USA - Art

LEOPOLDO MENDEZ (1902 – 1969) THE MAKING OF TORTILLAS 1954 Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...

This pretty oil on canvas modernist composition, typical of the 1950s, features a house in a village in the countryside with imaginary blue trees, designed by Claude Richard Mazier (...

This painting is part of our current exhibition - America Coast to Coast: Artists of the 1940s Untitled (Elevated Platform), 1950, oil on canvas, signed and dated lower right, 30 x...

Ursula Pacelli 1957 (printed later) Chromogenic print Signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate. Ursula Pac...

Lithograph on paper by Roger Lersy (France - 1920 - 2004). Stunning abstract seascape cubist composition with a highly colorful design of old boats executed by the artist in France c...

PABLO PICASSO (1881-1973) Sujet colombe (A. R. 435) Terre de faïence vase, 1959, numbered 398/500, with the workshop numbering, inscribed 'Edition Picasso', with the Edition Picass...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

PABLO PICASSO (1881-1973) Picador (A. R. 160) Terre de faïence plate, 1952, from the edition of 500, incised 'Edition Picasso', partially glazed and painted, with the Edition Pica...

Paper Size: 14.5 x 10.5 inches ( 36.83 x 26.67 cm ) Image Size: 14.5 x 10.5 inches ( 36.83 x 26.67 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

1957—Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California. Beverly Hills Hotel Slim Aarons Estate Edition 40x40 inches Numbered and stamped by the Slim Aar...

Westin Excelsior in Venice 1957 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Slim Aarons, an acclaimed fine art photo...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Audrey Hepburn, 54_0309a_a -- Audrey Hepburn was photographed for the June 1954 issue of Mademoiselle. Her dress is a Claire McCardell creation. THE 24” x 36” SIZE OF THIS IMAGE IS O...

Jackie in Pink Dress in Yellow Room nb_114a -- A portrait of Jackie and JFK. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AND EDITION OF 15. Image size is 16" x 16" (for 17" x...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Medium: lithograph. Executed by Thomas Hart Benton to illustrate the Lynn Riggs classic "Green Grow the Lilacs" and printed in 1954 in a limited edition of 1500 by the University of ...

Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...

Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...

Lithograph on Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editio...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Portofino 1957 C print Signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate. The Westin Excelsior Hotel on the Lido in ...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Gromaire, 1958. Published by Editions d'Art Man...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 195...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Slim Aarons Venice Gondolier 1957 C-Print Signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate A gondolier on the Grand Ca...

Nicely painted mid century abstract expressionist oil painting. Titled in verso, "The Dragonfly and the Flower". Great color and composition. Framed in a simple white wood moderni...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Engraving on vélin d'Arches paper, mounted on archival museum board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Deg...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Maurice Utrillo, 195...

Monumental modernist oil on panel painting by Louis Demott Bunce (1907-1983), from an installation for the Oregon Centennial Exposition, 1959. A rare & important and monumental abstract painting by the celebrated Oregon artist Louis Bunce, the artist was commissioned to paint a mural for the 1959 Oregon Centennial & Trade Fair in Portland, the installation was titled " Gay Garden Way ", it was painted for the exterior of the Horticultural building. The mural having abstract plant abstractions, according to Bunce in his own words it was "the rounded shapes of flowers and the sun", the mural created a major furor from the conservative art public. The painting signed and dated by the artist lower left, the work was sold in the late 1980s through the celebrated Laura Russo Gallery, this painting is featured in Roger Hull's book; "Louis Bunce, Dialogue with Modernism". The painting is in good condition and ready to grace your wall. Louis Bunce attended high school and the Museum Art School before leaving for the Art Students League in New York. He established a New York connection that began when he first attended classes there in 1927 and continued over the years with frequent visits. He became friends with many promising artists, including Jackson Pollock and David Smith. In 1939 he worked for the WPA Easel Project in New York and by the time he returned to Portland he was an established artist on the East Coast. He worked at the WPA art center in Salem as an Instructor and Assistant Director. His work included murals, two of which are in the Post Offices in Grants Pass and St. Johns. Their subjects, mining and orchard farming, are activities of each region. "I have always been visually drawn to the landscape, at first the desert and mountain regions of Wyoming; then the lush and gentle color of the Pacific Northwest and the urban landscape of New York." From 1942-1945 he worked as an illustrator, a tool designer, and in assembly for the Oregon Shipbuilding Corporation. After WWII, Bunce joined the faculty of the Museum Art School in Portland, where he had been a student in 1925-1926. He taught there until his retirement in 1972. He excelled at producing screen-prints and introduced this technique to Oregon. While maintaining a national reputation throughout the 1950s and 1960s, some of New York's most prestigious galleries represented him. Theater buffs will remember his murals and portraits for Portland Civic Theater's 1938 production of Pride and Prejudice. In a career that made him one of the most recognized names in Oregon's art history, Bunce had many styles: cubism, expressionism, surrealism and abstractionism. His 1958 mural in the Portland International Airport presents this abstract style: "whirling propellers and shadows of the concourse as seen from above." It was controversial at the time as being too abstract for a public art project. Louis and wife Eda opened a full-time art gallery in Portland in 1949, called the Kharouba. Located first at 1016 SE Morrison, then at SW 11th and Alder, the gallery represented many of the leading artists of the day: Josephine Cameron, William Givler, Clifford Gleason, Jack Hammack, Charles Heaney, Frederick Heidel, George Johanson, Jack McLarty, Rick Norwood, C.S. Price, Arthur Runquist, Jolan Torok, Charles Voorhies...

Limited Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, 30 et quelques attitudes... Lithographies originales...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Gromaire, 1958. Publ...

Slim Aarons Hotel Excelsior, Venice 1957 C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate CAPTION: The ...

This stunning piece of art titled "Neve in Val Ceresio" is a captivating original work by renowned Italian artist Carlo Aimetti. Aimetti was known for his captivating scenes portrayi...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Maurice Utrillo, 1956. Published by Editions d'...

Lithograph on Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editio...

Lithograph on Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editio...

Very impressive mid 20th century modernist interior view. So well painted with great color and bold expressive strokes. Signed illegibly. Housed in a period modernist frame. Oil ...

Venetian Play, 1952 Silver gelatin print Estate edition of 150 Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate ...

Mid Century Bay Area Abstract Expressionist Cats and Birds Composition in Acrylic on Paper How many cats and birds do you see? This striking painting by San Francisco's Bay Area abs...

Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Abraham Rattner: Twenty-four plates 1956. Published by University of...

Lithograph on Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editio...

PABLO PICASSO (1881-1973) Oiseau sur la branche (A. R. 175) Terre de faïence ashtray, painted and partially glazed, 1952, from the edition of 500, inscribed 'Edition Picasso', wit...

Modern bronze with gold patina figural sculpture, in the style of Alberto Giacometti (Swiss, 1901-1966), not signed, depicting abstract nude male a figures, in a parcel gilt finish, ...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Gromaire, 1958. Publ...

Palace of Fine Arts, San Francisco by Garrett Price (American, 1896-1979). Signed "Garrett" lower right. Unframed. Image size, 11.75"H x 15.25"W. G...

Lithograph on vélin du Lana Papiers Spéciaux paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Signac Dessins, 1950. Published by George...

Lithograph on Velin d'Arches paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Au Soleil du Plafond, 1955. Published by Éditio...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Gromaire, 1958. Published by Editions d'Art Man...

Lithograph on Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Georges Braque le solitaire, 1959. Published by Editio...

Lithograph on vélin du Lana Papiers Spéciaux paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Signac Dessins, 1950. Published by George...