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Item Ships From: USA
UNTITLED (INV# NP2233) by Ken Price
By Ken Price
Located in Morton Grove, IL
UNTITLED (INV# NP2233)
Ken Price
silkscreen on Arches 88 paper
14.875 x 12.375”
1981
edition of 150
stamped by Ken Price, SOMA Fine Art Press and Arabesque Books
Ken Price (1935 - ...
Category
1980s Contemporary USA - Interior Prints
Materials
Screen
UNTITLED (INV# NP2231) by Ken Price
By Ken Price
Located in Morton Grove, IL
UNTITLED (INV# NP2231)
Ken Price
silkscreen on Arches 88 paper
14.875 x 12.375”
1981
edition of 150
stamped by Ken Price, SOMA Fine Art Press and Arabesque Books
Ken Price (1935 - ...
Category
1980s Contemporary USA - Interior Prints
Materials
Screen
Shepard Fairey Opt- Art Icon Screenprint Aqua Contemporary Street Art Obey Giant
By Shepard Fairey
Located in Draper, UT
In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...
Category
2010s Street Art USA - Interior Prints
Materials
Screen
Gorgeous Jersey City apartment interior poster (Hand Signed twice by Jonas Wood)
By Jonas Wood
Located in New York, NY
JONAS WOOD
Interiors, 2019
Offset lithograph in colors on wove paper
Signed TWICE: Signed and dated in black marker lower right with the artist's distinctive flourish; hand signed ag...
Category
2010s Pop Art USA - Interior Prints
Materials
Permanent Marker, Lithograph, Offset
JEAN MICHEL BASQUIAT, 'UNTITLED 1997' VERY RARE LIMITED EDITION ESTATE LITHO.
By after Jean-Michel Basquiat
Located in Pembroke Pines, FL
Jean Michel Basquiat
"Untitled 1997"
Limited Edition Print: Lithograph in Colors
Approximate Size: 30 x 22 in 76 x 56 cm
Edition: Unnumbered limited edition
Other: Stamped By Artist's Estate
Condition: Excellent Not Framed
Additional Info: Lithograph in Colors, Created After the Original Artwork
Jean-Michel Basquiat (American, 1960–1988), one of the first African American artists to reach international stature and wealth in the art world, had a short but impactful career. His rise to fame came quickly, as he was celebrated for his fusion of multicultural symbols, biting social commentary, and distinctive graphic style. Born in Brooklyn, NY, Basquiat drew and visited museums regularly from an early age, and many of his childhood interests—ranging from cartoons and Alfred Hitchcock films to anatomy and French and Spanish textbooks—would prove influential in his later work. Basquiat dropped out of school at the age of 17 and began creating art full time, gaining notoriety for his invented character SAMO (“Same Old Shit”), who made a living peddling “fake” religion.
Basquiat depicted SAMO’s signature in graffiti art with cryptic messages in the late 1970s and early 1980s, and began painting on found materials, buildings, t-shirts, and commercial items. He delved into the urban 1980s avant-garde culture of New York, creating wildly expressive paintings which earned him considerable acclaim by his first solo exhibition in 1982. In 1983 he befriended his idol, Andy Warhol, and the two collaborated on several projects. Basquiat combined African, Aztec, Hispanic, and ancient Roman and Greek imagery with his own invented iconography and graphic marks in works that emphasized the physical and the gestural aspects of the artistic process.
Ever conscious of his identity as an African-American in the art world, Basquiat’s work was rife with imagery commenting on race relations...
Category
1990s Pop Art USA - Interior Prints
Materials
Lithograph
Beauties Mirrored in the Forms of Flowers - Utagawa Kuniyoshi Japanese Woodblock
By Utagawa Kuniyoshi
Located in Soquel, CA
Beauties Mirrored in the Forms of Flowers - Utagawa Kuniyoshi Japanese Woodblock
A Japanese beauty dressed and posed resembling flowers by Utagawa Kumiyoshi (Japan, 1797 - 1861 ).
A...
Category
Mid-19th Century Edo USA - Interior Prints
Materials
Paper, Ink, Woodcut
KENNY SCHARF, SAJIPPE KRAKKA JOUJESH -1998
By Kenny Scharf
Located in Pembroke Pines, FL
Artist: Kenny Scharf
Title: Sajippe Krakka Joujesh
Year: 1998
Medium: Screenprint
Edition: XXX /150
Image Size: 37 x 44 inches
Size: 39 x 46 inches (93.98 x 111.76 cm)
Publisher: Bru...
Category
1990s Pop Art USA - Interior Prints
Materials
Screen
Dressing the Boy Samurai - Kuniyoshi Japanese Woodblock Print Original Wood Cut
By Utagawa Kuniyoshi
Located in Soquel, CA
Dressing the Boy Samurai - Kuniyoshi Japanese Woodblock Print Original Wood Cut
A young Samurai boy is finishing dressing with the help of a younger sister while his mother looks on ...
Category
1850s Edo USA - Interior Prints
Materials
Paper, Ink, Woodcut
Femme Assise a la Robe Grise, Cubist Lithograph by Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Femme Assise a la Robe Grise". The original painting was completed in 1943. In the 1970's af...
Category
1980s Cubist USA - Interior Prints
Materials
Lithograph
Vase de Fleurs, Cubist Lithograph by Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Vase de Fleurs". The original painting was completed in 1958. In the 1970's after Picasso's ...
Category
1980s Modern USA - Interior Prints
Materials
Lithograph
Ceiling of the Paris Opera House
By Marc Chagall
Located in Boca Raton, FL
Ceiling of the Paris Opera House
The value is in the beautiful framing. Please note the shipping cost as the piece is very large (frame is 47" x 47").
In 1960, the Minister of ...
Category
20th Century Romantic USA - Interior Prints
Materials
Ink, Paper
Rare Albright Knox museum poster (hand signed and inscribed to renowned curator)
By Dan Flavin
Located in New York, NY
Dan Flavin
Dan Flavin at Albright Knox Gallery (hand signed and inscribed to renowned curator)
Offset Lithograph. Hand signed and inscribed by Dan Flavin
18 × 22 inches
Provenance: Estate of artist and collector Rick Collar
Unframed
Uniquely inscribed and hand signed 1972 Dan Flavin exhibition poster from his Albright Knox exhibition. Dan Flavin hand signs and inscribes it to Paulus Hendrik Hefting, the curator of the Neue Nationalgalerie in Berlin. The inscription reads: "Best regards and best wishes to you especially in "diagrams and drawings". What Flavin is referring to is the important exhibition also in 1972, "Diagrams & Drawings" curated by Hefting, at the Rijksmuseum Kröller-Müller (Netherlands), which featured Carl Andre, Christo, Walter De Maria, Dan Flavin, Michael Heizer, Don Judd, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Richard Serra, Robert Smithson.
An extremely rare signed poster with a unique inscription to a major European curator referencing an historic Minimalist exhibition in the early 1970s.
We may not see the likes of something like this anytime soon!
Dan Flavin Biography
From 1963, when he conceived the diagonal of May 25, 1963 (to Constantin Brancusi), a single gold fluorescent lamp installed diagonally on the wall, until his death in 1996, Dan Flavin (1933-1996) produced a singularly consistent and prodigious body of work that utilized commercially available fluorescent lamps to create installations (or “situations,” as he preferred to call them) of light and color. Through these light constructions, Flavin was able to establish and redefine space.
Flavin’s first solo exhibitions were held at the Judson Gallery in 1961 and the Green Gallery in 1964, both in New York. His first European exhibition was in 1966 at Galerie Rudolf Zwirner in Cologne, Germany; and in 1969, the National Gallery of Canada, Ottawa, organized his first major museum retrospective. His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Atheneum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968). Flavin’s work would continue to be presented internationally over the course of the pursuant decades at venues including the St. Louis Art Museum, Missouri (1973); Kunsthalle Basel (1975); Museum Boymans-van Beuningen, Rotterdam (1975); Stedelijk Museum, Amsterdam (1986); and the Solomon R. Guggenheim Museum, New York (1992), among others.
A major museum retrospective devoted to Flavin’s work was organized, in cooperation with the Estate of Dan Flavin, by the Dia Art Foundation in association with the National Gallery of Art, Washington, DC, where it was first on view in 2004. The exhibition traveled from 2005 to 2007 to the Modern Art Museum of Fort Worth, Texas; Museum of Contemporary Art, Chicago; Hayward Gallery, London; Musée d’Art Moderne de la Ville de Paris...
Category
1970s Abstract Geometric USA - Interior Prints
Materials
Pencil, Lithograph, Offset
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES VII
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works VII
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher...
Category
1970s Op Art USA - Interior Prints
Materials
Screen
ANOTHER DAY Signed Woodcut, Modern Portrait, Black Couple, Brown, Blue, Beige
By Otto Neals
Located in Union City, NJ
ANOTHER DAY is an original limited edition woodcut and screen print by the American painter and sculptor, Otto Neals. The woodblock used to print ANOTHER DAY was hand-carved by Otto ...
Category
Early 2000s Contemporary USA - Interior Prints
Materials
Screen, Woodcut
"Attendants, Bears, and Rocks"
By Brice Marden
Located in New York, NY
Brice Marden
"Attendants, Bears, and Rocks"
Matthew Marks Gallery, New York, 2002
Exhibition poster
17 x 22 inches
Signed recto
Exhibition poster for "Attendants, Bears, and Rocks" ...
Category
Early 2000s Contemporary USA - Interior Prints
Materials
Offset
Sadistic Dog Walker Shepard Fairey Blue Edition Street Contemporary Art Obey Pop
By Shepard Fairey
Located in Draper, UT
A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed poster...
Category
2010s Street Art USA - Interior Prints
Materials
Screen
Banksy "Cut and Run" Rat Poster Street Urban Art
By Banksy
Located in Draper, UT
Banksy
"CUT AND RUN"
Technique: Offset Lithograph
Paper: Thick Stock Glossy
Size: 16.5 X 23.4
Materials
Thick glossy paper
Size
23 2/5 × 16 1/2 in 59.4 × 41.9 cm
Rarity
Open editi...
Category
2010s Street Art USA - Interior Prints
Materials
Lithograph
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES VI - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works VI
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher:...
Category
1970s Op Art USA - Interior Prints
Materials
Screen
Robert-Indiana "Love is God-(2014)"
By Robert Indiana
Located in Pembroke Pines, FL
Robert Indiana
American, 1928–2018
Love Is God
Edition: 12/50
Silkscreen in 18 colors on 2-Ply Museum Board
Size: 32 × 32 in 81.3 × 81.3 cm
Signature: Hand-signed & numbered in penc...
Category
2010s Pop Art USA - Interior Prints
Materials
Screen
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES I - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works I
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher: Editions du Griffon Neuchatel
Suite: Profound Works
Medium: 3D, Serigraph on Acitate Over Serigraph on Paper
Condition: Excellent
Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works.
Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface.
Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...
Category
1970s Op Art USA - Interior Prints
Materials
Screen
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher: Ed...
Category
1970s Op Art USA - Interior Prints
Materials
Screen
RABBI TEACHING Signed Lithograph, Rabbi and Young Boy, Jewish Art, Judaism
Located in Union City, NJ
RABBI TEACHING is an original hand drawn, limited edition lithograph printed in black ink on archival Arches printmaking paper 100% acid free from a hand drawn lithography stone usin...
Category
1970s Contemporary USA - Interior Prints
Materials
Lithograph
BUSTE DE FEMME AU FOULARD MAUVE Lithograph, Abstract Female Portrait, Dora Maar
By (after) Pablo Picasso
Located in Union City, NJ
Artist: Pablo Picasso, After, Spanish (1881 - 1973)
Title: BUSTE DE FEMME AU FOULARD MAUVE(Dora Maar)
Year of Original Artwork: 1937
Medium: Lithograph on Coventry Paper, 100% acid f...
Category
1980s Abstract USA - Interior Prints
Materials
Lithograph
Two Chairs, Pop Art Screenprint by Hunt Slonem
By Hunt Slonem
Located in Long Island City, NY
Artist: Hunt Slonem, American (1951 - )
Title: Two Chairs
Year: 1979
Medium: Serigraph, signed and numbered in pencil
Edition: 250
Image Size: 24 x 24 inches
Size: 27 in. x 2...
Category
1970s Contemporary USA - Interior Prints
Materials
Screen
Early Work (Hand Signed by Richard Serra) Zwirner Gallery poster Minimalist art
By Richard Serra
Located in New York, NY
Richard Serra
Early Work (Hand Signed), 2013
Offset lithograph (Hand Signed by Richard Serra)
Boldly signed by Richard Serra on the front
18 × 24 inches
Unframed
This print was published on the occasion of the eponymous exhibition at David Zwirner in 2013. It depicts Richard Serra in his studio in 1968. The print was hand signed by the artist on the occasion of his opening at Zwirner
Richard Serra Biography
Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006.
Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004.
In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra.
Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022.
Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist.
Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite für Wissenschaften und Künste, Federal Republic of Germany (2002); Leone d’Oro for lifetime achievement, Venice Biennale, Italy (2001); Praemium Imperiale, Japan Art Association (1994); Carnegie Prize (1985); a National Endowment for the Arts Fellowship (1974); and a Fulbright Grant (1965).
In 2013 in New York, David Zwirner presented Richard Serra: Early Work, a critically acclaimed exhibition that brought together significant works from 1966 to 1971. The accompanying catalogue extensively covers this period of the artist’s career with a compendium of archival texts and photographs and an essay by Hal Foster...
Category
2010s Minimalist USA - Interior Prints
Materials
Permanent Marker, Lithograph, Offset
Sadistic Dog Walker Shepard Fairey Red Edition Street Contemporary Art Obey Dog
By Shepard Fairey
Located in Draper, UT
"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...
Category
2010s Street Art USA - Interior Prints
Materials
Screen
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES VIII - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works VIII
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher: Editions du Griffon Neuchatel
Suite: Profound Works
Medium: 3D, Serigraph on Acitate Over Serigraph on Paper
Condition: Excellent
Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works.
Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface.
Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...
Category
1990s Op Art USA - Interior Prints
Materials
Screen
VICTOR VASARELY - OEUVRES PROFONDES CINETIQUES III - 1973
By Victor Vasarely
Located in Pembroke Pines, FL
Artist: Victor Vasarely
Title: Profound Works III
Year: 1973
Not signed or numbered, as published
Dimensions: 12 in. by 12 in. Framed
Edition: From the Rare Limited Edition
Publisher...
Category
1970s Op Art USA - Interior Prints
Materials
Screen
Shepard Fairey Gears Of Justice Screenprint Red Contemporary Street Art Obey
By Shepard Fairey
Located in Draper, UT
Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding.
In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted.
In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community.
While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns.
Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters.
Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration.
In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income.
Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant.
The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work.
Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century.
In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse.
The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder).
In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market.
FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry.
BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles.
In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband.
In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters.
In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements.
During the 2004 presidential election, Fairey teamed up with artists Mear One and Robbie Conal to create a series of anti-Bush/anti-war posters for the street-art campaign: Be The Revolution.
In 2005, Fairey accepted a residency at the Contemporary Museum in Honolulu, Hawaii, where he created murals and prints that reveal a dramatic combination of constructivist style with distinctly traditional Hawaiian themes and influences.
Amanda Fairey gave birth to the couple’s first child, Vivienne in June 2005, she is the namesake of punk fashion legend Vivienne Westwood. Vivienne would be the model for Fairey’s “Vivi La Revolucion” print of 2008.
Fairey's street-art, was featured with that of Dan Witz...
Category
2010s Street Art USA - Interior Prints
Materials
Screen
CRUSADERS FOR JUSTICE Signed Linocut, Thurgood Marshall Portrait, Civil Rights
By Elizabeth Catlett
Located in Union City, NJ
CRUSADERS FOR JUSTICE is a hand pulled original limited edition relief print created using linocut printmaking techniques on white archival heavyweight paper, 100% acid free. Pencil signed by Ms. Catlett on the lower margin, embossed with printers chop mark lower left, print documentation provided. CRUSADERS FOR JUSTICE was created as a tribute to Thurgood Marshall...
Category
Early 2000s Contemporary USA - Interior Prints
Materials
Linocut
Romare Bearden JAMMING AT THE SAVOY Original 981 Brooklyn Museum Poster, Jazz
By Romare Bearden
Located in Union City, NJ
ROMARE BEARDEN 1970-1980
The Brooklyn Museum, September 26-November 29, 1981
Exhibition Poster "Jamming At The Savoy" (image from original 14" x 18" collage on board by Bearden)
22 x 31.5 inches, unframed
Poster is not signed.
Jamming At The Savoy - vintage museum exhibition poster which is from the original first printing produced for Romare Bearden's exhibition at The Brooklyn Museum - Sept. 26 - Nov. 29, 1981.
Published by J K Fine Art, organized by The Mint Museum Charlotte, NC and supported by Philip Morris Inc. and the National Endowment of The Arts. Jamming At The Savoy was printed in 4-color offset lithography on heavyweight semigloss paper with hot stamped lettering for the title texts.
Jamming At The Savoy presents a rainbow colored, musical themed image by the master artist Romare Bearden that captures the lively sounds and mood of a high-spirited live jazz performance!
Size - 22 x 31.5, unframed, unsigned, very good condition
About the aartist-
Romare Bearden (1911-1988)
Born in Charlotte, North Carolina, Romare Bearden is one of America’s most esteemed African American contemporary artists...
Category
1980s Contemporary USA - Interior Prints
Materials
Offset
SPANISH STILL LIFE WITH GARLIC Signed Stone Lithograph, Red, Orange, Tan, Black
Located in Union City, NJ
SPANISH STILL LIFE WITH GARLIC by the Spanish artist Carlos Pradal, is an original hand drawn, stone lithograph printed by hand in Paris France using traditional hand lithography techniques on buff color archival printmaking paper, 100% acid free. SPANISH STILL LIFE WITH GARLIC presents an expressionist-style still life vegetable portrait depicting round onions with a head of garlic positioned toward the center. A broad sweeping brushstroke wash of charcoal black dominates the background creating a dramatic staging for the red and orange vegetable shapes; the off white color of the paper forms the garlic bulb creating contrast for this expressive, energetic Spanish still life composition.
Print size - 17 x 20.25 inches, unframed, very good condition, pencil signed by Pradal, inscribed E.A.(Epreuve Artiste) with personal dedication to the master printer
Image size - 13 x 16.25 inches
Year - c. 1974
About the artist:
Carlos Pradal(1923-1988) Spanish ceramist, painter and illustrator was the son of Republican deputy Gabriel Pradal from Almeria, Andalusia. In 1939, his family was forced into exile and settled in France, in Toulouse. In 1956 he obtained a Spanish license and became an auxiliary teacher. He practiced drawing and painting at the same time, following the lessons of Raoul Bergougnan.
In 1972, he moved to Paris, where he became a friend of the painters Peinado and Orlando Pelayo. When Franco died...
Category
1970s Expressionist USA - Interior Prints
Materials
Lithograph
JAPANESE KIMONO Signed Lithograph, Blonde Woman White Silk Kimono Gold Cranes
By Douglas Hofmann
Located in Union City, NJ
Japanese Kimono by the American photorealist artist Douglas Hofmann is an original hand drawn lithograph(not a photo reproduction or digital print) printed using hand lithography techniques on Arches paper, 100% acid free.
Print size - 31.25" x 24", unframed, excellent condition, pencil signed by Douglas Hofmann
Image size - 24.25" x 18.25"
Edition size - 300, plus proofs
Year published - 1990
Printer - JK Fine Art Editions Co.
Japanese Kimono is a remarkable rendering of a young blonde woman, hair in a chignon, modeling a white Japanese silk kimono, embellished with red edging and elegant gold cranes...
Category
1990s Photorealist USA - Interior Prints
Materials
Lithograph
Opera
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: Ludwig captures the monumental architecture of Paris with the romantic eye of a Parisian. Favre is known for his soft palette, interesting crops and large scale pho...
Category
2010s USA - Interior Prints
Materials
Photographic Paper
Paris Review, S/N lithograph by top photorealist artist for literary publication
By Howard Kanovitz
Located in New York, NY
Howard Kanovitz
Paris Review, 1968
Lithograph on wove paper
33 × 26 inches
Pencil signed and numbered 9/200
Published by The Paris Review, New Y...
Category
1960s Photorealist USA - Interior Prints
Materials
Lithograph, Pencil
BOUQUET
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. BOUQUET. Tahir 41. Woodcut, 1964. Edition of 150. Signed, titled, dated and numbered 92/150 in pencil. 15 x 18 inches on a sheet 20 x 23 1/2 inches (matted to c....
Category
1960s USA - Interior Prints
Materials
Woodcut
Girl in Ballerina Dress (Thonet Chair) Color Lithograph, American Modernist
By Philip Pearlstein
Located in Surfside, FL
Girl in Ballerina Dress, c. 1970
Color lithograph printed on wove paper, hand signed in pencil and numbered 22/75, with the inkstamp of the publisher, Landfall Press, Chicago (they have published an eclectic list of many important artists including Christo, Judy Chicago, David Levinthal and Jack tworkov to name a few.)
Philip Pearlstein is an influential American painter best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums.
Philip M. Pearlstein was born on May 24, 1924 in Pittsburgh, PA. He attended Saturday morning classes at Pittsburgh's Carnegie Museum of Art. In 1942, at the age of 18, two of his paintings won a national competition sponsored by Scholastic Magazine, and were reproduced in color in Life magazine. In 1942, he enrolled at Carnegie Institute of Technology's art school, in Pittsburgh, where he painted two portraits of his parents now held by the Carnegie Museum of Art, but after one year he was drafted by the US Army to serve during World War II. He was initially assigned to the Training Aids Unit at Camp Blanding, Florida, where he produced charts, weapon assembly diagrams and signs. In this role, he learned printmaking and the screenprinting process, and subsequently was stationed in Italy making road signs. While in Italy, he took in as much renaissance art as was accessible in Rome, Florence, Venice and Milan, and also produced numerous drawings depicting life in the Army.
In 1946, sponsored by the GI Bill, he returned to Carnegie Institute, and first met Andy Warhol, who was attracted to Pearlstein because of his notoriety in the school, having been featured in Life magazine. During the summer of 1947, the three rented a barn as a summer studio. Immediately after graduating in June 1949 with a BFA, Pearlstein and Warhol moved to New York City, at first sharing an eighth-floor walkup tenement apartment on St. Mark's Place at Avenue A. He was eventually hired by Czech designer Ladislav Sutnar, mainly doing industrial catalog work, while Warhol immediately found work illustrating department store catalogs presaging Pop Art. In April 1950, they moved to 323 W. 21st Street, into an apartment rented by Franziska Marie Boas, who ran a dance class on the other side of the room. During this time, Pearlstein painted a portrait of Warhol, now held by the Whitney Museum of American Art. In 1950, Philip Pearlstein married Dorothy Cantor, with Andy Warhol in the wedding party...
Category
1970s American Realist USA - Interior Prints
Materials
Lithograph
Interior with Chair (Leo Castelli 90th Birthday Portfolio), 1997
By Roy Lichtenstein
Located in Greenwich, CT
Interior with Chair from the Leo Castelli 90th Birthday Portfolio is a serigraph on paper, 27 x 20.5 inches image size, signed and dated 'rf Lichtenstein '97' lower right and numbere...
Category
20th Century Pop Art USA - Interior Prints
Materials
Screen, Paper
CHRISTO 'WRAPPED FLOORS - 1984', HAND SIGNED OFFSET LITHOGRAPH
By Christo
Located in Pembroke Pines, FL
Artist: Christo
Title: Wrapped Floors
Medium: Offset lithograph
Size: 50 x 36 inches
Year: 1984
Publisher: Architekturmuseum, Basel, Switzerland
Reference #: Schellmann 110
Hand sign...
Category
1990s USA - Interior Prints
Materials
Offset
The Great Fire of London, 1666
By James Stow
Located in Middletown, NY
A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring.
London: Robert Wilkinson, 1811.
Copperplate engraving with hand coloring in wa...
Category
Early 19th Century English School USA - Interior Prints
Materials
Engraving, Watercolor, Handmade Paper
Jonas Wood, Interiors and Landscapes (Lt. Ed Hand signed and inscribed poster)
By Jonas Wood
Located in New York, NY
JONAS WOOD
Interiors and Landscapes
Offset lithograph poster (hand signed and inscribed)
24 × 18 inches
Hand signed, dated by Jonas Wood with the artist's distinctive basketball leg...
Category
2010s Contemporary USA - Interior Prints
Materials
Offset, Lithograph, Permanent Marker
Original Perlach Maccaroni - Spaghetti vintage poster pasta
By Richard Roth
Located in Spokane, WA
An original vintage poster of Perlach Macaroni Spaghetti created by Richard Roth for the German pasta brand, Perlach in the 1940s 1. The poster features an anthropomorphic pasta man...
Category
1940s Art Deco USA - Interior Prints
Materials
Lithograph
Vintage Le Corbusier '69 David Hockney Exhibition Poster Kilim southwest rug
By (after) David Hockney
Located in New York, NY
Shading in bright turquoise above a Southwestern style thunderbird Kilim rug adorns this original exhibition poster for David Hockney's 1969 show at Andre Emmerich, New York. This po...
Category
1960s Realist USA - Interior Prints
Materials
Lithograph
Venice Biennale: XLIV Esposizione Internazionale D'arte (Hand signed by Kapoor)
By Anish Kapoor
Located in New York, NY
Anish Kapoor
Venice Biennale: XLIV Esposizione Internazionale D'arte Biennale Di Venezia (Hand signed and inscribed by Anish Kapoor), 1990
HISTORIC signed poster published on the occasion of Kapoor representing Great Britain at the Venice Biennale
Offset lithograph poster (Hand signed, inscribed to Nadine and dated 2016)
Boldly signed, inscribed and dated by Anish Kapoor on the lower right front
33 × 23 inches
Unframed
Boldly signed and inscribed by Anish Kapoor on the lower right front for the present owner, Nadine, so provenance is direct.
This offset lithograph poster was published on the occasion of Anish Kapoor's exhibition "XLIV Esposizione Internazionale D'Arte" at the Biennale Di Venezia from May 27 to September 30, 1990. Hand signed posters by Kapoor are quite elusive.
The poster is two sided as it was published on the occasion of the artist's participation in the 1990 Venice Biennale (the verso has his lengthy biography), and it bears the original folds as issued.
British-Indian sculptor Anish Kapoor was chosen to represent Britain at the first Biennale of the 1990s. He had been exhibiting since 1980 but it was this show that brought him widespread recognition on the international stage. Sixteen huge sandstone blocks dominated the Pavilion’s main room; they were so heavy that the floor had to be reinforced with supports. Kapoor had started working in stone in the late 1980s and each block in Void Field (1989) has a hole filled with another motif in his work, the powdered blue pigment used in Indian religious ceremonies. The same vibrant tones, which was also inspired also by Yves Klein’s statement bold blue colour, were used in his low-lying slate sculpture, A Wing at the Heart of Things (1990), in the back gallery of the Pavilion; this work is now part of Tate’s collection.
“Venice is an interchange of East and West, reflecting the way Kapoor borrows from both cultures” said Henry Meyric Hughes, British Council.
Kapoor’s exhibition also wove together references to spiritualism and eroticism, with the red slit in the Pavilion's wall, entitled The Healing of St. Thomas (1989), alluding to the saint that doubted Jesus’ resurrection...
Category
1990s Contemporary USA - Interior Prints
Materials
Lithograph, Offset
DRAG QUEEN Original Lithograph, Surreal Pencil Portrait, Cabaret-Berlin style
Located in Union City, NJ
DRAG QUEEN is a superbly executed hand drawn, original lithograph printed from a lithographic stone using traditional hand printmaking techniques on archival paper 100% acid free. DRAG QUEEN portrays a pencil drawing of a seated man wearing a scallop edge black slip dress, dark stockings, pom pom mules/slides, holding a small black purse. He looks straight out toward the viewer with one eye open, one closed as he pokes the eye of a mysterious man looking up from the bottom of the composition. Very intriguing, Cabaret-Berlin style, surreal portrait that was hand printed in Paris France during the early 1970's. Artist is unknown....
Paper size: 12.75 x 9.5 inches, unframed, unsigned Printers Proof, hand torn edges, fine impression, excellent condition.
From Wikipedia, the free encyclopedia-
A drag queen is a person, usually male, who uses drag clothing and makeup to imitate and often exaggerate female gender signifiers and gender roles for entertainment purposes. In modern times, drag queens are associated with gay men and gay culture, but people of other genders and sexual identities...
Category
1970s Surrealist USA - Interior Prints
Materials
Lithograph
Synagogue Duke's Palace Houndsditch by Th. Sunderland after Pugin & Rowlandson
By Thomas Rowlandson
Located in Middletown, NY
A faithful architectural rendering of the earliest Ashkenazi synagogue constructed in London; built about 1690, and subsequently destroyed in the Blitz, 1941.
London: Rudolph Ackerm...
Category
Early 19th Century English School USA - Interior Prints
Materials
Aquatint, Engraving, Handmade Paper
Mid 19th Century Figurative Scene from "Great Exhibition of 1851", London
By Lowes Cato Dickinson
Located in Soquel, CA
Hand-colored steel engraving of a the Turkish section of the Great Exhibition of 1851 by Lowes Cato Dickinson (British, 1819-1908). On verso i...
Category
1850s Aesthetic Movement USA - Interior Prints
Materials
Watercolor, Engraving
Landscape with Window and Chair
By Robert Kipniss
Located in Fairlawn, OH
Landscape with Window and Chair
Mezzotint on wove paper, 2000
Signed in pencil lower right (see photo)
Edition: 150 (93/150) (see photo)
Special Presentation Print for the Print Club of Albany, 2000
Condition: Mint
Image/Plate size: 4 1/2 x 3 1/2 inches
Sheet size: 7 x 5 1/2 inches
From the Print Club of Albany:
"Kipniss states that it is part of his working process to explore an image in pencil, in paint and in print. As the image evolves, its ramifications lead to hints of the next work. This image is well-suited for this medium since in mezzotint the artist literally draws the light as he burnishes the tiny rocked copper pinholes that trap the ink and become the image."
From 1968 into 1990, Kipniss created lithographs that followed the style and content of his paintings, whether generally or specifically. A commission from a print publisher in 1968 for five editions of lithographs precipitated his adoption of lithography as a medium.
Kipniss's first lithographs were done in black and white, but by 1970 he was also working in color. He taught himself "to lay in the most delicately light silvery tones on the surface of the limestone by maintaining an exceptionally sharp point on the lithographic pencil and drawing with no pressure other than the weight of the pencil itself." He built up a support so that his hand and wrist could "dangle" over the stone. By 1990 Kipniss had completed about 450 editions of lithographs, usually of 90 to 250 impressions, at the Burr Miller studio in Manhattan. He worked from 1969 with master printer Burr Miller and then with Steve and Terry, his sons.
Works by the artist are in the following public collections:
• Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco, California Palace of the Legion of Honor*
• Albertina Museum, Vienna, Austria*
• Albright-Knox Art Gallery, Buffalo, NY
• Arkansas State University Permanent Collection, State University, AR
• Art Institute of Chicago, Chicago, IL
• Art Museum of Western Virginia, Roanoke, VA
• Art Students League of New York, New York, NY
• Bates College Museum of Art, Lewiston, ME
• Berkshire Museum, Pittsfield, MA
• Bibliothèque nationale de France, Paris*
• Boston Athenæum, Boston, MA
• Bowdoin College Museum of Art, Brunswick, ME*
• British Museum, London, England*
• Brooklyn Museum of Art, Brooklyn, NY*
• Butler Institute of American Art, Youngstown, OH
• Canton Art Institute, Canton, OH
• Carnegie Museum of Art, Pittsburgh, PA
• Century Association, New York, NY
• Cleveland Museum of Art, Cleveland, OH*
• Columbus Museum of Art, Columbus, OH
• Coos Art Museum, Coos Bay...
Category
Early 2000s Contemporary USA - Interior Prints
Materials
Mezzotint
Leamington
By Thomas McKnight
Located in Greenwich, CT
Leamington is a serigraph on paper measuring 26 x 41.25 inches, signed 'McKnight' lower right and annotated lower left. Framed in a classic, gold-tone frame. Numbered 122/200 from th...
Category
20th Century Contemporary USA - Interior Prints
Materials
Paper, Screen
"Suite: G Nr 5" Photography 32" x 24" in Edition of 10 by Lika Brutyan
By Lika Brutyan
Located in Culver City, CA
"Suite: G Nr 5" Photography 32" x 24" in Edition of 10 by Lika Brutyan
Archival pigment print on Hahnemühle Photo Rag Baryta.
Not framed. Ships in a tube.
Lika Brutyan is America...
Category
21st Century and Contemporary Contemporary USA - Interior Prints
Materials
Rag Paper, Archival Pigment
Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category
Early 2000s American Modern USA - Interior Prints
Materials
Color
North View of St. Paul's Cathedral, London English School, 19th century
Located in Middletown, NY
London: Tallis & Co., 1851
Lithograph on cream wove paper, 11 3/4 x 15 3/4 inches (297 x 398 mm), with vaulted margins at the top sheet edge. Significant toning, and some edge wear. ...
Category
Mid-19th Century English School USA - Interior Prints
Materials
Lithograph, Handmade Paper
Damien Hirst 'H13-1 Deadman’s Cove -2023' Signed & numbered
By Damien Hirst
Located in Pembroke Pines, FL
Artsist: Damien Hirst
Title: 'H13-1 Deadman's Cove"
Year: 2023
Medium: Laminated Giclee print on aluminium composite panel
Size: 47.2 x 35.4 Inches
Edition: Edition of 346
Numbered a...
Category
2010s Abstract Expressionist USA - Interior Prints
Materials
Giclée
1936 Lithograph Interregnum Street Riot Protest Small Edition Weimar Germany
By George Grosz
Located in Surfside, FL
Hand lithography on BFK Rives French hand moulded paper Style: German New Objectivity (Neue Sachlichkeit)
According to the frontis these were produced by Hand Lithography. According...
Category
1930s Modern USA - Interior Prints
Materials
Lithograph
FIRST TO ARRIVE Signed Lithograph, Blonde Woman, Waiter, Pink Cocktail w Lime
By Robin Morris
Located in Union City, NJ
FIRST TO ARRIVE by the woman artist Robin Morris, is an original limited edition lithograph printed in 14 colors using hand lithography techniques on archival Arches paper, 100% acid free. FIRST TO ARRIVE is an amusing cocktail party portrait...
Category
1980s Art Deco USA - Interior Prints
Materials
Lithograph
Damien Hirst 'H13-7 Mill Bay, Salcombe -2023' Signed & numbered
By Damien Hirst
Located in Pembroke Pines, FL
Artsist: Damien Hirst
Title: 'H13-7 Mill Bay, Salcombe'
Year: 2023
Medium: Laminated Giclée print on aluminium composite panel
Size: 35.4 x 35.4 inches
Edition: Edition of 289
Number...
Category
2010s Abstract Expressionist USA - Interior Prints
Materials
Giclée
Chris Ware New Yorker Cartoonist Limited Edition Thanksgiving Print NYC
By Chris Ware
Located in Surfside, FL
This is one print – printed in full color on 15" x 20" heavy cream-colored paper.
It is from a limited edition series of 175,
the portfolio is hand numbered and hand signed by Chris Ware. the individual prints are not.
The page with the hand signature is included here as a photo for reference only it is not included in this sale.
Franklin Christenson "Chris" Ware (born December 28, 1967), is an American cartoonist known for his Acme Novelty Library series (begun 1994) and the graphic novel Jimmy Corrigan, the Smartest Kid on Earth (2000) and Building Stories (2012). His works explore themes of social isolation, emotional torment and depression. He tends to use a vivid color palette and realistic, meticulous detail. His lettering and images are often elaborate and sometimes evoke the ragtime era or another early 20th-century American design style.
Ware often refers to himself in the publicity for his work in self-effacing, even withering tones. He is considered by some critics and fellow notable illustrators and writers, such as Dave Eggers, to be among the best currently working in the medium; Canadian graphic-novelist Seth has said, "Chris really changed the playing field. After him, a lot of [cartoonists] really started to scramble and go, 'Holy [expletive], I think I have to try harder.'"
While still a sophomore at UT, Ware came to the attention of Art Spiegelman, who invited Ware to contribute to Raw, the influential anthology magazine Spiegelman was co-editing with Françoise Mouly. Ware has acknowledged that being included in Raw gave him confidence and inspired him to explore printing techniques and self-publishing. His Fantagraphics series Acme Novelty Library defied comics publishing conventions with every issue.
Ware's art reflects early 20th-century American styles of cartooning and graphic design, shifting through formats from traditional comic panels to faux advertisements and cut-out toys. Stylistic influences include advertising graphics from that same era; newspaper strip cartoonists Winsor McCay (Little Nemo in Slumberland) and Frank King (Gasoline Alley); Charles Schulz's post-WWII strip Peanuts and the cover designs of ragtime-era sheet music. Ware has spoken about finding inspiration in the work of artist Joseph Cornell and cites Richard McGuire's strip Here as a major influence on his use of non-linear narratives. He is one of the great practitioners who have elevated the graphic novel style along with, Shepard Fairey, Ben Katchor and Robert Crumb.
Quimby the Mouse was an early character for Ware and something of a breakthrough. Rendered in the style of an early animation character like Felix the Cat, Quimby the Mouse is perhaps Ware's most autobiographical character.
Ware's Building Stories was serialized in a host of different venues. It first appeared as a monthly strip in Nest Magazine. Installments later appeared in a number of publications, including The New Yorker, Kramer's Ergot, and most notably, the Sunday New York Times Magazine. Building Stories appeared weekly in the New York Times Magazine from September 18, 2005 until April 16, 2006. A full chapter was published in Acme Novelty Library, number 18. Another installment was published under the title "Touch Sensitive" as a digital app released through McSweeneys. The entire narrative was published as a boxed set of books by Pantheon in October 2012.
Ware was commissioned by Chip Kidd to design the inner machinations of the bird on the cover of Haruki Murakami's novel The Wind-Up Bird Chronicle.
In 2011, Ware created the poster for the U.S. release of the 2010 Palme d'Or winning film Uncle Boonmee Who Can Recall His Past Lives by Thai director Apichatpong Weerasethakul.
Awards and honors
Over the years his work garnered several awards, including the 1999 National Cartoonists Society's Award for Best Comic Book for Acme Novelty Library and Award for Graphic Novel for Building Stories.
Ware has won numerous Eisner Awards and multiple Harvey Awards. In 2002, Ware became the first comics artist to be invited to exhibit at Whitney Museum of American Art biennial exhibition. With Will Eisner, Jack Kirby, Harvey Kurtzman, Robert Crumb and Gary Panter, Ware was among the artists honored in the exhibition "Masters of American Comics" at the Jewish Museum in New York City, New York, from September 16, 2006 to January 28, 2007. His work was the subject of solo exhibitions at the Museum of Contemporary Art, Chicago in 2006 and at the University of Nebraska's Sheldon Museum of Art, in 2007.
Many famous artists have done covers for the New Yorker Magazine including, Saul Steinberg, Maira Kalman, Art Spiegelman, Francoise Mouly, Charles Addams, Peter Arno, Roz Chast, Ed Koren...
Category
Early 2000s American Modern USA - Interior Prints
Materials
Color
Antique American Modernist Portrait Signed Limited Edition Serigraph Interlude
By Will Barnet
Located in Buffalo, NY
Vintage American modernist interior scene by Will Barnet. Titled "Interlude". Signed and numbered limited edition from 1982.
Category
1980s Modern USA - Interior Prints
Materials
Screen
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