USA - More Prints

Arms, John Taylor. LE PENSEUR DE NOTRE DAME. F.136. Etching, 1923. 1st State, edition of 150. 12 5/8 x 10 1/8 inches; 322 x 252 mm. Signed in pencil. In exc...

Artist Proof Print (9/11) 2018 Born in 1979, Denis Meyers is a Belgian urban artist. He studied at the National Superior School of Arts and Visuals of la Cambre, in Brussels, city where he currently lives and works. Denis Meyers is particularly known for his frescoes and stickers in form of faces, which he calls his “perso”, printed and cut out by hand and then spread in the urban space. The artist defines himself as a typographer, a vocation that he inherited from his grandfather, Lucien De Roeck (1915-2002) which created among others the ensemble of the World Expo poster...

Fine Art Cream Speckletone Paper with Gold Metallic Inks 24 × 18 in 61 × 45.7 cm Edition 98/275 Red Edition: "These 'Bee Geometric' prints remind us how much our planet depends o...

A very good impression of this color screenprint on Arches. Signed, dated and numbered 125/150 in pencil by Gottlieb. Printed by Kelpra Studio, London, with the ink stamp verso. Publ...

Color lithograph on Somerset white wove paper. Signed, dated and numbered 2/90 in pencil, lower margin. Printed by Derriere L'Etoile Studios, New York. Published by Brooke Alexander ...

This lithograph was printed in 1960 and is based on the glassworks of the Saint Dominique church in Varengeville, in Normandy, where Braque had his country house. The original gouach...

Hand signed rf Lichtenstein in pencil and numbered 270/280 lower right margin. Published by Leo Castelli Gallery, New York, Printer Chiron Press, New York. The Prints ofRoy Lichtenst...

Artist: Erhard Ratdolt (German, 1442-1528) Title: "Preface Page" and "Page CVI - 106" Portfolio: Missale Frisingense Year: 1492 (First edition) Medium: Set of Two Original Incunabula Leaves on watermarked laid paper Limited edition: Unknown Printer: Erhard Ratdolt, Ausburg, Germany Publisher: Sixtus of Tannberg, Freising, Germany Reference: Hain No. 11303; Weale/Bohatta No. 396; Schreiber No. 4699; Pell No. 7944 Sheet size (each): approx. 11.94" x 8.13" Condition: "Preface Page" has the occasional wormhole. Remnants of tape, a tape and a paper clip stain along its edge. Minor foxing and soiling mainly in margins. "Page CVI - 106" has remnants of tape and a small stain along its left edge. Light foxing and soiling about its sheet with some general edge wear. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition with strong colors Very rare Notes: Comes from Ratdolt's one volume "Missale Frisingense", (1492) (First edition), which consists of 576 pages of Gothic texts in Latin with red rubricated initials, music, and woodcut engraved illustrations. Printed in Augsburg by Erhard Ratdolt on March 17, 1492. "Preface Page" has a bull's head and cross watermark in the upper center of its sheet. Some information and old prices inscribed in pencil to their sheets. A missal is a book that contains the prayers, chants, biblical readings, and rubrics for celebrating Mass. The first missals were found in monasteries in the 12th and 13th centuries. The term missale is Latin for "Mass book". Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg. From 1475 to 1478 he was in partnership with two other German printers. The first book the partnership produced was the Calendarium (1476), written and previously published by Regiomontanus, which offered one of the earliest examples of a modern title page. Other noteworthy publications are the "Historia Romana of Appianus" (1477), and the first edition of "Euclid's Elements" (1482), where he solved the problem of printing geometric diagrams, the "Poeticon astronomicon", also from 1482, "Haly Abenragel" (1485), and "Alchabitius" (1503). Ratdolt is also famous for having produced the first known printer's type specimen...

Classic Poster Paper - Good Condition A Original lithographic poster created by Marino Marini for the 1972 Olympic Games in Munich, Germany. It is both ...

A very good impression of this scarce color lithograph on Rives BFK. Signed and numbered 13/50 in pencil by Francis. Published by Editions Daniel Papierski, Paris. From "Papierski Po...

A very good impression of this scarce and early lithograph on Arches. Edition of 50. Printed at Hollander's Workshop, Inc., New York, with the blind stamp lower right. Provenance: ...

Artist: Robert Freimark – American (1922-2010) Title: Hawaiian Icon Date: 1991 Medium: Lithograph in 5 colors on Somerset paper Image size: 22 x 30 inc...

HIGH TIDE, LOW TIDE is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on arch...

Wrapper, 1971 34 x 39.75 in. / 86.5 x 101 cm Lithograph (Zinc) in 6 colours, 4 printing forms on white paper. Edition of 19, numbered and signed, each a unique print, 3 AP. Numbere...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 96/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlborou...

The Express Train published by Currier & Ives 152 Nassau Street New York City from the small folio shows a train traveling through the country side wit...

A very poignant depiction. A H Marsh is one of the English artists who devoted themselves to the representation of pathetic subjects. The gravity of this painter's idea is always to ...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting ...

This artwork titled "Sunspot" c.1980 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed, titled, and numbered 3/30 in pencil by the ...

The Curly Coated Retriever 1887 Etching

This map was printed from a copperplate engraving in 1746. The printed image size is 18.25 x 21.75 inches (46.3 x 55.2 cm) plus margins. An attractive double hemisphere map...

This artwork :La Seine a Paris" c.1990 is an original color serigraph on hand made paper by American artist Linea Pergola, b.1953. It is hand signed and numbered A.P. 25/50 in pencil...

Artist: Marc Chagall Title: Acrobats at Play Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 3/4" x 9...

Patrick Rubinstein is a French contemporary artist, born in 1960 in Paris. He belongs to the movement of Op Art and Kinetic art. He is the inventor of the movement Kinetic Pop Art,...

Artist: Joan Miro Title: Plate VII Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 26" Sheet Size: 12 1/2" x 20" Image Size: 12 1/2" ...

Emilio Sanchez (1921-1999) created this color lithograph entitled “LAS CABANAS” in 1996-98. This impression is signed, titled, and inscribed in pencil. Estate stamped on verso. The...

Blindspot Richard Serra, American (1938–2024) Date: 2003 Poster, signed in marker lower right Size: 35 x 40.5 in. (88.9 x 102.87 cm) Printer: Anthony McCall...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

A very good impression of this color screenprint on white wove paper. Signed, dated and numbered 74/75 in pencil by Gottlieb. Published by Marlborough Graphics, Inc., New York.

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Nowhere Man," first released on "Revolver" by the Beatles in 1965. This limited edition was releas...

Artist: Pablo Picasso Title: Square Head of a Man with Clenched Mouth (Plate IX) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...

Two-color screen print, painted museum box (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series, "Final Girls" This artwork is offered by ClampArt, located in...

ANCIENT SCRIPT by the Israeli artist Moshe Castel (1909-1991) is an original etching and aquatint printed in colors with carborundum using traditional hand intaglio techniques on arc...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jesus Christ Mis Au Tombeau (B86), Year: 1878 (of original 1654), Medium: Heliogravure on Laid Paper, Size: ...

The drypoint created in 1920 is a working state, the fourth of eight. The eight states are listed in the Frank W. Benson catalogue raisonne by Adam Paff #184. There are two recorded impressions of this print making it a rare find. It is signed in pencil and inscribed "D-2." The Image size 4 3/8 x 5 13/16" (11.1 x 14.8 cm). The final printed edition of "Three Yellowlegs" was 150. Frank Weston Benson (1862-1951), well known for his American impressionist paintings, produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. While a teenager his fascination with drawing and birding developed simultaneously and continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Artist: Marc Chagall Title: Blue Still Life Portfolio: Derriere le Miroir 99-100 Medium: Lithograph Date: 1957 Edition: 2500 Frame Size: 19 1/2" x 17 3/4" Sheet Size: 15" x 11" Signa...

Artist: Henri Matisse (after) Title: Acanthes Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2" Signature: No Reference...

Color lithograph, Edition 30. Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...

Edition of 100. Published by the Chinati Foundation, Marfa, 2003. Works come framed with UV Filtered Acrylic Glazing. Each work is framed separately, each print is 25 3/8 x 37 3/8 i...

Pencil signed and numbered 74/100 in black crayon in lower margin. Printed by Taller de Gráfica Mexicana, Mexico City. A very good impression with vibrant colors. The current prin...

Abstract Hebrew Prints on heavy mould made paper from small edition of 15. there is a facing page of text in Hungarian folded over. Hard edged geometric abstract prints in color base...

This 1963 lithograph, printed in color, is a fine example of Ben Shahn’s long preoccupation with the theme of the blind botanist and illustrates his con...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Moon Shell Jill O’Connell Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 500, AP Image Size: 24.5 x 19 inches Size: 29.5 in. x 23 in....

I think this text in this Conformity Factory print speaks for itself, but I’d add that we all need to ask the question: who are the overlords of the conf...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist. With the blind stamp of the publisher, Western Wedge, Oakland California at the lower left corner. The sheet size is 18 x 24 inches. It is in excellent condition, has never been framed. An example of this particular artwork is in the permanent collection of the Museum Of Modern Art in San Francisco...

(20th century) Theban Archaeopteryx Lithographica lithograph edition of 15 signed Barbara Trupp was born in Nebraska and spent her childhood in Montana. She studied at the Banff Centre School of Fine Arts in Alberta, Canada; the University of Puget Sound; and the University of Michigan. Theban Archeaopteryx Lithographica was printed at the Plucked Chicken Press in Evanston, Illinois. “The stone is the shape of the Rosetta Stone, unlocking language, [a] key to the past,” says Tripp. “Wouldn’t it be wonderful if you came across a stone, chipped at it, and revealed layer upon layer of visual history, images from sophisticated Egypt back to Paleozoic trilobites? “Lithography stones, quarried from the Jura Mountains of Bavaria, reach us from the Jurassic period of the Mesozoic, bearing fossils of the first birds. The bird fossil looked like it was doing an Egyptian dance, and that reminded me of the wall paintings of the House of Eternity in Thebes. ‘Paint the walls brightly, cheerfully, so that our souls will take the form of birds and fly,’ said Sennefer, the mayor of Thebes, in the tomb of his wife Meryet. “Fossils and archeological evidence provide proof that others existed before us, and allow us to see their thoughts. The past is with us. Like Archaeopteryx, Sennefer and Meryet still fly through eternity, though frozen in stone. Above them is the protective eye of Horus. Trilobites represent a breathtaking explosion of Cambrian life forms. Between Archaeopteryx and Egypt, I wanted mammals. Petroglyphs. Human marks. Because my right hand is the trained hand, I drew with my left, childlike. And I drew with a stick, dipped in asphaltum, and a ratty old brush...

Artist: Christo Title: The Umbrellas, Joint Project for Japan and the U.S.A. Medium: Offset lithograph in colors on wove paper Date: 1987 Edition: Unnumbered Sheet Size: 36 3/4" x 27...

Paul Insect: Paul Insect is a UK contemporary artist. Best known for his collective named ‘insect’ that started in 1996 he is a collage, portrait master w...

ARTIST: Salvador Dali TITLE: Moses & Monotheism Moses & Akhenaton MEDIUM: Etching on soft glove sheepskin SIGNED: Hand Signed PUBLISHER: Art et Valeur, Paris EDITION NUMBER: 2...

ARTIST: Salvador Dali TITLE: Fruits Blackberries MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: VIII/CL MEASUREMENTS: 21.9" x 29.1" YEA...

"Light Station" is a limited edition print by contemporary artist Jing Zhiyong, known for his distinctive style that blends childlike simplicity with deeper, often humorous social co...

"Based on one of my art pieces focused on peace and harmony included in my exhibition at the Straat Museum in Amsterdam. I have replicated many of the textures of the original art pi...

"Gobbledygook" monoprint with collage, engraving and embossment on hand-dyed Twinrocker handmade paper from Two Palms Publishing. Signed and dated Bochner 2017 lower right recto. Ima...

Ballads Galerie Alexandre Iolas Poster by William N. Copley (CPLY) New-York, Geneve, Milan, Paris 196, Boulevard Saint-Germain William Nelson Copley (January 24, 1919 – May 7, 1996) also known as CPLY, was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art. William N. Copley was born in New York City in 1919 to parents John and Flora Lodwell; they died shortly after in the 1919 Spanish Flu epidemic. Copley was adopted in 1921 by Ira C. Copley, the owner of sixteen newspaper companies in Chicago and San Diego. Copley was ten years old whereby the family moved to Coronado Island, California. Copley was sent to Phillips Andover and then Yale University by his adopted parents. He was drafted in the Second World War in the middle of his education at Yale, a decision negotiated by the school and the army. Copley experimented with politics upon returning home from the war, working as a reporter for his father's newspaper. By 1946, Copley met and married Marjorie Doris Wead, the daughter of a test pilot for the Navy. Doris's sister was married to John Ployardt, a Canadian-born animator and narrator at Walt Disney Studios. Copley and Ployardt soon became friends and Ployardt began introducing Copley to painting and Surrealism. The two traveled to Mexico and New York, discovering art, meeting the artists behind the works, and grasping Surrealist ideas. It was during this time that Copley and Ployardt decided to open a gallery in Los Angeles to exhibit Surrealist works. Copley and Ployardt tracked down Man Ray while living in Los Angeles. Ray then introduced them to Marcel Duchamp in New York City. There, Duchamp opened many doors for them, introducing the two to New York dealers in Surrealism. In 1948, Copley and Ployardt opened The Copley Galleries in Beverly Hills, displaying works by artists including René Magritte, Max Ernst, Yves Tanguy, Roberto Matta, Joseph Cornell, and Man Ray. Copley moved to Paris in 1949–50, leaving behind his wife and two children to continue to paint. During his time in Paris, he remained in Surrealist circles and continued to paint with a uniquely American style. Copley's first exhibition took place in Los Angeles in 1951 at Royer's Book Shop. From there Copley participated in numerous solo and group exhibitions worldwide. In 1961, Copley was given an exhibition in Amsterdam by the Stedelijk Museum. The museum became the first public institution to add a Copley to their collection. Copley's paintings throughout the 1950s and 60s dealt with ironic and humorous images of stereotypical American symbols like the Western saloon, cowboys, and pin-up girls combined with flags. His works during this period were often considered a combination of American and Mexican folk art and melded in well with the new young POP movement occurring in America when he returned to New York in the 1960s. Artists like Andy Warhol, Christo, Roy Lichtenstein and many others were frequent visitors at Copley's studio on Lower Broadway. Copley believed that pop art had always interested him, claiming American pop art had much to do with "self-disgust" and "satire." In 1967, after a divorce with his second wife, Noma, Copley and new friend Dmitri Petrov decided to publish portfolios of 20th-century artist collaborations with the abbreviation SMS (for "Shit Must Stop"). Copley's Upper West Side loft became a meeting place for performers, artists, curators, and composers to work together on the open-ended collective. The SMS portfolio...

UNION POND, WILLIAMSBURGH, L. I. [sic] is a lithograph printed in color in circa 1862. It was published by Thomas & Eno, 37 Park Row, N.Y. The printed image size is 16 3/4 x 27 in...

This artwork titled "Bridge" 1980 is an original color serigraph by American artist Darryl Sapien, b.1950. It is hand signed, dated and numbered 10/31 in pencil by the artist. The sheet size is 28.25 x 21.85 inches, framed size is 30 x 23.65 inches. It is framed in a black metal frame. The artwork is in excellent condition, the frame has minor scratches. About the artist: Selected exhibitions. San Francisco Art Institute, B.F.A., Sculpture 1974 "Introductions 74," Hansen-Fuller Gallery, San Francisco, California (Group Exhibition) 1976 San Francisco Art Institute, M.F.A., Sculpture 1976 "17 Artists, Hispano/Mexican American/Chicano," The Mexican Museum, San Francisco, California (Group Exhibition) 1976 "Other Sources," San Francisco Art Institute, (catalog)(Group Exhibition) 1977 "Work in Progress,” Union Gallery, San Jose State University, San Jose, California (catalogue) 1977 "Painting and Sculpture in California: The Modern Era," (catalog) San Francisco Museum of Modern Art & The Gallery of the National Collection of Fine Arts, Washington, D.C. (Group Exhibition) 1977 "Tokyo-Bay Area Exchange," Kanagawa Prefectural Hall, Tokyo, Japan (Group Exhibition) 1977 "Arte Fiera di Bologna," Bologna, Italy (Group Exhibition) 1978 "California-Hawaii Biennial," San Diego Fine Arts Gallery, Honolulu Museum of Art, Honolulu, Hawaii (Group Exhibition) 1979 “Darryl Sapien, Recent Work,” Gallery Paule Anglim, San Francisco, California 1979–1980 "From Self-Portrait to Autobiography," Neuberger Museuem, Purchase, New York, New Gallery of Contemporary Art, Cleveland Ohio (catalog) (Group Exhibition) 1980 "Space/Time/Sound: A Decade in the Bay Area," San Francisco Museum of Modern Art (catalog) (Group Exhibition) 1981 "19 Artists, Emergent Americans," Solomon R. Guggenheim Museum, New York City (catalog) (Group Exhibition) 1981 "La Vue Independante," The American Center, Paris France (Group Exhibition) 1981 “American Roulette”, Solomon R. Guggenheim Museum, New York, NY (Performances) 1982 "California Art on the Road," Laguna Beach Museum of Art, Laguna Beach, California (Group Exhibition) 1984 “Darryl Sapien at Studio Ink,” San Francisco, California 1984 "Crime and Punishment," Triton Museum of Art, Santa Clara, California (Group Exhibition) 1984 "Artists and the Theater," Phillipe Bonnafont Gallery, San Francisco, California (Group Exhibition) 1985 "The Twentieth Century," San Francisco Museum of Modern Art (Group Exhibition) 1985 Contemporary Art, 30,000 B.C. to the Present," San Jose Institute of Contemporary Art, San Jose, California (Group Exhibition) 1987 "Connotations," Southern Exposure Gallery, San Francisco, California (Group Exhibition) 1988 “Darryl Sapien: Artspace Painting Grant Award” Artspace Gallery, San Francisco, California (catalogue) 1988 "Digital Visions: Computers and Art," Everson Museum of Art, Syracuse University, New York (catalog) (Group Exhibition) 1989 "Darryl Sapien and David Flipse" Riskin-Sinow Gallery, San Francisco, California (Group Exhibition) 1990 "The Written Word," Richmond Art Center, Richmond, California (Group Exhibition) 1991 "Four Hispanic Artists," San Francisco Art Commission Gallery (Group Exhibition) 1994 “Darryl Sapien: Recent Work,” Opts Art, San Francisco, California 1995 "Facing Eden: One Hundred Years of Landscape Art in the Bay Area," M.H. DeYoung Museum, San Francisco, California (Group Exhibition) 1996 “Darryl Sapien,” City College of San Francisco 2003 "Reactions, Artists Respond to September 11, 2001," Library of Congress, Washington, D.C. (Group Exhibition) 2005 “Darryl Sapien,” Swallowtail Gallery, San Francisco, California 2010 "75 Years of Looking Forward" San Francisco Museum of Modern Art (catalog) (Group Exhibition) 2010 “Radical Light,” U.C. Berkeley Art Museum (catalog) (Group Exhibition) 2011 “State of Mind: new California Art circa 1970” (catalog) Orange County Museum of Art, California (Group Exhibition) 2012 Berkeley Art Museum, U.C. Berkeley, California (Group Exhibition) 2012 Belkin Gallery, University of British Columbia, Canada (Group Exhibition) 2013 Site Santa Fe, NM (Group Exhibition) 2013 The Bronx Museum of the Arts, NY (Group Exhibition) 2013 “Son of War Games”, The Bronx Museum of the Arts, New York, NY (Performances) 2013–2014 The Smart Museum, Chicago, IL (Group Exhibition) 2014 "The site a live" San Francisco Art Institute (Group Exhibition) 2015 "Out Of This World," Bonnafont Gallery, San Francisco, California Public Collections Solomon R. Guggenheim Museum, New York City San Francisco Museum of Modern Art, San Francisco, California Berkeley Art Museum, University of California, Berkeley The Oakland Museum, Oakland, California The American Academy of Opthalmology, San Francisco, California National Automobile and Casualty Insurance Company, Pasadena, California City and County of San Francisco-Public Utilities Commission Building Performances “Synthetic Ritual”, San Francisco Art Institute “Initiation”, San Francisco Art Institute “War Games”, corner of Third & Howard Street San Francisco, California (outdoor sitespecific) “Split-Man Bisects the Pacific”, the ruins of Sutro Baths...

Artist: Joan Miro Title: Plate 13 Portfolio: Peintures sur Cartons Medium: Lithograph Date: 1965 Edition: Unnumbered Frame Size: 21 1/4” x 17 1/4” Sheet Size: 15” x 11” Image Size: 1...

Tim Engelland (American, 1950-2012) Untitled (Waiter), 1987 Woodcut 11 x 8 1/2 in. Numbered, dated, and signed bottom: 87/100, 1987, T. Engelland A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

Artist: Mark Sabin Title: The Unicorn Medium: Screenprint Signed: Hand Signed Edition: Edition of 250 Measurements: 32" x 26" Note: This piece is sold ...