Tri-State Area Mounted Objects

This hand-spun 8" dome is meticulously brushed and waxed to a matte satin finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's overal...

Beautiful natural Liana vine sculpture surrounding Acacia tree. Organic naturally occurring Liana vine growth coiled around an Acacia tree. Naturally we...

The Aperture series was created to provide a beautiful quality of light by combining bounce and ambient glow. The light source is held in a hand-spun perforated brass dome on one sid...

Rare tones on this one and a half thick petrified wood slab, resting on a minimalist metal base. Beautiful pale blue veins with a contrasting edge left unpolished. We have a collecti...

1703 Antique French gilt iron Celtic cross

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

Rare tones on this one and a half thick petrified wood slab, resting on a minimalist metal base. Beautiful pale blue veins with a contrasting edge left unpolished. We have a collecti...

Flush mounted wood cylinder with slits that emits a soft glow.

This 1960s Seashell Sculpture features a crowned Baeler melon seashell The melon shell has a distinctive crown of spines that circles around the apex of the shell Curved metal detai...

Handsome French antique giltwood carved architectural fragment meant for hanging above a door. Beautiful crown detail . NF

One of the best known gods from Olympus, made in white matte porcelain with touches of golden luster. Hermes was cunning and clever and had the gift of oratory, which is why the gods...

1900s Copper Horn Holder On Copper Base All copper Little chip at top in one of arches Horn secured to base - one solid piece except for insert that pops out

Pair of 1950s carved horns with dragon motif on wood base. They are a definite statement piece.

Beginning in the Bronze Age, in much of what is now Europe, there emerged a practice of ritually “killing” weapons and other possessions to be buried with the warrior to whom they ha...

The Aperture series was created to provide a beautiful quality of light by combining bounce and ambient glow. The light source is held in a hand-spun perforated brass dome on one sid...

This hand-spun 20" perforated dome is meticulously brushed and waxed to desired finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's ...

Two beautiful stone disks, hand-carved in Indonesia. Mounted on black metal stands. The largest disk is 5.5 inches diameter, 2.5 inches deep and 9.75 inches high (mounted). The sma...

A natural piece of Petrified Wood set on a stand. Completely organic natural raw fossil, cleaned for display. Appearing as a towering mountain with jutting peaks. To the back sid...

An antique circa 1940's-1950s Police model Colt 38 pistol frame. Custom mounted on a steel stand. Shows heavy pitting which adds to its character.

A fine and extremely rare Mid Century Modern Leather "Bull Mount" by, Dimitri Omersa for Abercrombie & Fitch. The mount is hand crafted and hand stitched in the form of a bull finish...

Chinese Archaistic style hand carved jade bi disk, on custom steel stand. A deep green with white "heavenly" cloud patterns for an overall serene and calming effect. Jade bi discs a...

Midcentury Harry Bertoia Sonambient sculpture featuring seven black monel "cat-tail" tops silvered to beryllium. Copper rods silvered to brass base. In fin...

Contemporary Chinese two smooth black jade discs. Also available in white ( S6449 ) One disc measures 12" diameter and 16.5" tall Stand measures 7" x 4" One disc measures 1...

A set of five vintage Indonesian copper Batik textile printing blocks from the mid 20th century, with floral patterns. We have an unlimited stock availabl...

This hand-spun 10" dome is meticulously brushed and waxed to a matte satin finish. The hand blown glass provides pleasant surface diffusion while also complimenting the light's overa...

The tri cone pendant echoes it’s form in 3 geometric elements. A tetrahedron structure suspends a glass disc under a cone shade that houses a focused spot-lig...

Rare cast iron antique Whistle Soda advertising piece. This figurative shaped hand has a screw off thumb that was made to hold an hourglass shaped bot...

A rustic Thai 19th century ox cart wooden wheel mounted on a custom made black wooden stand. Born in Thailand during the 19th century, this handmade wheel is pierced in its center with a circular hole reserved for the axle tree. The wheel showcases a nicely weathered patina witnessing its long use since the 19th century. This item is mounted on a custom made black painted stepped base. With its rustic appearance and large proportions, this 19th century Thai mounted wooden ox cart wheel...

A rare 18K gold, enamel and diamond mounted carved labradorite turkey / Capercaillie bird sculpture on a petrified wood base, attributed to Manfred Wild, Idar-Oberstein, Germany. Very finely crafted of the highest quality and best color Madagascar labradorite with excellent labradorescence. The entire hand carved turkey displays and excellent shimmer effect known as labradorescence. Madagascar labradorite, rich in the phenomenal characteristics of this remarkable gemstone which displays an ever-changing sheen, that is extremely suitable for the rendering of this turkey bird...

Antique World War 2 flare gun model M-8. Untouched original surface. Looks like something out of Blade Runner or Star Wars. Tiny chip at top of one grip.

4" selenite sphere mounted on a brass stand. Selenite is a pearly variety of gypsum named after the Greek goddess of the moon for its sheen, and is a sister stone to alabaster. Multi...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

An ancient Indian cart wheel mounted on custom black lacquered base, with brown patina. This ancient Indian cart wheel, mounted on a custom black lacquered base, is a stunning artifa...

Italian Grand Tour model of the ancient Temple of Vespasian located in the Roman Forum, Rome. Carved from alabaster, this is a handsome example of a souvenir carving which would have been collected by a European or American sophisticate making a Grand Tour of the ancient sites of Italy. This wonderful architectural miniature is evocative of another time and place. Roma Templo Di Vespasiano' etched into the black marble base. It has been drilled to be wired, not the first time I have owned one of these that had been mounted as a lamp. The Temple of Vespasian and Titus is located in Rome at the western end of the Roman Forum between the Temple of Concordia and the Temple of Saturn...

Highly decorative African hand carved mask, in the style of a Goli tribal mask, Baule People, Ivory Coast. Mounted on a custom steel base. Measures: 23.75 inches high (including sta...

A scaled version of our Aperture 4 chandelier, this fixture was build for grand spaces. Four large glass domes encircle a 4-globe geometric light source to ...

Bronze statue of a rider or warrior on a rearing horse holding a torch. Not sure who the rider is but it's a nice piece. The bronze is in good condition and may have stood on a marbl...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A rare carved Hawk's Eye agate tiger on a 14k gold mounted rock crystal base, circa 1960. "A Jeweled Sculpture" An incredible carved tiger made...

A 19th Century English lion head with articulated jaw. Probably from an antique billiard table. Measurements: Height: 10.5" Width: 7" Depth: 5"

Leather straps pass through slots that are hand carved into this spun-metal dome. The straps provide structural suspension while also allowing electrical cables to pass through – ill...

A male necklace from the Asmat Village, Papua New Guinea. Large cone shells in concentric rows, seamlessly sewn onto a cotton macrame base, which has been hand-knotted around a sem...

Porcelain sculpture of the mudra, the sacred gesture of abundance. Since time immemorial hand gestures have been a language in their own right, and their expressiveness and symbolism...

Two Black Basalt carved and polished Neolithic axe heads mounted on steel bases. These wonderful ancient objects are a testament to the artisans who crea...

A cream-colored marble disk, hand-carved in Indonesia, contemporary. Reminiscent of the traditional "Bi" disks omnipresent throughout Asia since prehistory to symbolize heaven and ...

1970s Tessellated Stone Sphere on a Solid Aluminum Base Orange-Red coloring (likely Red Jasper stone) Sphere has a lacquered finish over it Spider veins in lacquer which doesn't tak...

A hand-spun brass parabolic shade perfectly slips over a cast-glass dome. A line of glass is revealed from the profile; inciting a look underneath into a seemingly endless void of gl...

An Exquisite 14K Gold, Diamonds, Emeralds, Rubies, Sapphires, and Semi Precious Stone Mounted Rhodonite Camel. Possibly by Verdura, circa 1970, Italy. A very good quality and unusual gold mounted jeweled object...

Two Burmese chin state tribal markers. Tribal Territory markers collected within the chin state Burma (Myanmar). Each piece is primitively carved with a face and a collection of item...

A hand-carved marble ring on stand, contemporary. 16" Diameter, 20.5" High (mounted). Stand base: 10" W x 5" D

Contemporary Chinese large single smooth black jade disc sculpture on metal stand. Also available in white ( S6451 ) Stand measures 9" x 4"

19th century Grand Tour bronze oil lamp in the ancient Roman style with dolphin handles. The dolphin shown attacking an octopus on a rock. D...

A wooden wagon wheel on stand. Indonesia, late 19th Century. Reclaimed from an old vehicle, it has been preserved intact, with the exception of the...

This pair of extra-large mounted sea fans combines the organic elegance of natural marine forms with the opulence of 19th-century design. The intricate...

A Chinese 19th century rustic ox cart wooden wheel mounted on a custom made black stand. This handmade Chinese wheel is pierced in its center with a rectangular hole reserved for the axle tree. The wheel showcases a great weathered patina witnessing its long use since the 19th century. This item is mounted on a custom made black stepped wooden base. With its rustic presence and nice proportions, this 19th century Chinese mounted wooden ox cart wheel...

Fine Chinese hard stone disc on black metal stand, beautiful form, color and texture. Measures: 7" wide, 8.2" total height included stand. Stone disc itself...

Concentric lines ripple underneath a turned wood dome; reinforcing the pendant's form and beauty of it's material.

Rock crystal sphere mounted on a brass stand. Rock crystal, a form of quartz, has been used in jewelry and ornaments since antiquity, and is the purest form of quartz discovered. Mea...

Two Neolithic basalt hone stones mounted on black steel bases. A hone stone was used to sharpen weapons and tools such as an adze, hoe or axe. These beautiful prehistoric objects are...

1909 Italian Hand Painted Ceramic Rennaissance Equestrian Wall Plaque