Tri-State Area - Vitrines

An elegant curved glass china or curio display cabinet or vitrine has satinwood, mahogany and rosewood inlaid marquetry. Please confirm location with seller (NY or NJ)

Fine Gilt bronze and Mahogany Vitrine Louis XVI style table attributed to François Linke. Lined in antique red velvet, the table sits on tapered legs, surmounting and joined by a lower display shelf. Intricately cast ormolu garlands of floral and foliate adornments form a frieze encircling the sable sides and and each leg. The Vitrine locks and is in full working order, with an exquisitely casted ornate key...

Rope and tassel design (20th Century) gilt metal obelisk shaped 4 shelf etagere

Russian neoclassical mahogany cabinet with brass inlay, circa 1820. Upper cabinet fitted with glass sides and front glass door with three ...

A Very Fine Late 19th Century Louis XVI Style Gilt Bronze Mounted Vitrine Bronze gallery above a centered glass door, flanked by glass panels on top of a single, spring released dra...

Large fine quality 19th century Louis XVI marble top mirrored vitrine/display cabinet. Two individual single door top and bottom mirrored cabinet sect...

Scandinavian Mid-Century light mahogany display/vitrine cabinet with a keystone shaped top sections supported on a base with a fluted apron and inlaid floral design trim.

A great quality late 19th century louis xv style gilt bronze mounted kingwood vitrine. By François Linke - Varient of Index Number 38 and 1122. Surmounted by a Brèche d'Alep marble...

A fine quality French gilt bronze mounted Vitrine with Brèche d'Alep marble top attributed to François Linke. This fine gilt bronze mounted king...

A Great Quality Late 19th Century Louis XVI Style Gilt Bronze Mounted Vitrine By François Linke François Linke. The rectangular paneled top with three-quarter gallery, above a conf...

The Following Item we are Offering is a Magnificent Beautiful Hand Carved Beveled Glass Hand Carved Decorative 2 Door Bottom to Top Gilt Wooden Showcase. Rope Design around Showcase with 3 Led Multi Colored Lighting...

A Wonderful Late 19th Century Louis XV Style Gilt Bronze Mounted Vitrine by Joseph Zwiener Joseph Zwiener The serpentine-shaped brèche d’ alep marble top above a single centered glass door, flanked to each side by a conforming panel, the mirrored interior fitted with three adjustable glass shelves, the canted angles set with pierced foliate-cast clasps, above a bombé shaped apron, on cabriole legs with scrolled-acanthus sabots. The quality of the cabinetry and solid wood frame, along with the quality and design of the mounts, is characteristic of Zwiener’s oeuvre. Similar flower-filled cornucopia chutes can be found on other Zwiener models. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

An Excellent Quality Late 19th Century Louis XVI Style Gilt Bronze and Wedgwood Mounted Parquetry Vitrine The breakfront marble top above a scrolle...

Stunning French Art Deco bronze face walnut vitrine / dry bar. This dry bar has been professionally refinished having a very high French polish. The two ce...

Unique Italian neoclassical gold finish vitrine table with hinged octagonal glass top on tripod base of stylized dolphins.

A Wonderful Late 19th Century Louis XV Style Gilt Bronze Mounted Two Door Vernis Martin Vitrine Surmounted by a marble top above a frieze with scrolling foliage, above two glass doo...

A fine late 19th century Louis XVI style gilt bronze-mounted double vitrine cabinet By Henri Picard The vitrine fitted with a nice inset marble top, the upper cabinet with a long single drawer and bronze women busts on the corners. The bottom part with ram heads and centered with cornucopia and a lions mask. Stamped HPR, for Henri Picard, on the back of some bronzes. The important fondeur and doreur Henri Picard worked in Paris from 1831-1884, most notably for the Emperor Napoléon III. He was based in Paris at 6, rue Jarente from 1831 to 1839, before moving to 10, rue de la Perle...

A Fantastic Late 19th Century Gilt Bronze Mounted Louis XVI Style Vitrine By Victor Raulin Victor Raulin A center glass door with three shelves and a black felt back, quartered ven...

A Lovely Early 20th Century Louis XV Style Gilt Bronze Mounted Parquetry Vitrine Table By François Linke François Linke The oval shaped table with a beveled glass top encircled by ...

Available in NY

A wonderful late 19th century gilt bronze Mounted Louis XV style Vitrine table by Joseph Zwiener Joseph Zwiener The oval shaped table with a beveled glass top encircled by a bronze frieze, above four side glass panels, the canted angles set with pierced foliate-cast clasps, standing on cabriole legs tapering to scrolled sabots. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the nineteenth century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modeling in his own interpretations of the eighteenth century Louis XV Rococo style, veneered with the highest and finest quality marquetry and ‘Vernis Martin’ panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a gold medal for what the jury reported as ‘dè ses dèbuts à une Exposition Universelle, [il] s’est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.’ Zwiener was closely associated with François Linke, and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener’s departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II , he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his “Z” initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

A Very Fine Late 19th Century Finely Casted Gilt Bronze Mounted Louis XVI Style Vitrine Surmounted by a pink breccia marble top above a gilt bronze motif depicting a pair of rams c...

Mahogany cabinet. Located in NY.

A French 19th Century Vitrine display cabinet showcase by Conquet Marquetry inlaid bronze mounted bois de vilotette cabinet in the Louis ...

An Interesting Late 19th Century Louis XVI Style Gilt Bronze and Wedgwood Mounted Parquetry Vitrine The breakfront marble top above a scrolled frie...

An Exceptional Quality Late 19th Century Gilt Bronze Mounted Louis XVI Style Vitrine The marble top above ormolu frieze and scro...

This gilt vitrine "aux pins" by Louis Majorelle is a masterpiece in Art Nouveau design. The gilt finish and simplicity of line that unifies the piece lend it a refined elegance, making it the perfect frame for carefully selected objets d’art. Louis Majorelle’s father Auguste had specialized in 18th-century style furniture, including the chinoiserie so loved in the court of Louis XVI. Louis Majorelle experimented with the pine motif at the same time as Rene Lalique. Both looked to East Asian Art...