USA

Not quite a matching pair of imperial measures made of pewter in the shape of one handled mug or tankard. These measures are generally graduating in s...

Shipping off the coast by English artist Thomas Luny. Oil on canvas signed and dated 35' in the lower left. Nice period and possibly original frame. Thomas Luny (1759–1837), bor...

English mahogany four drawer chest, the top has beautiful swirl grain, color and patina, the flat top edge is cross banded vertically with mahogany;...

Antique hand carved Cameo on oval sardonyx plate brooch / pendant with 18k yellow gold frame surrounded by 3 from four sides old rose cut antique diamonds. Made in France. Circa 1838...

Flat Steel Industrial Task Chair by Remington Rand..original , pure unmolested... Amazing original condition,,Adjustable height..Extremely comfortable..

English Georgian Chairs in Ikat

French brass decorative foliage and flanking urn finial free standing fireplace screen with centered laurel wreath torchere handle, flanking in...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

French Brass serpentine four panel folding fire place screen with decorative beaded foliage medallions, engraved ball finials, and flanking side handl...

This is a Swedish Mora Clock Norrland Model. its been restored and repainted with Milk paints "Oyster White" inside the door its 100% Original paint dated 1836.

Having a circular top with unique molded edge atop a turned standard on a graduated plinth-form base, the circular base issuing three shaped feet

English painted and upholstered crule piano bench with adjustable seat and connecting stretchers, Early 19th century.

This is a Swedish Mora Clock Norrlands Model 100% Original paint on it. found at an Estate Auction in Alfta, Sweden.

The high-end Baker manufacturer was inspired by this so refined Biedermeier style and made these chairs with the same attention. Biedermeier itself was inspired by the Directoire Fr...

Stunning and unique Italian four-post bed, early 19th c. This bed features parcel gilt and painted frame with carved and gilt decoration, corner posts with carved finials, putti masks, Corinthian capitals, side rails with foliate scroll details, restoration to finials. Bed frame only. Bed frame sits on floor. We recommend it be used with a platform bed. Dimensions exterior: approx 58.75"h, 84"l, 75.5"w interior: approx 79"l, 70.25"w Acquired at a large European antique auction...

This simple, charming Staffordshire porcelain pitcher is perfect for flowers. Made in England circa 1830, the pitcher has a beautiful hand painted bouquet on the front. We see colors...

Designed as a row of belcher set cushion cut sapphires and old mine cut diamonds alternating in pattern and graduating in size Sapphires weigh approximately 0.68 carat total - transp...

Circa 1830 English Classical period ironstone sauce tureen, integral stand & cover, Imari pattern. Finial a cornucopia with head of a fawn tip.

Comprising a tazza (height 6.75", diameter 9.25"), two smaller tazza; a sauce tureen and cover; twelve plates; and one smaller plate.

Decorated in various tones of blue on a gray ground with stylized birds and flowers with gilt highlights, with dolphin handles and twin dolphin finials.

A fine antique French eight day mantle clock, gilded and fitted with Sevres porcelain plaques, circa 1830. An early French silk suspension clock, with an eight day time and strike movement, gently sounding the hours and half hour on a bell. The clock is housed in an extravagant gilded gesso Rococo style case and standing on an integral plinth. The clock with a silvered dial having a cuff of engine turned decoration around the center and black Roman numerals to the outside of the dial and the retailer's name "Carl Muller in Berlin" to the center. The base of the clock is fitted with a round hand-painted floral 'Sevres' porcelain plaque, the clock plinth is fitted with a rectangular 'Sevres' plaque, hand-painted with a pastoral scene with a young courting couple and grazing sheep & goats. The clock has just been professionally overhauled and cleaned, it runs and keeps good time, the gilded case and silvered dial and porcelain plaques are in remarkable condition, a very fine clock...

A pair of antique Georgian period gold and close-backed garnet earrings, the long pendants of tapering design and set with oval, pear, and round cabochon garnets surrounded by applie...

A circa 1830 Coalport saucer in the tree of life pattern. It is from a very prestigious, Atlanta antique shop call Jane Marsden.

JOHN MARTIN (1789 – 1854) DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...

Original Georgian era Garnet Rivière Pendant Necklace composed of 10k yellow gold. With oval-shaped flat cut natural red garnets, foil-backed in collet ...

A polished steel stand originally used to hold hot kettles and pots next to a fireplace and known as a trivet. Rectangular polished top with ogee cutout handle on polished steel cab...

Spice tower has a round base with a square engraved plaque supporting the column shaped stem. Hanging flower bells are hanging from the cornices at base of the container. Spice conta...

English Antique Lover's eye portrait miniature brooch. circa 1840-50 The charming oval-shaped portrait miniature is mounted in a gilt metal repoussé frame with a pin back with a gilt leaf design on each side. The portrait is of a woman's right eye and brow showing ringlets of hair hanging down over her ear. Dimensions: 1-inch wide x 5/8 inch high x 1/4 inch deep from pin Reference: EYE MINIATURES Eye miniatures or Lovers' eyes were Georgian miniatures, normally watercolour depicting the eye or eyes of a spouse, loved one or child. These were usually commissioned for sentimental reasons and were often worn as bracelets, brooches, pendants or rings with richly decorated frames, serving the same emotional need as lockets hiding portraits or locks of hair. This fad started in the late 1700s and miniaturists such as Richard Cosway...

this lovely yew-wood chair from the 1st half of the 19th century has a shaped back with long vertical spindles on either side of a central back splat, with raised arms above a contou...

Found in Cornwall, England circa 1830, this lovely antique iron clock dial has been given a new lease on life. The original enamel features hand-painted Roman numerals, fruit-filled ...

War Dance Of The Sauks And Foxes Hand Colored Lithograph c.1837 Published by E.C. Biddle, Philadelphia. Beautiful hand colored lithograph from the "History of the Indian Tribes of ...

A 19th century oak bin for the storage of hardtack, a type of dense and long-lasting biscuit, on long clipper ship voyages. The bin is of staved construction,...

Marble top cabinet "meuble d'appui". Original marble. French, Charles X period, c.1830. Flame mahogany. Provenance: Antiquities Les Colonnes Place L'oree de L'Isle Sur La Sorgue...

Regency foot stool, the legs with a beautiful sweeping concave shape have a reeded outer edge. The stool has been reupholstered in the latter part of the 20...

Classical coin silver baby cup. Made by Eoff & Connor, a partnership active in New York from 1833 to 1835. Bellied bowl with drum-form neck, flared rim, and capped s-scroll handle; r...

19th century antique Chinese hand painted lacquer scene gilt fan with original lacquer box.

A striking and uncommon 1839 cast bronze with dark patinated finish titled “La Liberté” by important and celebrated French sculptor Pierre-Jean David d’Angers (b. 1788–1856). The iconic figure of Liberty—the powerful personification of the French Republic also known as Marianne—is styled by David d’Angers after Eugène Delacroix’s famous depiction of her in his painting commemorating the July Revolution of 1830, completed that same year. A strong and proud young woman, clear eyed and solemn, she gazes into the distance with a determined resolve. Dressed in a simple, loosely draped tunic and sporting a phrygian cap, the American and later French Revolution’s symbol of freedom and the pursuit of liberty, with her hair spilling out in waves. She clutches a sheaf of laurel in her right hand, representative of the rights acquired by her people who’ve broken the yoke and chains of servitude which now lay under her feet. In her left hand is a long rifle that originally would’ve included a bayonet extending up from her fist, but which was lost decades ago judging by the dark patina on the break. An exceptionally evocative and captivating composition, with exquisite details throughout that reward closer examination. Various patriotic legends and dates are displayed about the work. On the front of the base is a verse from the Marseillaise: “Liberté, liberté chérie/ combats avec tes défenseurs”. On the square—a symbol of equality—atop the Grecian plinth are the inscriptions “Egalité-Fraternité”. The dates of the French Revolution of 1789 and the July Revolution of 1830 appear on a scroll in the right hand. Signed “P-J David” and dated “1839” in the mold on the right side of the base. Foundry mark of “Cresson Editeur” appears on the top of the base at lower left. Other matching original castings of this work can be found in Paris at the Louvre and Musée des Arts Décoratifs, in Angers at the eponymous Galerie David d’Angers, and in Washington, D.C. at the National Gallery of Art. For one to be available for acquisition outside of auction, and especially stateside, is quite uncommon. Born Pierre-Jean David in 1788, he adopted the name David d’Angers after his birthplace in western France to differentiate himself from his contemporary, painter Jacques-Louis David. His many medallions and busts brought him great acclaim and a prosperous career, with an array of extremely notable and influential contributions to French public art. In the 1830s and 1840s, David became the country’s preeminent monument maker. Of particular importance were his pedimental sculpture for the Pantheon, his marble sculpture “Wounded Philopoemen” in the Louvre (for which he also contributed to the exterior), and his equestrian monument...

19th century reverse painted on glass portrait of George and Martha Washington by William Matthew Prior (1806 - 1873), one of New England'...

Full of character and rich in history, this antique French Provincial fruitwood grain scoop was once simply utilitarian, used to shovel oats into sacks. This fruitwood scoop has a lo...

This is a unique 100% Original painted Swedish Mora Clock Fryksdahl Style.

The dish is hand-painted with perfect pink and purple roses and a fabulous orange eastern poppy. Around the center is a band of gilt. The border has impressed decoration of flowers ...

With a circular hinged top with brass inlaid border supported on a triangular support ending on a conforming base with brass stringing and raised on plain Greek form feet. Casters.

Actor Arashi Rikan II as Aburaya Yohei - Figurative Woodblock Print on Paper Woodblock print of kabuki actor by Shunbaisai Hokuei (Japanes...

This is a unique Swedish Mora Clock Norrlands model 100% Original paint. I found this clock at an auction in Ljusdal, Sweden.

Having a rectangular top above a conforming case with two paneled doors, the interior fitted with drawers and shelving, the feet are ebonized carved paws with carved giltwood legs

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

English cherry one drawer, the three board top with beautiful color and patina, single drawer with antique ring pulls (not original) and incised bea...

This is a natural finish Swedish Mora clock. the old works have been removed and replaced with New Battery clock works. the Original works are offered w...

A very fine English marble top console table in the manner of William Kent, having features found in documented examples of Kent's work at Chiswick House and Holkham Hall. Reeded and...

Rectangular breakfront form Siena marble top over a conforming case with central grill door enclosing shelves flanked by a pair of doors enclosing she...

French snuff box in solid gold. Exceptional rectangular snuff box, crafted in Paris France during the second monarchic restoration period, between the 1818 and 1838. It was carefully crafted in the neoclassical Louis XVI style in solid yellow gold of 18 karats. Fitted with a hinged lid and embellished with intricate chiseled, engraved and guilloche finishes, Monogramed AS inside the counterpart of the lid. Weight: 1l7.75 Grams, (75.48 Dwt). Measurements: 89 mm by 54 mm by 20 mm (3.5 x 2.13 x 0.79 Inches). Hallmarks: Stamped with ancient French marks; the Zeus head...

Rectangular top with inset brown leather over two drawers and two opposing false drawers each with wood knobs, raised on a barley twist trestle ba...

Chest, French, from the Restauration period, made of Mahogany. This chest has three dovetailed drawers in façade and one dovetailed drawer concealed in the apron. On top there is a beautiful intact black marble slab.

Beautiful Cruet set designed by Armand Caillat (1822-1901). Very nice French neo-classical piece from the period of the king Louis Phillipe (1830-184...

Artist: John James Audubon (American, 1785-1851) Title: "Snow Bunting" (Plate CLXXXIX - 189; part No. 38) Portfolio: The Birds of America, Havell Edition ...

Once an original part of a Mid-19th Century Buddha wood sculpture from Thailand, this reclaimed hand fragment is lacquered in black and gold, showing the...

A magnificent pair of Georgian era Rose Cut Diamond Girandole 'Chandelier' Earrings composed of 15k gold and silver. Featuring 106 Rose Cut diamonds ...

Typical form with one drawer with wood knobs. Turned legs and brass casters.

A fine quality, generously proportioned William IV rosewood center or dining table, the round top showcasing the extraordinary color and figure of the lively wood grain. It is edged ...

A finely-crafted pair of andirons with lyre shaped bodies in scrolled iron surmounted by a turned brass finial, the whole on two sets of inverted U strap legs joined by double rails ...