USA - Art

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...

Contemporary abstract geometric painting on 12 x 12 inch wood panel in colorful shades of orange, burnt sienna, with pops of yellow, grey, and white 'Mistress of All Realities', 2020, by Jeanette Fintz 12 x 12 x 2 inches, acrylic on wood panel Signed verso D-rings on reverse, simple hanging on two nails *There are three other paintings in the series, see REF LU2278336542 to purchase a set of 4 works The basic form, comprised of rotating circles stems from a geometric configuration created in a large abstraction from 2019 that strongly evoked a maternal quality because of it’s self generating fractal - like growth pattern. Off - shoots of hexagons and rhomboid shapes extend from the circles like building blocks, cellular connections, the underpinnings of unity at the base level of life. Working in a space between planning and chance, Jeanette Fintz presents a series of paintings that fuse gestural and geometric abstraction. This body of work continues Fintz’s use of the circle, ellipse and hexagon; motifs that embody references to nature, architecture and the decorative arts. The small paintings from this series offer a bright burst of form and color that would compliment any modern interior. Jeanette Fintz is an established artist working in the Hudson Valley, NY. She has taught at the School of Design Strategies at Parsons the New School for Design, SUNY Purchase, and Pratt Institute, among other American universities. Her work is collected in both private and corporate collections worldwide. To read more about her career, please scroll down for see her detailed CV and biography. Artist Statement: My paintings evolve in a space between planning & chance, systems & spontaneity, conveying contradictions that I view as metaphors for maneuvering through “real “life. In this work I play a fairly high stakes game of improvisation around a motif. Using a working method akin to jazz, I counterpoint systematically repeated elliptical shapes against gestural pours & drips and something unexpected emerges. I am drawn to create complexity, and challenged to unify multiple layers through the physicality of the paint, which fuses & knits together, as well as, ultimately, through the power of color to stabilize & resolve. The ellipse, which is hypnotic & spatial in repetition, & monumental, but not static as a shape unto itself, embodies references to nature and to the decorative arts which are both alluded to in the paintings. (The egg, the mirror, the vulva, or the shield.) Dynamic visual rhythms, in these pieces, the momentum of the repetitive ellipse, are typical of my work and help to maintain order within complexity. Their sources for me are both musical, notably the poly-rhythms of Latin jazz, Brazilian & East Indian music, and are also derived from the decorative arts, particularly textiles. The latter have been a source of excitement, often contributing a playful aspect to the paintings. I intentionally disturb the regularity of pattern, encouraging discordance & uniqueness, and then bring it back home after finding another by - way to work things through. Color is my most intuitive source of inspiration, connecting me to nature; It is also, ironically, my most passionately calculated element. In the primal struggle among sometimes apparently random components, subtlely modulated color clarifies purpose, builds context, and holds the structure together. The intuitive rhythmic order of Jeanette’s paintings prior to 2009 which featured repetitive lines, circles and ellipses clashing with fluid gestural streams of color have given way fully in the new work to a given crystalline geometric substructure that unifies all visual events. This work embraces and employs the Oneness found in sacred geometry as the underpinning for improvised pathways that give each work its uniqueness. Shapes that are found have a “role” to play, to riff off some of Jeanette’s series titles. The earlier pieces acknowledge through the unexpected visual event, the imperfection of the human condition while the newer geometries strive for the expression of spiritual wholeness and connection. About the artist: Jeanette Fintz is an abstract painter, who resides and paints in Hudson, NY. She is also an arts writer and independent curator. The intermix of being a native New Yorker and now, happily, a resident of the lush Hudson River Valley is evident in her work, which combines an urban edginess with the lyrical influences of her natural surroundings. Ms. Fintz was born in Brooklyn NY, educated at Queens College, The New York Studio School and Boston University. Her personal amalgam of NY School formalist principles, and love of natural light and color was initially forged during her summer at the Skowhegan School of Painting & Sculpture where she painted from the Maine landscape. Ms. Fintz lived and worked in the artist communities of Tribeca and Williamsburg, exhibiting regularly in NYC. Jeanette in part, credits the importance of natural light for her decision to transplant home and studio to Surprise. Ms Fintz has filtered nature through her urban sensibility, stretching color motifs towards the heightened and intensified palette often found in the realms of design and fashion. Her pieces have a rhythmic impact stemming both from her enjoyment of jazz and poly-rhythms of Brazilian and Indian origin, which she also sees displayed in the visual rhythms found in textiles and Islamic tile patterns. Jeanette’s involvement with these resources was enhanced by sabbatical travel to Spain’s Andalusia Region (2005 & 2009) to investigate patterning systems found in Moorish tiles and architecture, and to Turkey (2013), where she focused on the Iznik, Byzantine and Greco-Roman tiles and frescoes. Jeanette also had immersed herself in textile patterns and Ikat designs during her yearlong sojourn in Malaysia, where she was founding faculty in a new Parsons School of Design affiliate in Kuala Lumpur (1996-97). Selected Grants and Awards include 2015 EYP Architecture & Engineering Award, Artists of the Mohawk Hudson Region 2015 Trustees Award, Albany Institute of History & Art 2013 Sabbatical, Parsons the New School For Design 2008 The Emil & Dines Carlsen Award / Painting, National Academy of Design 2005 Sabbatical, Parsons the New School for School Design 2005 Sudden Opportunity Stipend 2003 Faculty Development Award, Parsons, the New School for School for Design 1995-92 Sudden Opportunity Stipend, NYFA Rensselaer County Council for the Arts 1993 N Y F A, Artists Fellowship / Drawing 1990 E. D. Foundation Grant / Painting 1984 Ludwig Vogelstein Grant / Painting 1980 The Ingram Merrill Award / Painting 1975 Purchase Prize, Painting, Skowhegan School for Painting & Sculpture Ms Fintz has taught as an Assistant Professor of Art & Design, in the School of Design Strategies at Parsons the New School for Design for 17 years. At Purchase College, SUNY, Jeanette taught all levels of painting and drawing for 12 years as Assistant Professor in the BFA conservatory program. She also has taught at Pratt Institute, Brooklyn, NY, Hobart & William Smith Colleges, Geneva, NY, The University of Southern Maine, Portland, The University of the Arts, Philadelphia, PA, and SUNY, Albany. Jeanette shows her work at the Garvey Simon Gallery, New York, NY, Fox Gallery, New York, NY, Geoffrey Young Gallery, Great Barrington MA, the Thompson Giroux Gallery, Chatham NY, Cross Contemporary Gallery, Saugerties, NY. Recent projects include a solo show at Garvey Simon Gallery, NY NY (Sept. 7 - Oct, 2017), and a curatorial project, "The Ritual of Construction," at the Kleinert James Center, Woodstock Byrdcliff Guild (May 19 - July , 2017). Ms Fintz’s Residencies and Fellowships include: The MacDowell Colony, The Millay Colony for the Arts, The Ucross Foundation, and Altos De Chavon & Ossabaw Island Project. Jeanette’s selected Visiting Artist spots include Art New England, Bennington College, Bennington, VT, Ohio State University, Columbus, OH, Illinois State University, Normal, IL, Hobart & William Smith Colleges, Geneva NY. Ms. Fintz received her MFA from Boston Universtiy SFA (1975 ), and her BA from Queens College CUNY (1972). She attended the New York Studio School (1972-73), and received a scholarship to the Skowhegan School in 1975. Ms Fintz’s work can be found in many national & international collections. Collections Par Capital Management Boston MA VYV Apartments, Luxury High Rise, Jersey City, NJ Boca Raton Yacht Club, Waldorf Astoria Resort, Boca Raton, FL Liberty Mutual Insurance Company, Boston, MA, and Plano, TX Robert A.M. Stern Architectural Project, Washington DC Capital G Bank Hamilton, Bermuda Brigham & Women's Hospital, Foxboro, MA Wilmer Cutler Pickering Hale & Dorr, Boston, MA Posternak Blankstein & Lund, Boston, MA Hale & Dorr, Boston, MA Analysis Group, Boston, MA National Televison, 7 Kuala Lumpur, Malaysia Christmas Island Phosphate, Singapore Jewish Free Loan Association, Los Angeles CA Rabobank NYC Commerzbank, New York, NY Commerzbank 2, World Financial Center, New York, NY National Television 7, Kuala Lumpur, Malaysia Hobart & William Smith Colleges, Geneva, NY Skowhegan School, Skowhegan, Maine Collection of Minister of Agriculture Datuk Effendi & Datin Norwawi Collection of the Former Prime Minister Datuk Seri Dr Mahathir Mohamed of Malaysia Jim & Debbie Ellickson -Brown, Cultural Attache, American Embassy, Kuala Lumpur Malaysia (1996) Rohana Tan Sri Mahamad, Kuala Lumpur, MY Suherwan Abu, Kuala Lumpur, MY & Singapore Valentine Willie, Kuala Lumpur, MY Aloysious Goh, Singapore Betsey Swan & Chris Calder, Albuquerque NM Carrie Chen & Stanley Cohen Center Hill, Copake, NY Albert & Linda Eskenazi, Montreal, CA Barbel & Peter Starz, Toulouse, FR Clarissa & Jean Kueller, Rio de Janeiro, Brazil Mr. & Mrs. Andre Keller, K L, MY & Geneva, Switzerland Shirley Greitzer, Esq. Washington DC Mark Meltzer, Los Angeles & Palm Springs, CA Joel & Fran Soroka, Aspen, Colorado Estate of Hella and Carl Ossenberg, NYC & Palm Beach, FL Estate of Gabriel Laderman, New York, NY Stephen Westfall, New York, NY Dr & Mrs Joseph Delisi, Lake Hopatcong, NJ Dr & Mrs Chris Calder & Besty Swan, Menands, NY Carol & Joachim Frank, NY, NY Mark Pettygrove, Los Angeles, CA George A Schulman, Los Angeles, CA Gerald De Silva, Los Angeles, CA Caryl Horn, Port Richmond, CA Joe & Cathy Plumber, Cold Spring, NY Molly Doland, Esq. Washington DC Bethany Beardslee Winham, Rhinebeck, NY David Fox & Associates, Inc. Briarcliff Manor, NY Eric & Carolyn Egas, Greenviille, NY & Vieques, PR Jin Zeng, New York, NY Selected Solo Exhibitions 2017 “Worldline Schreiber Paintings, plus...," Garvey/Simon Gallery 547 W 27th St, New York, NY 2016 "The Presence of the Invisible Proposition," Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, MA 2012 "Andalusian Shards," The Wall Street Journal Bldg Lobby, New York, NY 2012 "The Plaid Paintings...

Keith Haring Paris, 1987: Well-suited for framing, this vibrant oversized illustrated bag was designed by Keith Haring during his lifetime for the P...

Art Sz: 11 3/4" x 15 3/4"W Frame Sz: 17 7/8"H x 22"W' w/ yellow mat & gilt bamboo frame

Original Portugal ‘Galo de Barcelos’ vintage travel poster. This Portuguese poster is conservation archival linen backed in very good condition, rea...

Artist: Varvarov Anatoly Viktorovich Title: Under the Wing, Sise: 31.5x47 inches, (80x120 cm) Medium: Oil on Canvas Hand painted, original, one of a kind. "Under the wing" is an ori...

Original "The Rocky Horror Picture Show" US 1-sheet vintage movie poster. Archvial linen backed. 1975, Style B. Original fold marks pr...

Original “Radio Point Bleu Musical!” vintage French antique poster. Archivail linen backed in very fine condition, ready to frame. Signed J.L.B. in the plate at upper right. No specific year is indicated on the poster. Point Bleu / Radio Musical! Paris: Bedos & Cie. Lithograph poster for the French radio manufacturer, showing a woman’s face in silhouette with a treble clef over her ear; red and blue lettering against a bright yellow background. Printer: Paris: Bedos & Cie. The poster does not have a date, but most of the Point Bleu radio posters...

Enrique Cattaneo (Mexico, 1946) 'Emulando a Allen Jones', 2010 silkscreen on paper Velin Arches 300 g. 15 x 15 in. (38 x 38 cm.) Edition of 40 ID: CAT-311 Unfr...

Andy Warhol/Jean Michel Basquiat: Original Paintings Exhibition Poster, 1985: 'Palladium Presents Warhol and Basquiat'. The rare original, highly soug...

Joan Miro Joan Miro (Plate 7) Artist: Joan Miro Medium: Original lithograph Title: Joan Miro (Plate 7) Portfolio: Joan Miro Year: 1956 Framed Size: 21 1/2" x 15 1/4" Image Size: 9" ...

Artist: Fernand Leger Medium: Lithographic Poster, 1956 Dimensions: 30 x 20 in, 76.2 x 50.8 cm

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. In this abstract painted composition, Ricard combines expressive poetry with vibrant color. A bright yellow forms the background for two rounded rectangles printed...

Color monotype. The ‘okina is the Hawaiian representation of the glottal stop. It is a separation of doubles. The monotypes in the ‘Okina series are doubles; the prints are divided...

Nicole Dikon lives and works between Oahu and Mississippi. Her work spans various media and practices, including woodcut printmaking, writing poetry, maki...

In this bright botanical work in pulled ink and silkscreen printing on paper, two dark eggplant purple flowers and a dark coral orange flower hang downward, with verdant green leaves...

This painting features vibrant hues of yellow, red, and green. Chattanooga-based artist Christina Renfer Vogel holds an MFA from the Massachusetts College of Art and a BFA from Tyle...

Pastel on toned paper *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive ...

Layla Luna, Adobe Farm: Mountains, Flashe on Paper, 4x4", 2022 A defining aspect of Layla Luna’s studio practice is making work in series. Each body of wor...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Play Time, Siz...

ABOUT Erica Hauser is a Newburgh, NY based artist and has a BFA from the School of Visual Arts (2002). She received a 2011 NYFA grant, and has attended artist residencies in New Mexi...

Abstract figurative tapestry of a woman carrying a harvest basket on her head by French outsider artist Cecile d’Apres Coraif. This work is a fantastic example of the collage fabric ...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...

Color lithograph, Edition 20. The artist describes this project: “Human activity is causing the mass extinction of plant and animal species at an alarming rate. I paint carefully r...

Hand signed in pencil and numbered. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Hasidic Klezmer Musicians. humorous Yiddish Chassidic art. The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was actively engaged in support of the organized labor movement throughout his career. This original color lithograph print is done in the iconic style of the artist's oeuvre. Born to Harry and Jenny Gropper in 1897, William was raised in New York City's Lower East Side. His parents were Jewish immigrants from Romania and Ukraine, and young William grew up in relative poverty, watching his family struggle to achieve that sought-after American dream. His father, a bright and college-educated man, was unable to find employment that worthy of his intellect. His mother, meanwhile, worked as a seamstress from home. Coupled with the devastating loss of an aunt to the infamous Triangle Factory fire of 1911, significant childhood factors created the foundation that led to Gropper’s exploration of the American experience. Early on, Gropper displayed an extraordinary, natural skill for art. By 1912, he was already studying under the instruction of George Bellows and Robert Henri at the Ferrer School in Greenwich Village. During his time at school, Gropper was also awarded a prestigious scholarship to study at the National Academy of Design. However, he refused to fit into convention and was swiftly expelled from the Academy. After his expulsion, Gropper returned home to help financially by assisting his mother and taking a shop position. However, he didn't abandon art academia and soon presented a portfolio to the New York School of Fine Art which earned him a scholarship for study. Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publications like Vanity Fair, New Masses, The Nation, and Freiheit. His interest in the welfare of the American worker, class inequality, and social injustice was central in his work. After publishing the graphic novel Alley Oop in 1930, Gropper's illustration career extended well into the decade. However, he was never exempt from controversy, and his 1935 Vanity Fair cartoon; prompted anger from the Japanese government. As an involved labor organizer and Social Realist activist, Gropper continued to bring attention to his radical reputation with visits to the Soviet Union and Poland. However, his concern with European politics and U.S. social causes didn't slow down his artistic career, and by the late 1930s, he had produced significant murals for American cities like Washington D.C. His 1938 mural Construction of a Dam was commissioned for the Department of the Interior and represents the Social-Realism style that depicts experiences of the worker and everyday societal life. Measuring at a staggering 27ft by 87ft, the piece portrays muscular, robust American laborers scaling rocky hillsides, building infrastructure, and operating heavy machinery. The mural feels undeniably American with golden scenery, denim blues, and steely gray colors. Gropper fits perfectly into Social-Realism because the style exhibits an illustrative flair with strong lines and simple, bold hues. The inspiration for Construction of a Dam sprang from his 1937 travels to the poverty-stricken Dust Bowl area. The trip was sponsored by a Guggenheim Foundation Fellowship, and his drawings of the Grand Coulee and Boulder Dams...

Comosis Collage 4A52.1.4 – Composition no 7E2 Yellow (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 6 + 2Ap Turnaro...

ALEXANDER KREISEL "MAN WITH YELLOW TIE" OIL ON CANVAS BOARD, SIGNED RUSSIAN-AMERICAN, C.1935 26 X 19.5 INCHES FRAMED 29.5 X 23.5 INCHES Alexander Krei...

Robert W. Petrick Cold Fusion #20, 2022 Acrylic on canvas 27" x 27" x 1” 2022 NYC, 2nd street studio This acrylic painting on canvas is gestural in nature, with a surreal cityscap...

Color lithograph. Edition 20. The artist describes this project: "Obscured by Clouds" and "Astronomy Dominé" are a distillation of some of the my favorite parts of the earlier pain...

"Untitled (Cup Man)" screenprint by artist Keith Haring from the "Kinderstern" portfolio published by Edition Domberger to raise money to house families of chi...

6-color screen print on 300gsm Somerset fine art paper. Hand signed and numbered by Kunstrasen. From the edition of 100. Artwork is in excellent condition. Certificate of Authenti...

A yellow encaustic (pigmented beeswax) painting on birch panel accented with light neon lemon yellow edges. Signed, dated and titled on verso. Joanne Mattera’s paintings can be desc...

Yellow Glads by Lu Haskew ​Oil on Canvas Floral Still Life 16x24" Image Size, 22x30" Framed ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Love Forever Yellow

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Reduction Method Screen Printing, or “old-school,” means using methods from the early 1900s, before photographic stencils were invented, when every part of the process was done by ha...

Vince Palacios (b.1961, Flint, Michigan) has been working in the fields of ceramics since 1992 and currently serves as Professor of the Ceramics Department at El Camino College in T...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Color Kinesthesia 5B39 Yellow (Abstract Photography) Photographic C Prints, printed on Canson Platinè fiber Rag 310g - Unframed "Edition of 3 + 2Ap Turnaround time 2-3 weeks, pri...

Sandra Pratt's "Red House with Yellow Road" is an original handmade oil painting.

Original ROSE BOWL STORY authentic 1952 vintage movie poster. Archival linen-backed vintage theater used film poster. Very fine condition, ready to frame. Original story and screenplay by Charles R. Marion. Actors: Marshall Thomas; Vera Miles; Natalie Wood; Keith Larsen; Thom Harmon; Ann Doran; James Dobson; Jim Backus; Clarence Kolb; Barbara Woodell; Bill Welsh; Jean Andren; Gertrude Astor; Lela Bliss; Herbert Brackett; Oran Breeland; Paul Bryar; Willam Cabanne; Richard...

This piece titled "Home Plate 7" is an original artwork made from oil paint and acrylic on panel by Lauren Rinaldi. This piece is freestanding and measures ...

This piece titled "Home Plate 8" is an original artwork made from oil paint and acrylic on panel by Lauren Rinaldi. This piece is freestanding and measures approx. 7.25"h x 2.5"w x 2...

Artist: Peter Phillips, British (1939 - ) Title: Custom Print I from 11 Pop Artists Year: 1965 Medium: Silkscreen, signed and numbered in pencil Edition: 200, XXII/L Size: 24 x 19.5...

An abstract work done with gesso and acrylic paint on canvas, this mesmerizing work has an incredible depth and weight from the texture of the medium. Derick Smith has created an inc...

From Kinderstern Portfolio. Screenprint in colors on paper. Hand signed, dated and numbered by the artist. Published by Michael Domberger (Domberger KG, Filderstadt, Germany) and pri...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

An abstract tridimensional work done with clay and acrylic paint on canvas, this mesmerizing work has an incredible depth and weight from the texture of the medium. Derick Smith has ...

Model in Yellow in Paris Café, 1957 – Laroche's yellow skirt and sweater set was photographed by Mark Shaw in a Paris Cafe for the LIFE September 1957 artic...

Art Sz: 15"H x 10 1/2"W Frame Sz: 23"H x 18 1/4"W

Colorful abstract expressionist painting by London-born artist Tony Magar. The work features an energetic arrangement of dark blue lines set against a rich, yellow background. Signed...

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"Image" by Don Totten is an abstract oil painting on canvas circa 1950 and measures 20 in x 21. It is in excellent condition. Donald C. Totten (1903-1964) was a member of a group of artists who quietly began to introduce modernist thought, emanating from Europe and the East Coast, to the Los Angeles art community during the 1920s. Other members of this group were influential artists as Nick Brigante, Lorser Feitelson, Helen Lundeberg...

comes with original box