Tri-State Area - Animal Prints

MOVING FACE IN A BLUE SEA is an original limited edition lithograph by the Dutch artist Karel Appel on printed using traditional hand lithography techniques on archival printmaking p...

The ‘Man's Best Friend' IX by KAWS is a signed, numbered, and dated silkscreen print, one of the ten in the portfolio series created in 2016. The portfolio was created in a limited e...

Edition of 80. Signed and numbered in pencil. Really, no one could draw on a lithographic stone like Stow Wengenroth. He drew many animals and birds...

"Rhapsody: an instrumental composition irregular in form and suggestive of improvisation. I couldn’t imagine a more perfect name for this gorgeous blend of breeds. The palomino gold ...

"Clifford’s winding feather patterns reminded me of a geometric maze. I imagined myself walking through it for days, twisting and turning down various paths, until finally reaching t...

Yankel Ginzburg (Kazakhstan/American b .1945) "Untitled" (Edition 150/275), Abstract Lithograph signed and numbered in pencil, 30 x 40, Late 20th Century Colors: White, Blue, Red, ...

George Rodrigue Blue Dog (Christmas Print), 2000 Color silkscreen signed in silver ink and numbered from the edition of 150 A sweet, romantic holiday...

Available Sizes: 32" x 32" Edition of 15 40" x 40" Edition of 10 48" x 48" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, manki...

"Jasper in flight is one of my favorite photos I’ve ever taken. You can practically see the green lake below him—mist still on the ground, with dogs poised and ready at your side. Th...

"S stands for Suzie, but on this day, it also stood for skittish. While it’s common for horses to be a bit jumpy, we knew this black beauty was high energy and extra prone to excitem...

"The King" by Alexis Kandra is a limited edition signed and numbered giclée print on Moab paper based on an original oil painting with metallic gold foil and gold leaf pen. Edition ...

Available Sizes: 30" x 45" Edition of 15 40" x 60" Edition of 10 48" x 72" Edition of 5 Amari: Compared to his brother, Amari was a bit more calm and relaxed on set. I thought it w...

"Lady Cat", 2019, digital collage, print, cat, victorian, figurative, Digital Painting and Drawing / Animals / Surrealistic / Dark Colors / Portrait

Jack Beal Frogs and Toad, 1971 Hand signed in pencil by Jack Beal, annotated AP One-color lithograph proofed by hand and pulled by machine from a zinc plate on Arches buff paper with deckled edges at the Shorewood Bank Street Atelier Stamped, hand numbered AP, aside from the regular edition of 150 Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears blind stamp 18 × 24 inches Unframed 18 x 24 inches Stamped on reverse: COPYRIGHT © 1971 BY JACK BEAL, bears distinctive blind stamp of publisher (shown) Publisher: David Godine, Center for Constitutional Rights, Washington, D.C. Jack Beal's "Frogs and Toads" is a classic example of protest art from the early 1970s - the most influential era until today. This historic graphic was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. (The eighth activist, Bobby Seale, was severed from the case and sentenced to four years for contempt after being handcuffed, shackled to a chair and gagged.) Although Abbie Hoffman would later joke that these radicals couldn't even agree on lunch, the jury convicted them of conspiracy, with one juror proclaiming the demonstrators "should have been shot down by the police." All of the convictions were ultimately overturned by the 7th Circuit Court of Appeals. This lithograph has fine provenance: it comes directly from the original Portfolio: "Conspiracy The Artist as Witness" which also featured works by Alexander Calder, Nancy Spero and Leon Golub, Romare Bearden Sol Lewitt, Robert Morris, Claes Oldenburg, Larry Poons, Peter Saul, Raphael Soyer and Frank Stella - as well as this one by Jack Beal. It was originally housed in an elegant cloth case, accompanied by a colophon page. This is the first time since 1971 that this important work has been removed from the original portfolio case for sale. It is becoming increasingly scarce because so many from this edition are in the permanent collections of major museums and institutions worldwide. Jack Beal wrote a special message about this work on the Portfolio's colophon page. It says, "In 1956, shortly after Sondra and I moved to New York, two friends were arrested and jailed for protesting air-raid drills. From them and their friends came our education. This work is dedicated to them and their families. "In Memory of Patricia McClure Daw and AL Uhrie" - This print was made for their children. Jack Beal Biography: Early in his career Walter Henry “Jack” Beal Jr. painted abstract expressionist canvases, because he believed it was “the only valid way to paint.” By the early 1960s he totally altered his approach and fully repudiated abstraction. Turning to representation, he painted narrative and figurative subjects, often enhanced by bright colors and dramatic perspectives. Beal was born in Richmond, Virginia, and from 1950 to 1953 he attended the Norfolk Division of William and Mary College Polytechnic Institute, (now Old Dominion University) where he studied biology and anatomy. Shifting gears, he sought art training at the School of the Art Institute of Chicago where he focused on drawing, and met his wife, artist Sondra Freckelton. His art history instructor encouraged her students to paint in the manner of established artists, and to that end he frequented the Institute’s galleries. For Beal this was significant: “Until I saw pictures of real quality I had tended to think of painting as just so much self-indulgent smearing around, but when I saw masterpieces by Cézanne and Matisse, and other painters of similar stature, I was bowled over; suddenly I realized the force of art.” After spending three years (1953–1956) at the Art Institute, Beal concluded his studies there without getting a terminal degree, thinking it was only useful if he wanted to teach, which, at the time, he did not. He also took courses at the University of Chicago in 1955 and 1956. During this period he married Freckelton, a fellow student and sculptor who began her career working in wood and plastic. Together they moved to New York’s SoHo District before its transformation from a wasteland of sweatshops and small factories into an arts district. They were active with the Artist Tenants Association which was instrumental in getting zoning laws changed so that artists could live and work in the well-lit lofts. Embracing what came to be called “New Realism,” Beal initially painted an occasional landscape as well as earthy-toned still lifes which consisted of jumbled collections filled with personal objects. His signature style started with a series of female nudes—all modeled by Freckelton—based on Greek mythology. These were large canvases with flat paint surfaces, dramatic foreshortening, and unusual perspectives. He further enlivened them with vivid colors, stark lighting, and dynamic patterns derived from textiles and overstuffed furniture. He stopped painting nudes after two episodes. The first came as he was loading a canvas of his naked wife onto a truck in lower Manhattan; several laborers walked by and started to fondle and kiss the painting. On the one hand he felt his wife had been violated, while on the other he was pleased that his realism was so convincing. The second occurred after a solo exhibition in Chicago at which the reception had been sponsored by Playboy magazine. A few days later he was approached by a publicist and asked if Playboy bunnies could be photographed in front of his paintings. He refused. Some portrait commissions came Beal’s way, but he preferred only portraying friends. More significant were four large murals on the History of Labor in America, the 20th Century: Technology (1975), which he undertook for the headquarters of the United States Department of Labor in Washington. Following a historical timeline, the themes were: colonization, settlement, nineteenth century industry, and twentieth century technology. The unveiling ceremony was attended by government officials and Joan Mondale, an arts advocate and wife of the vice-president. The reviewer for the Washington Post wrote enthusiastically: “They’re heartfelt and they’re big (each is 12 feet square). Their many costumed actors (the Indian, the trapper, the scientist, the hardhat, the capitalist in striped pants, the union maid, etc.) strike dramatic poses in dramatic settings (a seaside wood at dawn, an outdoor blacksmith’s forge, a 19th-century mill, a 20th-century lab). The lighting is theatrical. Beal’s compositions, with their swooping curves and bunched diagonals, are as complicated as his interwoven plots.” To accomplish the murals Beal assembled a team of assistants and models, much in the manner of Renaissance masters, which included artist friends and Freckelton. who by then was painting brightly colorful still lifes. A second mural commission ensued from New York City’s Metropolitan Transit Authority for two twenty-foot long installations for the Times Square Interborough Rapid Transit Company subway station. Beal’s designs for The Return of Spring (installed in 2001, three days after the terrorist attacks in New York, Washington, DC and Philadelphia) and The Onset of Winter (installed in 2005), Beal captured the appearance of his models in an oil painting made to the scale of the intended mosaic. A collaboration with Miotto Mosaics, the canvases were shipped to the Travisanutto Workshop, in Spilimbergo, Italy, where craftsmen fabricated the design to glass mosaics. The Return of Spring depicted construction workers and other New Yorkers in front of a subway kiosk and an outdoor produce market and in The Onset of Winter, a crowd watches a film crew recording a woman entering the subway as snow falls against the city’s skyline. Harkening back to some of his early nudes based on Greek myth, Persephone, goddess of fertility and wife of Hades, appears in both. The symbolism is pertinent, since she spent six months each year below ground. Although he disparaged teaching early on, Beal and Freckelton offered four summertime workshops on their farm in Oneonta, New York. He was an instructor at the New York Academy of Art, a graduate art school he helped to establish in 1982. Returning to Virginia, he taught at Hollins College...

ABOUT THIS PIECE: Amanda Pratt is known and admired for the energetic, inspiring brand of whimsy she brings to photography. Countless clients have benefitted from her technical preci...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: This lion is tough but he's seen a lot of carnage and doesn't want a...

"Black cats get a bad rap. Visenya was as sweet as can be and only brought good luck to set. Maine Coon cats are one of the largest domesticated cat breeds and make great pasture mas...

Stanley William Hayter Big Horse (Black & Moorhead 46), 1932 Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting Hand signed, numbered 8/30 an...

Artist: Igor Galanin, Russian/American (1937 - ) Title: Cat in Chair Year: circa 1985 Medium: Serigraph, signed and numbered in pencil Edition: 175, XXX Size: 46.5 in. x 35 in. (118...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: Jupiter may not have any visible rings, but she sure has some visible rolls. ...

Available Sizes: 32" x 32" Edition of 15 40" x 40" Edition of 10 48" x 48" Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, mank...

"Quagga's Secret" by Alexis Kandra is a limited edition signed, titled, dated and numbered giclée print on Moab paper based on an original oil painting with metallic gold and copper ...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

Du, du liegst mir im Herzen. [Musicians of Bremen.] This brightly colored large-scale color lithograph was published by C. Burckardt, Deponirt "Druck u.Verlag v. C. Burckardt's Na...

A month ago, I made a trip to Paris. Paris, Texas, that is. Through mutual friends, I found an owner of a ranch who had two large hummingbird feeders and was going through over two ...

SLAVE TO FASHION by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on a...

All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...

All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...

All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...

Damien Hirst From the Cradle to the Grave, 2005 Limited Edition hardback monograph (Hand signed and numbered) Hand signed and numbered 998/1500 by Damien Hirst on the title page 16 ×...

WITH MY PUSSYCAT is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival, 100% acid free printmaking paper. WITH MY PUSSYCAT is a lively, imaginative, multi-color abstract animal composition portraying a cat figure with black eyes, and body colors of red, light yellow, turquoise blue, purple, pink and royal blue against a deep black background. The cat's companion positioned on the right, also outlined in turquoise blue takes on a more human form exhibiting abstracted facial features comprised of painted dabs of yellow and blue for eyes, a long blue nose...

Available sizes: 18” x 24.5” - Edition of 8 28” x 38.11” - Edition of 8 38” x 51.73” - Edition of 6 48” x 65.34” - Edition of 6 It has been a dream to pair one of the world's most c...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

This lithographic poster was printed in 1981 at the Atelier Mourlot in Paris. In the early 1970s, Air France commissioned Roger Bezombes to create original artworks capturing the s...

Digital C-Print on Archival Photographic Paper Available sizes: 32" x 32", Edition of 15 40" x 40", Edition of 10 48" x 48", Edition of 5 Few photographers in the world have photog...

All available sizes & editions for each size of this photograph: 22" x 22" Edition of 8 32” x 32" Edition of 8 47” x 47” Edition of 10 This project Before Ever After was less about ...

All available sizes & editions for each size of this photograph: 27” x 48" Edition of 7 37” x 66" Edition of 10 48” x 85” Edition of 5 This project Before Ever After was less about ...

Available sizes: 32x47 inches (80 x 120 cm) - Edition of 20 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist based i...

Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Alejandra: Alejandra made us take our hats off, Mother Nature never fails to impress, an...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: There is a reason we choose animals to be our mascots. They are spotless embo...

"Lil Bit is not your average cat. His owners were told he would need to be put down after he contracted a lethal feline coronavirus. Life had other plans for Lil Bit though. After th...

Listing includes framing with UV plexi ($1,000 value), free shipping for the continental US and a 14 day return policy. Also available for local pick up at our New York City galler...

"Dairy cows are the quintessential animals of the American farm. Because we are so familiar with this particular breed and see them frequently grazing along roadside pastures, painte...

Date: circa 1970 Screenprint, signed and numbered in pencil Edition of 150 Image Size: 19.5 x 25 inches Size: 22 x 30 in. (55.88 x 76.2 cm)

"Albert Einstein once said that mystery is the source of all true art and science. As I found myself looking into the eyes of this incredible animal, I realized I was seeing both. My...

6037 Antique watercolored copper engraving of a group of Saint Bernard rescue dogs Framed Image size 8x6"

"Jasper in flight is one of my favorite photos I’ve ever taken. You can practically see the green lake below him—mist still on the ground, with dogs poised and ready at your side. Th...

"It’s not often we get to experience awe in our day-to-day lives. With the many advances we’ve made in technology, fewer and fewer things seem to feel new or precious. One of the rea...

Tracey Emin Reach Out for Fruit, 2012 Home made inkjet print Pencil signed and dated 2012 on the front; bears the Emin International stamp on the back; edition of 100 16 1/2 × 11 1/2...

Available sizes: 32x47 in ed.20 40x60 in ed.15 47x71 in ed.10 Archival Pigment Print Unframed Ask us for framing options. Björn Persson is an internationally renowned artist base...

ABOUT THIS PIECE: 23.5x19.6, edition of 15 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully...

Available sizes: 32" x 32", Edition of 15 40" x 40", Edition of 10 48" x 48", Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ma...

YELLOW FIELDS is a rarely seen, original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival Arches paper, 100% acid free...

"Don’t worry; this sweet-faced calf is not coming to collect. Born on April 15th, The Tax Man is anything but taxing. Cows are some of the kindest animals there are, and I always lov...

Artist: Kim Ki-Chang, Korean (1913 - 2001) Title: Mystic Star of the Orient Year: 1988 Medium: Lithograph, signed and numbered in pencil Edition: 300 Size: 35 x 26 inches

Listing includes free shipping, and a 14-day return policy. 24 x 30 inch archival pigment print Edition 4 of 5 Signed on artist certificate Also available in 3 other sizes. Arti...

Available Sizes: 32" x 32" Edition of 15 40" x 40" Edition of 10 48" x 48" Edition of 5 Geronimo: Geronimo was no dog. I love dogs and am around them all time. And when I see pictu...

"Nothing sends a cold panic through your blood quite like staring a bull in the face. Titan was by far one of the most intimidating animals I’ve ever stood in front of. He was caked ...