USA - Art

1990 Screenprint in colors, on wove paper Sheet: 25 3/5 x 33 1/2 in. Edition of 60 Signed and numbered in pencil Unframed

1978 Lithograph in colors, on pink handmade paper Sheet: 23 1/4 x 27 22/25 inches Edition of 58 Signed, dated and numbered in pencil Framed, mint condition

Lacquer on Wood

Signed by the photographer

DANIEL GORSKI Untitled, 1963 Acrylic on canvas (Diptych) 80 x 45 inches

Artist: Ales Lamar Title: Cervene Skvrny (Triptych) Year: 1984 Medium: Oil on Canvas, each panel signed and dated and titled verso Size: (Each Painting) 71 x 57 in. (180.34 x 144....

"Pinstripe Cross" is a striking modern geometric abstract painting, with a bright contemporary palette. It is painted directly onto panel, with a custom built wooden substrate. The sides show beautifully smoothed wood. Kazaan Viveiros...

Keith Haring at Tony Shafrazi/Leo Castelli Gallery, New York, 1985: Rare original 1980s announcement for two Keith Haring exhibitions: Keith Haring at Tony Shafrazi Gallery, October 26...

This is a large colorful vibrant pastel painting on paper, hand signed and dated 1981. Titled "Sarog". Joan Thorne (1943-) is a New York artist nationally and internationally recognized. A third generation Abstract Expressionist who has exhibited works over the past 30 years. Her art has been shown in the Corcoran Gallery of Art, Washington, DC, the Whitney Museum’s Annual Exhibition, the Grand Palais in Paris, and Barbara Rose’s seminal exhibition American Painting: The Eighties at New York University’s Grey Gallery. Her recent shows in New York City have been reviewed by the New York Times, Art in America, ArtNews and The New Criterion among others. Her work has beeen compared to Elizabeth Murray work. It is coloful and has a Memphis Milano feel to it. Thorne grew up in Greenwich Village. Her mother was a Ukrainian immigrant from a musical family, who became an English teacher; her father, a surgeon. Recognizing their daughter’s artistic talents early, they enrolled her at age six in the Little Red Schoolhouse on Bleecker Street in Greenwich Village. Founded in 1921 by Elisabeth Irwin, a pioneer in educational reform, the school has continued to maintain its reputation as a progressive and nurturing catalyst for creative children. Pete Seeger, the folk singer, performed there so frequently that Thorne remembered him as if he were one of the teachers. In 1971, Thorne met Faith Ringgold (b. 1930) and joined her as a teacher at the Women’s House of Detention on Rikers Island in a new program called “Art without Walls–Free Space.” The program, which had been born from the civil rights movement, was aimed at enriching the lives of the inmates. Thorne and her peers came of age struggling against sexism in the art establishment and its attendant lack of exhibition opportunities for women. Since 1985, this issue had been loudly exposed by the public protests of the Guerrilla Girls, whose members remain a well-kept secret. Her painting has been included in two Whitney Museum Biennials and various other museum group exhibitions both in the United States, Europe and Latin America. She has had numerous one person shows in galleries such as: Sideshow Gallery New York, Fishbach Gallery, New York City, Corcoran Gallery of Art, Washington D.C., Willard Gallery, New York, Graham & Sons Gallery, New York, The Clocktower, New York City, and the National Arts Club among others. Thorne has been awarded the Prix de Rome Fellowship to paint at the American Academy in Rome. She also received two National Endowment grants for painting and two Pollock Krasner Grants among others. "Since 1973, while myriad styles, movements and mediums have flourished briefly in turn, Joan Thorne has steadfastly developed one visual language-that of painterly surface, light, color and distilled form-which she finds best suited for her artistic project: intimating dreams. intuitions and the psychic consequences of travel. " "For there is something luxuriant and mysterious in Thorne's compositions. They have a classic modernist genealogy that encompasses Arthur Dove, Georgia O'Keeffe, Marsden Hartley, Milton Avery and Mark Tobey; yet each carries a hint of exoticism, " --Richard Vine, Art In America, Review, June 1998 Education Hunter College, New York, M.A. New York University, New York, B.S. Awards 2006 Adolf Gottlieb Foundation Grant in Painting 2003 Prize in Painting, Florence BiennaleInternazionale, Florence, Italy 2001 Pollock Krasner Foundation Grant in Painting 1986 Prix de Rome, American Academy in Rome Pollock Krasner Foundation Grant in Painting 1983 National Endowment for the Arts, Fellowship in Painting 1980 New York State Council on the Arts, Grant for Painting 1979 National Endowment for the Arts, Fellowship in Painting 1976 Grant in Painting, Rhode Island State Council on the Arts 1975 New York State Council on the Arts, Grant for Painting 1974 Grant in Painting, Rhode Island State Council on the Arts 1972 Artist of the Year, Aldrich Foundation Select Solo Exhibitions 2015 Black and White Into Color, National Arts Club, New York 2013 Sideshow Gallery, Williamsburg, NY 2005 Chris Winfield Gallery, Carmel, CA 2004 Klaus Steinmetz Arte Contemporaneo, San Rafael de Escazu, Costa Rica 2002 Feria de Arte International Arcale, Salamanca, España 2001 Andre Zarre Gallery, New York 2000 Retrospective: Museo Las Americas, San Juan, Puerto Rico 1998 A Retrospective: Museo Voluntariado De Las Casas Reales, Casa de Bastidas, Santo Domingo, Dominican Republic 1990 1985 Graham Modern , New York City, NY 1989 1986 Ruth Bachofner Gallery, Santa Monica, CA 1986 William Halsey Gallery, Simon Center for the Arts, College of Charleston, Charleston, SC 1983 Lincoln Center Gallery, Lincoln Center, New York City, NY Dart Gallery, Chicago, IL Gloria Luria Gallery, Bay Harbor Island, FL 1982 Nina Freudenheim Gallery, Buffalo, N 1980 Willard Gallery, New York 1979 The Clocktower: Institute for Art and Urban Resources, New York City, NY 1977 Galerie Veith Turske, Cologne Art Fair, Cologne, Germany 1974 Fischbach Gallery, New York City, NY 1973 Corcoran Gallery of Art, Washington, DC Select Group Exhibitions 2019 Art On Paper, March 2019, New York, NY 2018 Sideshow Gallery, The Greatest Show On Earth, Williamsburg, NY 2015 Outside The Lines/Modernist Drawings, National Arts Club, NY 2014 "National Arbor Day Show", National Arts Club, New York, NY ArtHamptons Fair, July 10-13, East Hampton, NY Tribal and Contemporary Art, June 12 - July 28, New York, NY 2012 Art Southampton, International and Contemporary Modern Art Fair, Hollis Taggart 2010 Janet Kurnatowsky Gallery, New York 2003 Biennale Internazionale Dell' Arte Contemporanea, Florence, Italy 2002 Gallery Uno 'Spazio Su Misura, Milan, Italy 1991...

LEAH DURNER Up from the Ground, 2000 Acrylic and oil on canvas 60 x 66 inches

Tom Wesselmann, (1931-2004) "Still Life" (Stilleben) 1988 Porcelain with Polychrome Ed. 169/299 Porcelain Size: approx. 13 x 14 inches Overall Size: approx. 18 3/4 x 20 inches Foun...

Sari Rodriguez paints with panache no matter WHAT she paints - including landscapes. But this still life really does it for me. Look at the fantastic, simple yet powerful strokes on ...

Collaboration Painting with Karyn Mannix. This tongue in cheek painting of three roosters and a penis aptly named FOUR COCKS. Framed in an authentic (heav...

Oil on canvas

Edition of 3. Signed by the photographer.

Presenting for the first time in decades, an exceptional geometric abstract oil painting by American artist Philip Pinner, 1910-1977. Equilateral Variations, is an original oil on ...

Jenny Sharaf, born in Los Angeles in 1985, is a multidisciplinary artist. Her paintings, installations, videos, and happenings celebrate process, while reflecting on art history, fem...

Painted by Frealon Norden Bibbins (American, 1926-2013) and dated, verso, 1976. Additionally stamped, verso, with Certification of Authenticity. A substantial, oil abstract evoking organic floral forms and comprising fluidly superimposed and adjacent, diaphanous layers of magenta, coral, lilac, and grass-green contrasted against an ivory field. This listed California artist, author and musician lived and painted in Alameda and also had a distinguished career with the San Francisco Symphony...

Title : Woman in a White Blosue Materials : Oil on Canvas Date : 1960s Dimensions : 29 1/2 x 23 in. In the late 1960's, Daniel Brennan had a day job lo...

Title : Kris and Kory's Studio Organ Building Materials : Colored pencil, acrylic, graphite, and watercolor on paper diptych Date : 2005 Dimensions : 36 x 48 x .1 in. Description : ...

Artist : Jolynn Reigeluth Title : It's for the Birds Materials : Collagraph, collage and watercolor Date : 2019 Dimensions : 13" x 18" in. Jolynn Reigeluth is an artist and freelanc...

Sergio Valenzuela “Valenz” is a contemporary Guatemalan artist who tells stories with everyday objects, primarily expressing them with graphite and acrylic on canvas. His artworks pr...

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the photographer

Signed by the Photographer

Signed by the Photographer

Digital Painting, Lambda Print on fuji crystal archival paper mounted on aluminum dibond, acrylic front. Shanghai 2014 – a city, a “mega city”, a metropole endeavors with all its mig...

Screenprint in colors, on Rives BFK paper Sheet: 31 x 31 in. (78.7 x 78.7 cm) Edition of 55 + 15AP Signed and numbered in pencil on the lower margin Published by Upsilon Gallery, New...

Screenprint in colors, on Rives BFK paper Sheet size: 36 x 28 in. (91.4 x 71.1 cm) Frame: 38 1/4 x 30 1/4 x 1 5/8 in. (97.2 x 76.8 x 4.1 cm) Edition of 55 + 15AP Signed, dated and nu...

Signed and numbered by artist on verso.

Iconic imagery with a playful content, either consciously or unconsciously influenced by indigenous art, Keith Haring’s Growing II is a brilliant ...

An abstract expressionist acrylic painting on canvas with wonderful color combinations and effortless lines and shapes. This piece is layer with paint and texture, and has a soft yet...

Artist: Wayne Thiebaud, American (1920 - ) Title: Theater Marquee Year: 1956 Medium: Lithograph Signature: Signed, titled, numbered, and dated in penci...

VINCENT LONGO Lattice Center Dark, 2008 Acrylic on canvas 60 x 48 inches 152.4 x 121.9 cm Signed verso

mixed media on aluminum

Signed by the photographer

Signed by the photographer

Ronnie Cutrone (1948-2013) "Bird's Eye View" c. 1980s Color Lithograph Ed. 222/250 Signed, Numbered and Titled Image Size: 17 x 23.5 inches Framed Size: approx. 24 x 30 inches. Ronnie Cutrone, a figurehead of the Pop and Post-Pop art scenes, was Andy Warhol's assistant at the Factory atop the Decker Building from 1972-1980, and worked closely with Roy Lichtenstein, combining stylistic elements of both. Cutrone's large-scale paintings of American cartoon icons, like Mickey Mouse, Felix the Cat, and Woody Woodpecker further reinvented kitsch and popular media in terms of fine art. Executed in fluorescent monochromatic colors with the finesse of mass-produced silkscreen and prints, Cutrone's works are the reverse of tromp-l'oeil; they use fine art media (watercolor, pastel, crayon - on high-quality paper) to celebrate, rather than hide, the artifice of their subjects. "Everything is cartoon for me", Cutrone is noted for saying, even "ancient manuscripts...

Hand signed, numbered and dated '88 in pencil on recto in the lower right margin. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Wo...

TECHNICAL INFORMATION Josef Albers MMA-1 1970 Screenprint 24 7/16 x 24 3/8 in. Edition of 100 Initialed in pencil, dated, numbered and titled Accompanied with COA by Gregg Shi...

A wonderful example of Czobel’s most expressive drawing. Signed, lower right

Ink and watercolor on paper 13.5 x 7.5 inches This artwork is offered by ClampArt, located in New York City. Bill Rice was considered by such luminaries as Rene Ricard to be one of the most important painters of urban life from his generation. Rice’s depictions of inner city gay men...

Vintage chromogenic print (negative sandwich) (Edition of 12) Estate stamp in black ink, verso 20 x 16 inches, sheet 12.5 x 12.5 inches, image This artwork is offered by ClampArt, ...

Kelsey Brookes, A Line Through the Rainbow (Yellow to Orange), 2017, Acrylic on canvas, 84h x 60w in (213.36h x 152.40w cm)

Axel Crieger Champagne Morning No5 39 inches x 31.5 inches Digital C Print Diasec Framed Edition of 12 Part of the No5 collection by Axel Crieger Available in two sizes: 31.5 x 39 ...

Archival pigment print Signed and numbered on label, verso 14 x 18.7 inches (Edition of 10) 25 x 33.4 inches (Edition of 7) 41 x 56 inches (Edition of 3) 58 x 77.4 inches (Edition...

Artist: Leestemaker, Luc Title: Angels.Spirit Guides.3 Medium: Mixed Media Unframed Dimensions: 72x60 inches Edition: Unique

C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...

C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...

Artist: Leestemaker, Luc Title: 2011.29 Date: 2011 Medium: Mixed Media Unframed Dimensions: 50" x 48" Edition: Unique

This print is signed by the photographer and is in an edition of 7.

Sean Keating (Irish 1889-1977) "Self Portrait" c. 1950s Charcoal on Paper Signed Lower Right Framed Size: approx 20 x 16 inches A noted portrait and figure painter, influenced by b...

Diptych, Color field painting

Jamie Wyeth "Herring Gulls" 1978 Color Lithograph Signed Lower Right Numbered Lower Left 149/300 Born in 1946, James Browning Wyeth came of age when the meaning of patriotism was clouded by the traumas of the Vietnam War and the scandals of Watergate. Working in an era of turmoil and questioning of governmental authority, he did art that encompassed both marching off to war and marching in protest. One of James's early masterworks, Draft Age (1965) depicts a childhood friend as a defiant Vietnam-era teenager resplendent in dark sunglasses and black leather jacket in a suitably insouciant pose. Two years later Wyeth painstakingly composed a haunting, posthumous Portrait of President John F. Kennedy (1967) that seems to catch the martyred Chief Executive in a moment of agonized indecision. As Wyeth Center curator Lauren Raye Smith points out, Wyeth "did not deify the slain president, [but] on the contrary made him seem almost too human." Based on hours of study and sketching of JFK's brothers Robert and Edward - documented by insightful studies in the exhibition - the final, pensive portrait seemed too realistic to family members and friends. "His brother Robert," writes Smith in the exhibition catalogue, "reportedly felt uneasy about this depiction, and said it reminded him of the President during the Bay of Pigs invasion." In spite of these misgivings, James's JFK likeness has been reproduced frequently and is one of the highlights of this show. The poignancy, appeal and perceptiveness of this portrait, painted when the youngest Wyeth was 21 years old, makes one wish he would do more portraits of important public figures. James himself feels he is at his best painting people he knows well, as exemplified by his vibrant Portrait of Jean Kennedy Smith (1972), which captures the vitality of the slain President's handsome sister. He did paint a portrait of Jimmy Carter for the January 1977 man-of-the-year cover of Time magazine, showing the casually dressed President-elect as a straightforward character posed under a flag-draped water tower next to the family peanut plant in Plains, Ga. James recalls that Carter had one Secret Service agent guarding him as he posed outdoors, a far cry from the protection our Chief Executives require today. As a participating artist in the "Eyewitness to Space" program organized by the National Aeronautics and Space Administration in collaboration with the National Gallery of Art in the late 1960s, Wyeth deftly recorded in a series of watercolors his eyewitness observations of dramatic spacecraft launchings and more mundane scenes associated with the space program. Commissioned by Harper's Magazine to cover the 1974 congressional hearings and trials of Watergate figures, James Wyeth executed a series of perceptive and now evocative sketches that recall those dark chapters in our history. Memorable images include a scowling John Ehrlichman, a hollow-eyed Bob Haldeman, an owlish Charles Colson, a focused Congressman Peter Rodino, a grim visaged Father/ Congressman Robert Drinan, and vignettes of the press and various courtroom activities. An 11-by-14-inch pencil sketch of the unflappable Judge John Sirica is especially well done. These "images are powerful as historical records," observes Smith, "and as lyrically journalistic impressions of events that changed the nation forever." Wyeth's sketch of early-morning crowds lined up outside the Supreme Court building hoping to hear the Watergate case, with the ubiquitous TV cameramen looking on, is reminiscent of recent scenes as the high court grappled with the Bush-Gore contest. The Wyeth family penchant for whimsy and enigmatic images is evident in Islanders (1990), showing two of James's friends, wearing goofy hats, sitting on the porch of a small Monhegan Island (Me.) cottage draped with a large American flag. Mixing the serious symbolism of Old Glory with the irreverent appearance of the two men, James has created a puzzling but interesting composition. Painting White House...

Artist: Huong Title: Woman with Instrument Year: circa 1990 Medium: Oil on Canvas Size: 132 x 49 x 3 in. (335.28 x 124.46 x 7.62 cm)