne ...

Large French Majolica vegetable wall platter Vallauris, circa 1950. On a black background it's a trompe l'oeil platter with tomatoe, salas, carrot...

Set of 12 Tiffany Art Deco Sterling Goblets, 1907–1947 USA, Circa 1907–1947 A remarkable set of 12 Tiffany Art Deco Sterling Goblets was ma...

19th Century French Majolica flowers plate.

Writing desk Hand-crafted in Italy in the late 1700s using walnut. The table follows the typical Italian neoclassical style canons, with long, tapered legs and flat-fronted inset dra...

This is one of the most lovely Majolica Art Nouveau cachepot jardinière signed by Delphin Massier, inspired by the nature with roses and three different butterflies. The Massier fami...

1990s Helmut Lang denim jacket with folded cuffs. Condition: Very good. size 4, 40 IT ( mannequin is US size 6 )

Early production, museum quality - collector grade, Barcelona chairs with Barcelona table by the German Company, Waldemar Stiegler, which produced th...

74417 18th Century Antique Indian Medieval Wall Tapestry after the Battle of Karnal in 1739. This beautiful antique Indian painted tapestry is done on a canvas. It features a hunting battle scene with kings, kingsmen and royalty with multiple types of animals ranging from horses, elephants, lions, birds, peacocks and leopards. This tapestry is possibly in relation to The Battle of Karnal in 1739. The Muhammed Shah fought with Nader Shah...

Antique Italian Renaissance Revival Oak "Savonarola" or "Dante" Chair~~early 20th Century These chairs, often called scissor or "X" chairs, are typically supported by two crossed or curved supports at the sides or back and front~~these chairs were given the name Savonarola in the 19th century after Girolamo Savonarola, an Italian priest in Florence from 1494-1498~~the design comes from an ancient Roman "X" shaped chair that was popular in medieval Italy...

An exquisite late 20th century chinoiserie style La Barge reverse hand painted and gilt glass wall hanging mirror, signed and dated 1986. It features a gorgeous verre églomisé applic...

The samples measure 10" x 4.5". It includes two samples. No two samples are alike, each is a random collage. The samples are made from recycled wood cuttings from furniture facto...

A handsome, solid wood cupboard boasting timeless, clean lines. Its upper doors open to reveal four shelves, while the lower doors discreetly house a single shelf. The cupboard exude...

Bob Mackie Boutique Long Beaded Dress US size - 6 Devore Semi-Sheer Velvet, Floral Print, Embellished with Beads and Sequins, Bias Cut, Slip-On, Open Cowl-Style Back., Fully Lined. ...

Fine art print of Elvis Presley "Love Me Tender" from the collection of acclaimed photographer. Lynn Goldsmith, taken in 1956 These prints are 16x20" open edition and come with full...

Dolce & Gabbana 2019 Red & Gold Brocade Mini Dress Size 40 IT (Small) Brand New with Original Tags This red and gold floral and leopard brocade mini dress is an enchanting showcase...

French Majolica pink daisy plate Orchies, circa 1890.

A large assortment of Italian hand-carved and hand-painted marble and alabaster fruit arranged on a round white marble tazza with a pedestal base. A total of 24 pieces of fruit in ov...

76837 Oversized Antique Persian Kerman Rug,11'03 x 23'06. Kerman rugs originate from the city of Kerman, which is located in south-central Iran. Kerman is renowned as one of the major weaving centers in Iran, historically producing some of the finest Persian carpets. The city and its surrounding region have a long and storied tradition of carpet weaving, dating back centuries. Kerman rugs are celebrated for their exquisite craftsmanship, intricate designs, and vibrant color palettes, making them highly sought after by collectors and enthusiasts worldwide. Radiating an aura of timeless elegance and adorned with rich jewel tones, this hand knotted wool oversized antique Persian Kerman rug stands as a testament to centuries of Persian weaving tradition. Rooted in history, Kerman has been synonymous with excellence in rug craftsmanship since the seventeenth century, producing masterpieces that transcend time. Intricately woven into the fabric of this majestic Kerman rug is a captivating four seasons garden panel design, reminiscent of the lush landscapes that have inspired Persian artisans for generations. Each panel is a symphony of classical composition, meticulously crafted to showcase the splendor of Persian flora and fauna. Within elegantly cusped lozenges, a cornucopia of Persian flowers, blossoms, and vines bloom with vitality, evoking the beauty of nature in its most resplendent form. This oversized Kirman rug, with its magnificent panel compartment garden design, captures the essence of timeless Persian rug trends, blending tradition with sophistication in every thread. As you behold this masterpiece, you are transported through time, tracing the footsteps of artisans who painstakingly crafted each knot, weaving tales of tradition and artistry into its very fabric. With its unparalleled beauty and enduring charm, this antique Persian Kerman rug is not just a piece of decor but a living testament to the rich heritage of Persian rug weaving, promising to grace your home with timeless style for generations to come. Rendered in variegated shades of burgundy, wine, ink blue, navy blue, royal blue, maroon, sand, tan, ecru, almond, taupe, and beige with other accent colors. Abrash. Hand-knotted wool. Made in Persia (Iran). Measures: 11’03 x 23’06. Hotel Lobby Size Carpet 11 x 24 Rug...

Hand-carved in the 1600s, this wooden coat of arms cartouche depicts an ornate crest atop a shaped console with several charges. The cartouche is Dutch, considerably predating the fo...

Oscar de la Renta's stunning gown is for those extra special occasions. Designer size XS ( oversized, please check our measurements ) Cape-effect embellished tulle-trimmed stretch-s...

A fine Italian champagne bucket or wine holder from the Collezione Italia Navigazione, a fleet of Italian luxury passenger ships that operated...

Tiffany Studios Banded Dogwood Leaded Glass and Bronze Art Nouveau Table Lamp. The bronze base is rare and exquisite in this example and is a wonderful marriage to this perfect Bande...

A handsome French faux bamboo display or artist's easel featuring a turned wood tripod frame with ornamental bamboo styling. The back leg with adjustable arm and locking wingnut....

French Louis Philippe mirrors, such as this uniquely hued pair from the 1800s, are always in high demand. The clean lines and subtle decorative motifs allow these mirrors to be used ...

20767 Modern Moroccan Beni Ourain Rug, 05'03 x 06'05. In the marriage of minimalist Shibui principles and the modern coziness of Hygge, this hand-knotted wool Moroccan Beni Ourain ru...

Henredon Burl Wall Unit. 3 separate cabinets that can be used as one wall unit or separately. Glass shelves with a plate groove to display collectible p...

A stunning, fine quality vintage French gilt bronze ormolu mounted marquetry inlaid rosewood extension dining table by J.P. Ehalt. Exquisitely handcrafted using only the finest materials and highest level of craftsmanship, the mid-century antique reproduction lavishly finished in Neoclassical Louis XVI taste, having an extensively inlaid oval shaped top, richly decorated marquetry at the center features intricate floral motif, wonderfully designed and exceptionally executed built-in hide-a-way extension leaves that rest under the table in the manner of Maison Jansen, sliding out to extend the length of the table from 72 to 107 inches. The frieze luxuriously decorated with gilt bronze mounted running ornamentation with beaded trim, accented by stylized foliate gilded bronze embellishments, above fluted tapered legs. Signed J.P. Ehalt (Jean-Pierre Ehalt) Circa 1960s; France JP Ehalt...

A lovely antique English white ironstone pitcher by J. & G. Meakin, circa 1890. Maker's mark on base. It's a nice large size measuring 12.25 inches tall. This classic and timeless pi...

- Vintage item - Collectible jewelry piece from the '70s - Each earring measures .9" x .9" - Silver tone hardware - Black shiny resin - Faceted round clear crystals - Clip on e...

Side table, “bouillotte”, in the Louis XVI style from France. This table is made of solid wood construction, primarily mahogany. It has been ebonized and finished with a lustrous Fre...

Early production 'CSS" - Comprehensive Storage System designed by George Nelson for Herman Miller, 1959. This system is in excellent condition with the early Herman Miller lable cons...

French Majolica oyster plate with seaweeds signed Salins (East of France) circa 1890.  

Co-signed by both Raquel Welch and photographer Terry O'Neill, 20x24" silver gelatin print. Actress Raquel Welch in a photo conceived by photographer Terry O'Neill after Welch noted that she was afraid that the press would "crucify" her for her film choices, taken on the Fox Lot in the late 1960s. Originally deemed too scandalous for promotional use at the time, the photo wasn't published until 30 years later, on the cover of The Sunday Times...

This fabulous set of 7 bronze Warren Platner Chairs are ready for your reinvention! Designed for Knoll in 1966, these chair frames are rare and difficult to find with a good metal c...